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268:, and was promoted with single releases and music videos for "Cameras" and "Block After Block", directed by Jonathan Del Gatto. The received mixed reviews from music critics, the duo's upbeat tone was once again noted although was heavily criticized for the studio-quality production diluting the band's signature harsh punk personality. It reached number 30 on the
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about nostalgia for their childhood, containing lyrical references to "Daylight". "Where You're Coming From" depicts the subject on the brink of giving up willing to try again, as
Johnson sings, "I'm on my feet today, and I'm walking to the grave. I drew this map by hand to show you how to be a man."
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s E.N. May, for example, highlighted the album's "versatility" and the act's ability to "become a popular band without alienating their base", concluding, "The two keep it earnest for the sake of taking the next step forward, and now with this album they have the strong potential to move up the
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The professional production garnered a mixed response. Detractors felt it watered down the duo's characteristic amateur punk hardiness and rebellion, most displayed in their live performances, in favor of a pop sound. An example of this was the decreased presence of
Schifion's drums in favor of
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music videos had been planned since August 2010. The music video for "Cameras" was released on
January 20, 2011, and depicts Schifino and Johnson bloodily fighting each other with equipment. The two excessively stunt-trained, and there were many on-set injuries during shooting according to the
447:
was conceived on the spot. From June 17 to
November 6, 2010, Matt and Kim went on tour to support their upcoming third album. None on the LP was performed live by the group; it was played on the public address system of the venue before each show began, and the duo's setlist was all of
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reviewer Dylan Nelson argued that although the decreased emphasis on the duo's personality meant their "musicianship avails itself to starker scrutiny", the new sound also meant the duo "are coming into their own, adding levels of sophistication to their infectious pop sensibility".
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s
Rebecca Raber concluded it made way for "repetitive, rhythmic chords that almost sound like samples and drums that sound mechanical (instead of manic)" and magnified the group's worst aspects, such as its monotonous lyrics, vocal performance and "crude" synthesizer lines.
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s Ben Hewitt was turned off by its "vomit-inducing" and "sickly" sound, "chart-pap melodies", and "sodden clichés", and joked
Johnson's vocals "wavers unconvincingly like an exasperated Dad failing to assert their authority".
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felt its larger sound and increased emphasis on choruses better reflected the "in-person oomph" of their live performances, and that its "best tracks trade Kim's punk drumming for handclaps, sleigh bells, and bassy kicks".
427:, and are performed in arrangements driven by bombastic drums, synthesizers, and nasal vocal performances. The lyrics also retain the quirkiness, optimism, and references to being in New York of the duo's previous works.
456:"Cameras" premiered on 1077theend.com before being released officially the next day. On October 28, 2010, "Block After Block" was released as the second and final single. "AM/FM Sound" was available for streaming on
373:
as producer, a different method from their past releases where they would self-record at their homes. Additionally, the two wanted more anthemic material instead of typical songs, as well as incorporate more
361:, the duo spent 13 hours a day and six days a week recording. The duo wanted to focus more on the composition and performance than how it was recorded; thus, they recorded in professional studios and hired
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based on 19 reviews, indicating "generally favorable reviews". As with previous releases, the center of debate was on Matt & Kim's upbeat tone, which critics analogized as being extremely sugary.
899:
argued, "the album pinballs off the spiffy new production elements without ever racking up high scores, as track after track ends on feel-good shout-alongs that never really inspire shouting along."
439:, but the label found it the "worst possible, most confusing name", reasoning consumers would confuse it as a deluxe edition of their self-titled first LP. It was not until a drive through
404:. Certain songs, such as "Block After Block" and "Ice Melts", combine the group's animated upbeat aspects with melancholy, resulting in bittersweet tracks. "Northeast" is a somber
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However, some reviewers felt the hi-fi production improved Matt & Kim's sound and that their perceived frantic punk persona was still prevalent enough to be enjoyable.
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group's spokesperson. A video for "Block After Block" was released on June 16, 2011, and involve the duo flash performing in various parts of New York City, such as
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style, but with a higher-fidelity sound courtesy of being recorded in professional studios instead of being self-recorded as was the case with their prior albums.
