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90:. Saint-Saëns was too busy to accept the commission, and successfully recommended his friend and former pupil Fauré. The music, which included the first version of the Sicilienne, was nearly complete when the theatre went bankrupt in 1893. The production was abandoned and the music remained unperformed.
140:
for full orchestra, arranged by Fauré and published in 1909. Nectoux notes that the final orchestration differs from Fauré's original 1893 version, written for chamber-sized theatre orchestra: in particular, the main theme is given to the
126:, which opened in June 1898. Needing a lighthearted piece for one of the few playful scenes in the drama, he included the Sicilienne along with the new music he wrote for the production. His former pupil
38:, composed in 1893. It was originally an orchestral piece, written for a theatrical production that was abandoned. In 1898 Fauré arranged the unperformed music as a work for
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200:
The cello and piano and full orchestral versions of the
Sicilienne have been recorded many times. There are also recordings of arrangements, not by Fauré, for
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and piano; cello and guitar; cello and harp; flute and guitar; flute and harp; flute and piano; guitar and orchestra; solo guitar; solo harp; oboe and piano;
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109:. It was published in London and Paris in April 1898, with a dedication to the English cellist
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Notes to
Chandos CD CHAN8952, 1991; Naxos CD 8.570545, 2010; and Decca CD 00028941055224, 2007
180:
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At the same time, Fauré was working on incidental music for the first
English production of
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197:. The playing time of the piece is typically between three-and-a-half and four minutes.
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Five years later, Fauré arranged the work for cello and piano. The Fauré scholar
56:, in an orchestration for theatre orchestra. It took its final form as part of a
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orchestrated the score for the theatre orchestra of 16 players.
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writes that the transcription was made for the Dutch cellist
191:= 50. The full orchestral version, also G minor, is marked
133:
The final form of the
Sicilienne is in the four-movement
42:
and piano, and in the same year incorporated it into his
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542:(trans). Cambridge: Cambridge University Press.
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220:and piano; vocal ensemble; and voice and harp.
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8:
341:Deutsche Grammophon CD 00028947764014, 2007
595:
581:
573:
395:Universal Classics CD 00028947284727, 2003
568:International Music Score Library Project
301:Duchen, pp. 132 and 217; and Jones, p. 90
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241:
514:Gabriel Fauré – A Life in Letters
310:Nectoux, Jean-Michel. Notes to EMI CD
249:
247:
245:
97:1898 arrangement for cello & piano
16:1893 orchestral piece by Gabriel Fauré
440:Concert Artists Guild CD CAG102, 2008
7:
431:Sony Classical CD 886443378964, 1986
536:Gabriel Fauré – A Musical Life
149:in the final version in the suite.
230:Works for cello and piano by Fauré
212:and orchestra; saxophone quartet;
152:The cello and piano version is in
14:
1061:Incidental music by Gabriel Fauré
860:Messe des pêcheurs de Villerville
350:Marquis Classics CD MAR-373, 2007
145:in the original score and to the
58:suite arranged for full orchestra
1071:Compositions for cello and piano
1028:
1016:
991:
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359:Antes Edition CD BM31.9135, 1999
184:with a metronome indication of
1051:Chamber music by Gabriel Fauré
449:Mark Records CD 3748-MCD, 2001
1:
699: (1878–1879; unfinished)
467:Meister Music CD MM1172, 2004
404:Meister Music CD MM2046, 2009
332:Meister Music CD MM3087, 2016
60:by Fauré, published in 1909.
34:, Op. 78, is a short work by
72:, Paris, asked the composer
312:Fauré: L'oeuvre d'orchestre
178:genre. The score is marked
68:In 1892 the manager of the
1087:
986:
911:Cinq mélodies "de Venise"
610:
512:Jones, J. Barrie (1989).
476:Centaur CD CRC2508, 2001.
422:Thorofon CD CTH2142, 1992
368:Capriccio CD C10765, 1996
194:allegretto molto moderato
516:. London: B T Batsford.
413:Tudor CD TUDOR7067, 2009
87:Le Bourgeois gentilhomme
852:Cantique de Jean Racine
679:Masques et bergamasques
458:Profil CD PH14012, 2014
386:Naxos CD 8.550480, 1992
377:Skarbo CD DSK4074, 2007
977:Emmanuel Fauré-Fremiet
314:, 2C167-73071/3, 1981.
98:
26:
887:Trois mélodies, Op. 7
96:
24:
959:L'horizon chimérique
671:Pelléas et Mélisande
613:List of compositions
532:Nectoux, Jean-Michel
292:Nectoux, pp. 155–156
136:Pelléas et Mélisande
123:Pelléas et Mélisande
80:for a production of
64:History and versions
53:Pelléas et Mélisande
927:le plus doux chemin
798:Piano Quintet No. 2
780:Violin Sonata No. 2
774:Piano Quintet No. 1
751:Piano Quartet No. 2
729:Piano Quartet No. 1
723:Violin Sonata No. 1
497:. London: Phaidon.
118:Maurice Maeterlinck
103:Jean-Michel Nectoux
74:Camille Saint-Saëns
48:Maurice Maeterlinck
1056:Instrumental duets
820:Piano solo and duo
792:Cello Sonata No. 2
786:Cello Sonata No. 1
564:Sicilienne (Fauré)
99:
27:
1066:1898 compositions
1004:
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549:978-0-521-23524-2
523:978-0-7134-5468-0
504:978-0-7148-3932-5
174:, typical of the
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970:Related articles
943:La chanson d'Ève
919:la bonne chanson
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25:Fauré in 1896
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111:W. H. Squire
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979: (son)
835:Piano music
690:Concertante
216:and piano;
208:and piano;
1045:Categories
804:Piano Trio
758:Sicilienne
647:Orchestral
176:sicilienne
31:Sicilienne
766:Fantaisie
706:, Op. 111
704:Fantaisie
628:Prométhée
210:saxophone
181:andantino
120:'s play,
76:to write
50:'s play,
996:Category
895:Madrigal
768:, Op. 79
736:Berceuse
636:Pénélope
534:(1991).
493:(2000).
224:See also
206:panpipes
189:crotchet
1009:Portals
951:Mirages
868:Requiem
716:Chamber
663:Shylock
484:Sources
202:bassoon
154:G minor
82:Molière
1035:France
844:Choral
744:Élégie
682:(1919)
655:Pavane
546:
520:
501:
186:dotted
879:Songs
828:Dolly
620:Opera
236:Notes
218:viola
147:flute
138:suite
40:cello
544:ISBN
518:ISBN
499:ISBN
214:tuba
172:time
143:oboe
46:for
156:in
84:'s
1047::
538:.
276:^
244:^
113:.
1011::
596:e
589:t
582:v
552:.
526:.
507:.
165:8
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