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Pieter, could provide from the income of his chair-making business. The family often relied upon public assistance. For a time Sien and some of her siblings lived at a
Catholic orphanage, relying on assistance from the public soup kitchen and church charities. So meager were her earnings, she turned to prostitution for a better income. By the age of 32, the unmarried Sien had given birth to four children, two of whom lived: Maria Wilhelmina, born about 1877, and Willem, born July 1882. Sien experienced poor health due to the post-operative effects of earlier surgeries, illness, and venereal disease, which she seems to have passed to Van Gogh, who was hospitalized in June 1882 for
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another letter written mid-January mentions he was negotiating modelling with "a mother with a little child" and it does seem plausible this was Sien. It has also been suggested that the woman he "found" following his humiliating rejection by his cousin Kee Vos, as described in a letter to Theo around 23 December the preceding year and immediately before his final estrangement from his father that
Christmas Day, was in fact Sien, although there is no direct evidence for the surmise. Based on the dates, Van Gogh could not have been the father of the child.
877:(light and dark) in his drawing, which he executed with the natural ('mountain') chalk that Theo had sent him and whose properties he lauds in his letters. All the models are from Sien's family: her mother and baby on the left, her sister, back turned, and her daughter, hair cropped as a precaution against lice, in the center, with Sien herself, superbly executed in profile, on the right. The watercolor F1020b (below) is much less successful as Van Gogh himself acknowledged, blaming the paper in part for not being right for the job.
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first meeting Sien, although there were other factors involved as well, not least their mutual melancholy. Hulsker called this a simple tragedy for Van Gogh. Likewise, a long-standing family friend, Hermanus
Tersteeg, an influential art dealer who taught Van Gogh and his brother Theo a great deal about art and literature, and who gave Van Gogh his first set of art supplies when he decided to become an artist, although he was always somewhat equivocal in his support, abruptly withdrew at the same time.
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251:, for the rest of the winter). In reality, Mauve had resolved to break with Van Gogh completely. Van Gogh initially blamed Tersteeg for Mauve's indifference, but a chance meeting with Mauve in May made it clear to him that Mauve had definitively broken with him. He described the meeting in a letter to Theo, and in the same letter he revealed his relationship with Sien for the first time and passionately defended it:
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202:, where she had just given birth to a baby boy. Van Gogh moved to a larger studio next door with Sien and her two children. Sien required an extended period of recovery from a difficult pregnancy and delivery. The baby boy, though, seemed to bring much happiness to Van Gogh. He explained that while he endeavored to go deeper as an artist, he was also looking to do so as a man.
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which Mauve was anxious Van Gogh should undertake to perfect his technique. Van Gogh, however, vehemently insisted on drawing from models, and in a fit of pique destroyed some plaster casts of hands and feet that Mauve had given him to make studies from. Following that incident, Mauve said he would have nothing more to do with him for the next two months (
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397:, who was to become his favourite and most patient model. With the winter drawing in and working outdoors increasingly difficult, Van Gogh retreated to his studio and returned to drawing figures. He used the remaining canvas from his work in oils to shutter his windows and adjust the light falling on his models.
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In a letter van Gogh mentioned how he considered Sien his helpmate or partner in the creation of the works which depicted her. He would write Theo about his relationship with Sien, saying that it wasn't exactly love between them but rather a mutual understanding. Vincent took Sien off the streets and
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By August 1882, he had taken up painting in oils in earnest but, despite a promising start, abruptly abandoned it after a month, not to resume again until the following summer. Part of the reason was undoubtedly the expense of painting in oils, but Naifeh and Smith suggest the real reason was that at
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Van Gogh's relationship with Mauve in truth had scarcely lasted a month. Already by the end of
January, he was writing to his brother Theo that he did not always find it easy to get along with Mauve. Shortly after this, they fell out with each other over an issue involving drawing from plaster casts,
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had sketched together at a soup kitchen in the Geest (it is not known which of the several possibilities it was). After going to the trouble and expense of installing shutters in his windows to adjust the light and to recreate the scene itself in his studio, Van Gogh was able to study his models at
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People suspect me of something... it's in the air... I must be hiding something... Vincent is keeping something back that may not be divulged.. Well, gentlemen, I’ll tell you – you who set great store by manners and culture, and rightly so, provided it's the real thing – what is more cultured, more
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streets. He envisioned a life where Sien would be his helpmate, helping him further his artistic career. Sien wanted to be married to him, too, even though he was poor. His family, including his brother and supporter Theo, opposed the relationship and his hope for continued support was doubtful.
438:. When Van Gogh made drawings of Sien sewing, the compositions were simple as was her work. If she had been in a higher station in life, a painting of her sewing would no doubt have shown her performing embroidery. Rather than being an activity for enjoyment, Sien's sewing was one of drudgery.
