819:, Walker recounts a time when there was a problem with music being recorded for a Disney picture she was conducting. The composer and producers were sitting in the control booth, playing back the recordings and bickering, leaving the musicians idle for forty-five minutes. Rather than have them be paid to do nothing, the producers suggested to Shirley that they rehearse music not yet recorded. Walker agreed but quietly told the orchestra how she felt this was ridiculous, that she didn’t want them wearing out, and she had a different plan. In this particular studio, Walker was on an elevated platform to where the orchestra was essentially hidden below and only Walker could be seen from the booth. She utilized this, and knowing that the orchestra couldn’t actually be heard unless recording was in progress, she mimed conducting, waving her arms, pointing to the score, and completely putting on an act for the producers, but all the while telling jokes and keeping things light with the musicians.
241:, and her mother gave piano lessons while raising five children. She grew up in Napa Valley and Contra Costa County. She attended Pleasant Hill High School. Walker was a musical prodigy. She had an early start performing as a teenager at various hotels, jazz and art bands in 1964-1967. Walker was also a piano soloist with the San Francisco Symphony during high school, and later attended San Francisco State University on a piano scholarship. She studied music composition under Roger Nixon and piano studies with Harald Logan of Berkeley, California.
729:, and was so impressed with the direction of the show’s art and the intended depth of its characters that she agreed to come onboard. Her relationship with Danny Elfman facilitated the use of that film’s music in the series, though Walker also composed her own equally memorable theme. You can hear her explain the difference between the two pieces of music, the tonal sections of her Batman theme and how she would blend them together to map over the show’s various moods and scenes, in a track from the soundtrack album. She would go on to work on
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woman to have composed an entire symphonic score, which she also orchestrated and conducted alone. "The first two days of that score, there were a lot of people who had come to visit the scoring stage because they were here to witness this event," Walker said in an interview in a 1998 issue of
Soundtrack Magazine. "I was almost in tears about that. I had to ask somebody why all those people were here, and when they told me it was just incredible." Walker later collaborated with Carpenter on
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to a lot of men and women in
Hollywood. She was an important role model." Not only did Walker compose, she also conducted, orchestrated, arranged, and oftentimes did all three. Walker had an incredible impact not only on the films and television shows she worked on, but also on the musicians she worked with. When Warner Bros. hired her in 1990 to supervise the music for
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According to fellow composer and friend Laura
Karpman, Walker was among the few female composers who managed to make her mark in the highly competitive world of Hollywood scoring: "She’s one of a tiny little group, and was the first one to poke through," Karpman said. "She’s been an incredible mentor
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fell through – a landmark decision, not just because
Carpenter often composed his own scores, but because it was one of the first times a female composer had a solo credit on a major studio picture. It would become Walker's first official solo film score. Walker has the distinction of being the first
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and recognized the score sounded familiar. They subsequently found out that it was
Shirley Walker who was working on it. The rest was history, according to Timm: "I made a note as I was watching it: Who did the music? It was Shirley Walker. Did some research on Shirley Walker, found out that she had
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unusual is to be one that does all three, and Walker was such an example. She reportedly knew exactly how music worked, how it was written, and how (or if) it could be played by musicians. Her roles would include making sure each cue was recorded how it needed to be with the speed, tone, and musical
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movie, and had orchestrated much of it. We contacted
Shirley and she was happy to come in and do the show. Back then, it was almost unheard of to score every single episode of a show. Fortunately, we mentioned it to our boss, Jean , and she said, 'Oh, yeah! We should totally have an original score
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She served as a Board Member (1986–1994) and Vice
President (1988–1992) for The Society of Composers & Lyricists (SCL), often speaking out on behalf of composers and their working conditions. Articles and interviews are written by and about Shirley Walker in the SCL's publication, THE SCORE, a
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However, in 2014, eight years after Walker’s passing, The
American Society of Composers, Authors, and Publishers (ASCAP) created the Shirley Walker Award to honor those whose achievements have contributed to the diversity of film and television music. It has been awarded to Wendy Melvoin and Lisa
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Despite the fact that very few female composers had worked in
Hollywood at the time of her death, Walker was not recognized during the "In Memoriam" segment of the 79th Academy Awards. Walker was considered by some to be one of the industry's most unsung talents, often overlooked in popular media
814:
series, Walker’s "determination to open doors of opportunity for aspiring composers is unrivaled in our industry." Walker not only supported up-and-coming composers in the industry, she also watched over the orchestra and ensured the musicians would not burn out. In the DVD commentary for
