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2006. A remix of "NYC (There's No Need to Stop)" was posted on the band's website at the end of the month as part of an online fan club. "NYC (There's No Need to Stop)" was released as the second single from the album on 3 July 2006. Two versions were released on CD: the first with "Carry Your Heart", while the second included "Hard to Be You (Song for Carl)" and "Bullet of
Freedom" as its B-sides, alongside the music video for "NYC (There's No Need to Stop)". Through August 2006, the band appeared at the
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friends" who were living in Los
Angeles, California. Goldstein said it started with a "sinister piano riff exploding into seedy wah-wah guitar stabs and a driving back beat". The track evolved out of separate piano and bass parts that Rogers and Blunt, respectively, had written; the former came up with the title phrase, which Burgess wrote his lyrics around. It is an outlier to the album's reggae sound, coming closer to the groove-enhanced nature of their seventh studio album,
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Reviewers were largely critical of the reggae direction. Goldstein said that the majority of the "attempts here at reggae suffer not because these guys are incapable of skank, but rather from a seeming lack of conviction", as too frequently it sounded as if the band was conveying the "bare minimum to
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period. He lasted nine days before touring for the album commenced. Touring manager Curly Jobson and press officer Tony Linkin became increasingly worried about
Burgess' state. Sometime later, at the suggestion of Jobson, Burgess visited doctor Nish Joshi in London, who put him through a 21-day detox
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Burgess explained that since 1999, he had been trying unsuccessfully to get the band a new manager for the US, prompting Jobson to fill that role temporarily. Harrison resigned following a disparaging email from
Burgess, which his wife helped write. The band embarked on a tour of the US through June
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on 3 April 2006. Two versions were released on CD: the first with "Arise Arise", while the second featured "Cry Cry Cry" and "Don't You Worry" as its B-sides, alongside the music video for "Blackened Blue Eyes". The video was filmed by
Charles Mehling, whom Burgess had previously met when he was the
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received mixed reviews from music critics, who were split on the overall songwriting, while others lambasted the reggae direction. It peaked at number 5 in
Scotland, number 10 in the United Kingdom, and number 83 in Ireland. "Blackened Blue Eyes" reached the top 30 in Scotland and the UK, while "NYC
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peaked at number 10 in the UK, selling 12,700 copies in its first week of release. It charted at number 5 in
Scotland and number 83 in Ireland. "Blackened Blue Eyes" charted at number 10 in Scotland, number 28 in the UK, and number 40 in Ireland. "NYC (There's No Need to Stop)" charted at number 24
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as the producer, but
Burgess "couldn't fight the battle because was incapacitated." Collins said it reached a point where the members would tell Burgess to come back the following day. Though Rogers said sessions lasted two weeks, the proceedings continued into August 2005. By November 2005, three
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though
Burgess said the titular architect was his friend Dean Fragile, who "really helped me through some dark times before during and after the making of this album". He added that many of the lyrics in it were aimed at an associate of the band and were taken from a recording of him, Fragile and
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called it a "groovy record from start to finish," though with "no major standout fantastic song and nothing that sucks". Erlewine wrote that the band's "conscious decision to emphasize groove and group interaction pays off to a certain extent at least", though upon "close listening, it's not as
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was released in the UK on 17 April 2006 through Creole and
Sanctuary Records. The album was released in Mexico on 1 May 2006 through the label Noiselab, which had increased activity after a meeting between its owner Hector Mijangos and McGee. The US edition came out a day later, under the band's
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Burgess said he rewrote the words to the opening track, "Blackened Blue Eyes", shortly after it was picked to be released as a single, as he thought the original lyrics were not as good as he hoped they could be. He went on to say it had a "dark theme and was largely influenced by a couple of my
541:, Blunt said that partway through recording, Burgess wrote the word on their planning board. Blunt looked up the word to discover it has its origins in Italian and Spanish, roughly translating to "with the same interests". Burgess said he came across the word while reading a book in which
