264:
26:
457:
442:
430:
507:
477:
539:
217:
1276:
456:
429:
441:
476:
554:. However the panel is badly damaged. Positioned on the lower left, they are seated and play a large, 23-string harp. The instrument is triangular with a carved fore-pillar (the column joining the neck and soundbox), and held in place between the knees and left shoulder. The musician, who may represent
506:
271:
The shrine is roughly shaped like a tooth, modified to also resemble a burse (a bag and purse combination), crest or shield, with a flat horizontal top and crest. Its rounded base means that it could not stand independently, and so was likely carried with a strap. Its form is unique in medieval art;
518:
The reverse was once as decorated as the front but has suffered far more damaged and losses. It is also dominated by a first phase central cross, which unlike the front, does not show Christ. The cross is surrounded by four figures also achieved by repoussé and dye-stamping; two in relief and two
538:
140:
fittings, and was built in two phases. Its basic structure and the central ringed crosses on either side are 12th century, while the purse-shaped form and most of the metal work, including the saints, were added in the 1370s when the object was substantially refurbished.
263:
25:
144:
Its two sides were again decorated in the 14th century, however the back has since suffered far more damage and losses. Only some of the figures are identifiable with specific saints. They all appear on the front, and are: on the upper register: Christ with
374:
The front is dominated a first phase crossbar and a large central crystal, with smaller surrounding crystal, glass and amber settings. The figure of Christ and array of saints were added in the second phase, and are all in
250:
became the basis for new or renamed churches. In most tellings the local bishop, Bron in Ui
Fiachrach, held onto the tooth and much later commissioned a wooden case to protect it from loss or damage. The
358:(Thomas de Bermingham, Lord of Athenry, caused me to be ornamented in the original portion). It further records that the refurbishment followed the original design — "ornari pisca parte" (
407:(right), who are in turn flanked by two unidentified saints. The surrounding between John and Christ, as well as that around the figure right of Mary are now lost. Representations of
423:
on are on the lower lower register. Patrick is positioned directly below Christ, indicating his national importance. To the left are
Columba and Brendan, and to the right Benán.
1755:
578:, where it is described as the most "venerated object" in the region. It is mentioned again in the early 19th century when it was under the care of Patrick Prendergast, then a
519:
engraved on silver plates. Unlike those on the front, the figures do not have inscribed banners giving their names. Thus they can only be described generically as a bishop or
354:(d. 1376), the 6th Lord of Athenry, and his wife Isabel. The inscriptions record Thomas de Birmingham (d. 1374) as the commissioner for the refurbishment. It reads "
246:, Patrick began to lose his teeth late in life, and a number that fell out during his final travels across the west coast were collected by clerics and as corporal
399:. They can be identified from inscriptions on the gilt-bronze strips above their heads. Christ is in far higher relief than the saints. On either side of him are
1599:
609:
201:
92:
1760:
494:
The row of animal heads between the cross arms and central boss seem to be mice, similar to another row on the Cross of Cong and
Manchan's Shrine. A row of
546:
The harpist —who may be either male or female— is usually described as the most noteworthy of the figures, given that it is, along with the 11th century
295:
and glass. It was built in two main phases; the 12th-century shrine had large copper crosses on either side, each of which contained a large central
1197:
1159:
1145:
1131:
1113:
1096:
1062:
1048:
992:
255:
insert on the lower part of the front once contained a fragment of cloth and is usually assumed to have been the container for the relic,
1594:
740:
1745:
1740:
1554:
1542:
1500:
238:
1750:
1560:
216:
136:, who lived in the 5th century. The shrine comprises a wooden case lined with bronze and decorated with gold, silver and
532:
1646:
1635:
1604:
1332:
1084:
744:
692:
205:
1470:
1190:
336:
1126:. "From Ireland Coming: Irish Art from the Early Christian to the Late". NJ: Princeton University Press, 2001.
343:. However, the Shrine of St. Patrick's Tooth is relatively understudied, and the claim is made with caution.