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s Max
Raymond felt that "there is a certain amount of charm and vibrancy that keeps one coming back for more" despite its hit-and-miss quality. Luke O'Neil of
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as a "street-savvy" and "likable" presentation of the confusion of youth. The album was also called "therapy you can spaz out to" by J. Edward Keyes of
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was supposed to finish with a video for "Good For Great", which was announced by
Johnson at a press conference. However, it was never released.
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307:, a duo consisting of keyboardist and vocalist Matt Johnson and drummer Kim Schifino, began their discography with the 2005 extended play
235:(2009), which the usage of its songs in commercials and TV series and the music video for "Lessons Learned" gained the duo popularity.
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and commercials. Further boosting themselves to public exposure was a video for "Lessons
Learned". It garnered accolades at the
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studio album in 2006. However, the band gained popularity following usage of songs from their second studio album
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All tracks are written by Matt
Johnson and Kim Schifino and produced by Ben H. Allen and Oliver Straus
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1798:"Backbeat: Matt & Kim Rock Moussy Party, Discuss T.I., Year-End Blowout, Bacardi Sync"
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Aside from the professional method of recording resulting in a more high-fidelity sound,
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Naming the album was a tough part of the process. Matt & Kim's initial plan was
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is consistent with Matt & Kim's previous albums in many aspects, mainly its
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s website on November 1, 2010, before the album was issued the next day by
452:. On August 30, 2010, the name of their next album was announced, and its
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stylistic expansion and recording finesse are "Wires" and "Silver Tiles".
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1334:"Matt and Kim exclusive: Hear their catchy tune 'AM/FM Sound' here!"
38:
489:. Both videos were directed by Jonathan Del Gatto. Promotion of
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The duo's emotional maturity in the lyrics is also displayed on
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2141:. Vol. 122, no. 39. October 2, 2010. p. 36
1942:"Album Review: Matt And Kim – 'Sidewalks' (Different)"
1746:"Matt And Kim Reveal Bloody 'Cameras' Video Backstory"
1363:"Matt And Kim Reveal Details Of New Single, 'Cameras'"
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style. The compositions are simple and revolve around
2200:"Matt and Kim Chart History (Top Alternative Albums)"
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2182:"Matt and Kim Chart History (Independent Albums)"
922:proverbial mainstream ladder." Chris Martins of
893:electronic percussion. As Christian Williams of
443:just after the album's completion that the name
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1122:Oliver Straus – engineer, mixing, producer
2218:"Matt and Kim Chart History (Top Rock Albums)"
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1394:"Album review: Matt & Kim, 'Sidewalks'"
1332:Vozick-Levinson, Simon (November 1, 2010).
382:songs: "Good Ol' Fashioned Nightmare" and "
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1744:Montgomery, James (January 20, 2011).
1631:Montgomery, James (October 28, 2010).
846:holds an aggregate score of 62/100 on
2009:"Matt & Kim, 'Sidewalks' (Fader)"
1595:Keyes, J. Edward (November 1, 2010).
1361:Montgomery, James (August 10, 2010).
1078:
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341:of 2009, and was the inspiration for
264:was released on November 2, 2010, on
7:
2007:Martins, Chris (October 21, 2010).
1690:Stosuy, Brandon (August 30, 2010).
1513:Raber, Rebecca (November 3, 2010).
600:
550:
1971:Nelson, Dylan (November 5, 2010).
1471:Liedel, Kevin (October 29, 2010).
1438:Coplan, Chris (November 9, 2010).
1392:Malitz, David (November 2, 2010).
1267:"Matt & Kim avoid 'Sidewalks'"
1265:Sculley, Alan (October 27, 2010).
700:
14:
2078:O'Neil, Luke (November 1, 2010).
1796:Payne, Chris (October 17, 2011).
1718:Breihan, Tom (October 28, 2010).
1662:Studarus, Laura (June 17, 2010).
1296:Wood, Mikael (October 27, 2010).
1096:Credits from the liner notes and
801:
763:
650:
378:influences that were only on two
357:For Matt & Kim's next album,
1900:"Album Review: Matt & Kim –
1637:Plan Team Up With 'Subaru Dude'"
1125:Andy Marcinkowski – editing
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2045:Raymond, Max (March 28, 2011).
1664:"Matt and Kim Take To the Road"
1104:Matt & Kim – artwork,
1898:May, E.N. (November 4, 2010).