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was announced for release in three months' time. By the end of the month, the album's track listing was posted online; demos of "Dead Man's Eye" and "Road to Paradise", as well as videos from the sessions, were made available on the band's website. In March 2006, the band appeared at the
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According to Burgess, the band was offered the choice of recording in a "really posh" studio for five weeks. It would have cost them the same amount of money if they had recorded in their studio, Big Mushroom, for a year; they ultimately agreed to it. Recording sessions were held at
2728:"I guess it's about Paradise and its definition.. and the path(s) we take to get there and the decisions that we make. I feel as a band we have made some great decisions, some terrible ones too - but it's how you deal with the terrible ones as a band we dealt with them really well"
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feel." Burgess remarked that it was "about Paradise and its definition.. and the path(s) we take to get there and the decisions that we make." "When the Lights Go Out in London", which was originally named "The World Is a Hound", evokes the band's older style and recounts the
2394:"….written in NYC with Mark (though he may not remember) and Kenn Richards (aka New York Kenn) in a hotel room that we didn't leave. Kenn laughed at pretty much everything that came out of my mouth so I took that as encouragement to go further 'into the wild unknown'"
571:" (1981) by the Clash. Burgess and Collins wrote this with Kenn Richards, whom Burgess dubbed "New York Kenn", in a hotel room that they did not wish to leave. As Richards laughed at every word that Burgess said, he took this as encouragement to keep going with it.
578:-influenced track that was written in Palm Springs. Discussing the song, Burgess said he felt as if he was "there for someone else's entertainment"; he explained that his drug use had increased his sense of self-pity, making him think that. "Dead Man's Eye" is a
31:
2868:"I love him dearly. Lots of the lyrics in this song were directed at someone quite involved in the band set up I was desperate for them to know but not know at the same time. Adding pressure to a situation but not dealing with it directly"
2324:"Very much agree with Tim. It came about with Tony having a really great piano riff and I had a really great bass riff and we just glued them together. Tony had the original line 'blackened blue eyes' and Tim formed the lyrics around that"
433:, and the band produced the proceedings; they were assisted by Tariq Mattar. Before work began, Burgess had become accustomed to alcohol and drugs; when at the studio, he said he "couldn't sing any more". Additionally, he wanted
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moniker, Charlatans UK, through Sanctuary and Creole Records. On the same day, it was reported that the band left their long-serving manager Steve Harrison in favour of Stephen King and McGee, both of Creation Management.
2938:"Carl Barat and Dean came to the studio and me and Carl wrote a song for The Chavs which (according to Dean) lasted for an hour - we recorded the last five minutes after realising that we hadn't been (it was so good too)"
1780:"I remember we were offered the chance of going to a really posh studio for 5 weeks and it would cost us the same amount as it would cost us to record in our own studio for a year we went to the posh studio of course"
2289:"It's a dark theme and was largely influenced by a couple of my friends in LA. The video is a cracker filmed by superstar video maker / film maker Charles Mehling who I first met when he was the bass player in BJM"
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in Glasgow. In October 2006, Burgess and McGee went on a DJ tour, dubbed the Diet Coke and Banana Tour, intended as a bonding event between artist and manager that would help them map out the band's future plans.
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writer Rob Bolton noted that while there were "plenty of classic Charlatans songs, something just doesn't seem to click", mentioning that it was "unlikely this will catch on with first-timers." Paul Mardles of
597:. Burgess wrote on a hill in his neighbourhood, which gave him "one of the best views" of Los Angeles. "Road to Paradise" was initially titled "Crackhouse" and was written by Blunt and Rogers, who wanted a "
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thought that the band "sound monumentally bored", with the "clues to their waning enthusiasm com as early as the opening track." He mentioned that the switch to reggae was a "leap too far" for the band, as
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writer Jon Seller said it came across as "something of a pipe-and-slippers foray" for the band, as it "pushes no boundaries, instead giving the impression of a band beyond taking risks." Roger Holland of
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contributor Stuart Berman wrote that they "sound like they'd prefer to sit on their asses and listen to dub records all day." He added that "far too many tracks here opt for atmosphere over impact".
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felt that "redictably, it's not among the quintet's finest hours", and while there were "glimpses of the highs of which they're capable, Simpatico makes your cheeks turn red on the band's behalf."
