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declined as the military government tightened its control over the arts and culture during wartime. In 1939, the Army Art
Association was established under the patronage of the Army Information Section to promote war art. By 1943, an official commission for war painting was set up and artists’
442:(1907–1980) continued to utilize the collaborative system during the 1960s and 1970s. In the last decades of the 20th century publishers instead concentrated on making reproductions of early 20th century
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traditions of emulating hand-drawn brushstrokes seeking instead to "create works replete with creativity and rich with artistic quality, by avoiding enslavement to hand-drawn painting or old models".
565:
This style was very popular early on with tourists in Japan (Watanabe described them as "souvenir prints") and for foreign export. Its typically smaller prints (smaller than
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exported were
Capelari and Bartlett prints in 1916, however, no foreign exhibitions were held until at Boston in March 1924. A larger exhibition of 68 works was held at the
880:
Modern
Japanese prints: printed from a photographic reproduction of two exhibition catalogues of modern Japanese prints published by the Toledo Museum of Art in 1930–1936
283:
prints appealed to
Western taste for nostalgic and romanticized views of Japan and as such, enjoyed immense popularity overseas. In the 1920s, there were articles on
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were less commonly seen and the overall number of printing impressions decreased. To satisfy foreign collectors, colors became brighter and more saturated.
32:
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569:) were less expensive to produce and less expensive to purchase, and they ultimately provided the financial stability to Watanabe to nurture the
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era, architecture, art and clothing in Japan came to follow
Western modes. Japanese art students were trained in the Western tradition. Western
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in Ohio in 1930 and 1936. Through the 1930s and then after the Second World War, art dealers such as Robert O. Muller (1911-2003) imported
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expressly resisted replicating brushstrokes) while beginning to eschew contour lines and large flat areas of color typical of historical
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enjoyed immense popularity and prestige in the international art scene. The early 21st century has seen somewhat of a resurgence in
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Japan with modern printmaking techniques. Techniques characterized by continuing to replicate the hand-drawn brushstrokes of
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artists incorporated
Western elements such as the impression of light and the expression of individual moods. It eschewed
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427:
never regained its momentum postwar. Nevertheless a small number of artists continued in the tradition. Artists such as
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system) where the artist, carver, printer, and publisher engaged in division of labor, as opposed to the parallel
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Watanabe introduced new printing techniques, most notably in the extensive use of printed layers of either
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prints were considered by the
Japanese as mass commercial products, as opposed to the European view of
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materials were rationed. Overseas market for
Japanese prints declined drastically at the same time.
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546:, it did not depict contemporary Japan, instead it offered nostalgic views of pre-industrial, pre-
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and prospered until about 1927, with its popularity waning inversely to the growing popularity of
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999:. Washington D.C.: Arthur M. Sackler Gallery, Smithsonian Institution and Hotei Publishing 2004.
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in
October 1926. Later, the promoter of said Boston and Indianapolis touring exhibitions, artist
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Printed to
Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection
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159:(1885–1962), and flourished from around 1915 to 1942, resuming on a smaller scale after the
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The New wave : twentieth-century Japanese prints from the Robert O. Muller collection
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231:, the term that he used to describe less labor-intensive souvenir prints such as those by
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Dream Worlds: Modern Japanese Prints and Paintings from the Robert O. Muller Collection
654:
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Information about the man behind one of the most well known collections of Shin Hanga.
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through the 1950s and 1960s. Watanabe approached European artists residing in Tokyo,
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382:. They were dismissed by the Bunten and were subordinated under oil paintings and
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1999:
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458:(1883–1957) and Hiroshi Yoshida (1876–1950), and for new artists continuing the
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211:(printed speckles), printed on thicker and usually less moist paper than past
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and museum professional J. Arthur MacLean in disseminating the art (50 mins)
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prints, on the other hand, were considered as a variation of the outdated
17:
2009:
1984:
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370:) were considered high art and received official recognition from the
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themes, however, remained strictly traditional; themes of landscapes (
1366:
1221:
584:, Ito Sozan and Narazaki Eisho. Each of these artists later moved to
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256:
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Images of a Changing World: Japanese Prints of the Twentieth Century
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1216:
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50:
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increased through the 1920s, the complexity of prints decreased.
