230:
225:
220:
268:
263:
258:
253:
248:
215:
210:
340:
The line-up produced a heady mixture of ideas and experimentation with two distinctive styles emerging; carefree ballads like "Clarence in
Wonderland" and "May I?" abutted the avant-garde experimentation of songs like "Reinhardt and Geraldine" and "Underwater". The album has since become a best
31:
794:
778:
1035:
1030:
722:
953:
818:
625:
670:
885:
640:
298:
A snapshot of the era, the album is saturated with original ideas, experimentation, and lunacy, all powered by the bottled grape.
1025:
842:
904:
611:
344:
Although The Whole World disbanded shortly after the release, the nucleus of the group would contribute to Ayers next LP,
239:
918:
1020:
946:
810:
960:
715:
657:
395:
361:
939:
762:
346:
168:
333:. After a UK tour, Ayers took the Whole World into the studio to cut an LP, produced, like his debut, with
850:
834:
652:
391:
1015:
967:
708:
379:
71:
666:
621:
96:
858:
802:
326:
92:
88:
84:
925:
911:
355:
351:
287:
121:
932:
786:
570:
1009:
617:
318:
314:
307:
In early 1970, Ayers assembled a band he called The Whole World to tour his debut LP
994:
989:
984:
877:
746:
662:
607:
528:
334:
330:
309:
150:
130:
111:
826:
387:
one of the "100 Records That Set The World On Fire (When No One Was
Listening)".
731:
322:
283:
137:
126:
79:
43:
30:
770:
524:
291:
202:
595:
368:
as "the best album ever made" in the sleeve notes to their 1994 album
370:
38:
704:
700:
350:. Ayers released a single of exclusive material at the time "
553:
Bridget St. John – vocals ("The Oyster And The Flying Fish")
421:"Rheinhardt & Geraldine/Colores Para Dolores" – (5:41)
540:
Mick
Fincher – drums, percussion, bottles & ashtrays
462:"Rheinhardt & Geraldine/Colores Para Dolores" – 5:41
18:
1970 studio album by Kevin Ayers and The Whole World
401:
Harvest
Records re-released the album on CD in 2003.
977:
896:
869:
738:
136:
120:
110:
102:
78:
67:
59:
51:
37:
23:
795:Yes We Have No Mañanas (So Get Your Mañanas Today)
691:liner notes by Martin Wakeling (Harvest Sept 2006)
641:The Wire 100 Records That Set The World On Fire
296:
779:The Confessions of Dr. Dream and Other Stories
556:Robert Wyatt – vocals ("Colores Para Delores")
716:
8:
245:
207:
723:
709:
701:
364:, who were big fans of Ayers, referred to
358:" (a French-language version of "May I?")
182:
29:
20:
437:"The Oyster and the Flying Fish" – (2:37)
585:
543:The Whole World Chorus – backing vocals
471:"The Oyster and the Flying Fish" – 2:37
537:Mike Oldfield – bass, guitar and vocal
188:
7:
591:
589:
534:Lol Coxhill – saxophone, zoblophone
819:Diamond Jack and the Queen of Pain
685:I’m Just Moonlight's Lost Disciple
513:Kevin Ayers – guitar, bass, vocals
14:
446:"Red Green and You Blue" – (3:52)
443:"Clarence in Wonderland" – (2:06)
409:All songs written by Kevin Ayers
247:
209:
427:"Pisser Dans un Violon" – (8:02)
325:, Mick Fincher, the folk singer
266:
261:
256:
251:
246:
228:
223:
218:
213:
208:
1036:Albums produced by Peter Jenner
480:"Red Green and You Blue" – 3:52
477:"Clarence in Wonderland" – 2:06
449:"Shooting at the Moon" – (5:53)
1031:Albums produced by Kevin Ayers
886:Lady June's Linguistic Leprosy
523:David Bedford – organ, piano,
468:"Pisser Dans un Violon" – 8:02
140:and The Whole World chronology
1:
905:Singing a Song in the Morning
613:Encyclopedia of Popular Music
483:"Shooting at the Moon" – 5:53
454:Track listing 2003 CD reissue
240:Encyclopedia of Popular Music
919:Stranger in Blue Suede Shoes
341:seller in Ayers' catalogue.