373:(1985) by six months. Walker continued to score various television projects and work simultaneously as an orchestrator/conductor into the late 1980s, continuing a long-running collaboration with Brad Fiedel. Around the time of orchestrating and conducting Fiedel’s score for
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score, often presumed to be in Latin or some similar language, are actually the names off all the orchestra members backwards, so what’s being sung is essentially nonsense. Walker would continue to compose and shepherd the music of sequel series
279:(1979) as well as writing additional cues, receiving credits such as “Additional music by” or even “Co-composed by”. This gave her an official start and made her one of the rare and few female film composers of the time alongside
273:. Her work and arrangements can be heard, eerily interwoven throughout the film, notably during cues like “Do Lung” and “The Delta”. Almost immediately, she would work again with Coppola, orchestrating the score for
660:(1992–1995) was created. Elfman composed the main theme and Walker wrote additional themes. She became one of the show’s primary composers/directors. This ultimately led to Walker scoring the animated feature,
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even with the strides she made for women composers and her huge influence in the film industry, such as being one of the first women to receive sole composing credit on a
Hollywood studio picture, on
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was one of many collaborations Walker did with composer Danny Elfman. While managing her working relationships with Elfman and Fiedel, Walker would mentor and collaborate with up-and-comer
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For several years, she wrote jingles and composed for industrial films. Walker's career in film began in 1979, when she was hired to play the synthesizers on Carmine Coppola's score for
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horror series, Shirley Walker died November 30, 2006, from complications following a stroke in Reno, Nevada. She was 61 years old. Walker is survived by her two sons, Ian and Colin.
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While she was still writing for television in the early 1980s, Walker would be frequently hired by other composers to orchestrate and/or conduct their scores. Some of these included
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725:, an art-book and history of the show, "she thought the last thing she wanted to do was to work on a cartoon version of Batman." Still, she met with producers for
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publication in print since 1986 by and about professional film/television/video game composers, songwriters and lyricists—and where Walker would speak her mind.
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Walker went on to marry Don Walker in 1967. Don Walker died March 2006. They had two sons Colin Walker, born 1970, and Ian Walker born shortly after in 1972.
299:. However, what made Walker stand out among her peers was her ability to work with an orchestra and this talent would come to shape many beloved film scores.
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264:, with book & lyrics by W. Grant Gray. It had its world premiere at the high school, with Shirley playing keyboards with a quartet at all performances.
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Her apprenticeship in film music included working as orchestrator and conductor, working with a substantial list of established film composers such as
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specifically sounds much like a classic Danny Elfman score, though it predates Walker's work with Danny, and even his very first film score for
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Walker decided to see if she "could find the next generation of orchestral film composers and give them a chance to do this work," Walker told
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during her career. Walker was one of the first female composers to earn a solo score credit on a major Hollywood motion picture (preceded by
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Walker was a key part of bringing characters from DC Comics to life on screen. "Though Shirley had enjoyed her stint composing for ,” notes
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Shortly after graduating from Pleasant Hill High School, Walker composed the score for a full length musical adaptation of Moliere's
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with Michael McCuistion, Lolita Ritmanis and Kristopher Carter. Though her involvement in the DC Animated Universe ended after
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179:; April 10, 1945 – November 30, 2006) was an American film and television composer and conductor. She was one of the few
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876:; some additional scoring by: Nyle Steiner, Bill Douglass, Kenneth Nash, & George Marsh. Replaced two other composers.
351:(1984) for Richard Band for which she also wrote additional music. Shirley would also team up with Band as co-composers on
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Complete score isolated on a DVD release, with commentary over parts. A shorter promotional CD-R was also issued.
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385:(1988), marking her first work with Danny Elfman. She would go on to orchestrate and/or conduct his scores for
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666:(1993), which is still one of her most highly-regarded works. The lyrics which the choir sing throughout the
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In July, 2012, Volume 2, a 4-CD set, was issued. A third volume, also a 4-CD set, was released in 2014.
