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declined as the military government tightened its control over the arts and culture during wartime. In 1939, the Army Art
Association was established under the patronage of the Army Information Section to promote war art. By 1943, an official commission for war painting was set up and artists’
431:(1907–1980) continued to utilize the collaborative system during the 1960s and 1970s. In the last decades of the 20th century publishers instead concentrated on making reproductions of early 20th century
185:
traditions of emulating hand-drawn brushstrokes seeking instead to "create works replete with creativity and rich with artistic quality, by avoiding enslavement to hand-drawn painting or old models".
554:
This style was very popular early on with tourists in Japan (Watanabe described them as "souvenir prints") and for foreign export. Its typically smaller prints (smaller than
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exported were
Capelari and Bartlett prints in 1916, however, no foreign exhibitions were held until at Boston in March 1924. A larger exhibition of 68 works was held at the
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Modern
Japanese prints: printed from a photographic reproduction of two exhibition catalogues of modern Japanese prints published by the Toledo Museum of Art in 1930–1936
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prints appealed to
Western taste for nostalgic and romanticized views of Japan and as such, enjoyed immense popularity overseas. In the 1920s, there were articles on
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were less commonly seen and the overall number of printing impressions decreased. To satisfy foreign collectors, colors became brighter and more saturated.
21:
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558:) were less expensive to produce and less expensive to purchase, and they ultimately provided the financial stability to Watanabe to nurture the
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era, architecture, art and clothing in Japan came to follow
Western modes. Japanese art students were trained in the Western tradition. Western
314:
in Ohio in 1930 and 1936. Through the 1930s and then after the Second World War, art dealers such as Robert O. Muller (1911-2003) imported
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expressly resisted replicating brushstrokes) while beginning to eschew contour lines and large flat areas of color typical of historical
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enjoyed immense popularity and prestige in the international art scene. The early 21st century has seen somewhat of a resurgence in
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Japan with modern printmaking techniques. Techniques characterized by continuing to replicate the hand-drawn brushstrokes of
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artists incorporated
Western elements such as the impression of light and the expression of individual moods. It eschewed
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never regained its momentum postwar. Nevertheless a small number of artists continued in the tradition. Artists such as
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system) where the artist, carver, printer, and publisher engaged in division of labor, as opposed to the parallel
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Watanabe introduced new printing techniques, most notably in the extensive use of printed layers of either
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prints were considered by the
Japanese as mass commercial products, as opposed to the European view of
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materials were rationed. Overseas market for
Japanese prints declined drastically at the same time.
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535:, it did not depict contemporary Japan, instead it offered nostalgic views of pre-industrial, pre-
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and prospered until about 1927, with its popularity waning inversely to the growing popularity of
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988:. Washington D.C.: Arthur M. Sackler Gallery, Smithsonian Institution and Hotei Publishing 2004.
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in
October 1926. Later, the promoter of said Boston and Indianapolis touring exhibitions, artist
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Printed to
Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection
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148:(1885–1962), and flourished from around 1915 to 1942, resuming on a smaller scale after the
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The New wave : twentieth-century Japanese prints from the Robert O. Muller collection
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220:, the term that he used to describe less labor-intensive souvenir prints such as those by
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Dream Worlds: Modern Japanese Prints and Paintings from the Robert O. Muller Collection
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Information about the man behind one of the most well known collections of Shin Hanga.
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through the 1950s and 1960s. Watanabe approached European artists residing in Tokyo,
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371:. They were dismissed by the Bunten and were subordinated under oil paintings and
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447:(1883–1957) and Hiroshi Yoshida (1876–1950), and for new artists continuing the
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1983:
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200:(printed speckles), printed on thicker and usually less moist paper than past
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2013:
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and museum professional J. Arthur MacLean in disseminating the art (50 mins)
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prints, on the other hand, were considered as a variation of the outdated
1998:
1973:
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359:) were considered high art and received official recognition from the
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themes, however, remained strictly traditional; themes of landscapes (
1355:
1210:
573:, Ito Sozan and Narazaki Eisho. Each of these artists later moved to
360:
245:
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Images of a Changing World: Japanese Prints of the Twentieth Century
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54:
39:
20:
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increased through the 1920s, the complexity of prints decreased.