1506:
1386:
1012:
376:
1765:
1524:
1240:
806:
487:
467:
416:
404:
362:). The upper line of the inscription is embossed, while the lower line has raised characters written in
233:
162:
150:
176:, Patrick began to lose his teeth towards end of his life, and lost a number during his travels across
1620:
1530:
1428:
1380:
1300:
1183:
1101:
435:
Unidentified saint and John separated by spiral patterns and surrounded on three sides by engravings
351:
300:
1684:
1536:
1494:
1434:
1362:
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605:
324:
296:
197:
1464:
1410:
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1326:
1265:
1230:
1075:
1030:
1002:
974:
447:
412:
154:
272:
its closest counterpart is a satchel worn on the neck of a figure on the Cross of
Scriptures at
1275:
196:, and during the 18th and 19th centuries was used to cure sick animals. It was acquired by the
1518:
1482:
1446:
1422:
1356:
1338:
1155:
1141:
1127:
1109:
1092:
1058:
1044:
988:
583:
420:
169:
82:
283:
It is constructed from a wooden case decorated with attachments in bronze, gilt-silver, gold
1640:
1512:
1067:
1022:
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463:
400:
146:
1674:
1652:
1548:
1305:
1245:
1123:
601:
524:
328:
688:
1669:
1630:
1625:
1589:
1458:
1440:
1398:
1344:
597:. Wilde wrote the first detailed description of the shrine and its provenance in 1872.
363:
229:
181:
356:
THOMAS DE : BRAMIGHEM : DNS : DE ATHUNRY / ME FECIT ORNARI PISCA PARTE"
1734:
1566:
1476:
1452:
1392:
1374:
1260:
1225:
1164:
594:
590:
563:
277:
225:
193:
129:
1714:
1689:
1416:
1368:
593:, Prendergast collected a number of early medieval relics, including the tooth and
392:
288:
273:
185:
133:
1091:, "Art and Architecture of Ireland" series. London: Yale University Press, 2014.
1694:
1350:
1295:
1290:
1220:
1206:
997:
Crawford, Henry. "A Descriptive List of Irish
Shrines and Reliquaries. Part I".
925:
587:
551:
511:
332:
243:
173:
157:
stands to the left with an unidentified figure, while to the right are
Patrick,
391:
metal) used to delineate the figures. The saints are dressed like high status
1719:
1679:
1488:
1310:
1250:
555:
340:
1704:
125:
574:
The shrine first appears in historical records in a 17th-century survey of
188:, where it had supposedly fallen out. The shrine is later associated with
689:
Shrine of Saint
Patrick's Tooth, early 20th century (original dated 1376)
575:
559:
308:
299:(a protruding metal knob). The cross on the front has a depiction of the
284:
177:
1079:
1034:
1006:
978:
802:
307:. During the late 14th-century refurbishment, the top was lined with an
1235:
527:(top left), a seated man with an arm raised in blessing (top right), a
495:
483:
408:
388:
320:
204:, Kildare Street, Dublin. An early 20th-century reproduction is in the
189:
158:
928:, who in his youth had befriended Prendergast. See Stern (2019), p. 88
498:
arches and patterns separate the upper and lower registers of saints.
168:
While the shrine's provenance is unknown, it may have originated from
1138:
Sacral
Geographies: Saints, Shrines and Territory in Medieval Ireland
1027:
Seanchas
Ardmhacha: Journal of the Armagh Diocesan Historical Society
579:
396:
380:
316:
312:
304:
247:
96:
44:
1055:
The Art of the
Sublime: Principles of Christian Art and Architecture
339:, and that the objects came from the same craftsmen and workshop at
228:'s tooth sometime after it fell out of his mouth on the doorstep of
180:. The tooth is believed to have been kept for an extended period at
1709:
1070:. "The Social Role of Relics and Reliquaries in Ancient Ireland".