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Terrific Tokyo: A panorama in Prints from the 1860s to the 1930s
454:
popularity notably in market demand for earlier masters such as
321:, helped organize and promote two very large exhibitions at the
43:(published Feb. 1916). One of the first shin-hanga published by
1574:
1145:
834:
1111:
Video lecture by Dr. Kendall Brown on roles played by artist
1068:
Water and Shadow: Kawase Hasui and Japanese Landscape Prints
1064:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
929:
Modern boy, Modern Girl: Modernity in Japanese Art 1910–1935
863:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
850:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
766:
The Publisher Watanabe Shozaburo and the Birth of Shin-Hanga
472:, the head of Apple, was among the prominent collectors of
1141:
413:
in the souvenir market and the latter ceased production.
901:
Female Image: 20th Century Prints of Japanese Beauties
943:
Guide to Modern Japanese Woodblock Prints, 1900–1975.
155:
The movement was initiated and nurtured by publisher
2660:
2375:
2349:
1641:
1606:
1532:
1492:
1431:
1405:
1209:
1179:
1031:. New York, London, Paris: Cross River Press, 1994.
830:"Behind the Simplicity – Steve Jobs and Shin-Hanga"
138:(17th–19th century). It maintained the traditional
374:(The Ministry of Education Fine Arts Exhibition).
110:, lit. "new prints", "new woodcut (block) prints")
1082:Shin-hanga o tsukuru ni tsuite no watashi no iken
1070:edited by Kendall Brown, Hotei Publishing, 2014.
969:Modern Japanese Woodblock Prints: The Early Years
754:Shin-hanga o tsukuru ni tsuite no watashi no iken
178:to produce woodblock prints inspired by European
1011:Hotei Encyclopedia of Japanese Woodblock Prints.
1099:Video showing the printing of a shin-hanga work
931:. Sydney, Australia: Art Gallery NSW, c. 1998.
983:La xilografia giapponese moderno-contemporanea
491:
105:
1586:
1157:
971:. Honolulu: University of Hawaii Press 1990.
496:, lit. "newly-made prints", "newly made, not
8:
1050:Kenkyusha's New Japanese-English Dictionary
941:Merritt, Helen and Nanako Yamada. (1995).
1632:
1593:
1579:
1571:
1164:
1150:
1142:
889:. Los Angeles County Museum of Art, 1996.
1038:. Worcester: Worcester Art Museum, 1998.
203:(printed marks left deliberately by the
116:in early 20th-century Japan, during the
917:. Portland: Portland Art Museum, 1983.
745:
514:and similarly created by the publisher
332:There was not much domestic market for
945:Honolulu: University of Hawaii Press.
887:Shin-Hanga: New Prints in Modern Japan
518:. It began in 1907 with the prints of
7:
1109:"The Shin Hanga Movement in America"
885:Brown, K. and Goodall-Cristante, H.
526:. It had ceased completely by 1935.
279:Primarily aimed at foreign markets,
882:. Ohio: Toledo Museum of Art, 1997.
819:Brown, K. and Goodall-Cristante, H.
810:Brown, K. and Goodall-Cristante, H.
801:Brown, K. and Goodall-Cristante, H.
124:, that revitalized the traditional
88:Two Cockatoos on Plum Blossom Tree
25:
1052:, Kenkyusha Limited, Tokyo 1991,
532:was essentially modernization of
344:as fine art during the climax of
1200:
1029:Modern Japanese Prints 1912–1989
2295:Not associated with any school
580:artists were Takahashi Shōtei,
2289:List of Utagawa school members
1522:List of Utagawa school members
1034:Swinton, Elizabeth de Sabato.
985:, Edizioni Clandestine, 2023,
1:
1009:Newland, Amy Reigle. (2005).
777:Stephens, Amy Reigle (1993).
538:and especially the prints of
480:Shinsaku Hanga vs. Shin-hanga
182:(which itself had drawn from
2745:influenced non-Japanese art
215:prints. Watanabe considered
152:(creative prints) movement.