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programme before promotion commenced in earnest. They toured across the United States until June 2006; "NYC (There's No Need to Stop)" was released as the album's second single the following month.
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Leonie Cooper wrote that when the band stepped away from their usual sound, it was a "refreshing change, but not vital enough to prove that the group are worthy of any type of adulation."
2623:"City Of The Dead Written on the top of the hill in my neighbourhood. One of the best views of the city…well there are many beautiful views of LA but La Punta Drive had one of the best"
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writer Chris Long went further, saying that it was an "experiment too far. A new direction was needed, but that direction should not have been a musical journey round the Caribbean."
383:. They promoted it with two tours of the UK. On 4 January 2005, new song, "Alles Klar", was posted on the band's website. Two days later, it was announced that the band had signed to
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song; the title was adapted from the phrase "there'll always be a clue in a dead man's eye" that Burgess read in a lift. "Muddy Ground" is a mid-tempo track that was reminiscent of "
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contributor John Murphy thought the musical style change was an "interesting move, but one that’s not wholly successful", as several of the tracks "feel stale and uninspired".
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2359:"There were definite nods to Radio Clash era Clash and I def remember Mark trying and almost achieving a northern soul backflip at the point I say James Brown – Get Down"
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representative John Williams, who had signed the band to the label, quit his role. Burgess said Williams' "parting gift" was the resuscitation of defunct reggae label
446:
here; during this time, they heard rumours that Sanctuary Records, who owned Townhouse, would be shuttering. Tim Debney then mastered the album at the same studio.
2763:"When The Lights Go Out In London Originally called The World Is A Hound It's about 7/7 - such a heartbreaking time. Sounds a bit like a demo to me - maybe it was"
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589:" (1981) by the Rolling Stones, which was musically written by Blunt and Rogers, while Burgess worked on the lyrics with Rogers. "City of the Dead" is a
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stuff", which would be on the members' minds when going into their next album. In April 2005, when promoting the United States release of his solo album
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reviewer Paul Moody said the album's mix of styles "will leave newer converts scratching their heads and fans of 1994's bleak third album,
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found that the "relaxed, natural rhythmic interplay" throughout the album makes it work as a "party record, or stylish background music."
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was the sound of a band "desperately scrabbling around for inspiration and sounding completely unconvinced with everything they try."
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2429:"For Your Entertainment Written in Palm Springs. I always thought It should have been faster, it's a brilliant song. Great drumming"
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2833:"He really helped me through some dark times before during and after the making of this album and I will always be indebted to him"
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That same month, Burgess decided to give up drinking and doing drugs; he booked a hotel room where he entered into a self-imposed
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345:(There's No Need to Stop)" charted outside the top 50 in the UK. Before the album was released, the Charlatans performed at the
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2509:"Dead Mans Eye Saw the phrase there'll always be a clue in a dead man's eye in a lift at Sarah Cracknell's wedding reception"
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2588:"Musically, it was mine and Tony's idea. Tony sat in with Tim for the lyrics. For me, one of the best tracks on the album"
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3046:"The only contribution of mine was the title which actually was just on a signpost at the bottom of the street : /"
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1134:, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an
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programme. Subsequent shows after the conclusion of the 21 days had a noticeable improvement in Burgess' performances.