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Terrific Tokyo: A panorama in Prints from the 1860s to the 1930s
443:
popularity notably in market demand for earlier masters such as
310:, helped organize and promote two very large exhibitions at the
32:(published Feb. 1916). One of the first shin-hanga published by
1563:
1134:
823:
1100:
Video lecture by Dr. Kendall Brown on roles played by artist
1057:
Water and Shadow: Kawase Hasui and Japanese Landscape Prints
1053:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
918:
Modern boy, Modern Girl: Modernity in Japanese Art 1910–1935
852:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
839:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
755:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
461:, the head of Apple, was among the prominent collectors of
1130:
402:
in the souvenir market and the latter ceased production.
890:
Female Image: 20th Century Prints of Japanese Beauties
932:
Guide to Modern Japanese Woodblock Prints, 1900–1975.
144:
The movement was initiated and nurtured by publisher
2649:
2364:
2338:
1630:
1595:
1521:
1481:
1420:
1394:
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1168:
1020:. New York, London, Paris: Cross River Press, 1994.
819:"Behind the Simplicity – Steve Jobs and Shin-Hanga"
127:(17th–19th century). It maintained the traditional
363:(The Ministry of Education Fine Arts Exhibition).
99:, lit. "new prints", "new woodcut (block) prints")
1071:Shin-hanga o tsukuru ni tsuite no watashi no iken
1059:edited by Kendall Brown, Hotei Publishing, 2014.
958:Modern Japanese Woodblock Prints: The Early Years
743:Shin-hanga o tsukuru ni tsuite no watashi no iken
167:to produce woodblock prints inspired by European
1000:Hotei Encyclopedia of Japanese Woodblock Prints.
1088:Video showing the printing of a shin-hanga work
920:. Sydney, Australia: Art Gallery NSW, c. 1998.
972:La xilografia giapponese moderno-contemporanea
480:
94:
1575:
1146:
960:. Honolulu: University of Hawaii Press 1990.
485:, lit. "newly-made prints", "newly made, not
8:
1039:Kenkyusha's New Japanese-English Dictionary
930:Merritt, Helen and Nanako Yamada. (1995).
1621:
1582:
1568:
1560:
1153:
1139:
1131:
878:. Los Angeles County Museum of Art, 1996.
1027:. Worcester: Worcester Art Museum, 1998.
192:(printed marks left deliberately by the
105:in early 20th-century Japan, during the
906:. Portland: Portland Art Museum, 1983.
734:
503:and similarly created by the publisher
321:There was not much domestic market for
934:Honolulu: University of Hawaii Press.
876:Shin-Hanga: New Prints in Modern Japan
507:. It began in 1907 with the prints of
7:
1098:"The Shin Hanga Movement in America"
874:Brown, K. and Goodall-Cristante, H.
515:. It had ceased completely by 1935.
268:Primarily aimed at foreign markets,
871:. Ohio: Toledo Museum of Art, 1997.
808:Brown, K. and Goodall-Cristante, H.
799:Brown, K. and Goodall-Cristante, H.
790:Brown, K. and Goodall-Cristante, H.
113:, that revitalized the traditional
77:Two Cockatoos on Plum Blossom Tree
14:
1041:, Kenkyusha Limited, Tokyo 1991,
521:was essentially modernization of
333:as fine art during the climax of
1189:
1018:Modern Japanese Prints 1912–1989
2284:Not associated with any school
569:artists were Takahashi Shōtei,
2278:List of Utagawa school members
1511:List of Utagawa school members
1023:Swinton, Elizabeth de Sabato.
974:, Edizioni Clandestine, 2023,
1:
998:Newland, Amy Reigle. (2005).
766:Stephens, Amy Reigle (1993).
527:and especially the prints of
469:Shinsaku Hanga vs. Shin-hanga
171:(which itself had drawn from
2734:influenced non-Japanese art
204:prints. Watanabe considered
141:(creative prints) movement.