1619:Japanese woodblock printing
1601:Ukiyo-e schools and artists
1192:Woodblock printing in Japan
506:have often been conflated.
329:to satisfy Western demand.
2842:
1088:vol 44 no 8 (August 1921).
265:), and birds-and-flowers (
2056:Shunkōsai Fukushū school
1777:Ishikawa Toyonobu school
1767:Ippitsusai Bunchō school
1630:
1198:
903:. Hotei Publishing 2000.
492:
106:
1124:website by John Fiorillo
672:(also known as Ota Gako)
39:(Woman at Her Bath), by
2821:Schools of Japanese art
2756:Japonaiserie (Van Gogh)
1121:Viewing Japanese Prints
700:(also known as Hiroaki)
1687:Harukawa Eizan school
1406:Region specific themes
510:was the forerunner to
389:As foreign demand for
142:collaborative system (
95:
80:
63:
48:
2811:20th century in Japan
2378:artists and movements
2269:Utagawa Hiroshige III
1624:List of ukiyo-e terms
1187:List of ukiyo-e terms
309:magazines. The first
86:
69:
58:(Glittering Sea), by
54:
35:
27:Japanese art movement
2766:Anglo-Japanese style
2264:Utagawa Hiroshige II
2184:Utagawa Kunisada III
2050:Yanagawa Shigenobu I
1861:Keisai Eisen school
1646:of 17–19th centuries
1080:Watanabe, Shozaburo
752:Watanabe, Shozaburo
323:Toledo Museum of Art
315:Herron Art Institute
289:International Studio
249:), beautiful women (
227:) and separate from
2806:20th century in art
2334:Kobayashi Kiyochika
2199:Utagawa Toyokuni II
2179:Utagawa Kunisada II
1935:Nishimura Shigenaga
1643:Schools and artists
348:. After decades of
176:Charles W. Bartlett
2771:Post-Impressionism
2595:Shōzaburō Watanabe
2254:Utagawa Kuniteru I
2239:Utagawa Yoshitoshi
2219:Utagawa Yoshitsuya
2194:Utagawa Kunimasu I
2164:Utagawa Toyokuni I
2137:Toyohara Kunichika
2060:Shunshosai Hokucho
1925:Nishikawa Sukenobu
1855:Kawamata Tsunemasa
1850:Kawamata Tsuneyuki
1840:Katsukawa Shunkō I
1751:Yanagawa Shigenobu
1741:Katsushika Hokusai
1731:Hishikawa Moronobu
1533:Related traditions
1013:Amsterdam: Hotei.
899:Hamanoka, Shinji.
650:Kobayakawa Kiyoshi
516:Watanabe Shozaburo
462:aesthetic such as
243:), famous places (
165:Friedrich Capelari
157:Watanabe Shozaburo
130:art rooted in the
96:
81:
64:
49:
45:Watanabe Shozaburo
2793:
2792:
2668:Japanese painting
2570:Sekino Jun'ichirō
2550:Gihachiro Okuyama
2510:Sakuichi Fukazawa
2490:Un'ichi Hiratsuka
2404:Kiyokata Kaburagi
2259:Utagawa Hiroshige
2249:Utagawa Yoshifusa
2244:Utagawa Yoshifuji
2224:Utagawa Yoshitora
2209:Utagawa Kuniyoshi
2107:Torii Kiyomitsu I
2102:Torii Kiyomasu II
2092:Torii Kiyonobu II
2070:Shunbaisai Hokuei
2046:Shigenobu school
2040:Urakusai Nagahide
2015:Yanagawa Nobusada
2005:Shunbaisai Hokuei
1980:Shunkōsai Hokushū
1940:Ishikawa Toyonobu
1931:Nishimura school
1921:Nishikawa school
1835:Katsukawa Shunchō
1830:Katsukawa Shunsen
1825:Katsukawa Shun'ei
1820:Katsukawa Shunshō
1808:Matsuno Chikanobu
1788:Kaigetsudō school
1781:Ishikawa Toyonobu
1771:Ippitsusai Bunchō
1756:Yanagawa Nobusada
1727:Hishikawa school
1681:Furuyama Moromasa
1568:
1567:
1502:Kaigetsudō school
1132:Online Exhibition
1027:Smith, Lawrence.
