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was a project commissioned by SKULPTURENPARK BERLIN_ZENTRUM in 2009, that took place in the centre of Berlin, between
Seydelstr and Beuthstr. Half hi-tech Antarctic Research Station and half rusty broken-dumpster, this unit created by Faithfull provided a station for a group of artists/researchers to
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and anti-heroism. His works revolve around research and experiments, and during the course of the past few years he has become known for his
Lecture Performances that will often accompany his exhibitions. He is cited as trying to measure the world in order to check whether it exists and whether, when
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premiered at The Edge in Bath and was subsequently presented in a solo exhibition at
Sprinhornhof Kunstverein, Germany. A third and final journey tracing the Meridian line across the planet is planned by Faithfull; "Eventually he will run out of land and take to sea again, with the ultimate aim of
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This film depicts the
Sisyphean efforts of a silver-suited commuter to board and fly in a monstrous rendition of a 1990s jet. The unreal vehicle is misshapen, blackened by fire and missing a wing, the craft will not fly, but the traveller undertakes his ritual of boarding and waiting for take-off
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off the coast of
Southwest England. The boat was scuttled as a live event on 4 August 2014 with five cameras mounted onboard transmitting a live video stream of the boat making its final journey to the bottom of the sea. The video-work created from this event uses footage from these 5 cameras and
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In the shadows of a pedestrian under-pass, the approaching viewer sees a set of under-floor lights twinkling in the darkness. As they draw nearer, the viewer discovers a 70’s under-lit dance-floor pulsing silently to an unheard rhythm. Just as the viewer is about to enter the tunnel though, the
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as seen by a video camera attached to a weather balloon. The film starts with the artist's face and then, after releasing the balloon, the shot pulls out, and out until the figure has disappeared into the
English landscape. The film ends with a glimpse of the curve of the Earth and black space.
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is a unique artwork in the form of a bespoke hand-sewn bookwork, a paper archive that captures one particular moment from this database. Each time a new book is ordered the latest drawings are added so each book is thicker than the last and no two books will ever be the same. The bookwork makes
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with his 'Escape vehicles'. Seven in total to date, these Escape
Vehicles range from the use of balloons, chairs, insects, and rockets. Escape Vehicle no.6 saw a domestic chair travel from the Earth to the edge of space. An audience first witnessed the chair, tethered beneath a weather balloon,
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In 2006, Faithfull released LOST (as part of a
Whitstable Biennale 2006 commission), a book that catalogues the objects lost by the artist during the course of his lifetime, alongside the stories that accompany these losses. 500 of the books were left around Whitstable as part of an ongoing web
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standing on a raft at 0°, 0° where the meridian meets the equator off the coast of West Africa. "I'm not really a daredevil type", he says, "and I don't actually intend to put myself in danger. I just want to go to these places, partly to see if they really exist".
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recording the daily events and sights of a journey ever further south. As with other drawing projects, these sketches were then relayed back to the world via email. In this case 3,000 people around the world received a live drawn message from end of the world.
433:. Any obstacle encountered is negotiated—fences climbed, properties crossed, buildings entered via nearest windows or apertures, streams waded, motorways traversed. The figure gradually makes its way up through southeast Britain, through London, the
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Whenever
Faithfull makes a new drawing it is immediately dispatched out to the world via the Limbo drawing service and automatically added to an ever-growing, online database which contains every drawing made by Faithfull since 2000.
230:"The drawings are very restricted in their detail because of the tiny screen with its paltry number of pixels. But I like this discipline of making something meaningful with such reduced means, something akin to an economy of line."
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documentation from a number of other vantage points, to tell the story of a process of transformation. The film presents the very beginning of a slow metamorphosis from defunct vessel at the end of its life, to the creation of an
607:. The artist recorded the everyday minutiae of the journey— recording the historic paths of trade and exodus. A total of 181 drawings were made and etched into the stone paving and glass of a new public site in Liverpool (UK).
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as part of the
Artists' Airshow 2004. Footage is relayed back to Earth as the live audience watches the chair travel 30 km away from the ground and into the edge of space. In 2009 to coincide with his solo exhibition,
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as a gallery installation during which the most recent drawings are added as and when they are made. Exhibitions to date have taken place in Lille, National Museum, Project Space, Berlin, and at Phoenix Arts in Leicester.
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Three London circular journeys were recorded in real time and combined into a single, hypnotic, projected circular image. The circular journeys were: the M25 Orbital Motorway, the North and South Circular, and the
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Journeys and traveling are central to his practice, whether it involves the end of the world, outer space, or a simple bike ride, they offer crucial material for Faithfull. Influences include Smithson and
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478:. This tied in with Faithfull's Antarctica Dispatches—the initial 'live' drawing project undertaken during the two-month journey. Prior to each of the exhibition openings, Faithfull delivered the
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physical the body of drawings that has accreted over more than a decade – manifesting a personal atlas of the world, mapping time and space, as experienced by one individual, on an ongoing basis.