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is in fact a portrait of his brother Theo. His conclusion was based on a number of striking differences between their features. Theo's portrait, made in 1887, shows a man with shaved cheeks. Theo's beard is not red like
Vincent's, but more ochre. On top of that, this man's ear has a fine rounded
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to paint. Sien went back to work as a seamstress, charwoman and possibly as a prostitute. Her children, Maria and Willem, lived with Sien's mother and brother Pieter. In 1901, Sien married a seaman, Anton van Wijk. She committed suicide in 1904 at the age of 54 in
Rotterdam's harbor, 14 years
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As a result of his relationship with Sien, Van Gogh experienced the loss of support and goodwill from family and friends and his relationship with his parents was further strained. His teacher and cousin-in-law, Anton Mauve, abruptly ceased his support and tutelage within a few weeks of Van Gogh
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Sien posed for Van Gogh throughout the winter. In exchange, Van Gogh provided Sien and her daughter with a place to live and food to eat. Sien was ill when he met her and he did what he could to nurse her back to health. Van Gogh considered marrying Sien to take care of her and keep her off the
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Sien was born in 1850, the eldest of ten children of Pieter
Hoornik, a porter in the poor district of the Geest, and his wife. Pieter died in 1875. To provide for the family, Sien and her mother worked as seamstresses and cleaned homes. Their earnings were supplemented by what Sien's brother,
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At the end of
January 1882, Van Gogh met a homeless, pregnant prostitute named Clasina (Sien) Maria Hoornik who had been deserted by the father of the child she was carrying. The exact date of this meeting is not known beyond Van Gogh's dating of it in a letter to Theo written in May. However,
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Mauve was a successful and noted artist, a leading member of the Hague School and a master colorist whose paintings found a ready market both home and abroad. He had married Van Gogh's cousin, Ariëtte (Jet) Carbentus, in 1874 while she was still very young and he was already established and
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from 1881 to 1883. Van Gogh used Sien, a pregnant prostitute, as a model for his work and later took Sien and her daughter into his home. Van Gogh made drawings and paintings of Sien and her daughter, baby and mother over that period, which reflected the domestic life and hardships of the
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I want to go through the domestic joys and sorrows myself so that I can draw them from experience. After I had left
Amsterdam I felt that my love, which was truly honest, truly unfeigned and strong, had been literally beaten to death – yet after death one rises from the dead.
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125:). Undeterred, he nevertheless continued to press his attentions despite the increasing dismay and disapproval of his family which eventually led to his leaving the family home for a while to study drawing at The Hague with his cousin-in-law Anton Mauve.
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that time his heart lay in drawing. In his moving letter of 16 May 1882, describing his final humiliation from the family of Kee Vos and how he had come to meet Sien and his relationship with her, he wrote:
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defending his relationship with Sien: "Her only chance of surviving ... was to lead a well-ordered, domestic life. ... As to her life, I believe that, like me, you don’t condemn fallen women."
284:, 1876. The print depicts a woman hesitatingly pawning her wedding ring while the pawnbroker and his assistant look on pityingly. Cited by Van Gogh in a letter to his contemporary and mentor
445:, it is curious that he posed Sien in a dress identical to one worn by Kee Vos Stricker, as can be verified by the photograph of Kee Vos and her son catalogued in the Dutch national archive
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river and drowned, fulfilling a prediction she had made to Van Gogh in 1883: "what the bad moods are is still more desperate ... 'it's bound to end up with me jumping into the water.
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in late 1881. On
Christmas Day that year, he refused to attend church, provoking a violent quarrel with his father, a pastor, which resulted in his leaving home the very same day.
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766:, 1883, Natural black, chalk, pen and brush in brown-black ink (possibly black originally), black watercolour, opaque grey watercolour, grey (?) wash, scratched, on wove paper,
83:, who had introduced Van Gogh to painting as well as supporting him financially, and whom Van Gogh revered. At his brother Theo's urging, Van Gogh left Sien in 1883 to paint in
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The works of Sien, a 32-year-old prostitute and seamstress, often depict her in traditional domestic feminine roles: a mother, seamstress, and domestic worker. In the drawing
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It's not exactly easy for me to get along with Mauve all the time, any more than is the reverse, because I think we're a match for each other as regards nervous energy ...
582:, pencil, black chalk, 1882, Private collection, (F1052, JH101). The signature at the lower left is false. Hulsker considers this to be one of the earliest Sien drawings.
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by Yves Saerens gives Sien a voice of her own. This tale depicts her as a raw yet vulnerable and endearing woman, living at the margin of late-19th-century society.
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159:, The Hague's most important art society in which he himself played a major role. He also introduced Van Gogh to painting, first in oils and then with watercolor.
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I've already written that I've drawn with the natural chalk – yesterday I began a second drawing with it, a woman sewing. Particularly with an eye to chiaroscuro.
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Sien resumed her life as a seamstress, cleaning woman and likely prostitute before marrying in 1901. On 22 November 1904, aged 54, she threw herself into the
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I met Christien, as you know, when she was pregnant, ill, in the cold — I was alone — I had just had that experience in Amsterdam I wrote to you about.
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Mauve has now shown me a new way to make something, namely watercolours ... Now, for instance, I'm negotiating with a mother with a little child ...
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After a last, humiliating effort to win Kee over, an episode that severely rocked his religious faith, Van Gogh returned to his parents' home in
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is widely acknowledged as a masterwork of draftsmanship, the culmination of a long and sometimes uncertain apprenticeship in learning his craft.
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506:, pencil, pen and brush in black ink, brown/sepia wash, white opaque watercolour, traces of squaring, on laid paper (two sheets), April 1882,
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By September, Sien had recovered from her difficult confinement and was ready to pose again. At the same time, Van Gogh had discovered his
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Today I met Mauve and had a very regrettable conversation with him which made it clear to me that Mauve and I have parted ways for ever.
430:(F929, F929a) and a subsequent lithograph (F1655), Sien represents a woman's sorrow and frailty. Some of the works are iconic, such as
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234:, 115 x 172 cm. This was the painting Mauve was working on at the time of his dealings with Van Gogh. It was shown in May at the
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In June 1882, Van Gogh was hospitalized for gonorrhea. Disobeying doctor's orders, he left the hospital July 1 to visit Sien in
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Van Gogh returned to The Hague and studied further under Mauve. Mauve helped him to establish a modest studio on the
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1175:"Letter 379: To Theo van Gogh. The Hague, between about Thursday, 23 and about Wednesday, 29 August 1883"
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1750:"Letter 309: To Anthon van Rappard. The Hague, between about Tuesday, 12 and Sunday, 17 September 1882"
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I then said to Mauve, old chap, don't speak to me of plaster casts any more, because I can't stand it.
