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Sherman's March (1986 film)

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361:) in New York and immediately said he'd take it. I wanted to shop around a bit, because it's a very small company and I wanted to see what else was available. I got turned down by every other middle-range distributor. I didn't even bother to go to the studios or the major distribution outlets. First Run Features was the only company willing to take a chance on it and, in fact, it did terrifically well. According to their statistics, until 29: 450:— rough, real-life documentary filmmaking that seeks to expose a subject's soul through its very lack of polish. In McElwee's case, that subject is almost always himself. Insistently personal, always autobiographical, occasionally exploitative, watching McElwee is like watching someone's (well-financed) 258:
said—somewhat seriously, somewhat joking—'You should use the camera as a way to meet women.' She's sincerely upset about my having ended my relationship with my girlfriend, and she's looking for ways to get me back on my feet. ...t the point when she gave me her advice about how to use
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I was almost always ready to shoot. I kept the camera within reaching distance, sometimes balanced on my shoulder ... Even between major portraits, when I was on the road, I was totally open to filming whatever might happen in a gas station or in a restaurant, or wherever. So in one sense you can
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is simultaneously very revealing and somewhat mysterious: the candidness of the scenes is frequently startling, but the more the film — and McElwee-as-narrator — reveals, the more we realize that there are many aspects of the relationships he is recording that we are not privy to. We
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with just a $ 9,000 grant (equivalent to $ 25,496 in 2023), and began conducting mostly impromptu interviews. "Pretty much I always walked in on them," he said, characterizing his methods. "I guess what my conversations have that conventional interviews don't is a serendipitous quality, and
197:". A romantic breakup that the director experienced before filming made it difficult for him to separate personal from professional concerns, however, shifting his focus to create a more personal story about the women in his life, romance, and religion. Other themes include the threat of 229:
I was just learning to shoot as a one-person crew. I was just getting over that odd sense of camera shyness in reverse. It takes a while to summon the gumption to shoot people you know well, to be able to face them and talk to them as you're filming. Also, I was using a
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called McElwee a "film maker-anthropologist with a rare appreciation for the eccentric details of our edgy civilization," and the film both "a timely memoir of the 80's" and "a very cheerful recollection of the kind of self-searching, home-movie documentaries that
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The film follows a repetitive narrative pattern; McElwee becomes enamored with various women, eventually developing feelings for each of his subjects, only to have his romantic hopes dashed. McElwee stated it’s a personal essay blending fiction and nonfiction.
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emotional charge that has something to do with the personal connection between the subject and the film-maker. I never came with a list of questions." The film ultimately cost $ 75,000 (equivalent to $ 212,469 in 2023) to complete.
305:" and the film "like a series of variations on loneliness, funny and sad" but "never self-pitying," "sustain its loopy absurdist tone, reveling in the post-Civil War ironies of the misunderstood Sherman, identifying with them." 385:'s) hopes, concerns, nightmares; and we are behind the camera with McElwee as he uses the film-making process to forge new relationships and to revise previously important relationships. As is true in many literary 367:
came along it was their top-grossing film. It's supposed to be the tenth-highest grossing feature documentary of all time. Isn't that incredible? I could never have imagined it being that kind of a film.
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comes from the way McElwee, in his roundabout way, completes the portrait of Sherman he originally set out to achieve", but considered it too long, especially given its poor technical quality.
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I used a miniature Nagra SN, a very highly developed piece of recording equipment that could fit on my belt. This technological improvement made shooting much easier.
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Documentary Film and the Discourse of Hysterical/Historical Narrative ." Documenting the Documentary: Close Readings of Documentary Film and Video
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magazine, reviewing the film's then-newly released DVD, gave it three stars out of five, saying that it "looks and sounds like its [
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Sherman's March: A Meditation on the Possibility of Romantic Love In the South During an Era of Nuclear Weapons Proliferation
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deemed the film "culturally, historically, or aesthetically significant" and selected it for preservation in the
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4, a very large tape recorder: it weighs 20 pounds and I carried it slung over my shoulder. For
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lasted about five months, and McElwee estimated that he shot about 25 hours of footage:
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MacDonald, Scott (Summer 1988). "Southern Exposure: An Interview with Ross McElwee".
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cannot help but wonder about the narrator as we experience things with him.
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McElwee initially planned to make a film about the effects of General
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List of films and television shows about the American Civil War
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Initially, McElwee thought the film would be a "synthesis of
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Scott MacDonald wrote in his introduction to a summer 1988
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Sundance Film Festival Grand Jury Prize: U.S. Documentary
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and the legacy and complexity of Sherman's own life.
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Oxford University Press. 620:"FILM: A Documentary, 'Sherman's March'" 420:in the documentary category at the 1987 613: 611: 609: 509: 1020:Sundance Grand Jury Prize: Documentary 997:Brows Held High's take on the 1986 doc 749:Insdorf, Annette (September 7, 1986). 446:proclaims McElwee "a modern master of 283:count all that time as 'filming time.' 7: 618:Canby, Vincent (September 5, 1986). 1176:Silverlake Life: The View from Here 1525:English-language independent films 1520:Autobiographical documentary films 1515:English-language documentary films 259:the camera, I experienced a minor 14: 1480:Films set in Georgia (U.S. state) 751:"When Film Makers Play It By Ear" 478:Everything Everywhere All At Once 250:," but the day after filming the 217:McElwee called his previous film 1200:Troublesome Creek: A Midwestern 795:Hunt, Paula (January 7, 1994). 1465:Films directed by Ross McElwee 906:Gonzales, Ed (April 2, 2004). 712:University of California Press 1: 1249:Long Night's Journey into Day 927:Lee, Chris (April 13, 2022). 873:Hardwig, Jay (6 April 1998). 1505:1980s English-language films 1485:Films shot in South Carolina 908:"Sherman's March DVD review" 653:Wayne State University Press 401:wrote that the "richness of 1124:Beirut: The Last Home Movie 1031:Beirut: The Last Home Movie 358:Independent Feature Project 107:September 5, 1986 1541: 1490:American documentary films 1305:Manda Bala (Send a Bullet) 895:– via filmvault.com. 666:Corrigan, Timothy (2011). 1026: 1017: 1009: 1004: 982:at Ross McElwee's website 475:influenced the 2022 film 364:Strangers in Good Company 26: 16:1986 film by Ross McElwee 768:Carr, Jay (1985-11-13). 546:New Georgia Encyclopedia 389:, McElwee's approach in 377:interview with McElwee: 267:McElwee set out to film 179:William Tecumseh Sherman 153:written and directed by 1273:Capturing the Friedmans 1168:A Brief History of Time 527:American Film Institute 387:first-person narratives 1500:1986 independent films 1495:1986 documentary films 830:"Sherman's March (NR)" 797:"McElwee's March (NR)" 647:Fischer, Lucy (1998). 430:National Film Registry 422:Sundance Film Festival 396: 369: 336:In 1994, McElwee told 285: 265: 240: 167:National Film Registry 163:Sundance Film Festival 1216:The Farm: Angola, USA 1109:Private Conversations 1013:Private Conversations 828:(December 25, 1986). 379: 345: 330:David Holzman's Diary 292:In 1985, Jay Carr of 280: 276:Principal photography 256: 227: 1510:1980s American films 1337:How to Die in Oregon 1297:God Grew Tired of Us 1265:Daughter from Danang 880:The Austin Chronicle 862:. December 27, 2000. 443:The Austin Chronicle 323:, the director, and 1345:The House I Live In 860:Library of Congress 835:The Washington Post 801:MovieMaker Magazine 426:Library of Congress 347:The distributor of 339:MovieMaker Magazine 157:. It was awarded a 1184:Freedom on My Mind 964:Sundance Institute 887:on January 4, 2001 755:The New York Times 625:The New York Times 578:Sundance Institute 349:First Run Features 298:called McElwee a " 93:First Run Features 1447: 1446: 1391:The Price of Free 1321:We Live in Public 1313:Trouble the Water 1038: 1037: 1027:Succeeded by 875:"Sherman's March" 542:"Sherman's March" 440:A 1998 review in 185:campaign through 139: 138: 1532: 1399:One Child Nation 1257:Southern Comfort 1154:Paris Is Burning 1064: 1057: 1050: 1041: 1010:Preceded by 1002: 946: 945: 943: 941: 924: 918: 917: 903: 897: 896: 894: 892: 883:. Archived from 870: 864: 863: 852: 846: 845: 843: 842: 822: 816: 815: 813: 812: 803:. 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Kit Carson 295:The Boston Globe 236:Sherman's March, 195:March to the Sea 159:Grand Jury prize 151:documentary film 114: 112: 31: 19: 1540: 1539: 1535: 1534: 1533: 1531: 1530: 1529: 1450: 1449: 1448: 1443: 1236: 1146:Water and Power 1132:For All Mankind 1116:Sherman's March 1073: 1068: 1034: 1023: 1015: 992:Rotten Tomatoes 987:Sherman's March 970:Sherman's March 959:Sherman's March 954: 949: 939: 937: 926: 925: 921: 905: 904: 900: 890: 888: 872: 871: 867: 854: 853: 849: 840: 838: 826:Attanasio, Paul 824: 823: 819: 810: 808: 794: 793: 789: 780: 778: 767: 766: 762: 748: 747: 743: 720:10.2307/1212562 699: 698: 685: 678: 665: 664: 660: 646: 645: 641: 617: 616: 607: 591: 590: 586: 571:Sherman's March 567: 566: 559: 550: 548: 540: 539: 535: 520:Sherman's March 516: 515: 511: 507: 495: 473:Sherman's March 457:In April 2004, 438: 424:. 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Index


Ross McElwee
First Run Features
cinéma vérité
documentary film
Ross McElwee
Grand Jury prize
Sundance Film Festival
National Film Registry
William Tecumseh Sherman
Civil War
Georgia
Carolinas
March to the Sea
nuclear war
Cold War
Nagra
Scottish games
epiphany
Principal photography
The Boston Globe
Tarheel
Woody Allen
New York Times
Vincent Canby
Jim McBride
L. M. Kit Carson
David Holzman's Diary
MovieMaker Magazine
First Run Features

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