537:
520:
505:
384:
347:
292:
262:
252:
215:
137:
40:
1699:
528:
1179:
1175:
1106:
Treasures of the National Museum of Ireland: Irish Antiquities
327:
windows. Recent scholarship compares its first phase animal
1072:
The Journal of the Royal Society of Antiquaries of Ireland
999:
The Journal of the Royal Society of Antiquaries of Ireland
1169:
Lough Corrib, Its Shores Islands: with Notices Lough Mask
242:
mentions the Killaspugbrone incident. According to this
128:
traditionally believed to contain a tooth belonging to
985:
The Story of the Irish Harp: Its History and Influence
350:
inscription that records the object was decorated for
315:(with a shallow depth) figures, filigree decorations,
1015:- With a notice of its present existence in Canada".
608:
in 1845, and donated as part of its transfer to the
395:
but are shown without any of their usual symbols or
1662:
1613:
1582:
1319:
1283:
1213:
232:Church (also known as the Church of St. Brone), in
102:
88:
78:
70:
50:
35:
18:
331:and cast animal heads to other Irish 12th century
604:in the mid-18th century. It was acquired by the
1043:. Cambridge: Cambridge University Press, 2015.
531:(lower left) and a badly damaged figure with a
346:The dating of the second phase is based on the
379:with the finer details added by engraving and
1191:
8:
1756:Collection of the National Museum of Ireland
971:Proceedings of the Harvard Celtic Colloquium
803:'The "Fiacail Phatraie"', "Patrick's Tooth"'
514:, surrounded by spiral patterns and filigree
1001:, 6th series, volume 13, no. 1, June 1923.
462:Crucifixion and central rock crystal boss.
1198:
1184:
1176:
15:
817:
815:
535:, also holding a crozier (lower right).
1011:De Malahide, Talbot. "The Quigrich, or
888:
886:
849:
847:
845:
626:
425:
902:
900:
898:
761:
759:
757:
755:
753:
669:Ă“ Floinn; Wallace (2002), pp. 270, 292
656:
654:
644:
642:
640:
638:
636:
634:
632:
630:
550:, one of the earliest depictions of a
735:
733:
723:
721:
719:
717:
715:
713:
335:object such as the Cross of Cong and
267:Shrine of St Patrick's Tooth, reverse
7:
1154:. London: Palgrave Macmillan, 2019.
1108:. National Museum of Ireland, 2002.
969:Burgess, Karen. "Furbaide's Tooth".
703:
701:
1761:Medieval European metalwork objects
57:Height: 30.5 cm (12.0 in)
14:
1595:Library of Trinity College Dublin
1171:. Oxford: Oxford University, 1867
1025:. "The Relics of Saint Patrick".
510:Seated figure with arm raised in
60:Width: 23.5 cm (9.3 in)
1274:
955:Ă“ Floinn; Wallace (2002), p. 292
678:Ă“ Floinn; Wallace (2002), p. 270
475:
455:
440:
428:
224:The shrine was built to contain
200:in 1845, and is now held at the
153:at right. On the lower register
63:Depth: 6.4 cm (2.5 in)
24:
1501:Clonmacnoise Crucifixion Plaque
1335:(late 7th or early 8th century)
987:. NY: North Creek Press, 2003.
586:. According to the surgeon and
558:, uses their left hand to play
311:crest, containing a series of
74:12th & late 14th centuries
1:
1555:Shrine of Saint Lachtin's Arm
1467:, (late 9th or early 10th c.)
871:Ă“ Floinn (2001), pp. 305, 308
562:and their right to pluck the
220:Ruin of Killaspugbrone Church
172:. According to a 9th-century
1573:Shrine of St Patrick's Tooth
1543:Shrine of St. Patrick's Bell
1503:(late 10th or early 11th c.)
1152:Oscar Wilde: A Literary Life
383:(a black mixture used as an
114:Shrine of St Patrick's Tooth
39:Wood, gold, silver, bronze,
19:Shrine of St Patrick's Tooth
1605:National Museum of Scotland
1561:Bell Shrine of St. Cuileáin
1333:Rinnegan Crucifixion Plaque
1140:. Turnhout: Brepols, 2012.
1120:Goldsmiths' Work in Ireland
1057:. London: Routledge, 2017.