202:, the son of Major Robert Glynn Faithfull (1912–1998) and his second wife, Margaret Elizabeth (Kipps) Faithfull, whom he had married in 1963. He is a half brother to singer and actress
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Shy Fountain has, to date, been realised twice – once temporally in the grounds of Haus am Waldsee, Berlin and once as a permanent public art work in Cannon's Marsh, Harbour-side, Bristol.
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disappear into the sky and then watched a live video transmission from the vehicle showing the chair reaching an altitude of 30 km high. Seen against the blackness of space and the
170:. His work has been widely exhibited in both international solo and group exhibitions, including Musee des Beaux Arts (Calais), Fabrica (Brighton,) FRAC Basse Normandie (France), The
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lecture in a nearby theatre, drawing on the material he had collected during the course of the journey to illustrate a meandering journey through the myths of polar exploration.
425:. Always seen from behind, a figure swims out of the seawater where the meridian hits the south-coast of Britain. The solitary person emerges from the water carrying a hand held
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Half a decade later Faithfull again traversed the Meridian Line, this time travelling south through Europe and Africa heading towards the exact centre of nowhere.
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that collected together the body of work made during a two-month journey to Antarctica in 2004/2005, traveling with the
221:. The journey began in November 2004 and lasted for two months. During this journey, Faithfull made daily drawings on a
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project, as their finders are encouraged to record their discoveries before re-releasing them back into the world.
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and ultimately where the line re-enters the water in the north of Britain the figure slowly swims away into the
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device. Using this implement the figure then proceeds to walk directly north along the 0º00 line of
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Each day a drawing on a palm-pilot was made somewhere in E1, London, and e-mailed back to the
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0º00 Navigation is a black and white film that shows an absurd journey made exactly along the
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was presented as a 3-week intervention in a foot-tunnel in Hagen, Germany, as part of the
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In a series of experiments conducted over ten years (1995–2005), Faithfull sought to defy
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whilst flames surround him. The work was commissioned by Tatton Park Biennial 2012,
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Roger Cox, 'Electronic lines on an epic voyage across the frozen Southern Ocean',
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895:"Limbo - Live drawings delivered by website, Twitter, Facebook, RSS & iPhone"
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985:"Limbo, Live drawings delivered by website, Twitter, Facebook, RSS & iPhone"
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1986–1989 BA First Class Honours, Central St Martins School of Art, London, UK
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Shy Dance-Floor (A dance-floor that only exists when no-one is there), 2015
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Ice Blink touring exhibition, lecture and book project The Arts Catalyst
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Karin Goodwin, 'E-mail artist to send daily show from Antarctic trek',
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1050:"Phoenix – Cinema, Art, Café Bar – an Expanding Atlas of Subjectivity"
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Duncan McLaren, 'Temporary Accommodation – Whitechapel Art Gallery',
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Shy Fountain, (A Fountain That Only Exists When No-One is There) 2008
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A miniature chair made from spent matches and powered by three dead
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investigate the surrounding wilderness and urban zones in Berlin.
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1100:"Lichtkunstfestival startet am Freitag mit Führungen und Party"
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Voyages Extraordinaires: Simon Faithfull & Christoph Keller
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0º00 Navigation Part I, 2008 and 0º00 Navigation Part II, 2015
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960:"Artist sets fire to boat then sinks it to create underwater"
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0º00 Navigation Part II, A Journey Across Europe and Africa
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Limbo Drawings/ An Expanding Atlas of Subjectivity, ongoing
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David Lillington, 'Simon Faithfull – Chisenhale Gallery',
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Simon Faithfull is represented by Galerie Polaris, Paris.
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Sarah Kent, 'Simon Faithfull, Review: Ice Blink –Cell',
749:, Film and Video Umbrella Commission - Aspex Gallery,
1024:"An expanding atlas of subjectivity • nationalmuseum"
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Rebecca Geldard, 'Simon Faithfull – Transit Space',
463:was a lecture, exhibition and book commissioned by
324:saw Faithfull intentionally sink a boat called the
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672:Simon Faithfull & Carla Guagliardi - Schwerlos
190:in 2007 as part of ArtSway's New Forest Pavilion.
1348:Simon Faithfull's Antarctic Diary on the Guardian
1234:Mark Godfrey, 'Simon Faithfull', in Emma Dexter,
286:the chair finally broke up at the edge of space.