956:
1:
2160:"Matt and Kim Chart History (
2080:"Matt & Kim, 'Sidewalks'"
1940:Hewitt, Ben (April 4, 2011).
1828:"Sidewalks by Matt & Kim"
1153:Weekly chart performance for
1143:Kalani Fujimori – design
2226:. Retrieved March 25, 2014.
2208:. Retrieved March 25, 2014.
2190:. Retrieved March 25, 2014.
2172:. Retrieved March 25, 2014.
2047:"Matt & Kim - Sidewalks"
1692:"Matt & Kim – "Cameras""
1559:"Sidewalks – Matt & Kim"
1233:
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1137:Dave McNair – mastering
390:. The only tracks absent of
2135:"Matt & Kim: Sidewalks"
1973:"Matt & Kim: Sidewalks"
1515:"Matt & Kim: Sidewalks"
1440:"Matt & Kim: Sidewalks"
353:Production and compositions
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1639:. MTV News. Archived from
1016:"Where You're Coming From"
206:Released: October 28, 2010
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1770:Jessica (June 16, 2011).
1597:"Matt and Kim: Sidewalks"
1473:"Matt and Kim: Sidewalks"
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321:(2009) on series such as
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243:'s basic and high-energy
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197:Released: August 31, 2010
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28:
1633:"Matt And Kim Road-Test
1140:Sam Friedman – logo
1113: – mixing, producer
1205:Top Alternative Albums
335:MTV Video Music Awards
431:Release and promotion
1916:on December 13, 2010
1909:Consequence of Sound
1609:on December 24, 2010
1338:Entertainment Weekly
1303:Entertainment Weekly
915:Consequence of Sound
865:and Chris Coplan of
631:Entertainment Weekly
593:Consequence of Sound
502:Professional ratings
459:Entertainment Weekly
2377:Matt and Kim albums
2092:on November 2, 2012
2021:on October 23, 2010
1985:on November 7, 2010
1571:on November 7, 2010
1527:on November 5, 2010
1485:on November 2, 2010
1399:The Washington Post
1310:on November 4, 2010
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1116:Rob Gardner –
972:"Block After Block"
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258:and Oliver Straus.
203:"Block After Block"
2382:Fader Label albums
1187:Independent Albums
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485:, the subway, and
425:chord progressions
339:mtvU Woodie Awards
294:Alternative Albums
286:Independent Albums
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1643:on April 13, 2022
1373:on April 13, 2022
1272:The Sun Chronicle
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2059:on April 1, 2011
2055:. Archived from
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1223:Top Rock Albums
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363:Gnarls Barkley
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345:'s video for "
305:Matt & Kim
301:
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241:Matt & Kim
227:Matt & Kim
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130:Matt & Kim
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44:Matt & Kim
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2015:
2010:
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1997:
1984:
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1915:
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1872:The A.V. Club
1868:
1866:
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1602:Rolling Stone
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1161:Chart (2010)
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1080:Total length:
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1000:
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989:
985:
983:"AM/FM Sound"
982:
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951:
946:
940:Track listing
939:
937:
934:
933:
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896:The A.V. Club
890:
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876:Rolling Stone
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756:Rolling Stone
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581:The A.V. Club
578:
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530:Review scores
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2280:Kim Schifino
2279:
2275:Matt Johnson
2274:
2264:Matt and Kim
2222:
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2143:. Retrieved