419:and the now lost figure of
1782:
1600:National Museum of Ireland
1449:(late 8th or early 9th c.)
1017:The Archaeological Journal
745:National Museum of Ireland
741:St. Patrick and his Relics
693:Metropolitan Museum of Art
610:National Museum of Ireland
360:in the original proportion
239:Tripartite Life of Patrick
206:Metropolitan Museum of Art
202:National Museum of Ireland
93:National Museum of Ireland
1575:(12th & late 14th c.)
1329:(late 6th or early 7th c)
1272:
1029:, volume 4, no. 2, 1961.
23:
1443:(8th or 9th & 14 c.)
1039:Fletcher, George (ed.).
915:Clark (2003), pp. 24, 30
809:. Retrieved 27 July 2022
747:. Retrieved 24 July 2022
695:. Retrieved 27 July 2022
1746:14th century in Ireland
1741:12th century in Ireland
1507:Bell Shrine of St. Mura
1089:Medieval c. 400—c. 1600
862:Ă“ Floinn (2001), p. 307
821:Ă“ Floinn (2001), p. 305
792:Ă“ Floinn (2001), p. 304
765:Fletcher (1995), p. 112
1614:Notable art historians
1527:(shrine: late 11th c.)
1525:Cathach of St. Columba
1471:Muiredach's High Cross
1241:Illuminated manuscript
727:Crawford (1923), p. 92
543:
515:
337:Saint Manchan's Shrine
268:
221:
1751:Christian reliquaries
1013:Crosier of St. Fillan
660:de Paor (1961), p. 90
541:
509:
266:
234:Carbury, County Sligo
219:
1531:Clonmacnoise Crozier
1429:Londesborough Brooch
1387:St. Fillan's Crozier
1381:Moylough Belt-Shrine
1301:Insular illumination
1118:Ă“ Floinn, Raghnall.
1104:; Wallace, Patrick.
1074:, volume 116, 1986.
892:Wilde (1867), p. 190
853:Wilde (1867), p. 189
783:Overbey (2012), p. 7
600:It was displayed by
352:Thomas de Bermingham
1685:Celtic Christianity
1537:River Laune Crozier
1435:Derrynaflan Chalice
1363:Lindisfarne Gospels
1256:House-shaped shrine
973:, volume 15, 1995.
937:Stern (2019), p. 88
906:Clark (2003), p. 30
839:Moss (2014), p. 382
830:Moss (2014), p. 270
774:Homan (2017), p. 36
648:Moss (2014), p. 292
606:Royal Irish Academy
198:Royal Irish Academy
1491:(10th and 15th c.)
1465:Prosperous Crozier
1411:Monymusk Reliquary
1405:Breadalbane Brooch
1327:Ballinderry Brooch
1266:Processional cross
1231:Crucifixion plaque
1102:Ă“ Floinn, Raghnall
983:Clark, Nora Joan.
946:De Malahide (1859)
880:Moss (2014), p. 76
707:Lucas (1986), p. 8
544:
516:
269:
236:. The 9th century
222:
43:, coloured glass,
1728:
1727:
1621:Raghnall Ă“ Floinn
1519:Shrine of Miosach
1483:Ardboe High Cross
1447:Kilmainham Brooch
1423:Tully Lough Cross
1357:Lichfield Gospels
1339:Hunterston Brooch
1160:978-3-0302-4603-7
1150:Stern, Kimberly.
1146:978-2-503-52767-3
1132:978-0-6910-8824-2
1114:978-0-7171-2829-7
1097:978-03-001-7919-4
1063:978-1-1382-6279-9
1049:978-1-1075-1136-1
993:978-0-9724-2020-4
584:Cong, County Mayo
542:The harpist panel
450:on the lower left
421:Brigid of Kildare
357:
170:Cong, County Mayo
110:
109:
83:Cong, County Mayo
1773:
1495:Soiscél Molaisse
1473:(9th or 10th c.)
1278:
1200:
1193:
1186:
1177:
1136:Overbey, Karen.