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part, "icy electric piano, and a lithe bassline containing more pop than those which precede it, but its still more
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648:". The album concludes with "Sunset & Vine", an instrumental, synthesiser-centred track in the vein of
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said he was in the process of working on material for the band's next studio album. Burgess and guitarist
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637:." Discussing "Glory Glory", Burgess said Collins went to Palm Springs, and from there, the pair went to
387:. Bassist Martin Blunt said the band consumed various artists while on their touring bus while promoting
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2903:"Anyway lots of the lyrics to the architect came from this recording and it was only the last 5 minutes"
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379:, while two of its singles – "Up at the Lake" and "Try Again Today" – charted within the top 30 of the
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Shortly before the Charlatans had presented the final version of the album to Sanctuary Records,
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2973:"Glory Glory Mark came to Palm Springs we went to Joshua Tree we got on a Gram Parsons trip"
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in April 2006. Burgess, who had become accustomed to alcohol and drugs, went through a
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743:"Blackened Blue Eyes" was featured on the band's third and fifth compilation albums,
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294:, to write new material. With Jim Lowe and the band producing, recording was held at
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in July 2005, with the idea of tracking 14 songs. Jim Lowe, known for his work with
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326:. Bassist Martin Blunt and Burgess attributed the sound shift to them listening to
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describes the relationship of his band, the Rolling Stones, with their producer,
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that the Charlies originally made their name on". Discussing the album's title,
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One Two Another: Line by Line – Lyrics from the Charlatans, Solo and Beyond
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2693:"A Tony and I composition. We wanted a film noir feel. Check out the piano"
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in London with assistance from Dan Porter. Burgess said they would also do
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1930:"The Charlatans Interview: On Death, Drugs And New Album 'Modern Nature'"
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Critics were mixed about the overall songwriting. Elizabeth Bromstein of
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567:" (1983) by the Rolling Stones, though Burgess said it hinted towards "
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get these songs across, when they really should be getting freaky."
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track "NYC (There's No Need to Stop)" recalled LCD Soundsystem and "
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compelling , which is all due to the emphasis of sound over song."
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praised the opening track, but "nfortunately, that's about it for
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2658:"The original title of this track was Crackhouse! Blame Tony..."
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2798:"The Architect The Architect Is Dean Fragile (@andhesaidno)..."
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The title of "The Architect" is a reference to the film series
575:
2120:"The Charlatans - Simpatico Album Reviews, Songs & More"
1299:
282:. After signing to the latter label in early 2005, frontman
1991:"The Charlatans reveal details about new album 'Simpatico'"
391:. He mentioned that Sanctuary had a "whole plethora of old
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was met with "mixed or average" reviews from critics. At
526:
writer David M. Goldstein said that its "dub-influenced
438:
weeks had been spent mixing the recordings with Lowe at
731:. Following this, they supported the Rolling Stones at
652:. Burgess took its title from a signpost that he saw.
314:
and rock album that draws comparisons to the work of
689:. "Blackened Blue Eyes" was released as the album's
512:, Blunt attributed it to Burgess' love of the band.
508:. When an interviewer asked about a comparison with
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369:The Charlatans released their eighth studio album,
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23:
3481:(booklet). Then Records. 2021. thenCD1/then1CD _1.
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1245:All songs written by Martin Blunt, Jon Brookes,
353:, and "Blackened Blue Eyes" was released as its
3812:"Official Scottish Singles Sales Chart Top 100"
3786:"Official Scottish Singles Sales Chart Top 100"
3773:"Irish-charts.com – Discography The Charlatans"
3924:"Noiselab Raises Indie Acts' Volume in Mexico"
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530:aren't such a significant departure from the
375:, in May 2004. It peaked at number 13 on the
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470:and reggae rhythms, earning a comparison to
3775:. Hung Medien. Retrieved 11 February 2023.
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462:and rock album that places emphasis on its
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3853:"Official Independent Albums Chart Top 50"
3403:"The Charlatans write song for Carl Barat"
1712:"Charlatans' Burgess Believes In Solo Set"
1530:"Charlatans / full Official Chart History"
1397:
760:
29:
20:
3446:(booklet). Island Records. 2006. 1712411.
1814:"The Charlatans Get to Work on New Album"
1278:"When the Lights Go Out in London" – 4:20
934:
3752:"Official Scottish Albums Chart Top 100"
3347:"The Charlatans unveil exclusive tracks"
3146:"The Charlatans: Simpatico Album Review"
3549:Bromstein, Elizabeth (11–17 May 2006).