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2090:the original
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1404:the original
1397:
1387:
1375:. Retrieved
1371:the original
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1337:
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1308:the original
1301:
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1270:
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1173:
1154:
1111:Ben H. Allen
1097:
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406:piano ballad
401:
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371:Ben H. Allen
358:
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256:Ben H. Allen
251:
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159:
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118:Ben H. Allen
39:Studio album
15:
2372:2010 albums
2124:. FL-0913-2
2122:Fader Label
1298:"Sidewalks"
1129:Joe LaPorta
1071:"Ice Melts"
1038:"Northeast"
1005:"Red Paint"
467:Fader Label
454:lead single
347:Window Seat
343:Erykah Badu
313:self-titled
266:Fader Label
104:Fader Label
2366:Categories
1978:PopMatters
1833:Metacritic
1748:. MTV News
1444:No Ripcord
1241:References
1106:songwriter
932:PopMatters
867:No Ripcord
848:Metacritic
693:PopMatters
521:Metacritic
483:Home Depot
418:dance punk
300:Background
245:dance-punk
239:continues
183:Sidewalks
132:chronology
68:Dance punk
2318:Lightning
2311:Sidewalks
2223:Billboard
2205:Billboard
2187:Billboard
2169:Billboard
2162:Billboard
2139:Billboard
2114:Sidewalks
2096:April 12,
2063:April 13,
2025:April 12,
1989:April 12,
1953:April 13,
1920:April 12,
1902:Sidewalks
1878:April 12,
1865:Sidewalks
1839:April 13,
1809:April 13,
1803:Billboard
1781:April 13,
1776:Stereogum
1752:April 13,
1729:April 13,
1724:Pitchfork
1703:April 13,
1697:Stereogum
1675:April 13,
1647:April 13,
1635:Sidewalks
1613:April 13,
1575:April 12,
1531:April 12,
1520:Pitchfork
1489:April 12,
1449:April 13,
1410:April 12,
1377:April 13,
1343:April 13,
1314:April 13,
1278:April 13,
1228:Billboard
1210:Billboard
1192:Billboard
1174:Billboard
1166:position
1155:Sidewalks
1133:mastering
1098:Billboard
1092:Personnel
994:"Cameras"
950:Sidewalks
902:Pitchfork
871:Sidewalks
844:Sidewalks
681:Pitchfork
497:Reception
491:Sidewalks
487:Chinatown
474:Sidewalks
445:Sidewalks
422:major key
414:Sidewalks
402:Sidewalks
392:Sidewalks
359:Sidewalks
330:Entourage
324:Community
278:Billboard
271:Billboard
262:Sidewalks
252:Sidewalks
237:Sidewalks
222:Sidewalks
194:"Cameras"
161:Lightning
152:Sidewalks
24:Sidewalks
2350:Daylight
2325:New Glow
2145:June 14,
2116:(2010).
2052:musicOMH
1564:AllMusic
1367:MTV News
1131: –
1118:engineer
869:praised
853:musicOMH
544:AllMusic
441:Brooklyn
384:Daylight
248:synthpop
111:Producer
73:synthpop
51:Released
41: by
2342:Singles
1049:"Wires"
376:hip hop
309:To/From
296:chart.
179:Singles
165:(2012)
156:(2010)
147:(2009)
1148:Charts
964:Length
686:6.3/10
538:Rating
535:Source
525:62/100
515:Rating
512:Source
437:Deluxe
82:Length
2304:Grand
2164:200)"
1084:34:56
961:Title
919:'
906:'
886:'
857:'
463:'
450:Grand
395:'
380:Grand
318:Grand
282:'
232:Grand
181:from
143:Grand
99:Label
60:Genre
2147:2022
2098:2022
2065:2022
2027:2022
2014:Spin
1991:2022
1955:2022
1922:2022
1880:2022
1841:2022
1811:2022
1783:2022
1754:2022
1731:2022
1705:2022
1677:2022
1649:2022
1615:2022
1577:2022
1533:2022
1491:2022
1451:2022
1412:2022
1379:2022
1345:2022
1316:2022
1280:2022
1164:Peak
1074:3:46
1063:3:38
1052:3:59
1041:2:53
1030:3:50
1019:4:09
1008:3:07
997:3:33
986:3:15
975:2:56
925:Spin
837:8/10
832:Spin
481:, a
472:The
365:and
337:and
327:and
292:and
1947:NME
1221:US
1203:US
1185:US
1180:30
1176:200
1171:US
1068:10.
957:No.
882:NME
643:NME
349:".
273:200
2368::
2220:.
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2120:.
2106:^
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1249:^
1234:6
1231:)
1216:5
1213:)
1198:5
1195:)
1100:.
1057:9.
1046:8.
1035:7.
1024:6.
1013:5.
1002:4.
991:3.
980:2.
969:1.
586:C+
469:.
288:,
284:s
91:56
87:34
2352:"
2348:"
2256:e
2249:t
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2149:.
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1867:"
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1282:.
1225:(
1207:(
1189:(
636:B
89::
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