995:Mirviss, Joan B.
927:Menzies, Jackie.
838:. 2 January 2021.
729:Yamamura Toyonari
630:Kaburagi Kiyokata
336:prints in Japan.
16:(Redirected from
2833:
2727:Mochizuki school
2645:Tadashi Nakayama
2505:Yasuhide Kobashi
2444:Takahashi Shōtei
2329:Kobayashi Eitaku
2279:Utagawa Sadafusa
2274:Utagawa Hirokage
2234:Utagawa Yoshiiku
2214:Ryusai Shigeharu
2204:Utagawa Kuniyasu
2189:Utagawa Sadahide
2174:Utagawa Kunisada
2169:Utagawa Kunimasa
2159:Utagawa Toyohiro
2154:Utagawa Toyoharu
2133:Toyohara school
2097:Torii Kiyomasu I
2087:Torii Kiyonobu I
2031:Ryūkōsai school
1955:Okumura Masanobu
1915:Miyagawa Shunsui
1905:Miyagawa Chōshun
1901:Miyagawa school
1875:Kitagawa Utamaro
1871:Kitagawa school
1846:Kawamata school
1815:Katsukawa school
1798:Kaigetsudō Anchi
1717:Hasegawa school
1697:Harunobu school
1677:Furuyama school
1636:
1595:
1588:
1581:
1572:
1507:Katsukawa school
1204:
1166:
1159:
1152:
1143:
1136:Robert O. Muller
967:Merritt, Helen.
878:Blair, Dorothy.
866:
865:in Brown, K. p23
859:
853:
852:in Brown, K. p29
846:
840:
839:
826:
820:
817:
811:
808:
802:
799:
793:
792:
774:
768:
762:
756:
750:
719:Tsuchiya Rakusan
698:Takahashi Shōtei
689:
645:Kitano Tsunetomi
616:
520:Takahashi Shōtei
501:
495:
494:
441:
431:(1898–1972) and
233:Takahashi Shōtei
173:
161:Second World War
111:
109:
108:
21:
2841:
2840:
2836:
2835:
2834:
2832:
2831:
2830:
2796:
2795:
2794:
2789:
2693:Hasegawa school
2656:
2630:Chosei Kawakami
2615:Fujimori Shizuo
2580:Hiroyuki Tajima
2535:Yoshitoshi Mori
2530:Matsubara Naoko
2485:Eiichi Kotozuka
2464:Yoshida Hiroshi
2454:Tsuchiya Koitsu
2439:Shiro Kasamatsu
2414:Elizabeth Keith
2394:Hashiguchi Goyō
2377:
2371:
2345:
2314:Toriyama Sekien
2229:Kawanabe Kyōsai
2142:Yōshū Chikanobu
2112:Torii Kiyotsune
2065:Gatōken Shunshi
1951:Okumura school
1945:Suzuki Harunobu
1895:Kitao Shigemasa
1803:Hasegawa Eishun
1793:Kaigetsudō Ando
1737:Hokusai school
1721:Hasegawa Settan
1701:Suzuki Harunobu
1666:Chōbunsai Eishi
1656:Gigadō Ashiyuki
1652:Asayama school
1645:
1637:
1628:
1602:
1599:
1569:
1564:
1528:
1488:
1427:
1401:
1205:
1196:
1175:
1170:
1113:Hiroshi Yoshida
1095:
1062:Shimizu, Hisao
981:Milone, Marco.