282:is the second solo album of
390:It was voted number 943 in
1052:
424:"Lunatics Lament" – (4:53)
196:
193:
144:
28:
811:That's What You Get Babe
658:All Time Top 1000 Albums
492:"Butterfly Dance" – 3:45
465:"Lunatics Lament" – 4:53
396:All Time Top 1000 Albums
763:Whatevershebringswesing
566:Peter Jenner – producer
347:Whatevershebringswesing
169:Whatevershebringswesing
1026:Harvest Records albums
851:Still Life with Guitar
313:that included a young
300:
290:. David Ross Smith of
835:As Close As You Think
495:"Jolie Madame" – 2:26
486:"Gemini Child" – 3:16
440:"Underwater" – (3:54)
362:Gorky's Zygotic Mynci
755:Shooting at the Moon
695:Shooting at the Moon
689:Shooting at the Moon
548:Additional musicians
398:3rd Edition (2000).
385:Shooting at the Moon
366:Shooting at the Moon
279:Shooting at the Moon
184:Professional ratings
160:Shooting at the Moon
63:April–September 1970
24:Shooting at the Moon
697:– original LP notes
474:"Underwater" – 3:54
185:
46:and The Whole World
1021:Kevin Ayers albums
183:
72:Abbey Road Studios
1003:
1002:
968:Who's Still Crazy
954:Money Money Money
489:"Puis Je?" – 3:41
418:"May I?" – (4:01)
275:
274:
181:
180:
177:
176:
97:experimental rock
1043:
978:Related articles
859:The Unfairground
803:Rainbow Takeaway
725:
718:
711:
702:
677:
676:
661:(3rd ed.).
649:
643:
638:
632:
631:
616:(5th ed.).
604:
598:
593:
354:" coupled with "
327:Bridget St. John
271:
270:
269:
265:
264:
260:
259:
255:
254:
250:
249:
233:
232:
231:
227:
226:
222:
221:
217:
216:
212:
211:
186:
146:
145:
93:psychedelic rock
89:Canterbury scene
85:Progressive rock
33:
21:
1051:
1050:
1046:
1045:
1044:
1042:
1041:
1040:
1006:
1005:
1004:
999:
973:
926:Oh! Wot a Dream
912:Butterfly Dance
892:
865:
734:
729:
681:
680:
673:
665:. p. 286.
651:
650:
646:
639:
635:
628:
606:
605:
601:
596:Allmusic review
594:
587:
582:
563:
550:
520:
518:The Whole World
510:
505:
459:"May I?" – 4:01
456:
434:
415:
407:
352:Butterfly Dance
305:
288:Harvest Records
267:
262:
257:
252:
229:
224:
219:
214:
172:
163:
154:
47:
19:
12:
11:
5:
1049:
1047:
1039:
1038:
1033:
1028:
1023:
1018:
1008:
1007:
1001:
1000:
998:
997:
992:
987:
981:
979:
975:
974:
972:
971:
964:
957:
950:
943:
936:
933:Caribbean Moon
929:
922:
915:
908:
900:
898:
894:
893:
891:
890:
882:
873:
871:
870:Collaborations
867:
866:
864:
863:
855:
847:
839:
831:
823:
815:
807:
799:
791:
787:Sweet Deceiver
783:
775:
767:
759:
751:
742:
740:
736:
735:
730:
728:
727:
720:
713:
705:
699:
698:
692:
679:
678:
671:
655:, ed. (2000).