1608:Japanese woodblock printing
1590:Ukiyo-e schools and artists
1181:Woodblock printing in Japan
495:have often been conflated.
318:to satisfy Western demand.
2831:
1077:vol 44 no 8 (August 1921).
254:), and birds-and-flowers (
2045:Shunkōsai Fukushū school
1766:Ishikawa Toyonobu school
1756:Ippitsusai Bunchō school
1619:
1187:
892:. Hotei Publishing 2000.
481:
95:
1113:website by John Fiorillo
661:(also known as Ota Gako)
28:(Woman at Her Bath), by
2810:Schools of Japanese art
2745:Japonaiserie (Van Gogh)
1110:Viewing Japanese Prints
689:(also known as Hiroaki)
1676:Harukawa Eizan school
1395:Region specific themes
499:was the forerunner to
378:As foreign demand for
131:collaborative system (
84:
69:
52:
37:
2800:20th century in Japan
2367:artists and movements
2258:Utagawa Hiroshige III
1613:List of ukiyo-e terms
1176:List of ukiyo-e terms
298:magazines. The first
75:
58:
47:(Glittering Sea), by
43:
24:
16:Japanese art movement
2755:Anglo-Japanese style
2253:Utagawa Hiroshige II
2173:Utagawa Kunisada III
2039:Yanagawa Shigenobu I
1850:Keisai Eisen school
1635:of 17–19th centuries
1069:Watanabe, Shozaburo
741:Watanabe, Shozaburo
312:Toledo Museum of Art
304:Herron Art Institute
278:International Studio
238:), beautiful women (
216:) and separate from
2795:20th century in art
2323:Kobayashi Kiyochika
2188:Utagawa Toyokuni II
2168:Utagawa Kunisada II
1924:Nishimura Shigenaga
1632:Schools and artists
337:. After decades of
165:Charles W. Bartlett
2760:Post-Impressionism
2584:Shōzaburō Watanabe
2243:Utagawa Kuniteru I
2228:Utagawa Yoshitoshi
2208:Utagawa Yoshitsuya
2183:Utagawa Kunimasu I
2153:Utagawa Toyokuni I
2126:Toyohara Kunichika
2049:Shunshosai Hokucho
1914:Nishikawa Sukenobu
1844:Kawamata Tsunemasa
1839:Kawamata Tsuneyuki
1829:Katsukawa Shunkō I
1740:Yanagawa Shigenobu
1730:Katsushika Hokusai
1720:Hishikawa Moronobu
1522:Related traditions
1002:Amsterdam: Hotei.
888:Hamanoka, Shinji.
639:Kobayakawa Kiyoshi
505:Watanabe Shozaburo
451:aesthetic such as
232:), famous places (
154:Friedrich Capelari
146:Watanabe Shozaburo
119:art rooted in the
85:
70:
53:
38:
34:Watanabe Shozaburo
2782:
2781:
2657:Japanese painting
2559:Sekino Jun'ichirō
2539:Gihachiro Okuyama
2499:Sakuichi Fukazawa
2479:Un'ichi Hiratsuka
2393:Kiyokata Kaburagi
2248:Utagawa Hiroshige
2238:Utagawa Yoshifusa
2233:Utagawa Yoshifuji
2213:Utagawa Yoshitora
2198:Utagawa Kuniyoshi
2096:Torii Kiyomitsu I
2091:Torii Kiyomasu II
2081:Torii Kiyonobu II
2059:Shunbaisai Hokuei
2035:Shigenobu school
2029:Urakusai Nagahide
2004:Yanagawa Nobusada
1994:Shunbaisai Hokuei
1969:Shunkōsai Hokushū
1929:Ishikawa Toyonobu
1920:Nishimura school
1910:Nishikawa school
1824:Katsukawa Shunchō
1819:Katsukawa Shunsen
1814:Katsukawa Shun'ei
1809:Katsukawa Shunshō
1797:Matsuno Chikanobu
1777:Kaigetsudō school
1770:Ishikawa Toyonobu
1760:Ippitsusai Bunchō
1745:Yanagawa Nobusada
1716:Hishikawa school
1670:Furuyama Moromasa
1557:
1556:
1491:Kaigetsudō school
1121:Online Exhibition
1016:Smith, Lawrence.