1486:
1332:Tony Rogers – keyboards, backing vocals
18:2006 studio album by the Charlatans
3495:
3484:
3460:
3449:
3244:"Tim Burgess Blew Cocaine Up His Anus"
3080:"The Charlatans set to unleash new LP"
2170:from the original on 22 September 2014
1961:"The Charlatans UK: Just Lookin' Back"
1904:
1893:
1260:"NYC (There's No Need to Stop)" – 3:32
4252:Just When You're Thinkin' Things Over
3942:from the original on 11 February 2023
3818:from the original on 11 February 2023
3792:from the original on 11 February 2023
3666:from the original on 11 February 2023
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3256:from the original on 11 February 2023
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1940:from the original on 11 February 2023
1381:Jenny Hardcore – architect photograph
1237:in Scotland and number 53 in the UK.
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668:solely for them. On 12 January 2006,
266:is the ninth studio album by British
7:
4311:The Charlatans (English band) albums
3730:from the original on 5 February 2023
3699:from the original on 5 February 2023
3527:from the original on 5 February 2023
3318:from the original on 5 February 2023
2488:from the original on 5 February 2023
2130:from the original on 29 October 2020
2089:from the original on 17 January 2022
1971:from the original on 24 October 2021
1759:from the original on 5 February 2023
1747:"Charlatans stay true to themselves"
1724:from the original on 1 February 2023
1692:from the original on 18 October 2022
1590:"The Charlatans in Four Play Shock!"
492:. Blunt said they were listening to
302:, with overdubs later being done at
274:, released on 17 April 2006 through
3213:"FMQB Airplay Archive: Modern Rock"
2691:The Charlatans (16 October 2020).
2656:The Charlatans (16 October 2020).
2586:The Charlatans (16 October 2020).
2322:The Charlatans (16 October 2020).
2233:Goldstein, David M. (11 May 2006).
1686:"Charlatans - Charlatans Interview"
625:. Goldstein said it had a haunting
4266:You're So Pretty – We're So Pretty
3377:"N.Y.C. (There's No Need to Stop)"
3158:from the original on 8 August 2020
2189:McDonnell, Sarah (3 August 2006).
1540:from the original on 21 April 2022
1072:
702:radio stations the following day.
14:
3720:"The Charlatans Simpatico Review"
3044:Burgess, Tim (16 October 2020).
2971:Burgess, Tim (16 October 2020).
2936:Burgess, Tim (16 October 2020).
2901:Burgess, Tim (16 October 2020).
2866:Burgess, Tim (16 October 2020).
2831:Burgess, Tim (16 October 2020).
2796:Burgess, Tim (16 October 2020).
2761:Burgess, Tim (16 October 2020).
2726:Burgess, Tim (16 October 2020).
2621:Burgess, Tim (16 October 2020).
2507:Burgess, Tim (16 October 2020).
2427:Burgess, Tim (16 October 2020).
2392:Burgess, Tim (16 October 2020).
2357:Burgess, Tim (16 October 2020).
2287:Burgess, Tim (16 October 2020).
1778:Burgess, Tim (16 October 2020).
1138:score of 55 based on 19 reviews.
1036:
974:
898:
860:
810:
593:reggae track done in the vein of
3413:from the original on 3 July 2021
3379:. The Charlatans. Archived from
3357:from the original on 3 July 2021
3189:. The Charlatans. Archived from
3120:from the original on 3 July 2021
3090:from the original on 3 July 2021
2474:Courtney, Kevin (7 April 2006).
2031:from the original on 3 July 2021
2001:from the original on 3 July 2021
1855:from the original on 16 May 2022
1824:from the original on 3 July 2021
1660:from the original on 3 July 2021
1650:"The Charlatans Find Sanctuary!"
1630:from the original on 3 July 2021
1600:from the original on 3 July 2021
1570:from the original on 3 July 2021
1505:from the original on 3 July 2021
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1055:
1050:
1045:
1040:
1035:
993:
988:
983:
978:
973:
955:
950:
945:
940:
935:
917:
912:
907:
902:
897:
879:
874:
869:
864:
859:
829:
824:
819:
814:
809:
3837:"Official Albums Chart Top 100"
3585:Mardles, Paul (19 March 2006).
3308:"Charlatans Team Up With McGee"
2235:"Simpatico – The Charlatans UK"
2156:Cooper, Leonie (7 April 2006).