875:
873:Further reading
870:
869:
861:Shimizu, Hisao
860:
856:
848:Shimizu, Hisao
847:
843:
828:
827:
823:
818:
814:
809:
805:
800:
796:
789:
776:
775:
771:
764:Shimizu, Hisao
763:
759:
751:
747:
742:
734:Yoshida Hiroshi
714:Tsuchiya Koitsu
693:Shiro Kasamatsu
683:
681:Tatsumi Shimura
640:Elizabeth Keith
610:
603:Hashiguchi Goyō
594:
592:Notable artists
576:The best known
500:reproductions")
489:
482:
435:
433:Shimura Tatsumi
319:Hiroshi Yoshida
277:
201:baren suji-zuri
167:
103:
60:Hiroshi Yoshida
41:Hashiguchi Goyō
28:
23:
22:
15:
12:
11:
5:
2839:
2837:
2829:
2828:
2823:
2818:
2816:Ukiyo-e genres
2813:
2808:
2798:
2797:
2791:
2790:
2788:
2787:
2786:
2785:
2778:
2773:
2768:
2763:
2758:
2753:
2739:
2738:
2737:
2736:
2729:
2724:
2719:
2712:
2705:
2700:
2695:
2690:
2685:
2680:
2675:
2664:
2662:
2658:
2657:
2655:
2654:
2653:
2652:
2647:
2642:
2640:Kohno Michisei
2634:
2633:
2632:
2627:
2622:
2617:
2612:
2607:
2602:
2600:Hodaka Yoshida
2597:
2592:
2590:Kanae Yamamoto
2587:
2585:Sadao Watanabe
2582:
2577:
2572:
2567:
2562:
2560:Kiichi Okamoto
2557:
2552:
2547:
2542:
2540:Shikō Munakata
2537:
2532:
2527:
2522:
2520:Senpan Maekawa
2517:
2512:
2507:
2502:
2497:
2492:
2487:
2482:
2480:Azechi Umetarō
2468:
2467:
2466:
2461:
2459:Yamakawa Shūhō
2456:
2451:
2446:
2441:
2436:
2431:
2426:
2424:Natori Shunsen
2421:
2419:Kojima Gyokuhō
2416:
2411:
2406:
2401:
2396:
2381:
2379:
2373:
2372:
2370:
2369:
2364:
2359:
2353:
2351:
2347:
2346:
2344:
2343:
2342:
2341:
2339:Kikukawa Eizan
2336:
2331:
2326:
2324:Sugimura Jihei
2321:
2316:
2311:
2306:
2301:
2293:
2292:
2291:
2286:
2281:
2276:
2271:
2266:
2261:
2256:
2251:
2246:
2241:
2236:
2231:
2226:
2221:
2216:
2211:
2206:
2201:
2196:
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2698:Kyoto school
2673:Rinpa school
2575:Toko Shinoda
2545:Tetsuya Noda
2473:Sosaku-hanga
2471:
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2409:Hasui Kawase
2386:
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2376:20th century
2284:Adachi Ginkō
2077:Torii school
1961:Ōoka school
1865:Keisai Eisen
1555:Sōsaku-hanga
1549:
1545:Nikuhitsu-ga
1512:Torii school
1312:Monogatari-e
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72:Shiba Zōjōji
70:
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2776:Art Nouveau
2688:Hara school
2683:Akita ranga
2678:Kanō school
2620:Reika Iwami
2515:Masao Maeda
2495:Itow Takumi
2429:Ohara Koson
2399:Itō Shinsui
2319:Ogata Gekkō
2309:Sawa Sekkyō
2000:Hirosada II
1711:Shiba Kōkan
1459:Kappazuri-e
684: [
660:Ohara Koson
620:Itō Shinsui
611: [
582:Ohara Koson
464:Paul Binnie
444:shin-hanga;
436: [
429:Itō Shinsui
423:Demand for
409:supplanted
356:during the
168: [
92:Ohara Koson
2800:Categories
2387:Shin-hanga
2367:Yokohama-e
2362:Nagasaki-e
2357:Kamigata-e
1995:Hirosada I
1550:Shin-hanga
1474:Sumizuri-e
1464:Kirazuri-e
1454:Ishizuri-e
1444:Benizuri-e
1432:Techniques
1423:Yokohama-e
1418:Nagasaki-e
1413:Kamigata-e
1247:Hanshita-e
1103:David Bull
788:1870076192
740:References
586:shin-hanga
573:movement.
