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soldiers during World War II, the Korean conflict, and the
Vietnam War. Rey describes the net effect as being a display of "comic book politics", and McNeil provides the perspective that they were all "white liberals", albeit ones that had (to use contemporary parlance) a very un-PC sense of humor. Wyndorf has compared the band's antics in the earlier part of their history to Vaudeville, and has stated that it was amusing to provoke the easily offended.
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The band's stage show and lyrics were entertaining and helped them develop a local following, but were also controversial, not least for a masked character named "the gook". The band (and McNeil) had artistic intentions for these elements, such as satirically redefining slang terms that were used by
305:, to Alagro's chagrin. Wyndorf, always an avid comic book enthusiast, explained that although the song uses war themes (bombs), it is actually a superhero song. He also stated that the band's use of a patriotic star in their imagery was a tribute to
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onstage, and stances criticizing earlier anti-Vietnam War sentiment: "Hey, you asshole creep, I bet you were against the war." This satirical but straight faced outlook was criticized, including being labeled as "proto-fascist" by
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continued during the band's formative days). The band and McNeil also conceived of war as a relevant metaphor for both life on the NYC streets, and also for opposition to elements of late 70s culture that they felt alienated from.
199:. Although the band gained popularity in the NYC punk scene, they may have "suffered a virtual press blackout because they flirt(ed) with attitudes (which)... the rock press apparently deem(ed) unacceptable even as satire."
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sign record deals), had replaced Legs McNeil as manager. Gone were the combat fatigues, sandbags, and masked characters, although the band would still use a "bomb" as a prop during their performance of the song
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strong interest in history, a desire to counter the hippie feeling still present in 70s rock, and memories of childhood games of play acting as soldiers (a practice that the band and manager
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series." Vonnegut apparently was particularly impressed; Loder reported that while many guests danced, the author "stood transfixed by the spectacle", and later complemented Rey on the song
210:. On April 9, 1979, Shrapnel opened for the Ramones in the latter band's last ever concert at CBGB. The concert was a benefit to buy bulletproof vests for NYPD. The concert was attended by
309:. During this period, the band retired some older material that, while amusing at the time, was written "while drunk" and started to "feel hypocritical". Wyndorf now wrote songs, such as
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in 1989 and continues to lead that band 35+ years later. Caivano has also been a long-time member of
Monster Magnet and has played in other bands including Blitzspeer and
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313:, that had explicitly positive messages. This song would appear on the EP that would serve as both their major label debut, and their swan song.
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writing "It figures that author Norman Mailer would go for
Shrapnel, a New York punk band whose act is derived from endless reruns of the old
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214:, who was a friend of McNeil. Shrapnel would soon play at parties at Mailer's Brooklyn home, including one that was attended by
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Teenage
Hipster in the Modern World: From the Birth of Punk to the Land of Bush : Thirty Years of Millennial Journalism
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Teenage
Hipster in the Modern World: From the Birth of Punk to the Land of Bush : Thirty Years of Millennial Journalism
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Teenage
Hipster in the Modern World: From the Birth of Punk to the Land of Bush : Thirty Years of Millennial Journalism
186:
At the outset, Shrapnel wore military uniforms onstage. The band's aesthetic included glorification of war, carrying prop
345:(guitar), Dave Vogt (guitar), Phil Caivano (bass), and Danny Clayton (drums). Wyndorf would go on to co-found eventual
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record deals. Cover data also shows management by Peter
Morticelli, Pelican Productions, Rochester, New York.
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Shrapnel released two 7 inch indie singles in 1979 and 1981 respectively, and also had a major label (
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album), the band evolved and changed their name to
Shrapnel, which became a militaristic, jingoistic
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This major label release was brokered by then-manager
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goes to see
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Two Shrapnel songs, "Sleepover" and "Come Back to Me", are used in the 1983 cult film
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Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation
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stage show as an inspiration to develop a "schtick". The concept drew from singer
614:"An Interview with Dave Wyndorf from Monster Magnet: Focusing On The Mastermind"
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357:. Rey has produced over 40 albums since 1987, including for artists such as the
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947:"Comic Legends: Spider-Man and Frank Miller Promoting...a Punk Band?!"
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released in 1984, before disbanding in 1985. The members were
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to save the day. The comic also contained an ad for Shrapnel's
195:, due to the provocative stage antics, and song titles such as
1056:"Dave Wyndorf talks Lost Patrol, LSD, and a return to form"
246:, saying that it was a "damn good song, lots of feeling."
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in the late-1970s, when its members were still teenagers.
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GenXegesis: Essays on Alternative Youth (sub)culture
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deal (and who would later help major acts including
154:Originating as Hard Attack (named after the second
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730:Nielsen Business Media, Inc. (February 11, 1995).
920:"Norman Mailer Hires Punk Band For Private Party"
775:John McAllister Ulrich; Andrea L. Harris (2003).
162:in its first few years of existence. Guitarist
870:. Univ. Press of Mississippi. pp. 248–.