984:Mirviss, Joan B.
916:Menzies, Jackie.
827:. 2 January 2021.
718:Yamamura Toyonari
619:Kaburagi Kiyokata
325:prints in Japan.
2822:
2716:Mochizuki school
2634:Tadashi Nakayama
2494:Yasuhide Kobashi
2433:Takahashi Shōtei
2318:Kobayashi Eitaku
2268:Utagawa Sadafusa
2263:Utagawa Hirokage
2223:Utagawa Yoshiiku
2203:Ryusai Shigeharu
2193:Utagawa Kuniyasu
2178:Utagawa Sadahide
2163:Utagawa Kunisada
2158:Utagawa Kunimasa
2148:Utagawa Toyohiro
2143:Utagawa Toyoharu
2122:Toyohara school
2086:Torii Kiyomasu I
2076:Torii Kiyonobu I
2020:Ryūkōsai school
1944:Okumura Masanobu
1904:Miyagawa Shunsui
1894:Miyagawa Chōshun
1890:Miyagawa school
1864:Kitagawa Utamaro
1860:Kitagawa school
1835:Kawamata school
1804:Katsukawa school
1787:Kaigetsudō Anchi
1706:Hasegawa school
1686:Harunobu school
1666:Furuyama school
1625:
1584:
1577:
1570:
1561:
1496:Katsukawa school
1193:
1155:
1148:
1141:
1132:
1125:Robert O. Muller
956:Merritt, Helen.
867:Blair, Dorothy.
855:
854:in Brown, K. p23
848:
842:
841:in Brown, K. p29
835:
829:
828:
815:
809:
806:
800:
797:
791:
788:
782:
781:
763:
757:
751:
745:
739:
708:Tsuchiya Rakusan
687:Takahashi Shōtei
678:
634:Kitano Tsunetomi
605:
509:Takahashi Shōtei
490:
484:
483:
430:
420:(1898–1972) and
222:Takahashi Shōtei
162:
150:Second World War
100:
98:
97:
2830:
2829:
2825:
2824:
2823:
2821:
2820:
2819:
2785:
2784:
2783:
2778:
2682:Hasegawa school
2645:
2619:Chosei Kawakami
2604:Fujimori Shizuo
2569:Hiroyuki Tajima
2524:Yoshitoshi Mori
2519:Matsubara Naoko
2474:Eiichi Kotozuka
2453:Yoshida Hiroshi
2443:Tsuchiya Koitsu
2428:Shiro Kasamatsu
2403:Elizabeth Keith
2383:Hashiguchi Goyō
2366:
2360:
2334:
2303:Toriyama Sekien
2218:Kawanabe Kyōsai
2131:Yōshū Chikanobu
2101:Torii Kiyotsune
2054:Gatōken Shunshi
1940:Okumura school
1934:Suzuki Harunobu
1884:Kitao Shigemasa
1792:Hasegawa Eishun
1782:Kaigetsudō Ando
1726:Hokusai school
1710:Hasegawa Settan
1690:Suzuki Harunobu
1655:Chōbunsai Eishi
1645:Gigadō Ashiyuki
1641:Asayama school
1634:
1626:
1617:
1591:
1588:
1558:
1553:
1517:
1477:
1416:
1390:
1194:
1185:
1164:
1159:
1102:Hiroshi Yoshida
1084:
1051:Shimizu, Hisao
970:Milone, Marco.