1124:Hourihane, Colum
956:
953:
947:
944:
938:
935:
929:
922:
916:
913:
907:
904:
893:
890:
881:
878:
872:
869:
863:
860:
854:
851:
840:
837:
831:
828:
822:
819:
810:
807:Royal Collection
799:
793:
790:
784:
781:
775:
772:
766:
763:
748:
737:
728:
725:
708:
705:
696:
685:
679:
676:
670:
667:
661:
658:
649:
646:
479:
466:is to the left,
464:John the Baptist
459:
444:
432:
401:John the Baptist
355:
319:of animals, and
301:crucified Christ
149:to his left and
147:John the Baptist
124:) is a medieval
120:, translated as
118:Fiacail Phádraig
89:Present location
28:
16:
1781:
1780:
1776:
1775:
1774:
1772:
1771:
1770:
1731:
1730:
1729:
1724:
1675:Anglo-Saxon art
1658:
1653:Margaret Stokes
1609:
1578:
1569:(early 12th c.)
1549:Lismore Crozier
1437:(8th or 9th c.)
1431:(8th or 9th c.)
1425:(8th or 9th c.)
1315:
1279:
1270:
1246:Insular crozier
1209:
1204:
1174:
965:
960:
959:
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945:
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923:
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706:
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686:
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677:
673:
668:
664:
659:
652:
647:
628:
623:
618:
602:Margaret Stokes
572:
504:
490:
480:
471:
460:
451:
445:
436:
433:
387:on engraved or
372:
261:
214:
122:Patrick's Tooth
66:
31:
12:
11:
5:
1779:
1777:
1769:
1768:
1763:
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1753:
1748:
1743:
1733:
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1722:
1717:
1712:
1707:
1702:
1697:
1692:
1687:
1682:
1677:
1672:
1670:Abbey of Kells
1666:
1664:
1660:
1659:
1657:
1656:
1650:
1644:
1638:
1633:
1631:Griffin Murray
1628:
1626:Peter Harbison
1623:
1617:
1615:
1611:
1610:
1608:
1607:
1602:
1597:
1592:
1590:British Museum
1586:
1584:
1580:
1579:
1577:
1576:
1570:
1564:
1563:(late-11th c.)
1558:
1552:
1546:
1545:(c. 1094–1105)
1540:
1539:(late 11th c.)
1534:
1533:(late 11th c.)
1528:
1522:
1516:
1510:
1504:
1498:
1497:(c. 1001–1011)
1492:
1486:
1480:
1479:(c. 9–11th c.)
1474:
1468:
1462:
1459:Book of Armagh
1456:
1450:
1444:
1441:Domnach Airgid
1438:
1432:
1426:
1420:
1414:
1408:
1402:
1399:Ruthwell Cross
1396:
1390:
1384:
1378:
1372:
1369:Ardagh Chalice
1366:
1360:
1354:
1348:
1345:Book of Durrow
1342:
1336:
1330:
1323:
1321:
1317:
1316:
1314:
1313:
1308:
1303:
1298:
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1215:
1211:
1210:
1205:
1203:
1202:
1195:
1188:
1180:
1173:
1172:
1165:Wilde, William
1162:
1148:
1134:
1116:
1099:
1082:
1068:Lucas, Anthony
1065:
1053:Homan, Roger.