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on the outer fringes of The Hague, lending him money to purchase furniture, and introduced him to the
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Mauve lent me some money, 100 guilders, to rent it, furnish it and get the window and light fixed up.
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I found a woman, by no means young, by no means pretty, with nothing special about her, if you will.
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319:'s senior researcher, Louis van Tilborgh, announced that he was satisfied that one of the many
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Vincent had a particular interest in painting families of the working class, as seen in
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2043:"To Theo van Gogh. The Hague, on or about Thursday, 29 March and Sunday, 1 April 1883"
1522:"Vincent van Gogh. Letter to Anthon van Rappard. Written 4 February 1883 in The Hague"
785:, (Mariya and Willem), March 1883, drawing (pencil, charcoal, heightened with white),
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In the summer of 1881, Van Gogh fell in love with his recently widowed first cousin,
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and held in the collection of the Van Gogh Museum, Amsterdam (reproduced top left).
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Throughout his career, Van Gogh made few portraits of his close artistic friends or
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I believe I wrote to you recently that at present I'm occupied with large heads ...
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62:, Clasina Maria Hoornik (1850–1904) lived with van Gogh during much of his time in
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did not withdraw his support over it. It did contribute however, to a split with
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1362:"Letter 200: To Theo van Gogh. The Hague, on or about Saturday, 14 January 1882"
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1805:"Letter 199: To Theo van Gogh. The Hague, Sunday, 8 or Monday, 9 January 1882"
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1334:"Letter 196: To Theo van Gogh. The Hague, on or about Tuesday, 3 January 1882"
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2098:"Letter 323: To Theo van Gogh. The Hague, on or about Saturday, 3 March 1883"
1493:"Vincent van Gogh. Letter to Theo van Gogh. Written 14 May 1882 in The Hague"
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1698:"Letter 219: To Theo van Gogh. The Hague, on or about Friday, 21 April 1882"
988:) is a poor single mother and occasional prostitute who lives with Vincent.
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2123:"Letter 324: To Theo van Gogh. The Hague, on or about Sunday, 4 March 1883"
1446:"Letter 227: To Theo van Gogh. The Hague, on or about Tuesday, 16 May 1882"
1416:"Letter 193: To Theo van Gogh. Etten, on or about Friday, 23 December 1881"
1284:"Letter 228: To Theo van Gogh. The Hague, on or about Tuesday, 16 May 1882"
121:. He proposed marriage, but was rebuffed with an adamant "no, nay, never" (
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during their time together in the Netherlands. In particular, his drawing
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1772:"Research shows one of Vincent van Gogh's self-portraits is in fact Theo"
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1085:"Letter 224: To Theo van Gogh. The Hague, on or about Sunday, 7 May 1882"
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
866:(F1020a below) important and attractive. Van Gogh and his contemporary
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between 1870 and 1880, decorating his studio with his favorite prints.
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sensitive, more manly: to forsake a woman or to take on a forsaken one?
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1963:"To Theo van Gogh. The Hague, on or about Wednesday, 27 December 1882"
1309:"Letter 194: To Theo van Gogh. The Hague, Thursday, 29 December 1881"
199:
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The Vincent van Gogh Gallery, endorsed by Van Gogh Museum, Amsterdam
1585:"Letter 203: To Theo van Gogh. The Hague, Thursday, 26 January 1882"
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The Vincent van Gogh Gallery, endorsed by Van Gogh Museum, Amsterdam
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The Vincent van Gogh Gallery, endorsed by Van Gogh Museum, Amsterdam
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provided for her and her children, and in return she posed for him.
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1296:"O God, there is no God!"... at the end of January I met Christien.
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I have a female figure in a black merino frock in front of me ...
1387:"To Theo van Gogh, The Hague, on or about Thursday, 6 April 1882"
1220:"Letter 179: To Theo van Gogh. Etten, Thursday, 3 November 1881"
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218:. Jet Carbentus was a cousin of Van Gogh on his mother's side.
1908:"Letter 222: To Theo van Gogh. The Hague, Monday, 1 May 1882"
466:
Sien with a cigar, sitting on the floor beside the fireplace
87:, ending the only domestic relationship he would ever have.
487:, pencil, black lithographic chalk, washed, December 1882,
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At Christmas I had a rather violent argument with Pa ...
359:, a British weekly illustrated newspaper founded by the
216:
Ariëtte (Jet) Carbentus, the Artist's Wife, in the Dunes
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Quite poor, Sien's family often relied upon the public
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Rijksbureau voor Kunsthistorische Documentatie (RKD)
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Rijksbureau voor Kunsthistorische Documentatie (RKD)
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Farmhouses in Loosduinen near The Hague at Twilight
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A Girl in the Street, Two Coaches in the Background
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The Love of Many Things: A Life of Vincent van Gogh
871:leisure. In this way he was able to introduce more
45:drew and painted a series of works of his mistress
3073:Agostina Segatori Sitting in the Café du Tambourin
3045:View of Paris from Vincent's Room in the Rue Lepic
2858:Congregation Leaving the Reformed Church in Nuenen
523:Two women strolling (pregnant Sien and her mother)
260:Van Gogh left Sien the autumn of 1883 and went to
1845:"To Theo van Gogh. The Hague, Monday, 1 May 1882"
4139:Paintings of the Netherlands by Vincent van Gogh
3376:A Meadow in the Mountains: Le Mas de Saint-Paul
3224:Memory of the Garden at Etten (Ladies of Arles)
968:, watercolor, 1883, Private collection (F1020b)
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723:Woman (Sien) with Baby on her Lap, Half-Figure
691:, watercolor, 1882, Private collection (F1068)
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601:, The Hague, The Netherlands (F1053a, JH358)
282:Want: Her poverty, but not her will, consents
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2359:Nazi looting of artworks by Vincent van Gogh
2260:. Berkeley: University of California Press.