864:
862:Further reading
859:
858:
850:Shimizu, Hisao
849:
845:
837:Shimizu, Hisao
836:
832:
817:
816:
812:
807:
803:
798:
794:
789:
785:
778:
765:
764:
760:
753:Shimizu, Hisao
752:
748:
740:
736:
731:
723:Yoshida Hiroshi
703:Tsuchiya Koitsu
682:Shiro Kasamatsu
672:
670:Tatsumi Shimura
629:Elizabeth Keith
599:
592:Hashiguchi Goyō
583:
581:Notable artists
565:The best known
489:reproductions")
478:
471:
424:
422:Shimura Tatsumi
308:Hiroshi Yoshida
266:
190:baren suji-zuri
156:
92:
49:Hiroshi Yoshida
30:Hashiguchi Goyō
17:
12:
11:
5:
2828:
2826:
2818:
2817:
2812:
2807:
2805:Ukiyo-e genres
2802:
2797:
2787:
2786:
2780:
2779:
2777:
2776:
2775:
2774:
2767:
2762:
2757:
2752:
2747:
2742:
2728:
2727:
2726:
2725:
2718:
2713:
2708:
2701:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2653:
2651:
2647:
2646:
2644:
2643:
2642:
2641:
2636:
2631:
2629:Kohno Michisei
2623:
2622:
2621:
2616:
2611:
2606:
2601:
2596:
2591:
2589:Hodaka Yoshida
2586:
2581:
2579:Kanae Yamamoto
2576:
2574:Sadao Watanabe
2571:
2566:
2561:
2556:
2551:
2549:Kiichi Okamoto
2546:
2541:
2536:
2531:
2529:Shikō Munakata
2526:
2521:
2516:
2511:
2509:Senpan Maekawa
2506:
2501:
2496:
2491:
2486:
2481:
2476:
2471:
2469:Azechi Umetarō
2457:
2456:
2455:
2450:
2448:Yamakawa Shūhō
2445:
2440:
2435:
2430:
2425:
2420:
2415:
2413:Natori Shunsen
2410:
2408:Kojima Gyokuhō
2405:
2400:
2395:
2390:
2385:
2370:
2368:
2362:
2361:
2359:
2358:
2353:
2348:
2342:
2340:
2336:
2335:
2333:
2332:
2331:
2330:
2328:Kikukawa Eizan
2325:
2320:
2315:
2313:Sugimura Jihei
2310:
2305:
2300:
2295:
2290:
2282:
2281:
2280:
2275:
2270:
2265:
2260:
2255:
2250:
2245:
2240:
2235:
2230:
2225:
2220:
2215:
2210:
2205:
2200:
2195:
2190:
2185:
2180:
2175:
2170:
2165:
2160:
2155:
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2662:Rinpa school
2564:Toko Shinoda
2534:Tetsuya Noda
2462:Sosaku-hanga
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2398:Hasui Kawase
2375:
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2365:20th century
2273:Adachi Ginkō
2066:Torii school
1950:Ōoka school
1854:Keisai Eisen
1544:Sōsaku-hanga
1538:
1534:Nikuhitsu-ga
1501:Torii school
1301:Monogatari-e
1117:
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66:Kawase Hasui
61:Shiba Zōjōji
59:
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25:
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2765:Art Nouveau
2677:Hara school
2672:Akita ranga
2667:Kanō school
2609:Reika Iwami
2504:Masao Maeda
2484:Itow Takumi
2418:Ohara Koson
2388:Itō Shinsui
2308:Ogata Gekkō
2298:Sawa Sekkyō
1989:Hirosada II
1700:Shiba Kōkan
1448:Kappazuri-e
673: [
649:Ohara Koson
609:Itō Shinsui
600: [
571:Ohara Koson
453:Paul Binnie
433:shin-hanga;
425: [
418:Itō Shinsui
412:Demand for
398:supplanted
345:during the
157: [
81:Ohara Koson
2789:Categories
2376:Shin-hanga
2356:Yokohama-e
2351:Nagasaki-e
2346:Kamigata-e
1984:Hirosada I
1539:Shin-hanga
1463:Sumizuri-e
1453:Kirazuri-e
1443:Ishizuri-e
1433:Benizuri-e
1421:Techniques
1412:Yokohama-e
1407:Nagasaki-e
1402:Kamigata-e
1236:Hanshita-e
1092:David Bull
777:1870076192
729:References
575:shin-hanga
562:movement.