1051:
1037:
1023:De Paor, Máire
1020:
1009:
995:
981:
966:
964:
961:
958:
957:
948:
939:
930:
924:And father of
917:
908:
894:
882:
873:
864:
855:
841:
832:
823:
811:
794:
785:
776:
767:
749:
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619:
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434:
427:
371:
368:
364:Insular script
260:
257:
230:Killaspugbrone
213:
210:
182:Killaspugbrone
108:
107:
104:
103:Identification
100:
99:
90:
86:
85:
80:
76:
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68:
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37:
33:
32:
29:
21:
20:
13:
10:
9:
6:
4:
3:
2:
1778:
1767:
1766:Saint Patrick
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1738:
1736:
1721:
1718:
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1701:
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1696:
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1686:
1683:
1681:
1678:
1676:
1673:
1671:
1668:
1667:
1665:
1661:
1654:
1651:
1648:
1647:George Petrie
1645:
1642:
1641:Máire de Paor
1639:
1637:
1634:
1632:
1629:
1627:
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1622:
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1618:
1616:
1612:
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1603:
1601:
1598:
1596:
1593:
1591:
1588:
1587:
1585:
1581:
1574:
1571:
1568:
1567:Cross of Cong
1565:
1562:
1559:
1556:
1553:
1550:
1547:
1544:
1541:
1538:
1535:
1532:
1529:
1526:
1523:
1520:
1517:
1514:
1513:Breac MaodhĂłg
1511:
1508:
1505:
1502:
1499:
1496:
1493:
1490:
1487:
1484:
1481:
1478:
1477:Kells Crozier
1475:
1472:
1469:
1466:
1463:
1460:
1457:
1454:
1453:Book of Kells
1451:
1448:
1445:
1442:
1439:
1436:
1433:
1430:
1427:
1424:
1421:
1418:
1415:
1412:
1409:
1406:
1403:
1400:
1397:
1394:
1393:Book of Dimma
1391:
1388:
1385:
1382:
1379:
1376:
1375:Rogart Brooch
1373:
1370:
1367:
1364:
1361:
1358:
1355:
1352:
1349:
1346:
1343:
1340:
1337:
1334:
1331:
1328:
1325:
1324:
1322:
1318:
1312:
1311:Triple spiral
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1288:
1286:
1282:
1277:
1267:
1264:
1262:
1261:Pictish stone
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1226:Celtic brooch
1224:
1222:
1219:
1218:
1216:
1212:
1208:
1201:
1196:
1194:
1189:
1187:
1182:
1181:
1178:
1170:
1166:
1163:
1161:
1157:
1153:
1149:
1147:
1143:
1139:
1135:
1133:
1129:
1125:
1121:
1117:
1115:
1111:
1107:
1103:
1100:
1098:
1094:
1090:
1086:
1083:
1081:
1077:
1073:
1069:
1066:
1064:
1060:
1056:
1052:
1050:
1046:
1042:
1038:
1036:
1032:
1028:
1024:
1021:
1018:
1014:
1010:
1008:
1004:
1000:
996:
994:
990:
986:
982:
980:
976:
972:
968:
967:
962:
952:
949:
943:
940:
934:
931:
927:
921:
918:
912:
909:
903:
901:
899:
895:
889:
887:
883:
877:
874:
868:
865:
859:
856:
850:
848:
846:
842:
836:
833:
827:
824:
818:
816:
812:
808:
804:
798:
795:
789:
786:
780:
777:
771:
768:
762:
760:
758:
756:
754:
750:
746:
742:
736:
734:
730:
724:
722:
720:
718:
716:
714:
710:
704:
702:
698:
694:
690:
684:
681:
675:
672:
666:
663:
657:
655:
651:
645:
643:
641:
639:
637:
635:
633:
631:
627:
620:
615:
613:
611:
607:
603:
598:
596:
595:Cross of Cong
592:
591:William Wilde
589:
585:
581:
580:parish priest
577:
569:
567:
565:
561:
557:
553:
549:
548:Breac MaodhĂłg
540:
536:
534:
530:
526:
522:
513:
508:
501:
499:
497:
489:
485:
478:
473:
469:
465:
458:
453:
449:
443:
438:
431:
426:
424:
422:
418:
414:
410:
406:
402:
398:
394:
390:
386:
382:
378:
369:
367:
365:
361:
353:
349:
344:
342:
338:
334:
330:
326:
322:
318:
314:
310:
306:
302:
298:
294:
290:
286:
281:
279:
278:County Offaly
275:
265:
258:
256:
254:
249:
245:
241:
240:
235:
231:
227:
226:Saint Patrick
218:
211:
209:
207:
203:
199:
195:
194:County Galway
191:
187:
183:
179:
175:
171:
166:
164:
160:
156:
152:
148:
142:
139:
135:
131:
127:
123:
119:
115:
105:
101:
98:
94:
91:
87:
84:
81:
77:
73:
69:
62:
59:
56:
55:
53:
49:
46:
42:
38:
34:
27:
22:
17:
1715:Scottish art
1690:Clonmacnoise
1572:
1515:(c. 11th c.)