1263:"For Your Entertainment" – 3:58
244:"NYC (There's No Need to Stop)"
3971:(streamed copy where licensed)
3623:"The Charlatans - 'Simpatico'"
3517:"Critic Reviews for Simpatico"
3242:Haddow, Joshua (1 June 2012).
3144:Berman, Stuart (23 May 2006).
2075:Murphy, John (17 April 2006).
1378:Sophie Thunder – illustrations
936:
698:. It was released to American
574:"For Your Entertainment" is a
1:
3685:Seller, Jon (16 April 2006).
3621:Gennoe, Dan (19 April 2006).
3551:"The Charlatans UK Simpatico"
3110:"The Charlatans hit the road"
3013:"The Charlatans UK Simpatico"
3011:Holland, Roger (3 May 2006).
2021:"The Charlatans album update"
1959:Martell, Nevin (7 May 2015).
1843:Wilson, Lois (12 June 2020).
3922:Furniss, Olaf (6 May 2006).
2555:"The Charlatans - Simpatico"
2191:"Interview – The Charlatans"
2077:"The Charlatans – Simpatico"
1684:Webb, Simon (7 April 2006).
1468:
1453:
1438:
1423:
1257:"Blackened Blue Eyes" – 4:19
696:the Brian Jonestown Massacre
480:, as well as to the work of
3859:. Retrieved 10 March 2024.
3843:. Retrieved 29 March 2021.
3814:. Official Charts Company.
3788:. Official Charts Company.
3758:. Retrieved 29 March 2021.
3587:"The Charlatans, Simpatico"
3306:Sexton, Paul (2 May 2006).
2158:"The Charlatans, Simpatico"
1372:Roger Sargent – photography
1357:Jim Lowe – producer, mixing
4342:
3652:Bolton, Rob (1 May 2006).
2461:Burgess 2019, pp. 148, 149
1310:Martin Blunt – bass guitar
1287:"Sunset & Vine" – 3:45
500:, while Burgess mentioned
4032:
3984:Live review from May 2006
1458:
1443:
1428:
1416:
1360:The Charlatans – producer
1275:"Road to Paradise" – 4:32
1272:"City of the Dead" – 4:02
797:
794:
774:
771:
255:
229:
214:
177:
28:
4321:Sanctuary Records albums
3687:"Charlatans - Simpatico"
2116:Erlewine, Stephen Thomas
1363:Tariq Mattar – assistant
681:, where they met former
415:Palm Springs, California
365:Background and recording
292:Palm Springs, California
3857:Official Charts Company
3841:Official Charts Company
3756:Official Charts Company
1752:Manchester Evening News
1534:Official Charts Company
1296:Personnel per booklet.
1266:"Dead Man's Eye" – 4:21
639:Joshua Tree, California
565:Undercover of the Night
518:Stephen Thomas Erlewine
3654:"Charlatans Simpatico"
1399:Chart performance for
1369:Tim Debney – mastering
1366:Dan Porter – assistant
1281:"The Architect" – 4:10
450:Composition and lyrics
238:Released: 3 April 2006
4090:Between 10th and 11th
3899:Burgess, Tim (2019).
3874:Burgess, Tim (2013).
3187:"Blackened Blue Eyes"
1596:. 14 September 2004.
1460:UK Independent Albums
1352:Production and design
1269:"Muddy Ground" – 4:00
247:Released: 3 July 2006
235:"Blackened Blue Eyes"
4192:Forever. The Singles
3718:Long, Chris (2006).
3479:A Head Full of Ideas
3443:Forever: The Singles
3431:Burgess 2013, p. 191
3289:Burgess 2013, p. 187
3277:Burgess 2013, p. 175
3176:Burgess 2013, p. 189
2274:Burgess 2019, p. 145
2265:Burgess 2013, p. 208
2054:Burgess 2013, p. 190
1755:. 15 February 2007.
1566:. 24 February 2004.
1337:Additional musicians
1284:"Glory Glory" – 3:31
762:Professional ratings
751:A Head Full of Ideas
746:Forever: The Singles
677:music conference in
641:, where they had a "
349:music conference in
202:Forever: The Singles
4210:The Only One I Know
3487:cite AV media notes
3452:cite AV media notes
3336:Furniss 2006, p. 12
3116:. 30 January 2006.
