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intermittently from 1642 to 1644 where he worked on the organ shutters of the St
Laurens church. All this time he maintained a residence in Amsterdam of which he had become a citizen on 5 January 1643. He moved to Weesp, a small town on the outskirts of Amsterdam in 1650 where he died in 1653.
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in 1638. Here he worked until 1642 on a commission to paint decorations for the reception of Queen Maria de' Medici. He made around 1640 in Arnhem a drawing of the
Rijnpoort and was some time in the period 1642 to 1643 in Kleef where he made a drawing of the Rhine. He was active in Rotterdam
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became a still life painter. It is not known with whom he trained. He married in
Rotterdam on 10 January 1627 to Anna Gerrits van Willige (died 1647). The couple had a daughter Cornelia, who married the painter Paulus van Hillegaert II. De Vlieger moved in 1634 to
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style of Jan
Porcellis and Willem van de Velde the elder towards a more realistic use of colour, with highly detailed and accurate representations of rigging and ship construction. He painted ships in harbour and at sea as well as storms and shipwrecks.
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in
Antwerp in 1583. As in the print, de Vlieger depicts the boat in a forward tilting position but he distances himself from the print by integrating the story into the seascape rather than solely focusing on the activities on the boat.
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De
Vlieger specialised in the detailed depiction of ships and was able to realistically depict the colours on the seawater. He depicted entire fleets and naval battles. In sketches he demonstrated his insight into
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Around 1630 De
Vlieger produced his first beach scene, a landscape type that he painted frequently over the following two decades. From 1650 until his death he mainly painted and drew sea coasts and forests.
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Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten
Zeichen, so wie die Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben
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During his residence in Delft, de
Vlieger created a number of marine paintings showing the sea washing against a rocky shore. An example of a work from this period is the
82:, where he is recorded renting a house 'De Kranenburch' from 1 May 1634 for the duration of a year. A year later he moved to the house called 'De Houttuyn. He joined the
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was familiar with the work of De
Vlieger and he is said to have copied the characteristic Dutch skies with clouds and rays of sun falling through De Vlieger.
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179:(1637, Art Collection of the University Göttingen). The close-up treatment of this subject and the overall composition go back to the print made by
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While he is mainly known for his marine paintings, he also painted beach scenes, landscapes and genre scenes. In addition to painting, he designed
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and shows several ships and rocky coasts. In the 1630s and 1640s he was one of the best-known Dutch maritime painters. He moved away from the
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The earliest known works of De Vlieger date from 1624. These marine pieces were still strongly influenced by the work of Jan Porcellis and
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He was likely born in Rotterdam as the son of Jacob Pietersz van Zwet Bolleweck (died ca. 1634) and Lysbeth Wouters. His sister
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His work was highly influential on the younger generation of maritime painters. His work was copied by other artists, such as
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windows. While he is mainly known for his marine paintings he also painted beach scenes, landscapes and genre scenes.
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Landschaften und Seestücke-Niederländische Malerei des 17. Jahrhunderts der SØR Rusche Sammlung
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138:. De Vlieger signed his work with the letters "S.D.VL.F.", "Simon de Vlieger fecit".
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The Learned Eye - Regarding Art, Theory, and the Artist's Reputation
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The Learned Eye - Regarding Art, Theory, and the Artist's Reputation
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in Amsterdam, and the organ shutters for the St. Laurenskerk in
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Rembrandt and His Time - Masterworks from the Albertina, Vienna
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at Sammlungen der Georg-August-Universität Göttingen
42:1601 – buried 13 March 1653) was a
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473:in: Marieke van den Doel, Ernst van de Wetering
471:Aelbert Cuyp's Innovative Use of Spatial Devices
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389:Aelbert Cuyp's Innovative Use of Spatial Devices
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195:Vita, passio et Resvrrectio Iesv Christ
308:Münster/Hamburg/Berlijn/Londen, 2001,
278:at Thyssen-Bornemisza National Museum
257:Netherlands Institute for Art History
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183:after a design by the Flemish artist
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477:, Amsterdam University Press, 2005,
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328:, National Maritime Museum Greenwich
437:, J.A. Barth, Leipzig, 1854, p. 304
369:Christus und die Jünger im Seesturm
26:Ship in Distress off a Rocky Coast
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190:The storm on the sea of Galilei
108:Willem van de Velde the younger
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326:Biography of Simon de Vlieger
153:Willem van de Velde the Elder
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355:Vermeer and The Delft School
193:was plate 8 in the 12-part
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30:Indianapolis Museum of Art
529:Dutch Golden Age painters
539:Dutch landscape painters
343:, The Hague, 2008, p. 95
302:Simon Jacobsz de Vlieger
554:Painters from Rotterdam
412:Marian Bisanz-Prakken,
199:Jan and Raphael Sadeler
197:which was published by
187:. That print depicting
559:Dutch tapestry artists
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506:at Wikimedia Commons
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544:Dutch marine artists
450:, Washington, 2001,
446:Arthur K. Wheelock,
300:Hans-Joachim Raupp,
549:Painters from Delft
534:Dutch male painters
221:. (ca. 1624-1674).
84:Guild of Saint Luke
435:Le peintre graveur
219:Jan van Ossenbeeck
208:linear perspective
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75:Neeltje de Vlieger
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502:Media related to
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524:1653 deaths
374:(in German)
341:Mauritshuis
132:Nieuwe Kerk
51:draughtsman
513:Categories
483:9053567135
456:0894682865
422:1555952577
401:9053567135
157:monochrome
120:tapestries
94:Beach view
86:of Delft.
55:tapestries
403:, page 89
136:Rotterdam
101:Amsterdam
424:, p. 150
416:, 2005,
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124:etchings
59:etchings
28:, 1645,
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255:at the
47:painter
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229:Notes
80:Delft
44:Dutch
479:ISBN
452:ISBN
418:ISBN
397:ISBN
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114:Work
69:Life
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