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682:(1999–2001). She even returned to Batman on film one last time in 1995 with uncredited orchestration on
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in 2002. According to a statement by one of more than 30 composers Walker brought in to work on the
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Shirley Walker speaking at the annual meeting of The Society of Composers & Lyricists (SCL)
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One of Walker's most important efforts was the uncredited job of conducting the score for
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at the end of her orchestrating/conducting-for-others days, including the score for
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363:(1985). Walker's imprint makes these latter two scores stand out. The score for
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using a theme inspired by Elfman's, scored the pilot and all the episodes of
327:. It is not unusual to be a composer, orchestrator, or a conductor, but what
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CineMusic: Shirley Walker - a website devoted to the music of Shirley Walker
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Walker served as composer for numerous productions, including films such as
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Burwell's score only. Don Davis orchestrated and conducted his own cues.
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sound design in mind, based on the composer’s wishes as well as her own.
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3695:"How Danny Elfman's DNA Found Its Way Into Batman: The Animated Series"
2598:
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237:, on April 10, 1945. Her father was an industrial patternmaker for the
3373:"Shirley Walker's Final Destination 3 kicks off 2006 with a scream"
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Coleman, Deborah Lurie, Germaine Franco, and Pinar Toprak to date.
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and being impressed by the conductor. She was suggested to work on
222:
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Rejected score, unknown episode. No other scores for the series.
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Walker often wrote her film scores entirely by hand, and always
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had to take credit, but she was the one who composed the score.
769:, Walker won two Daytime Emmys in 1998 and 2001, respectively.
625:(the main theme was written by Elfman) and scored episodes of
161:
203:, is remembered as a pioneer for women in the film industry.
3539:"From Apocalypse To Christmas: The Legacy Of Shirley Walker"
1263:
OOP (expanded score released in 2014 by La La Land Records)
605:(1999–2001); setting a standard for the musical tone of the
303:
Conducting, orchestrating/arranging, scoring for film and TV
3568:"Shirley Walker | Biography, Movie Highlights and Photos"
1845:
Select episodes, main title theme and thematic elements.
3787:"Wendy and Lisa Win ASCAP's First Shirley Walker Award"
529:). She would orchestrate and/or conduct his scores for
225:
Shirley Walker Award was created in her honor in 2014.
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Theme and multiple episodes (possibly all of season 1)
559:(1992), among others. She would also collaborate with
421:(1992). Walker also composed additional cues for both
3725:"Retrospective: The Musical Legacy of Shirley Walker"
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Final score before her death. Replaced Vince Lauria.
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As Walker stated in an interview, for legal reasons
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789:and after finishing the first three scores of the
741:— an interconnected cinematic universe including
16:American film and television composer (1945–2006)
3620:: CS1 maint: bot: original URL status unknown (
3404:"Shirley Walker, 61; won Emmys for film scores"
1580:Walt Disney Television Animation; pilot episode
3230:Last orchestration work for another composer.
3758:"Film, TV composer Shirley Walker dies at 61"
1819:The Adventures of Captain Zoom in Outer Space
1672:Rejected score for one segment in an episode.
8:
3636:"The Society of Composers & Lyricists -"
1301:Additional music only. Majority of score by
613:works. She served as conductor for the film
491:installments, and television series such as
458:, recalled visiting a recording session for
3267:Last conducting work for another composer.
1715:Over 34 episodes plus second opening theme.
718:for every episode!' That was a huge plus."
379:(1988), Walker would conduct the score for
3603:. Archived from the original on 2009-12-25
785:Just after completing work on the feature
609:. Walker worked with Danny Elfman on many
18:
3343:"Film composer Shirley Walker dies at 61"
713:actually worked with Danny on that first
633:, several of her themes would be used in
3922:21st-century American conductors (music)
3907:20th-century American conductors (music)
2100:Metalstorm: The Destruction of Jared-Syn
1965:
3469:"Shirley Walker -- film score composer"
3279:
146: 1967; died 2006)
3665:"Cartoon Composer Shirley Walker Dies"
3613:
3927:21st-century American women composers
3912:20th-century American women composers
3815:ASCAP Special Awards Archive (2019).
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3749:
3658:
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2353:National Lampoon's Christmas Vacation
441:National Lampoon's Christmas Vacation
7:
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3947:American women film score composers
576:
523:(who would provide synths for
3952:American women in electronic music
1614:"Inconceivable Affairs" (season 5)
347:(1983) for Charles Bernstein, and
14:
3942:American women conductors (music)
3402:Nelson, Valerie J. (2006-12-26).