644:
633:
627:978-0857125958
626:
599:
584:
583:
581:
578:
577:
576:
575:Tom Fu – cover
573:
567:
562:
559:
558:
557:
554:
549:
546:
545:
544:
541:
538:
535:
532:
519:
516:
515:
514:
509:
506:
504:
501:
500:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
466:
463:
460:
455:
452:
451:
450:
447:
444:
441:
438:
433:
430:
429:
428:
425:
422:
419:
414:
411:
406:
403:
304:
301:
273:
272:
243:
235:
234:
205:
199:
198:
195:
191:
190:
179:
178:
175:
174:
165:
156:
142:
141:
134:
133:
124:
118:
117:
114:
108:
107:
104:
100:
99:
82:
76:
75:
69:
65:
64:
61:
57:
56:
53:
49:
48:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
1048:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1013:
1011:
996:
993:
991:
988:
986:
983:
982:
980:
976:
969:
965:
962:
958:
955:
951:
948:
944:
941:
937:
934:
930:
927:
923:
920:
916:
913:
909:
906:
902:
901:
899:
895:
888:
887:
883:
880:
879:
875:
874:
872:
868:
861:
860:
856:
853:
852:
848:
845:
844:
840:
837:
836:
832:
829:
828:
824:
821:
820:
816:
813:
812:
808:
805:
804:
800:
797:
796:
792:
789:
788:
784:
781:
780:
776:
773:
772:
768:
765:
764:
760:
757:
756:
752:
749:
748:
744:
743:
741:
739:Studio albums
737:
733:
726:
721:
719:
714:
712:
707:
706:
703:
696:
693:
690:
686:
683:
682:
674:
672:0-7535-0493-6
668:
664:
660:
659:
654:
648:
645:
642:
637:
634:
629:
623:
619:
618:Omnibus Press
615:
614:
609:
608:Larkin, Colin
603:
600:
597:
592:
590:
586:
579:
574:
572:
569:Peter Mews –
568:
565:
564:
560:
555:
552:
551:
547:
542:
539:
536:
533:
530:
526:
522:
521:
517:
512:
511:
507:
502:
497:
494:
491:
488:
485:
482:
479:
476:
473:
470:
467:
464:
461:
458:
457:
453:
448:
445:
442:
439:
436:
435:
431:
426:
423:
420:
417:
416:
412:
410:
405:Track listing
404:
402:
399:
397:
393:
388:
386:
382:
381:
375:
373:
372:
367:
363:
359:
357:
353:
349:
348:
342:
338:
336:
332:
328:
324:
320:
319:David Bedford
316:
315:Mike Oldfield
312:
311:
302:
299:
295:
293:
289:
285:
281:
280:
244:
242:
241:
237:
236:
206:
204:
201:
200:
192:
189:Review scores
187:
171:
170:
166:
162:
161:
157:
153:
152:
148:
147:
143:
139:
135:
132:
128:
125:
123:
119:
115:
113:
109:
105:
101:
98:
94:
90:
86:
83:
81:
77:
73:
70:
66:
62:
58:
54:
50:
45:
40:
36:
32:
27:
22:
16:
995:Daevid Allen
990:Robert Wyatt
985:Soft Machine
884:
878:June 1, 1974
876:
857:
849:
841:
833:
825:
817:
809:
801:
793:
785:
777:
769:
761:
754:
753:
747:Joy of a Toy
745:
694:
688:
684:
663:Virgin Books
656:
653:Colin Larkin
647:
636:
612:
602:
529:marimbaphone
498:"Hat" – 5:27
408:
400:
392:Colin Larkin
389:
384:
378:
376:
369:
365:
360:
345:
343:
339:
335:Peter Jenner
331:Robert Wyatt
310:Joy of a Toy
308:
306:
297:
278:
277:
276:
238:
167:
159:
158:
151:Joy of a Toy
149:
131:Peter Jenner
55:October 1970
39:Studio album
15:
1016:1970 albums
732:Kevin Ayers
323:Lol Coxhill
284:Kevin Ayers
138:Kevin Ayers
127:Kevin Ayers
44:Kevin Ayers
1010:Categories
843:Falling Up
771:Bananamour
580:References
303:Background
827:Deià...Vu
561:Technical
525:accordion
508:Musicians
503:Personnel
377:In 1998,
947:Mr. Cool
610:(2007).
571:engineer
531:, guitar
432:Side two
413:Side one
380:The Wire
356:Puis Je?
292:AllMusic
203:Allmusic
122:Producer
74:, London
60:Recorded
52:Released
41: by
961:Animals
897:Singles
294:writes:
173:(1971)
164:(1970)
155:(1969)
116:Harvest
889:(1974)
881:(1974)
862:(2007)
854:(1992)
846:(1988)
838:(1986)
830:(1984)
822:(1983)
814:(1980)
806:(1978)
798:(1976)
790:(1975)
782:(1974)
774:(1973)
766:(1971)
758:(1970)
750:(1969)
669:
624:
383:named
197:Rating
194:Source
106:41.04
103:Length
68:Studio
371:Tatay
286:, on
112:Label
80:Genre
940:Star
667:ISBN
622:ISBN
329:and
129:and
394:'s
1012::
687:–
620:.
588:^
527:,
374:.
337:.
321:,
317:,
95:,
91:,
87:,
970:"
966:"
963:"
959:"
956:"
952:"
949:"
945:"
942:"
938:"
935:"
931:"
928:"
924:"
921:"
917:"
914:"
910:"
907:"
903:"
724:e
717:t
710:v
675:.
630:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.