1241:Gabriel Coxhead, 'Drawing - Crossing the line',
1220:Sarah Kent, 'Simon Faithfull, The art profile',
257:Faithfull's practice often involves elements of
1160:"Simon Faithful | Artists | Cell Project Space"
999:"The Wayback Machine has not archived that URL"
244:
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174:Gallery, London; Haus am Waldsee, Berlin; CRAC
1288:Martin Coomer, 'Simon Faithful – Pump House',
1370:Escape Vehicle No 6 project The Arts Catalyst
934:"People>Academic Staff>Simon Faithfull"
587:In 2009, Simon Faithfull made a journey from
209:He was the first visual artist to receive an
8:
667:, British Film Institute Gallery, London, UK
1183:Simon Faithfull on drawing, in the Guardian
537:Half-life & Half-life Attachments, 2001
337:EZY1899: Reenactment for a Future Scenario
289:Since 2003, Faithfull has lectured at the
250:He now makes his drawings using a bespoke
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82:
494:and launched into space. Commissioned by
389:Other researchers included Esther Polak (
346:and was subsequently included in Risk at
69:Learn how and when to remove this message
816:"Gravity Sucks - Furniture's giant leap"
308:
32:This article includes a list of general
1188:Gravity Sucks review in Frieze magazine
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293:. and is currently Reader in Fine Art.
1236:Vitamin D: New Perspectives in Drawing
1081:
1070:
682:Simon Faithfull - Selected Video Works
557:attached to the chair with fuse wire.
242:Since 2000, Faithfull abandoned paper
317:. Image courtesy of Weber Industries.
206:through his father's first marriage.
7:
865:"An Expanding Atlas of Subjectivity"
776:Simon Faithfull & Bruno Peinado,
1305:Helen Sumpter, 'The Great Escape',
731:, ICA (digital studio), London, UK
490:A domestic chair is attached to a
378:Mobile Research Station no.1, 2009
371:An Expanding Atlas of Subjectivity
363:An Expanding Atlas of Subjectivity
38:it lacks sufficient corresponding
14:
1358:Mobile Research Station No.1 Blog
1243:Financial Times, Weekend Magazine
1134:Art and the Public Realm, Bristol
684:, Gallerie Polaris, Paris, France
1343:Simon Faithfull official website
1231:, Galleries/Brooklyn, 1 May 2006
1106:. 8 October 2015. Archived from
709:, Cell Project Space, London, UK
643:Recent Findings: Simon Faithfull
413:/Berlin), Tim Knowles (London).
369:Faithfull periodically exhibits
162:) is an English artist based in
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958:Sherwin, Adam (4 August 2014).
869:Simon Faithfull, artist website
1205:Gravity Sucks Telegraph review
769:Terrestrial Investigation #256
624:1994–1996 Master of Fine Art,
262:absent, he also still exists.
1:
691:, Parker's Box, New York, USA
1409:English contemporary artists
583:Liverpool to Liverpool, 2010
1283:The Sunday Times – Scotland
785:, Transit Space, London, UK
778:Parker's Box, New York, USA
724:, Southampton City Gallery)
674:. Haus am Waldsee, Berlin,
108:1966 (age 57–58)
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1260:Colin Berry, 'Icy Palms',
844:. British Antarctic Survey
471:on their research vessel,
99:Simon Faithfull, June 2014
1353:Simon Faithfull interview
1296:V22 Participating artists
1193:Time out Artist Interview
549:Escape Vehicle No.2, 1996
486:Escape Vehicle No.6, 2004
313:REEF (2014). Sinking the
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938:Slade School of Fine Art
469:British Antarctic Survey
393:), Aug Annika Lundgren (
291:Slade School of Fine Art
219:British Antarctic Survey
213:Fellowship to travel to
1387:10 October 2010 at the
1254:20 January 2010 at the
842:"Antarctica Dispatches"
760:, Turner Contemporary,
383:Mobile Research Station
53:more precise citations.
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284:curvature of the Earth
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172:British Film Institute
1363:23 March 2010 at the
1321:Independent on Sunday
714:Antarctica Dispatches
698:, Stills, Edinburgh,
660:- CRAC Alsace, France
577:Urban Lights Festival
409:& Ian Rawlinson (
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198:Faithfull grew up at
1375:10 July 2010 at the
1301:Slade Academic Staff
399:Martin John Callanan
211:Arts Council England
144:performance lectures
1227:'Simon Faithfull',
1198:6 June 2011 at the
1110:on 25 December 2016
920:"Iris View Profile"
771:, SPACE, London, UK
720:, UK (+screens at:
591:(UK) to Liverpool (
543:Whitechapel Gallery
515:A journey into the
348:Turner Contemporary
1309:, 18–24 March 2002
1278:, 14 December 2005
1269:Guardian Unlimited
1264:, March/April 2005
1030:on 6 December 2016
863:Faithfull, Simon.
626:Reading University
524:Orbital No.1, 2002
423:Greenwich Meridian
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204:Marianne Faithfull
1323:, 4 February 2001
1285:, 5 December 2005
1267:'Berg Watching',
1063:Kennedy, Maev. .
496:The Arts Catalyst
475:Ernest Shackleton
465:The Arts Catalyst
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