3977:Varèse Sarabande Records artists
3187:Free Willy 2: The Adventure Home
1726:SOLD OUT (re-issued July, 2012)
1065:Additional music only. Score by
1013:Additional music only. Score by
233:Walker (née Rogers) was born in
3917:21st-century American composers
3902:20th-century American composers
3877:Film Music Society Appreciation
3827:from the original on 2021-07-23
3797:from the original on 2022-12-05
3768:from the original on 2022-12-05
3735:from the original on 2022-12-05
3705:from the original on 2022-12-05
3693:Melendez, Marcos (2022-11-22).
3578:from the original on 2022-12-05
3549:from the original on 2022-12-05
3479:from the original on 2022-12-05
3446:from the original on 2022-12-05
3414:from the original on 2020-06-04
3379:from the original on 2012-02-10
3353:from the original on 2012-10-20
3341:UPI staff writer (2006-12-26).
1620:"Finders and Losers" (season 5)
1192:Expanded score released in 2009
617:, wrote most of the scores for
143:
3497:Burlingame, Jon (2006-12-04).
3371:Goldwasser, Dan (2006-01-05).
1612:"Changing Partners" (season 5)
1604:"Pain and Pleasure" (season 4)
581:Walker served as composer for
194:The Incredible Shrinking Woman
1:
3937:American television composers
3932:American film score composers
1840:Superman: The Animated Series
1763:All Episodes (season 1 only):
1622:"Dangerous Ground" (season 5)
1618:"Shattered Dreams" (season 5)
731:Superman: The Animated Series
590:Superman: The Animated Series
448:, who would play the lead in
221:during her career, while the
3972:People from Napa, California
3817:"ASCAP Shirley Walker Award"
3756:Morris, Chris (2006-12-01).
3638:. 2007-06-27. Archived from
3537:Ray III, Liam (2021-10-04).
2537:Teenage Mutant Ninja Turtles
1536:"Abra Cadaver" (episode six)
1187:Batman: Mask of the Phantasm
1037:Chicago Joe and the Showgirl
804:Batman: The Animated Series,
663:Batman: Mask of the Phantasm
577:Walker's work with DC Comics
3318:"Biography: Shirley Walker"
1905:Baby Monitor: Sound of Fear
1710:Batman: The Animated Series
1558:One episode (unknown title)
1443:Television scores (partial)
1388:Full album released in 2013
1158:Memoirs of an Invisible Man
825:Memoirs of an Invisible Man
763:Batman: The Animated Series
727:Batman: The Animated Series
694:Batman: The Animated Series
658:Batman: The Animated Series
619:Batman: The Animated Series
584:Batman: The Animated Series
464:Memoirs of an Invisible Man
455:Memoirs of an Invisible Man
181:female film score composers
3998:
3982:Women television composers
3962:La-La Land Records artists
3347:United Press International
2529:
1863:Spawn: The Animated Series
1624:"Tuscany Venus" (season 8)
3967:Musicians from California
3663:Ball, Ryan (2006-12-01).
3467:Doyle, Jim (2006-12-10).
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1962:Works for other composers
1606:"The Showdown" (season 4)
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1358:
1203:La La Land Records (2009)
1101:
1031:
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676:The New Batman Adventures
648:Following the success of
596:The New Batman Adventures
3288:"Shirley Walker Credits"
2212:Children of a Lesser God
2027:Murder in Coweta Country
1608:"The Decline" (season 4)
1369:Promotional CD released.
1278:Full CD released in 2013
751:Justice League Unlimited
642:Justice League Unlimited
341:(1980) for Brad Fiedel,
338:Murder in Coweta Country
214:her own scores herself.
3375:. ScoringSessions.com.
2331:Little Miss 4th of July
1801:Theme and all episodes.
1796:Space: Above and Beyond
1130:One cue only. Score by
500:Space: Above and Beyond
370:Pee-wee's Big Adventure
197:) and according to the
3762:The Hollywood Reporter
3723:jmamenn (2019-10-22).
