Knowledge (XXG)

Shosagoto

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349: 19: 348: 18: 399:, in 1753, again at the Nakamura-za. The performance was so successful that it was staged for several months, and Tomijuro became one of the most famous actors in Edo. 285:
during the first half of the 18th century. He became very successful shortly after arriving to the city in 1730 by performing the leading role on the dance
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in 1741 and then again in 1748. His greatest accomplishment was his performance of the main role in the debut of one of the most famous kabuki dances,
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musicians are often seated in rows on stepped platforms behind the dancers. There are many other distinctions and styles. For example,
487: 202:- dance has been a central element of kabuki, and in fact those first performances involved more dance and music than drama. 164:
dances include particularly theatricalized sets and costumes, often including quick on-stage changes of clothes (called
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There are several types of kabuki dances. An important difference is between the mainly non-narrative dances with
111:, and still forms a key part of the kabuki repertoire today. For example, the January 2018 program at the 440: 370: 265: 355: 322: 32: 483: 477: 791: 765: 744: 678: 657: 591: 205:
An important early development of dance in kabuki was the incorporation of elements from
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dances. Some other important dance roles he performed in those early years were
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plays became an important part of the kabuki repertoire towards the end of the
723: 112: 85: 636: 702: 615: 228: 93: 24: 377:, he achieved great success early in his career with performances of a 256: 234: 214: 131: 108: 250: 185: 75: 373:(1719–1786), also said to have perfected kabuki dance. A native of 374: 347: 246: 233:(lit. "female role") actors, entered the kabuki repertoire in the 193: 116: 79: 17: 384: 282: 82:. It is one of the three genres of kabuki, together with 176:
dances involve a single actor playing different roles.
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A central element of kabuki since its origin in 1603,
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Historical Dictionary of Japanese Traditional Theatre
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Historical Dictionary of Japanese Traditional Theatre
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Historical Dictionary of Japanese Traditional Theatre
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Another important actor in the early development of
74:, also known as dance or dance-drama, is a type of 275:), considered an excellent dancer and the best 58: 41: 67: 50: 8: 245:). The form was further developed from the 553: 551: 549: 459: 457: 264:The first actor to perfect the genre was 192:began performing in the dry riverbeds of 407: 295:. He specialized in the performance of 261:became the main form of accompaniment. 476:Leiter, Samuel L. (16 January 2006). 7: 14: 441:"January at the Kabukiza Theatre" 482:. Scarecrow Press. p. 115. 352:Nakamura Tomijūrō I performing 29:actor Akifusa Guraku performing 342:Mugen no Kane Omoi no Akatsuki 316:Sayo no Nakayama Asama-ga-Dake 219:dance scenes. However, proper 1: 269: 393: 379: 365: 354: 341: 335: 330:Hanabusa Shishi no Rangyoku 329: 321: 315: 309: 303: 297: 287: 277: 255: 239: 227: 221: 213: 207: 198: 172: 166: 160: 154: 146: 138: 130: 121: 103: 92: 84: 59: 42: 31: 23: 813: 797:Japanese words and phrases 766:"Development of Shosagoto" 745:"Development of Shosagoto" 679:"Development of Shosagoto" 658:"Development of Shosagoto" 592:"Development of Shosagoto" 443:. Kabuki Official Website 196:- a style referred to as 68: 51: 184:From the very origin of 383:dance, particularly in 136:accompaniment (such as 90:(historical plays) and 768:. Invitation to Kabuki 747:. Invitation to Kabuki 681:. Invitation to Kabuki 660:. Invitation to Kabuki 594:. Invitation to Kabuki 360: 237:(1688-1704) (see also 98:(contemporary plays). 38: 703:"Nakamura Tomijuro I" 571:"What is Nihon Buyo?" 351: 225:dances, performed by 21: 466:. (2006) p. 367-368. 616:"Segawa Kikunojo I" 371:Nakamura Tomijuro I 560:. (2006) p. 47-48. 