571:shin-hanga
567:shin-hanga
556:shin-hanga
544:shin-hanga
524:shin-hanga
512:shin-hanga
504:shin-hanga
474:shin-hanga
470:Steve Jobs
460:shin-hanga
452:shin-hanga
446:meanwhile
425:shin-hanga
417:Shin-hanga
407:Shin-hanga
399:baren-suji
397:layers of
391:shin-hanga
384:sculptures
376:Shin-hanga
334:shin-hanga
327:shin-hanga
311:shin-hanga
294:The Studio
285:shin-hanga
281:shin-hanga
237:Shin-hanga
217:shin-hanga
190:Shin-hanga
100:Shin-hanga
56:Hikari umi
18:Shin hanga
2750:Japonisme
2525:Maki Haku
2350:By region
2025:Yoshitaki
1880:Tsukimaro
1469:Nishiki-e
1392:Yakusha-e
1282:Komochi-e
1252:Hashira-e
1105:(16 mins)
625:Ito Yuhan
540:Hiroshige
466:(1967–).
346:Japonisme
262:yakusha-e
209:goma-zuri
2010:Kunimasu
1985:Ashiyuki
1484:Urushi-e
1439:Aizuri-e
1397:Yūrei-zu
1382:Uchiwa-e
1377:Surimono
1347:Omocha-e
1332:Namazu-e
1302:Mitate-e
1297:Meisho-e
1292:Megane-e
1277:Kodomo-e
1227:Bijin-ga
259:actors (
225:geijutsu
221:fine art
2743:Ukiyo-e
2716:Nihonga
2661:Related
2636:Others
2304:Sharaku
2020:Shunshi
1614:Ukiyo-e
1607:General
1560:Tosa-ha
1494:Schools
1449:Bokashi
1362:Shita-e
1357:Shini-e
1352:Senso-e
1342:Ōkubi-e
1327:Muzan-e
1322:Musha-e
1287:Kuchi-e
1272:Kaika-e
1262:Kachō-e
1242:Fushiga
1237:Egoyomi
1232:Boshi-e
1180:General
1173:Ukiyo-e
560:ukiyo-e
552:ukiyo-e
535:ukiyo-e
498:ukiyo-e
380:ukiyo-e
342:ukiyo-e
338:Ukiyo-e
287:in the
275:History
268:kachō-e
252:bijinga
241:fukeiga
213:ukiyo-e
194:ukiyo-e
184:ukiyo-e
144:hanmoto
140:ukiyo-e
127:ukiyo-e
112:was an
1372:Sumo-e
1367:Shunga
1337:Ogao-e
1307:Moji-e
1267:Kage-e
1257:Jōge-e
1222:Beni-e
1210:Themes
1074:
1056:
1042:
1017:
1003:
989:
975:
957:
949:
935:
921:
907:
893:
785:
395:Ground
372:Bunten
257:kabuki
246:meishō
219:to be
118:Taishō
79:(1925)
62:(1926)
2709:Nanga
1540:E-hon
1479:Tan-e
1387:Uki-e
1217:Aka-e
688:]
615:]
548:Meiji
440:]
358:Meiji
207:) or
205:baren
172:]
90:, by
75:, by
2733:Yōga
1072:ISBN
1054:ISBN
1040:ISBN
1015:ISBN
1001:ISBN
987:ISBN
973:ISBN
955:ISBN
947:ISBN
933:ISBN
919:ISBN
905:ISBN
891:ISBN
783:ISBN
502:and
493:新作版画
403:goma
401:and
367:yōga
352:and
303:and
174:and
134:and
120:and
1084:in
1066:in
835:NHK
271:).
255:),
186:).
132:Edo
107:新版画
2802::
1021:;
961:;
953:;
832:.
781:.
686:ja
613:ja
588:.
562:.
476:.
438:ja
386:.
297:,
291:,
235:.
170:de
1594:e
1587:t
1580:v
1165:e
1158:t
1151:v
791:.
554:(
490:(
364:(
223:(
104:(
47:.
20:)
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