560:shin-hanga
556:shin-hanga
545:shin-hanga
533:shin-hanga
513:shin-hanga
501:shin-hanga
493:shin-hanga
463:shin-hanga
459:Steve Jobs
449:shin-hanga
441:shin-hanga
435:meanwhile
414:shin-hanga
406:Shin-hanga
396:Shin-hanga
388:baren-suji
386:layers of
380:shin-hanga
373:sculptures
365:Shin-hanga
323:shin-hanga
316:shin-hanga
300:shin-hanga
283:The Studio
274:shin-hanga
270:shin-hanga
226:Shin-hanga
206:shin-hanga
179:Shin-hanga
89:Shin-hanga
45:Hikari umi
2739:Japonisme
2514:Maki Haku
2339:By region
2014:Yoshitaki
1869:Tsukimaro
1458:Nishiki-e
1381:Yakusha-e
1271:Komochi-e
1241:Hashira-e
1094:(16 mins)
614:Ito Yuhan
529:Hiroshige
455:(1967–).
335:Japonisme
251:yakusha-e
198:goma-zuri
1999:Kunimasu
1974:Ashiyuki
1473:Urushi-e
1428:Aizuri-e
1386:Yūrei-zu
1371:Uchiwa-e
1366:Surimono
1336:Omocha-e
1321:Namazu-e
1291:Mitate-e
1286:Meisho-e
1281:Megane-e
1266:Kodomo-e
1216:Bijin-ga
248:actors (
214:geijutsu
210:fine art
2732:Ukiyo-e
2705:Nihonga
2650:Related
2625:Others
2293:Sharaku
2009:Shunshi
1603:Ukiyo-e
1596:General
1549:Tosa-ha
1483:Schools
1438:Bokashi
1351:Shita-e
1346:Shini-e
1341:Senso-e
1331:Ōkubi-e
1316:Muzan-e
1311:Musha-e
1276:Kuchi-e
1261:Kaika-e
1251:Kachō-e
1231:Fushiga
1226:Egoyomi
1221:Boshi-e
1169:General
1162:Ukiyo-e
549:ukiyo-e
541:ukiyo-e
524:ukiyo-e
487:ukiyo-e
369:ukiyo-e
331:ukiyo-e
327:Ukiyo-e
276:in the
264:History
257:kachō-e
241:bijinga
230:fukeiga
202:ukiyo-e
183:ukiyo-e
173:ukiyo-e
133:hanmoto
129:ukiyo-e
116:ukiyo-e
101:was an
1361:Sumo-e
1356:Shunga
1326:Ogao-e
1296:Moji-e
1256:Kage-e
1246:Jōge-e
1211:Beni-e
1199:Themes
1063:
1045:
1031:
1006:
992:
978:
964:
946:
938:
924:
910:
896:
882:
774:
384:Ground
361:Bunten
246:kabuki
235:meishō
208:to be
107:Taishō
68:(1925)
51:(1926)
2698:Nanga
1529:E-hon
1468:Tan-e
1376:Uki-e
1206:Aka-e
677:]
604:]
537:Meiji
429:]
347:Meiji
196:) or
194:baren
161:]
79:, by
64:, by
2722:Yōga
1061:ISBN
1043:ISBN
1029:ISBN
1004:ISBN
990:ISBN
976:ISBN
962:ISBN
944:ISBN
936:ISBN
922:ISBN
908:ISBN
894:ISBN
880:ISBN
772:ISBN
491:and
482:新作版画
392:goma
390:and
356:yōga
341:and
292:and
163:and
123:and
109:and
1073:in
1055:in
824:NHK
260:).
244:),
175:).
121:Edo
96:新版画
2791::
1010:;
950:;
942:;
821:.
770:.
675:ja
602:ja
577:.
551:.
465:.
427:ja
375:.
286:,
280:,
224:.
159:de
1583:e
1576:t
1569:v
1154:e
1147:t
1140:v
780:.
543:(
479:(
353:(
212:(
93:(
36:.
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