366:onnagata shosagoto 361: 39: 37:(The Heron Maiden) 266:Segawa Kikunojo I 253:(1716–1764), and 804: 777: 776: 774: 773: 762: 756: 755: 753: 752: 741: 735: 734: 732: 731: 720: 714: 713: 711: 710: 699: 690: 689: 687: 686: 675: 669: 668: 666: 665: 654: 648: 647: 645: 644: 633: 627: 626: 624: 623: 612: 603: 602: 600: 599: 588: 582: 581: 579: 578: 567: 561: 555: 544: 543: 541: 540: 525: 519: 518: 516: 515: 500: 494: 493: 473: 467: 461: 452: 451: 449: 448: 437: 431: 430: 428: 427: 412: 398: 382: 368: 359: 344: 338: 332: 326: 318: 312: 306: 300: 290: 280: 274: 273: 1693–1749 271: 260: 244: 232: 224: 218: 210: 201: 175: 169: 163: 157: 151: 143: 135: 124: 106: 97: 89: 73: 71: 70: 64: 56: 54: 53: 47: 36: 28: 812: 811: 807: 806: 805: 803: 802: 801: 782: 781: 780: 771: 769: 764: 763: 759: 750: 748: 743: 742: 738: 729: 727: 724:"Musume Dojoji" 722: 721: 717: 708: 706: 701: 700: 693: 684: 682: 677: 676: 672: 663: 661: 656: 655: 651: 642: 640: 635: 634: 630: 621: 619: 614: 613: 606: 597: 595: 590: 589: 585: 576: 574: 569: 568: 564: 556: 547: 538: 536: 531:Kabuki Glossary 527: 526: 522: 513: 511: 506:Kabuki Glossary 502: 501: 497: 490: 475: 474: 470: 462: 455: 446: 444: 439: 438: 434: 425: 423: 418:Kabuki Glossary 414: 413: 409: 405: 272: 182: 119:included three 65: 48: 12: 11: 5: 810: 808: 800: 799: 794: 784: 783: 779: 778: 757: 736: 715: 691: 670: 649: 628: 604: 583: 562: 545: 529:"Hengemono in 520: 495: 488: 468: 453: 432: 416:"Shosagoto in 406: 404: 401: 235:Genroku period 190:Izumo no Okuni 188:in 1603, when 181: 178: 161:matsubame mono 125:performances. 78:play based on 13: 10: 9: 6: 4: 3: 2: 809: 798: 795: 793: 790: 789: 787: 767: 761: 758: 746: 740: 737: 725: 719: 716: 704: 698: 696: 692: 680: 674: 671: 659: 653: 650: 638: 632: 629: 617: 611: 609: 605: 593: 587: 584: 572: 566: 563: 559: 554: 552: 550: 546: 534: 532: 524: 521: 509: 507: 504:"Hikinuki in 499: 496: 491: 489:9780810865143 485: 481: 480: 472: 469: 465: 460: 458: 454: 442: 436: 433: 421: 419: 411: 408: 402: 400: 397: 396: 395:Musume Dojoji 390: 386: 381: 376: 372: 367: 358: 357: 356:Musume Dōjōji 350: 346: 343: 337: 331: 325: 324: 323:Mugen no Kane 317: 311: 305: 299: 294: 289: 284: 279: 267: 262: 259: 258: 252: 251:Horeki period 248: 243: 242: 241:Genroku bunka 236: 231: 230: 223: 217: 216: 209: 203: 200: 195: 191: 187: 179: 177: 174: 168: 162: 156: 150: 149: 142: 141: 134: 133: 126: 123: 118: 114: 110: 105: 99: 96: 95: 88: 87: 81: 77: 63: 62: 46: 45: 35: 34: 27: 26: 20: 16: 770:. Retrieved 760: 749:. Retrieved 739: 728:. Retrieved 718: 707:. Retrieved 683:. Retrieved 673: 662:. Retrieved 652: 641:. Retrieved 637:"Aioi Jishi" 631: 620:. Retrieved 596:. Retrieved 586: 575:. Retrieved 573:. Nihon Buyo 565: 557: 537:. Retrieved 530: 523: 512:. Retrieved 505: 498: 478: 471: 463: 445:. Retrieved 435: 424:. Retrieved 417: 410: 362: 339:(1742), and 336:Makura Jishi 263: 204: 199:okuni kabuki 183: 127: 109:17th century 100: 60: 43: 40: 15: 389:Nakamura-za 380:Shakkyomono 298:Shakkyomono 293:Nakamura-za 140:Fuji Musume 33:Sagi Musume 786:Categories 772:2018-01-11 751:2018-01-11 730:2018-01-16 726:. kabuki21 709:2018-01-16 705:. kabuki21 685:2018-01-11 664:2018-01-11 643:2018-01-11 639:. kabuki21 622:2018-01-11 618:. kabuki21 598:2018-01-11 577:2017-10-03 539:2017-10-03 535:. kabuki21 514:2017-10-03 510:. kabuki21 447:2017-12-27 426:2017-10-03 422:. kabuki21 403:References 310:Dojojimono 304:Aioi jishi 288:Aioi Jishi 301:(such as 222:shosagoto 173:Hengemono 148:Kanjinchō 122:shosagoto 113:Kabuki-za 104:shosagoto 86:jidaimono 44:Shosagoto 345:(1746). 327:(1739), 319:(1736), 278:onnagata 229:onnagata 167:hikinuki 94:sewamono 61:furigoto 25:Onnagata 387:at the 291:at the 257:nagauta 249:to the 215:bunraku 208:keigoto 180:History 155:nagauta 152:). The 132:nagauta 792:Kabuki 486:  307:) and 186:kabuki 76:kabuki 375:Osaka 247:Kyoho 194:Kyoto 117:Tokyo 80:dance 484:ISBN 369:was 333:and 385:Edo 283:Edo 281:in 170:). 115:in 57:or 52:所作事 788:: 694:^ 607:^ 548:^ 456:^ 270:c. 211:, 69:振事 775:. 754:. 733:. 712:. 688:. 667:. 646:. 625:. 601:. 580:. 542:. 533:" 517:. 508:" 492:. 450:. 429:. 420:" 268:( 72:) 66:( 55:) 49:(

Index


Onnagata
Sagi Musume
kabuki
dance
jidaimono
sewamono
17th century
Kabuki-za
Tokyo
nagauta
Fuji Musume
Kanjinchō
kabuki
Izumo no Okuni
Kyoto
bunraku
onnagata
Genroku period
Genroku bunka
Kyoho
Horeki period
nagauta
Segawa Kikunojo I
Edo
Nakamura-za
Mugen no Kane

Musume Dōjōji
Nakamura Tomijuro I

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