208:. For him, the Wartburg was a symbol of an undivided Germany and could not be misused for ideological purposes. He also saw the Wartburg Foundation as being restricted in its freedom of action by the GDR leadership. However, there were also rumours that Asche had been confronted with his past in Prague by the visit of two Czechs two days before his escape and had therefore absconded to the West. In West Germany, the escape was reported in nationwide newspapers and magazines such as
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193:, the wall bricked up and smaller windows inserted. A false ceiling was inserted into the armoury hall, which was to be stabilised, so that the upper half could be added to the Wartburg Museum, while a sales room for souvenirs and tickets could be set up below. Hans-Joachim Rehm and Renate Sabrowsky commented on this measure as follows: "The former armoury had thus finally been extinguished, it was its second death."
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77:, he operated "decisively and actively the exploitation of former Jewish art possessions". "So we don't have to go by our unreal funds," wrote Sigfried Asche in a letter of 29 April 1940 to Cornelius MĂĽller-Hofstede, after he had gone through the Sachs collection together with the
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and compiled a wish list. First
Cornelius MĂĽller-Hofstede was allowed to make his claims, and only then was Asche also allowed to register his wishes. Thus Asche succeeded in bringing a painting by
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in 1952. In this capacity, he had numerous building measures carried out at the castle. Among other things, the ballroom, which was in danger of collapsing, was to be secured and the
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After the Second World War, Asche was initially busy rebuilding the art collection in Görlitz and became involved in the restoration and reconstruction of destroyed churches in
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Beiträge öffentlicher
Einrichtungen der Bundesrepublik Deutschland zum Umgang mit KulturgĂĽtern aus ehemaligen jĂĽdischen Besitz.
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305:„Arisierung“ in Breslau – Die „Entjudung“ einer deutschen Großstadt und deren Entdeckung im polnischen Erinnerungsdiskurs.
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Drei
Bildhauerfamilien an der Elbe. Acht Meister des 17. Jahrhunderts und ihre Werke in Sachsen, Böhmen und Brandenburg.
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JĂĽdische
Sammler und Mäzene in Breslau – von der Donation zur „Verwertung“ ihres Kunstbesitzes.
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and went to the
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58:. In 1934 he received his doctorate in Leipzig. In 1933 he became director of the
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Baresel-Brand. Peter MĂĽller, Magdeburg 2006, pp. 131–150.
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in
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Sammeln. Stiften. Fördern. Jüdische Mäzene in der deutschen
Gesellschaft.
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Sächsische Barockplastik von 1630 bis zur Zeit Permosers.
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first in his native city of Dresden, later in Vienna and
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and in 1936 director of the Städtische Kunstsammlungen
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Die Suche nach den Waffen und RĂĽstungen der Wartburg.
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Eisenacher Persönlichkeiten;Ein biografisches Lexikon
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Deutscher Verlag fĂĽr Kunstwissenschaft, Berlin 1978,
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Suddenly gone. Castle boss Sigfried Asche took off.
181:were to be saved. However, the demolition of the
22:(26 June 1906 – 16 February 1985) was a German
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267:und die Barockskulptur des Dresdner Zwingers.
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226:. Asche retired in 1970 and died in 1985 in
379:Jüdische Sammler und Mäzene in Breslau ...
395:Jüdische Sammler und Mäzene in Breslau .…
307:VDM Verlag Dr. MĂĽller, SaarbrĂĽcken 2008,
434:Hans-Joachim Rehm und Renate Sabrowsky:
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330:Magdeburg 2001, pp. 119–141.
504:Literature by and about Sigfried Asche
165:in 1951, Asche became director of the
258:Die Wartburg. Geschichte und Gestalt.
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422:Thuringian Border Paths. Kolonnenweg
246:Malerei und Graphik der Oberlausitz.
96:, which came from the possession of
38:Born in Dresden, Asche attended the
349:. Weimar: RhinoVerlag. p. 15.
273:Balthasar Permoser. Leben und Werk.
248:Städt. Kunstsammlung, Görlitz 1940.
42:in Dresden. Afterwards, he studied
322:Annerose Klammt, Marius Winzeler:
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582:People from the Kingdom of Saxony
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161:. After working briefly for the
592:Directors of museums in Germany
420: (archived 2016-03-04) On:
260:Rembrandt-Verlag, Berlin 1962.
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469:"Händewaschen war verdächtig"
488:Asche, Sigfried bibliography
254:Rohrer, Wien/Wiesbaden 1961.
242:Leipzig 1934 (Dissertation).
163:Staatliche Museen zu Berlin
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269:Weidlich, Frankfurt, 1966.
490:on katalog.arthistoricum.
457:, 29 May, 25 October 1960
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68:Cornelius MĂĽller Hofstede
196:In 1960, Asche left the
508:German National Library
60:Kunstsammlungen Zwickau
587:German art historians
56:University of Leipzig
48:classical archaeology
326:In Ulf Häder (ed.):
16:German art historian
577:People from Dresden
228:Staufen im Breisgau
137:Konrad von Kardorff
265:Balthasar Permoser
230:at the age of 79.
202:Minister President
179:Moritz von Schwind
150:and sculptures by
333:Marius Winzeler:
313:978-3-8364-5958-7
133:Alexander Kanoldt
125:Albert Weisgerber
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204:of the GDR
152:Georg Kolbe
148:Carlo Mense
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129:Jules Dupré
115:, Corinth,
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40:Kreuzschule
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518:archINFORM
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474:Die Zeit
217:Die Welt
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171:Eisenach
167:Wartburg
551:Germany
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506:in the
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