1417:Stowe Missal
1353:(c. 710-750)
1168:
1151:
1137:
1119:
1105:
1088:
1085:Moss, Rachel
1071:
1054:
1040:
1026:
1016:
998:
984:
970:
951:
942:
933:
920:
911:
876:
867:
858:
835:
826:
797:
788:
779:
770:
683:
674:
665:
599:
573:
545:
517:
493:
470:to the right
393:ecclesiastic
373:
359:
345:
289:rock crystal
282:
274:Clonmacnoise
270:
237:
223:
208:, New York.
186:County Sligo
167:
143:
134:patron saint
132:, Ireland's
121:
117:
113:
111:
106:NMI 1887:145
1710:Pictish art
1695:English art
1636:Rachel Moss
1583:Collections
1419:(after 792)
1351:Tara Brooch
1296:Celtic knot
1291:Carpet page
1221:Bell shrine
1207:Insular art
926:Oscar Wilde
588:antiquarian
552:Celtic harp
512:benediction
403:(left) and
333:Insular art
305:high relief
259:Description
244:hagiography
174:hagiography
30:Front panel
1735:Categories
1720:Viking art
1680:Celtic art
1489:Corp Naomh
1284:Techniques
1251:High cross
616:References
570:Provenance
556:King David
523:holding a
341:Cong Abbey
313:bas-relief
184:church in
79:Discovered
1705:Irish art
1655:(d. 1900)
1649:(d. 1866)
1643:(d. 1994)
1557:(c. 1120)
1551:(c. 1100)
1521:(11th c.)
1509:(11th c.)
1485:(10th c.)
1306:Interlace
1041:Connaught
621:Citations
566:strings.
484:Colmcille
482:Patrick,
409:Colmcille
329:interlace
159:Colmcille
126:reliquary
1461:(9th c.)
1455:(9th c.)
1413:(8th c.)
1407:(8th c.)
1401:(8th c.)
1395:(8th c.)
1389:(8th c.)
1383:(8th c.)
1377:(8th c.)
1371:(c. 750)
1365:(c. 730)
1359:(c. 730)
1347:(c. 700)
1341:(c. 700)
1320:Examples
1080:25508904
1035:29744768
1007:25513282
979:20557292
576:Connacht
377:repoussé
309:openwork
285:filigree
178:Connacht
116:(Irish:
36:Material
1663:Related
1236:Cumdach
1122:. In:
1019:, 1859.
963:Sources
525:crozier
502:Reverse
496:trefoil
488:Brendan
417:Brendan
397:emblems
321:tracery
317:friezes
190:Athenry
163:Brendan
130:Patrick
71:Created
1158:
1144:
1130:
1112:
1095:
1078:
1061:
1047:
1033:
1005:
991:
977:
564:higher
529:harper
389:etched
381:niello
325:Gothic
248:relics
212:Origin
97:Dublin
45:niello
1214:Types
1076:JSTOR
1031:JSTOR
1003:JSTOR
975:JSTOR
521:abbot
448:Benán
413:Benán
385:inlay
370:Front
348:Latin
293:amber
253:linen
155:Benán
138:amber
41:amber
1700:Iona
1156:ISBN
1142:ISBN
1128:ISBN
1110:ISBN
1093:ISBN
1059:ISBN
1045:ISBN
989:ISBN
560:bass
533:halo
486:and
468:Mary
405:Mary
297:boss
161:and
151:Mary
112:The
51:Size
805:".
743:".
691:".
582:at
323:of
303:in
1737::
1167:.
1087:.
897:^
885:^
844:^
814:^
752:^
732:^
712:^
700:^
653:^
629:^
612:.
415:,
411:,
366:.
291:,
287:,
280:.
276:,
192:,
165:.
95:,
1199:e
1192:t
1185:v
801:"
739:"
687:"
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