3499:"Composer Walker dies"
2443:Red Earth, White Earth
2310:Ernest Saves Christmas
1626:"Suspicion" (season 8)
1616:"Checkmate" (season 5)
3791:womenandhollywood.com
2964:A League of Their Own
2185:Anatomy of an Illness
550:A League of Their Own
257:The Imaginary Invalid
1650:"The Blushing Bride"
1648:Incomplete episodes:
1510:"The Rapist: Part 2"
1508:"The Rapist: Part 1"
607:DC Animated Universe
526:Mask of the Phantasm
432:Tales from the Crypt
415:(1990), and finally
3957:Animation composers
3729:In Their Own League
2633:Defending Your Life
2616:Edward Scissorhands
1610:"Echoes" (season 5)
1484:"Hazard" (season 3)
1406:Final Destination 3
1364:Final Destination 2
412:Edward Scissorhands
173:Shirley Anne Walker
34:Shirley Anne Rogers
3669:Animation Magazine
3316:Southern, Nathan.
2784:The Butcher's Wife
2411:Harold Faltermeyer
2365:Angelo Badalamenti
2224:Michael Convertino
2000:The Black Stallion
1985:Original composer
1851:La La Land Records
1807:La La Land Records
1723:La La Land Records
1501:Cagney & Lacey
1394:La La Land Records
1284:La La Land Records
867:The Black Stallion
485:, the first three
460:Christmas Vacation
276:The Black Stallion
3543:Final Girl Friday
3408:Los Angeles Times
3271:
3270:
3176:Elliot Goldenthal
3025:Striking Distance
2772:Also co-composer
2575:Also co-composer
2392:Also co-composer
2149:Charles Bernstein
2016:Also co-composer
1959:
1958:
1779:"Crown of Thorns"
1777:"Thief of Hearts"
1482:"Guns" (season 3)
1440:
1439:
1321:Final Destination
1247:Co-composed with
1221:Co-composed with
986:Co-composed with
942:Co-composed with
937:The Dungeonmaster
896:The End of August
872:Co-composed with
817:Final Destination
791:Final Destination
710:John Wesley Shipp
692:, who co-created
599:(1997–1999), and
488:Final Destination
354:The Dungeonmaster
262:Make Way For Love
200:Los Angeles Times
167:
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62:November 30, 2006
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2840:Basil Poledouris
2421:Immediate Family
1966:
1771:"Wheels of Fire"
1765:"Safe as Houses"
1447:
1242:Escape from L.A.
1173:Varèse Sarabande
1136:Basil Poledouris
1075:Varèse Sarabande
839:
761:For her work on
704:he was watching
678:(1997–1999) and
474:Escape from L.A.
289:Delia Derbyshire
235:Napa, California
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52:Napa, California
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3047:Renaissance Man
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2744:Days of Thunder
2062:John Rubinstein
2012:Carmine Coppola
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1445:
1424:Black Christmas
1303:Stephen Warbeck
1202:
1199:Reprise Records
1144:Intrada Records
1060:Pacific Heights
995:Intrada Records
951:Intrada Records
883:Intrada Records
874:Carmine Coppola
857:OOP / SOLD OUT
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684:Batman Forever
654:Batman Returns
636:Justice League
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561:Carter Burwell
538:Bird on a Wire
450:John Carpenter
325:Carter Burwell
304:
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270:Apocalypse Now
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3675:on 2023-01-30
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3118:A Goofy Movie
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2019:
2015:
2013:
2010:
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1984:
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1979:
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1971:
1968:
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1944:Disappearance
1941:
1938:
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1647:
1645:
1644:
1643:Knots Landing
1640:
1637:
1636:
1632:
1630:
1628:
1602:All Episodes:
1601:
1599:
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1579:
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1538:
1534:All Episodes:
1533:
1531:
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1526:
1523:
1522:
1518:
1516:
1514:
1506:All Episodes:
1505:
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1260:Milan Records
1259:
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1176:
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1168:
1166:
1165:Jack Nitzsche
1162:
1160:
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808:Daily Variety
805:
796:
794:
792:
788:
780:
778:
773:Personal life
772:
770:
768:
767:Batman Beyond
764:
757:Honors/awards
756:
754:
752:
748:
744:
740:
736:
735:Batman Beyond
732:
728:
724:
719:
716:
711:
707:
703:
699:
698:Eric Radomski
695:
691:
687:
685:
681:
680:Batman Beyond
677:
672:
669:
665:
664:
659:
655:
651:
646:
644:
643:
638:
637:
632:
628:
627:Batman Beyond
624:
620:
616:
612:
608:
604:
603:
602:Batman Beyond
598:
597:
593:(1996–2000),
592:
591:
587:(1992–1995),
586:
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477:
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475:
469:
468:Jack Nitzsche
465:
461:
457:
456:
452:'s 1992 film
451:
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443:
442:
436:
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428:
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372:
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366:
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361:
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355:
350:
349:Ghost Warrior
346:
345:
340:
339:
333:
330:
326:
322:
318:
314:
310:
302:
300:
298:
297:Suzanne Ciani
294:
293:Angela Morley
290:
286:
285:Rachel Elkind
282:
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196:
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189:Suzanne Ciani
186:
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163:
162:Official site
160:
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130:
124:
120:
114:
110:
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91:
88:
86:Occupation(s)
84:
81:
78:
74:
70:
61:
57:
53:
41:
37:
33:
27:
20:
3829:. Retrieved
3820:
3810:
3799:. Retrieved
3790:
3781:
3770:. Retrieved
3761:
3737:. Retrieved
3728:
3718:
3707:. Retrieved
3698:
3688:
3677:. Retrieved
3673:the original
3668:
3644:. Retrieved
3640:the original
3630:
3605:. Retrieved
3600:
3597:"archive.ph"
3591:
3580:. Retrieved
3571:
3562:
3551:. Retrieved
3542:
3506:. Retrieved
3502:
3492:
3481:. Retrieved
3472:
3448:. Retrieved
3439:
3416:. Retrieved
3407:
3381:. Retrieved
3366:
3355:. Retrieved
3346:
3336:
3325:. Retrieved
3321:
3311:
3300:. Retrieved
3296:the original
3291:
3282:
3255:
3235:
3212:
3185:
3162:
3139:
3116:
3094:
3067:
3045:
3023:
3001:
2979:
2962:
2940:
2923:
2901:
2893:Danny Elfman
2879:
2852:
2826:
2804:
2796:Michael Gore
2782:
2759:
2742:
2720:
2698:
2675:
2667:Trevor Jones
2653:
2645:Michael Gore
2631:
2614:
2597:
2580:
2571:Danny Elfman
2557:
2549:John Du Prez
2535:
2508:
2486:
2464:
2441:
2419:
2399:Fletch Lives
2397:
2388:Danny Elfman
2374:
2351:
2330:
2308:
2300:Danny Elfman
2286:
2264:
2251:David Newman
2237:
2210:
2184:
2176:Richard Band
2162:
2135:
2120:
2112:Richard Band
2098:
2077:Right of Way
2075:
2047:
2026:
1998:
1981:Orchestrator
1943:
1923:
1904:
1885:The Love Bug
1884:
1862:
1838:
1817:
1794:
1773:"Past Tense"
1757:
1736:M.A.N.T.I.S.
1734:
1708:
1687:
1665:
1641:
1597:Falcon Crest
1595:
1592:1984 to 1988
1573:
1551:
1527:
1499:
1473:
1423:
1404:
1382:
1362:
1342:
1320:
1294:
1272:
1253:Alan Howarth
1240:
1214:
1185:
1157:
1124:
1107:Born to Ride
1106:
1084:
1058:
1035:
1015:Danny Elfman
1006:
988:Richard Band
979:
964:Unused score
959:
944:Richard Band
935:
915:
895:
865:
829:
824:
821:
816:
811:
807:
803:
800:
790:
786:
784:
776:
766:
762:
760:
750:
746:
743:Static Shock
742:
738:
734:
730:
726:
722:
720:
714:
705:
701:
693:
688:
683:
679:
675:
670:
667:
661:
657:
653:
649:
647:
640:
634:
630:
626:
622:
618:
614:
600:
594:
588:
582:
580:
571:
564:
554:
553:(1992), and
548:
542:
536:
530:
524:
516:
510:
504:
498:
494:Falcon Crest
492:
486:
480:
478:
472:
463:
459:
453:
439:
437:
430:
426:
422:
416:
410:
404:
398:
392:
386:
380:
374:
368:
364:
358:
352:
348:
342:
336:
334:
328:
309:Danny Elfman
306:
281:Wendy Carlos
274:
268:
266:
261:
255:
253:
250:Early career
232:
217:She won two
216:
208:orchestrated
205:
198:
192:
176:
172:
171:
117:Years active
98:orchestrator
69:Reno, Nevada
64:(2006-11-30)
3897:2006 deaths
3892:1945 births
3247:Brad Fiedel
3180:Uncredited
3157:Uncredited
3153:Brad Fiedel
3096:Bad Company
3081:Brad Fiedel
3059:Hans Zimmer
3015:Brad Fiedel
2954:Hans Zimmer
2942:Radio Flyer
2915:Brad Fiedel
2866:Hans Zimmer
2844:Hans Zimmer
2818:Marc Marder
2734:Hans Zimmer
2522:Hans Zimmer
2433:Brad Fiedel
2369:Uncredited
2278:Brad Fiedel
2266:The Accused
2197:Brad Fiedel
2090:Brad Fiedel
2049:Amber Waves
2039:Brad Fiedel
1575:Fluppy Dogs
1553:Berrenger's
1296:Mystery Men
1223:Brad Fiedel
1132:Hans Zimmer
1067:Hans Zimmer
1044:Hans Zimmer
1023:MCA Records
835:Film scores
739:Batman: TAS
668:Mask of the
521:Hans Zimmer
506:China Beach
446:Chevy Chase
376:The Accused
357:(1984) and
317:Brad Fiedel
313:Hans Zimmer
219:Emmy Awards
191:for 1981's
183:working in
80:Film scores
3886:Categories
3831:2022-11-24
3801:2022-12-05
3772:2022-12-05
3739:2022-12-05
3709:2022-12-05
3679:2023-01-30
3646:2022-12-05
3607:2022-12-05
3601:archive.ph
3582:2022-12-05
3553:2022-12-05
3508:2008-09-12
3483:2022-12-05
3450:2022-12-05
3418:2022-11-28
3383:2008-09-13
3357:2008-09-12
3327:2008-09-12
3302:2008-09-12
3274:References
2881:Article 99
2828:White Fang
2582:Dick Tracy
2559:Nightbreed
2510:Black Rain
1924:The Others
1769:"The Face"
1767:"Firehawk"
1667:Tiny Toons
1512:"The Gimp"
1273:Turbulence
1125:White Fang
1008:Nightbreed
696:alongside
690:Bruce Timm
532:Black Rain
427:Dick Tracy
423:Nightbreed
418:Article 99
400:Dick Tracy
394:Nightbreed
229:Early life
133:Don Walker
108:Instrument
45:1945-04-10
30:Birth name
3069:True Lies
2903:Gladiator
2854:Backdraft
2677:El Diablo
2322:Mark Snow
2121:Swordkill
1976:Conductor
1689:The Flash
1480:Episodes:
1475:Lou Grant
1216:True Lies
1163:Replaced
1148:SOLD OUT
1079:SOLD OUT
1027:SOLD OUT
887:SOLD OUT
827:in 1992.
708:starring
706:The Flash
623:The Flash
611:DC Comics
544:Backdraft
517:The Flash
512:The Flash
321:Mark Snow
239:U.S. Navy
212:conducted
185:Hollywood
121:1979–2006
111:Keyboards
94:conductor
3853:AllMovie
3825:Archived
3795:Archived
3766:Archived
3733:Archived
3703:Archived
3616:cite web
3576:Archived
3572:AllMovie
3547:Archived
3477:Archived
3444:Archived
3412:Archived
3377:Archived
3351:Archived
3322:allmovie
3256:Rasputin
2288:Scrooged
1459:Limited?
981:Ghoulies
960:Violated
851:Limited?
671:Phantasm
656:(1992),
569:(1996).
547:(1991),
541:(1990),
535:(1989),
444:(1989).
