Knowledge (XXG)

Sheila Girling

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508: 20: 29:(1 July 1924 – 14 February 2015) was a British artist who worked across painting, collage and clay. She was one of the first British artists to use acrylic medium and is known for working directly on the floor to immerse herself in the detail of her canvases. Girling was married to the sculptor Sir 65:
on 1 July 1924. Her father, Cyril Stanley Frank Girling, was an engineer working for Dunlop Tyre Company and her mother was Beatrice May (née Harvey). Many of her family members had been painters, including her paternal grandfather, uncle and aunt. Her grandfather was also an art dealer in London,
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Artist Workshop with Caro, philanthropist Robert Loder and curator Terry Fenton. Triangle Workshop was an artistic network that connected abstract painters and sculptors across continents. Here, Girling developed her collage painting technique that makes-up her late body of work.
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In the late 1990s Girling began making smaller collage works on canvas and paper, alongside her established large-scale collage paintings. In the later half of her career, her works moved towards figuration, often sitting at the boundary between abstraction and representation.
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Throughout the late 1970s and early 1980s Girling took part in numerous solo and group exhibitions at major venues including Camden Art Gallery, Warwick Arts Trust, Acquavella Contemporary Art, The Royal Academy and Francis Graham Dixon Gallery.
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painters and reformulated what her practice was and could be. In 1965 the couple returned to England to a vibrant arts scene and raised their two sons. Over this period, Girling developed close relationships with the
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and studied at the Royal Academy. Her first solo exhibitions were in Canada, but she exhibited widely in Britain and the United States. Her works are in the collections of The Yale Centre for British Art (New Haven),
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during a clay workshop with ceramicist Margie Hughto in 1978. Rather than putting pigment on the clay, Girling broke with tradition and put pigment into the clay, which was then layered and pressed together.
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opened at Roche Court, Salisbury, celebrating what Girling and Caro called a ‘64 year conversation about art’. Then in 2015, after her death, a retrospective of her work was held at
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She paused her art career to focus on raising them, however she took an active role in the career of her husband, advising him and selecting the colour of
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Impressionist and Modern Art Department Sophie Camus and her husband, the documentary photographer and Girling’s neighbour at Frognal, Alexander Lindsay.
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Alongside being an accomplished and experimental painter, Girling also produced a vast body of works in clay. These abstract collage slabs were made in
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As her career progressed and her body of work rapidly grew, Girling caught the attention of Acquavella Contemporary Art (
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from 1941-1944 and from 1947 trained at Royal Academy Schools, London. On 17 December 1947, she married Sir
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In 1963 Girling and Caro moved to Vermont, where Girling developed close relationships with the
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Girling died of heart disease, at her home in Frognal, on 14 February 2015, aged 90.
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opened at Space to Breathe, Bowhouse, Fife, curated by Former Director of
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who allegedly would deal in fakes and create forgeries at his studio.
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Girling exhibited extensively throughout her life, beginning at the
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as well as in the works of modern and contemporary artists such as
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In 2006 the first international retrospective of her work,
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This article about an artist from the United Kingdom is a
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The show toured to Calgary Art Gallery, Alberta and
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Index

Polaroid of older woman smiling in light grey polar neck jumper.
Anthony Caro
Birmingham
Insitut Valencià d’Art Modern
Royal Collection Trust
Erdington
Birmingham
Birmingham School of Art
Anthony Caro
Timothy
Abstract art
Colour Field
Colour Field
Kenneth Noland
Helen Frankenthaler
Jules Olitski
Syracuse, New York
Acquavella Galleries
French Impressionists
Lucian Freud
Henri Matisse
Joan Miro
Anthony Caro
Triangle
Royal Academy Summer Exhibition
Edmonton Art Gallery
Everson Museum of Art
Insitut Valencià d’Art Modern
Annely Juda Fine Arts
Sotheby's

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