1625:. Van Gogh Museum. 2005–2011. Archived from
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676:, drawing, 1882, Private collection, (F1065)
548:, Rotterdam, The Netherlands (F1025, JH346)
133:. At the time, he was busy with his massive
129:successful, and as such was lionized by the
3583:Peasant Woman Against a Background of Wheat
3446:View of the Asylum and Chapel of Saint-RĂ©my
2935:Head of an Old Farmer's Wife in a White Hat
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1199:
826:, drawing, 1882, Private collection, (F941)
661:, drawing, 1882, Private collection (F1064)
491:, Amsterdam, the Netherlands (F931, JH291)
79:, a cousin-in-law and noted painter of the
3992:"Vincent and the Doctor" (2010 TV episode)
2981:Skull of a Skeleton with Burning Cigarette
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947:Soup Distribution in a Public Soup Kitchen
137:that he was preparing for the next year's
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567:, Otterlo, The Netherlands (F1026, JH347)
510:, Otterlo, The Netherlands (F935, JH143)
324:shell, unlike Vincent's but like Theo's.
2833:Three Figures near a Canal with Windmill
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4144:Series of paintings by Vincent van Gogh
3676:Meadows near Rijswijk and the Schenkweg
3383:A Road at Saint-Remy with Female Figure
2724:Beach at Scheveningen in Stormy Weather
1246:Naifeh and Smith (2011) p. 240, p. 253
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3066:Imperial Fritillaries in a Copper Vase
1938:"Woman ('Sien') seated near the stove"
764:Sien, Sitting on a Basket, with a Girl
472:, Otterlo, Netherlands (F898, JH141)
337:. He was influenced especially by the
206:Reaction to his relationship with Sien
3625:Prisoners' Round (after Gustave Doré)
3527:Landscape with a Carriage and a Train
3291:Valley with Ploughman Seen from Above
2246:. Hodder & Stoughton Ltd., 1990.
544:, pencil, black mountain chalk 1883,
341:of the English illustrators, such as
7:
4149:Paintings in the Norton Simon Museum
3196:A Lane in the Public Garden at Arles
1108:Naifeh and Smith (2011) pp. 281-285
3182:The Painter on the Road to Tarascon
2784:Landscape with a Church at Twilight
1122:"List of deaths in Rotterdam, 1904"
809:Woman with Dark Cap (Sien's Mother)
410:The Roulin Family (Van Gogh series)
3845:Monastery of Saint-Paul de Mausole
3006:Vase with White and Red Carnations
1678:Naifeh and Smith (2011) p. 254 ff.
1035:Hughes, Robert (27 October 2005).
862:Hulsker called the signed drawing
839:Sien's Mother's House, Closer View
710:, Otterlo, The Netherlands (F1071)
646:, Otterlo, The Netherlands (F1063)
627:, Otterlo, The Netherlands (F1062)
580:Sien with Umbrella and Prayer Book
303:, 1870 (Herkomer's first work for
14:
3298:View of Arles, Flowering Orchards
3252:Arles: View from the Wheat Fields
3238:Interior of a Restaurant in Arles
2974:Peasant Woman Digging Up Potatoes
2441:Still life paintings, Netherlands
1647:Pomerans (2003) pp. 139, 143, 149
1191:moods are is still more desperate
1005:List of works by Vincent van Gogh
3590:Still Life: Vase with Pink Roses
3506:Doctor Gachet's Garden in Auvers
2017:"Bent Figure of a Woman (Sien?)"
1267:. David Brooks (self-published).
958:
939:
920:
901:
882:
831:
816:
801:
775:
756:
737:
730:
715:
696:
681:
666:
651:
632:
613:
587:
572:
563:, pencil, lightly washed, 1883,
553:
534:
515:
496:
477:
458:
3748:Old Vineyard with Peasant Woman
3668:Boy Cutting Grass with a Sickle
3639:Landscape at Auvers in the Rain
3369:Self-Portrait with Bandaged Ear
3168:Portrait of the Artist's Mother
3126:Still Life: Vase with Oleanders
2581:DĂ©coration for the Yellow House
2338:The Letters of Vincent van Gogh
2227:The Letters of Vincent van Gogh
2023:. David Brooks (self-published)
1146:. David Brooks (self-published)
978:In 1956 biopic about Van Gogh,
3799:Torso of Venus and a Landscape
3791:Portrait of a Man in a Top Hat
3684:The 'Laakmolen' near The Hague
3611:Wheatfield Under Thunderclouds
3418:Green Wheat Field with Cypress
2872:Landscape with Pollard Willows
2865:The Parsonage Garden at Nuenen
2695:Lost works by Vincent van Gogh
1883:"Kee Vos met zoon Jan (photo)"
1164:Naifeh and Smith (2011) p. 867
751:, Otterlo, Netherlands (F1007)
674:Sien Nursing Baby, Half-Figure
621:Sien Nursing Baby, Half-Figure
525:, pencil, first half of 1882,
1:
4134:Paintings by Vincent van Gogh
4098:Van Gogh immersive experience
4044:Theo van Gogh (film director)
3732:Drawbridge in Nieuw-Amsterdam
2669:Saint-Paul Asylum, Saint-RĂ©my
2127:Vincent van Gogh: The Letters
2102:Vincent van Gogh: The Letters
1849:Vincent van Gogh: The Letters
1809:Vincent van Gogh: The Letters
1754:Vincent van Gogh: The Letters
1702:Vincent van Gogh: The Letters
1589:Vincent van Gogh: The Letters
1450:Vincent van Gogh: The Letters
1420:Vincent van Gogh: The Letters
1391:Vincent van Gogh: The Letters
1366:Vincent van Gogh: The Letters
1338:Vincent van Gogh: The Letters
1313:Vincent van Gogh: The Letters
1288:Vincent van Gogh: The Letters
1224:Vincent van Gogh: The Letters
1089:Vincent van Gogh: The Letters
845:, Pasadena, California (F942)
546:Museum Boijmans Van Beuningen
113:with her son Jan c. 1879/1880
3870:Portrait of Vincent van Gogh
3576:Blossoming Chestnut Branches
3492:Thatched Cottages and Houses
3432:The Ravine of the Peyroulets
2412:Van Gogh's family in his art
1037:"The genius of Crazy Vinnie"
529:, Netherlands (F988a, JH148)
402:Van Gogh's family in his art
385:. Then I found Christien ...