736:. Nielsen Business Media, Inc. pp. 18–.
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428:The band were filmed miming to the A-side on
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556:. Houghton Mifflin Harcourt. pp. 353–.
284:By 1983, Shrapnel had softened their image.
897:. Simon & Schuster. pp. 191–192.
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288:, who would go on to broker the band's
891:Mickey Leigh with Legs McNeil (2010).
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972:Toland, Michael (November 26, 2013).
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244:I lost my baby on the Siegfried Line
1054:Wiederhorn, Jon (October 9, 2013).
1030:"The First Turn-On!! (1983) - IMDb"
945:Kronin, Brian (September 8, 2017).
612:Pfeifer, John (December 26, 2012).
584:"Resident Punk (Work in Progress)"
582:Kott, Crispen (February 4, 2013).
550:Mary V. Dearborn (December 2001).
377:guitarist during his solo career.
206:often, and drew comparison to the
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1087:. SPIN Media LLC. pp. 100–.
341:(vocals), Daniel Rabinowitz, aka
1188:Punk rock groups from New Jersey
781:. Popular Press. pp. 109–.
1002:Gitter, Mike (March 5, 2013).
918:Loder, Kurt (March 25, 1980).
440:Features background vocals by
1:
1081:SPIN Media LLC (March 2001).
834:Simmels, Steve (April 1980).
672:. Black Cat. pp. 32–34.
702:"A Fuselage Called SHRAPNEL"
864:David A. Ensminger (2011).
808:. Black Cat. pp. 33–.
261:) featured a plot in which
230:. The event was covered by
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645:. Black Cat. p. 34.
1157:"SHRAPNEL (discography)"
894:I Slept With Joey Ramone
1132:"SHRAPNEL- Go Cruisin'"
1107:"SHRAPNEL- Combat Love"
234:, with that magazine's
18:American punk rock band
836:"Dodging the Shrapnel"
802:Mark Jacobson (2005).
708:. Robert Barry Francos
700:DeVito, Diane (1983).
666:Mark Jacobson (2005).
639:Mark Jacobson (2005).
333:) 5 song self-titled
1060:NOISEY Music by Vice
431:The Uncle Floyd Show
144:Red Bank, New Jersey
35:Red Bank, New Jersey
951:Comic Book Resource
618:The Aquarian Weekly
553:Mailer: A Biography
843:HiFi/Stereo Review
760:has generic name (
495:Other information
349:selling rock band
319:The First Turn-On!
251:Amazing Spider-Man
924:The Tampa Tribune
877:978-1-60473-969-5
815:978-0-8021-7008-8
788:978-0-87972-862-5
679:978-0-8021-7008-8
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1062:. Vice Media
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592:. Retrieved
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465:Produced by
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367:White Zombie
355:Murphy's Law
339:Dave Wyndorf
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255:Frank Miller
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160:concept band
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95:Phil Caivano
90:Dave Wyndorf
82:Past members
57:Years active
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1010:. MediaGlow
845:. ZiffDavis
442:Joey Ramone
408:Other info
381:Discography
324:Troma Films
275:Combat Love
228:José Torres
224:Glen Buxton
220:Woody Allen
176:Legs McNeil
125:on Facebook
1008:NOISECREEP
930:January 1,
537:References
467:Ed Stasium
459:7" single
422:7" single
343:Daniel Rey
267:Spider-Man
236:Kurt Loder
188:M16 rifles
166:cites the
164:Daniel Rey
106:Daniel Rey
1093:0886-3032
750:cite book
742:0006-2510
733:Billboard
524:Metallica
294:Metallica
249:In 1980,
140:power pop
99:Dave Vogt
61:1978–1985
50:power pop
46:Punk rock
1182:Category
1034:IMDb.com
706:FFanzeen
514:Cassette
504:Shrapnel
132:Shrapnel
123:Shrapnel
72:, Salute
25:Shrapnel
1161:Discogs
1136:Discogs
1111:Discogs
492:Format
436:YouTube
405:B-side
402:Format
386:Singles
363:Misfits
359:Ramones
240:Combat!
208:Ramones
150:History
119:Website
70:Elektra
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518:12" EP
489:Label
486:Title
425:"Hey"
399:Label
396:Title
369:, and
335:12" EP
66:Labels
42:Genres
37:, U.S.
31:Origin
839:(PDF)
500:1984
483:Year
450:1981
413:1979
393:Year
1168:2019
1143:2019
1118:2019
1089:ISSN
1084:SPIN
1068:2019
1041:2020
1016:2019
986:2019
959:2019
932:2020
899:ISBN
872:ISBN
851:2019
810:ISBN
783:ISBN
762:help
738:ISSN
714:2019
674:ISBN
647:ISBN
626:2019
596:2019
558:ISBN
526:and
347:gold
296:and
281:45.
277:b/w
269:and
257:and
226:and
204:CBGB
156:Dust
138:and
136:punk
322:by
279:Hey
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