409:(1990),
403:(1990),
397:(1990),
391:(1989),
382:Scrooged
365:Ghoulies
360:Ghoulies
90:Composer
3503:Variety
3292:Variety
2599:Darkman
2164:Ragewar
1775:"Scoop"
1383:Willard
1201:(1993)
916:Touched
702:Vulture
700:, told
482:Willard
406:Darkman
260:called
158:Website
148:
140:
136:
3473:SFGATE
2842:&
2376:Batman
2239:Malone
1988:Notes
1955:NO CD
1934:NO CD
1915:NO CD
1896:NO CD
1875:NO CD
1830:NO CD
1786:NO CD
1748:NO CD
1700:NO CD
1679:NO CD
1657:NO CD
1633:NO CD
1587:NO CD
1565:NO CD
1543:NO CD
1519:NO CD
1491:NO CD
1436:NO CD
1417:NO CD
1376:NO CD
1354:NO CD
1343:Ritual
1333:NO CD
1311:NO CD
1251:, and
1134:&
1118:NO CD
1097:NO CD
1053:NO CD
971:NO CD
927:NO CD
906:NO CD
812:Batman
797:Legacy
715:Batman
650:Batman
631:Beyond
615:Batman
509:, and
388:Batman
295:, and
245:Career
177:Rogers
127:Spouse
76:Genres
71:, U.S.
54:, U.S.
3821:ASCAP
3699:/Film
3258:(TV)
2680:(TV)
2446:(TV)
2333:(TV)
2187:(TV)
2080:(TV)
2052:(TV)
2029:(TV)
1972:Film
1969:Year
1848:3,000
1804:3,000
1758:Viper
1720:3,000
1462:Label
1453:Title
1391:3,000
1281:2,000
1195:3,000
879:1,500
854:Label
845:Title
781:Death
466:when
223:ASCAP
175:(née
142:(
138:
3862:IMDb
3622:link
3440:IMDb
3261:Yes
3240:Yes
3236:Eden
3222:Yes
3219:Yes
3214:Fear
3208:1996
3192:Yes
3126:Yes
3123:Yes
3104:Yes
3090:1995
3077:Yes
3074:Yes
3052:Yes
3041:1994
3033:Yes
3030:Yes
3008:Yes
2997:1993
2989:Yes
2986:Yes
2981:Toys
2972:Yes
2969:Yes
2950:Yes
2947:Yes
2930:Yes
2908:Yes
2886:Yes
2875:1992
2862:Yes
2859:Yes
2836:Yes
2833:Yes
2811:Yes
2792:Yes
2789:Yes
2778:1991
2769:Yes
2766:Yes
2752:Yes
2749:Yes
2730:Yes
2727:Yes
2708:Yes
2705:Yes
2686:Yes
2683:Yes
2663:Yes
2660:Yes
2641:Yes
2638:Yes
2621:Yes
2607:Yes
2604:Yes
2590:Yes
2587:Yes
2567:Yes
2564:Yes
2545:Yes
2542:Yes
2531:1990
2518:Yes
2515:Yes
2493:Yes
2474:Yes
2471:Yes
2452:Yes
2426:Yes
2404:Yes
2384:Yes
2381:Yes
2347:1989
2339:Yes
2318:Yes
2293:Yes
2274:Yes
2271:Yes
2260:1988
2247:Yes
2233:1987
2220:Yes
2217:Yes
2206:1986
2190:Yes
2169:Yes
2158:1984
2142:Yes
2137:Cujo
2128:Yes
2125:Yes
2105:Yes
2083:Yes
2071:1983
2058:Yes
2032:Yes
2022:1980
2008:Yes
1994:1979
1939:2002
1920:2000
1901:1998
1880:1997
1858:1997
1835:1996
1814:1995
1791:1995
1753:1994
1731:1994
1705:1992
1684:1990
1662:1990
1638:1988
1570:1986
1548:1985
1524:1982
1496:1981
1470:1980
1456:Info
1450:Year
1401:2006
1359:2003
1338:2002
1316:2000
1291:1999
1268:1997
1237:1996
1232:OOP
1211:1994
1206:OOP
1182:1993
1177:OOP
1153:1992
1102:1991
1032:1990
1003:1989
976:1985
932:1984
911:1983
892:1982
862:1979
848:Info
842:Year
765:and
749:and
733:and
652:and
639:and
566:Fear
556:Toys
425:and
344:Cujo
323:and
210:and
59:Died
39:Born
3860:at
3851:at
3264:No
3243:No
3195:No
3172:No
3169:No
3149:No
3146:No
3101:No
3055:No
3011:No
2933:No
2911:No
2889:No
2814:No
2624:No
2496:No
2449:No
2429:No
2407:No
2361:No
2358:No
2336:No
2315:No
2296:No
2244:No
2193:No
2172:No
2145:No
2108:No
2086:No
2055:No
2035:No
2005:No
3888::
3823:.
3819:.
3793:.
3789:.
3764:.
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