3692:Church Pew with Worshippers
3390:Enclosed Field with Peasant
3362:Self-portrait without beard
3161:Starry Night Over the RhĂ´ne
3059:A Woman Walking in a Garden
2928:Avenue of Poplars at Sunset
2921:Avenue of Poplars in Autumn
2481:Still life paintings, Paris
1825:Naifeh and Smith pp. 306-13
1658:"Fishing boat on the beach"
1140:"Woman Sewing, with a Girl"
770:, Amsterdam (F1072, JH341)
395:Adrianus Jacobus Zuyderland
36:The New Art Gallery Walsall
16:Dutch tailor and prostitute
4170:
4078:(1978, revised 1989; "JH")
3724:Landscape with Wheelbarrow
3597:Portrait of Adeline Ravoux
3478:Road with Cypress and Star
3411:Wheat Field with Cypresses
3098:Madame Roulin and Her Baby
2886:Cart with Red and White Ox
2731:Girl in White in the Woods
2550:Copies by Vincent van Gogh
2449:Old Church Tower at Nuenen
2229:. Penguin Classics, 2003.
2087:Naifeh and Smith pp. 328-9
1721:Sweetman (1990) pp. 147-54
1372:. Paragraph 2 and Note 6.
1261:"The Van Gogh Family Tree"
991:The 2020 historical novel
745:Sien's daughter with scarf
704:Sien with Child on her Lap
607:Sien with the baby, Willem
399:
321:self-portraits by Van Gogh
3918:Vincent and Theo van Gogh
3878:The Painter of Sunflowers
2953:Still Life with Straw Hat
2798:Footbridge across a Ditch
2405:Peasant Character Studies
1520:Harrison, R, ed. (2011).
1491:Harrison, R, ed. (2011).
783:Girl Kneeling by a Cradle
561:Sien, Sewing, Half-Figure
542:Sien, Sewing, Half-Figure
232:Fishing boat on the beach
135:Fishing Boat on the Beach
4070:Jacob Baart de la Faille
3830:Van Gogh House (Drenthe)
2819:Farm with Stacks of Peat
2557:Langlois Bridge at Arles
1885:. Geheugen van Nederland
725:, September 1882 (F1061)
335:The Roulin Family series
265:after Van Gogh's death.
174:, sketch in letter 215,
102:Estrangement from family
30:, drawing in chalk, the
4034:Johanna van Gogh-Bonger
3775:Marsh with Water Lilies
3569:The Town Hall at Auvers
3080:Red Cabbages and Garlic
3052:Portrait of Père Tanguy
3038:Wheat Field with a Lark
2700:Display at Les XX, 1890
2676:Auvers size 30 canvases
2473:Le Moulin de la Galette
2212:. Profile Books, 2011.
1619:"Van Gogh and Tersteeg"
984:, Christina (played by
966:The Public Soup Kitchen
928:The Public Soup Kitchen
911:, letter sketch, 1883,
909:The Public Soup Kitchen
892:, letter sketch, 1883,
890:The Public Soup Kitchen
868:George Hendrik Breitner
864:The Public Soup Kitchen
731:Sien's daughter, Mariya
599:Gemeentemuseum Den Haag
3499:Portrait of Dr. Gachet
3305:Portrait of Doctor Rey
3273:Orchard with Cypresses
2900:Water Mill at Opwetten
2770:Farmhouses Among Trees
2078:Hulsker (1980) pp.76-8
1571:Pomerans (2003) p. 138
1472:Sweetman (1990) p. 151
1232:..."no, nay, never"...
1205:Pomerans (2003) p. 98
1071:Pomerans (2003) p. 149
794:
485:Sien in a White Bonnet
447:Geheugen van Nederland
387:
308:
301:Gipsy Woman with Child
289:
258:
243:
219:
179:
114:
39:
32:Garman Ryan Collection
3925:"Vincent" (1971 song)
3840:Kröller-Müller Museum
3700:Woman on Her Deathbed
3618:Wheatfield with Crows
3453:The Large Plane Trees
3266:Farmhouse in Provence
3203:Falling Autumn Leaves
3154:Café Terrace at Night
2999:Vase with Red Poppies
2967:Peasant Woman Digging
2621:Paintings of Children
2543:Trees and Undergrowth
2374:Lost Arles sketchbook
2185:The Complete Van Gogh
1995:Kröller-Müller Museum
1942:Kröller-Müller Museum
824:Sien's Mother's House
749:Kröller-Müller Museum
708:Kröller-Müller Museum
644:Kröller-Müller Museum
625:Kröller-Müller Museum
597:, black chalk, 1883,
595:Sien Peeling Potatoes
565:Kröller-Müller Museum
508:Kröller-Müller Museum
470:Kröller-Müller Museum
295:
278:Francis Montague Holl
276:
269:Depiction of families
229:
213:
170:
123:"nooit, neen, nimmer"
109:
24:
4072:(1928 and 1970; "F")
3708:Landscape with Trees
3541:The Church at Auvers
3520:White House at Night
3259:Sunset at Montmajour
2907:Water Mill at Kollen
2791:Landscape with Dunes
2433:Water Mill at Gennep
2206:Smith, Gregory White
1687:Hulsker (1980) p. 34
1629:on 15 September 2012
1623:Permanent Collection
1608:Hulsker (1980) p. 32
1062:Hulsker (1980) p. 36
1025:Hulsker (1980) p. 42
953:, Amsterdam (F1020a)
364:William Luson Thomas
3105:Landscape with Snow
2369:Cultural depictions
2158:www.sienvangogh.com
2143:Zemel (1997), p. 46
1187:moods and what the
934:, Amsterdam (F1020)
851:Public soup kitchen
843:Norton Simon Museum
789:, Amsterdam (F1024)
343:Hubert von Herkomer
297:Hubert von Herkomer
4006:At Eternity's Gate
3979:Vincent in Brixton
3939:Vincent & Theo
3716:Peatery in Drenthe
3485:At Eternity's Gate
2879:Cart with Black Ox
2812:A Wind-Beaten Tree
2763:Cows in the Meadow
2605:Flowering Orchards
2503:Outskirts of Paris
2210:Van Gogh: The Life
1739:Zemel (1997) p. 22
1547:"IB-nummer 117003"
1183:Now those are the
915:, Amsterdam (F272)
896:, Amsterdam (F271)
527:Private collection
434:(F935, JH143) and
347:Samuel Luke Fildes
309:
290:
286:Anthon van Rappard
244:
220:
180:
115:
40:
4106:
4105:
4093:The Vincent Award
4054:Johannes Stricker
3655:
3654:
3604:Plain near Auvers
3555:Farms near Auvers
3548:Daubigny's Garden
3245:A Lane near Arles
2960:The Potato Eaters
2914:Village at Sunset
2597:Hospital in Arles
2589:The Roulin Family
2256:Zemel, C (1997).
2252:978-0-340-50372-0
2235:978-0-14-044674-6
2218:978-1-84668-010-6
949:, drawing, 1883,
930:, drawing, 1883,
841:, drawing, 1882,
706:, drawing, 1882,
689:Sien Nursing Baby
659:Sien Nursing Baby
642:, drawing, 1882,
640:Sien Nursing Baby
623:, drawing, 1882,
436:Mother with Child
406:The Potato Eaters
330:The Potato Eaters
4161:
3986:The Yellow House
3862:Vincent van Gogh
3767:87 Hackford Road
3513:Houses at Auvers
3340:The Starry Night
3312:Crab on its Back
3217:The Red Vineyard
3175:Bedroom in Arles
3147:Van Gogh's Chair
3140:The Yellow House
2805:Marshy Landscape
2713:
2327:List of drawings
2303:Vincent van Gogh
2296:
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2223:Pomerans, Arnold
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1557:. Archived from
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1526:Van Gogh Letters
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1497:Van Gogh Letters
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974:In popular media
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747:, January 1883,
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119:Kee Vos Stricker
111:Kee Vos Stricker
97:
58:Commonly called
43:Vincent van Gogh
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4119:1880s paintings
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4081:
4058:
4012:
3880:(1888 painting)
3864:(1886 painting)
3849:
3835:Maison Van Gogh
3825:Van Gogh Museum
3813:
3754:
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3458:
3278:
3085:
3018:
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2940:
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2629:The Wheat Field
2613:Almond Blossoms
2384:
2378:
2364:Posthumous fame
2305:
2300:
2240:Sweetman, David
2177:
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2161:
2154:"Sien van Gogh"
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2131:Van Gogh Museum
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2106:Van Gogh Museum
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1967:Van Gogh Museum
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1593:Van Gogh Museum
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1395:Van Gogh Museum
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1370:Van Gogh Museum
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1344:. Paragraph 3.
1342:Van Gogh Museum
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1317:Van Gogh Museum
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1292:Van Gogh Museum
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361:social reformer
317:Van Gogh Museum
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176:Van Gogh Museum
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131:Van Gogh family
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5:
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3998:Loving Vincent
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3947:Vincent and Me
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3807:Head of a Girl
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3770:(1873 or 1874)
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3133:The Night Café
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2893:Lane in Autumn
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2741:
2734:
2727:
2719:
2717:
2710:
2706:
2705:
2703:
2702:
2697:
2692:
2684:Double-squares
2679:
2673:
2665:
2657:
2649:
2641:
2633:
2625:
2617:
2609:
2601:
2593:
2585:
2577:
2573:Boats du RhĂ´ne
2569:
2565:Saintes-Maries
2561:
2553:
2547:
2539:
2531:
2523:
2515:
2507:
2499:
2496:Self portraits
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2349:Auberge Ravoux
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2301:
2299:
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2237:
2220:
2202:Naifeh, Steven
2199:
2176:
2173:
2171:
2170:
2145:
2136:
2111:
2089:
2080:
2071:
2062:
2034:
2007:
1991:"Woman Seated"
1982:
1954:
1929:
1920:
1896:
1874:
1865:
1836:
1827:
1818:
1796:
1784:
1763:
1741:
1732:
1723:
1714:
1689:
1680:
1671:
1649:
1640:
1610:
1601:
1573:
1564:
1561:on 2011-07-24.
1538:
1509:
1483:
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1462:
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1407:
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1350:
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1270:
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852:
849:
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847:
837:
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822:
815:
813:
811:, 1882 (F1057)
807:
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781:
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762:
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483:
476:
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464:
457:
421:
418:
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413:
353:, working for
339:social realism
313:family members
270:
267:
240:Gemeentemuseum
230:Anton Mauve –
214:Anton Mauve –
207:
204:
172:The Great Lady
164:
161:
157:Pulchri Studio
103:
100:
15:
13:
10:
9:
6:
4:
3:
2:
4166:
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4047:
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4027:
4025:
4024:Theo van Gogh
4022:
4021:
4019:
4015:
4009:
4007:
4003:
4001:
3999:
3995:
3993:
3990:
3987:
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3976:
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3966:
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3948:
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3934:
3932:
3928:
3926:
3923:
3921:
3920:(1963 statue)
3919:
3915:
3913:
3911:
3907:
3905:
3903:
3902:Lust for Life
3899:
3897:
3895:
3891:
3889:
3887:
3886:Lust for Life
3883:
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3875:
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3543:
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3538:
3536:
3535:
3534:Girl in White
3531:
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3357:
3355:
3354:Self-portrait
3351:
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3341:
3337:
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3328:
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3256:
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3228:
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3221:
3219:
3218:
3214:
3212:
3211:
3207:
3205:
3204:
3200:
3198:
3197:
3193:
3191:
3190:
3189:Les Alyscamps
3186:
3184:
3183:
3179:
3177:
3176:
3172:
3170:
3169:
3165:
3163:
3162:
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3141:
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3056:
3054:
3053:
3049:
3047:
3046:
3042:
3040:
3039:
3035:
3033:
3032:
3031:Poppy Flowers
3028:
3027:
3025:
3021:
3015:
3014:
3010:
3008:
3007:
3003:
3001:
3000:
2996:
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2735:
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2728:
2726:
2725:
2721:
2720:
2718:
2714:
2711:
2709:Oil paintings
2707:
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2698:
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2347:
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2335:
2333:
2330:
2328:
2325:
2323:
2322:List of works
2320:
2318:
2315:
2314:
2312:
2308:
2304:
2297:
2292:
2290:
2285:
2283:
2278:
2277:
2274:
2267:
2266:0-520-08849-2
2263:
2259:
2255:
2253:
2249:
2245:
2241:
2238:
2236:
2232:
2228:
2224:
2221:
2219:
2215:
2211:
2207:
2203:
2200:
2198:
2197:0-7148-2028-8
2194:
2190:
2186:
2182:
2179:
2178:
2174:
2159:
2155:
2149:
2146:
2140:
2137:
2132:
2128:
2124:
2118:
2116:
2112:
2107:
2103:
2099:
2093:
2090:
2084:
2081:
2075:
2072:
2066:
2063:
2059:
2048:
2044:
2038:
2035:
2022:
2018:
2011:
2008:
1996:
1992:
1986:
1983:
1979:
1968:
1964:
1958:
1955:
1943:
1939:
1933:
1930:
1924:
1921:
1917:
1913:
1909:
1903:
1901:
1897:
1884:
1878:
1875:
1872:Zemel, 20-22.
1869:
1866:
1854:
1850:
1846:
1840:
1837:
1831:
1828:
1822:
1819:
1814:
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1711:
1707:
1703:
1699:
1693:
1690:
1684:
1681:
1675:
1672:
1667:
1663:
1662:RKD databases
1659:
1653:
1650:
1644:
1641:
1628:
1624:
1620:
1614:
1611:
1605:
1602:
1598:
1594:
1590:
1586:
1580:
1578:
1574:
1568:
1565:
1560:
1556:
1552:
1551:RKD databases
1548:
1542:
1539:
1528:. WebExhibits
1527:
1523:
1516:
1514:
1510:
1499:. WebExhibits
1498:
1494:
1487:
1484:
1481:Zemel, 18-19.
1478:
1475:
1469:
1467:
1463:
1459:
1455:
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1437:
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1200:
1196:
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1190:
1186:
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1161:
1158:
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1141:
1134:
1132:
1128:
1123:
1117:
1114:
1111:
1105:
1102:
1098:
1094:
1090:
1086:
1080:
1078:
1074:
1068:
1065:
1059:
1056:
1044:
1043:
1038:
1031:
1028:
1022:
1020:
1016:
1010:
1006:
1003:
1002:
998:
996:
994:
993:Sien van Gogh
989:
987:
983:
982:
981:Lust for Life
973:
967:
961:
956:
952:
948:
942:
937:
933:
929:
923:
918:
914:
910:
904:
899:
895:
891:
885:
880:
878:
876:
875:
869:
865:
860:
858:
850:
844:
840:
834:
829:
825:
819:
814:
810:
804:
799:
795:Sien's mother
788:
784:
778:
773:
769:
765:
759:
754:
750:
746:
740:
735:
724:
718:
713:
709:
705:
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694:
690:
684:
679:
675:
669:
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660:
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645:
641:
635:
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622:
616:
611:
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581:
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556:
551:
547:
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528:
524:
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403:
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365:
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331:
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318:
314:
306:
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287:
283:
279:
275:
268:
266:
263:
257:
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250:
241:
237:
233:
228:
224:
217:
212:
205:
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196:
192:
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184:
177:
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169:
162:
160:
158:
154:
149:
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142:
140:
136:
132:
126:
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120:
112:
108:
101:
99:
93:
88:
86:
82:
78:
74:
70:
65:
61:
56:
54:
53:
48:
44:
37:
33:
29:
28:
23:
19:
4029:Wil van Gogh
4005:
3997:
3985:
3978:
3970:
3965:(1990 opera)
3962:
3954:
3946:
3938:
3930:
3917:
3912:(1956 opera)
3909:
3901:
3893:
3888:(1934 novel)
3885:
3877:
3869:
3861:
3805:
3797:
3789:
3781:
3773:
3765:
3746:
3740:Breton Women
3738:
3730:
3722:
3714:
3706:
3698:
3690:
3682:
3674:
3666:
3660:Watercolours
3644:
3637:
3630:
3623:
3616:
3609:
3602:
3595:
3588:
3581:
3574:
3567:
3560:
3553:
3546:
3539:
3532:
3525:
3518:
3511:
3504:
3497:
3490:
3483:
3476:
3469:
3451:
3444:
3437:
3430:
3423:
3416:
3409:
3402:
3395:
3388:
3381:
3374:
3367:
3360:
3353:
3347:The Gardener
3345:
3338:
3331:
3324:
3317:
3310:
3303:
3296:
3289:
3271:
3264:
3257:
3250:
3243:
3236:
3229:
3222:
3215:
3210:L'Arlésienne
3208:
3201:
3194:
3187:
3180:
3173:
3166:
3159:
3152:
3145:
3138:
3131:
3124:
3117:
3110:
3103:
3096:
3078:
3071:
3064:
3057:
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2175:Bibliography
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1042:The Guardian
1040:
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986:Pamela Brown
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81:Hague School
69:working poor
60:Sien Hoornik
59:
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41:
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18:
4076:Jan Hulsker
4063:Cataloguers
4049:Anton Mauve
4008:(2018 film)
4000:(2017 film)
3988:(2007 film)
3981:(2003 play)
3973:(1991 film)
3957:(1990 film)
3949:(1990 film)
3941:(1990 film)
3933:(1987 film)
3904:(1956 film)
3896:(1948 film)
3646:Poppy Field
3425:The Diggers
2777:Bulb Fields
2661:Butterflies
2645:Olive Trees
2624:(1888–1890)
2616:(1888–1890)
2552:(1887–1890)
2546:(1887–1890)
2538:(1887–1889)
2498:(1886–1889)
2468:(1885–1890)
2428:(1883–1885)
2414:(1881–1888)
2408:(1881–1885)
2400:(1881–1890)
2392:Early works
2052:23 February
2027:16 February
2015:Brooks, D.
2000:23 February
1972:23 February
1947:23 February
1889:26 February
1858:23 February
1777:October 21,
1633:23 February
1426:. Note 16.
1400:23 February
1259:Brooks, D.
1150:23 February
1138:Brooks, D.
1048:23 February
874:chiaroscuro
368:The Graphic
356:The Graphic
305:The Graphic
178:(F-, JH128)
77:Anton Mauve
4113:Categories
3854:Portrayals
3632:Tree Roots
3471:The Siesta
3333:Lilac Bush
3231:Les Arènes
3119:The Zouave
2535:Sunflowers
2489:Montmartre
2332:Chronology
2187:. Oxford:
2164:2020-12-31
2160:(in Dutch)
2069:Zemel, 19.
1927:Zemel, 16.
1834:Zemel, 15.
1794:Zemel, 17.
1730:Zemel, 52.
1532:2011-05-18
1503:2011-05-18
1456:. Note 7.
1319:. Note 2.
1294:. Note 7.
1230:. Note 1.
1181:. Note 5.
1011:References
859:for food.
441:Regarding
400:See also:
391:orphan man
351:Frank Holl
236:1882 Salon
3404:Cypresses
3319:Two Crabs
3112:La Mousmé
2738:Lying Cow
2672:(1889–90)
2664:(1889–90)
2608:(1888–89)
2600:(1888–89)
2592:(1888–89)
2492:(1886–87)
2484:(1886–87)
2457:Amsterdam
2452:(1884–85)
2444:(1884–85)
2420:(1882–83)
2398:Portraits
2394:(1881–82)
2383:Groups of
2317:Biography
189:gonorrhea
153:Schenkweg
64:The Hague
4154:Nude art
3971:Van Gogh
3910:Van Gogh
3894:Van Gogh
3759:Drawings
3562:The Cows
2851:Two Rats
2511:Asnières
2425:Cottages
2191:, 1980.
1209:, p. 112
999:See also
382:Resurgam
4086:Related
3963:Vincent
3931:Vincent
3818:Museums
2688:Squares
2682:Auvers
2310:General
2189:Phaidon
262:Drenthe
92:Schelde
85:Drenthe
38:(F929a)
4017:Family
3955:Dreams
3872:(1887)
3810:(1888)
3802:(1887)
3794:(1882)
3786:(1882)
3783:Sorrow
3778:(1881)
3751:(1890)
3743:(1888)
3735:(1883)
3727:(1883)
3719:(1883)
3711:(1883)
3703:(1883)
3695:(1882)
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3671:(1881)
3356:(1889)
3326:Irises
2691:(1890)
2678:(1890)
2656:(1889)
2648:(1889)
2640:(1889)
2637:Reaper
2632:(1889)
2584:(1888)
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2530:(1887)
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2460:(1885)
2436:(1884)
2344:Health
2264:
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2195:
427:Sorrow
408:, and
349:, and
333:, his
200:Leiden
52:Sorrow
27:Sorrow
2519:Seine
2385:works
2354:Death
415:Works
146:Etten
139:Salon
34:, at
3463:1890
3397:Rain
3283:1889
3090:1888
3023:1887
2991:1886
2945:1885
2843:1884
2755:1883
2716:1882
2686:and
2418:Sien
2262:ISBN
2248:ISBN
2231:ISBN
2214:ISBN
2193:ISBN
2054:2012
2029:2011
2002:2012
1974:2012
1949:2012
1891:2012
1860:2012
1779:2011
1635:2012
1402:2012
1185:good
1152:2011
1050:2012
420:Sien
249:i.e.
163:Sien
73:Theo
47:Sien
3439:Ivy
1248:ff.
1207:ff.
1189:bad
1110:ff.
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