3086:. 12 January 2006.
2567:on 20 November 2006
2027:. 1 November 2005.
1896:cite AV media notes
1495:"Down by the Water"
1403:
1375:Mark James – design
1313:Jon Brookes – drums
1253:, and Tony Rogers.
1217:'s." Dan Gennoe of
1213:, reaching for the
763:
587:Waiting on a Friend
569:This Is Radio Clash
413:spent some time in
3563:on 12 October 2007
3494:Unknown parameter
3459:Unknown parameter
3223:on 28 October 2016
3056:on 16 October 2020
2983:on 16 October 2020
2948:on 16 October 2020
2913:on 16 October 2020
2878:on 16 October 2020
2843:on 16 October 2020
2808:on 16 October 2020
2773:on 16 October 2020
2738:on 16 October 2020
2703:on 16 October 2020
2668:on 16 October 2020
2633:on 16 October 2020
2598:on 16 October 2020
2519:on 16 October 2020
2439:on 16 October 2020
2404:on 16 October 2020
2369:on 16 October 2020
2334:on 16 October 2020
2299:on 16 October 2020
1997:. 18 August 2005.
1903:Unknown parameter
1790:on 16 October 2020
1656:. 6 January 2005.
1626:. 4 January 2005.
1620:"Free Charlatans!"
1398:
761:
733:Twickenham Stadium
675:South by Southwest
604:July 2005 bombings
478:the Rolling Stones
347:South by Southwest
4298:
4297:
4146:You Cross My Path
3914:978-1-4721-3031-0
3891:978-0-241-97196-3
3052:). Archived from
2979:). Archived from
2944:). Archived from
2909:). Archived from
2874:). Archived from
2839:). Archived from
2804:). Archived from
2769:). Archived from
2734:). Archived from
2699:). Archived from
2664:). Archived from
2629:). Archived from
2594:). Archived from
2515:). Archived from
2435:). Archived from
2400:). Archived from
2365:). Archived from
2330:). Archived from
2295:). Archived from
1928:(31 March 2015).
1890:. 2006. EA 71091.
1786:). Archived from
1720:. 13 April 2005.
1501:. 22 March 2004.
1473:
1472:
1390:
1389:
1125:
1124:
440:Townhouse Studios
405:(2003), vocalist
385:Sanctuary Records
304:Townhouse Studios
280:Sanctuary Records
259:
258:
210:
209:
4333:
4276:Related articles
4019:
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3629:. Archived from
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3606:
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3599:on 15 April 2006
3595:. Archived from
3582:
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3570:
3568:
3559:. Archived from
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3353:. 27 June 2006.
3343:
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3021:. Archived from
3008:
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2572:
2563:. Archived from
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2257:
2256:
2254:
2252:
2243:. Archived from
2230:
2211:
2210:
2208:
2206:
2197:. Archived from
2186:
2180:
2179:
2177:
2175:
2153:
2140:
2139:
2137:
2135:
2112:
2099:
2098:
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2072:
2055:
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2041:
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2038:
2036:
2017:
2011:
2010:
2008:
2006:
1987:
1981:
1980:
1978:
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1956:
1950:
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1922:
1913:
1912:
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1901:
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1880:
1865:
1864:
1862:
1860:
1849:Record Collector
1840:
1834:
1833:
1831:
1829:
1820:. 26 July 2005.
1810:
1804:
1803:
1797:
1795:
1775:
1769:
1768:
1766:
1764:
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1734:
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1729:
1708:
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1699:
1697:
1688:. RoomThirteen.
1681:
1670:
1669:
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823:
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767:Aggregate scores
764:
683:Creation Records
473:Emotional Rescue
381:UK Singles Chart
248:
245:
239:
236:
179:
178:
125:
124:
120:
62:Mid-to-late 2005
33:
21:
4341:
4340:
4336:
4335:
4334:
4332:
4331:
4330:
4301:
4300:
4299:
4294:
4289:Telling Stories
4271:
4197:
4172:
4111:Tellin' Stories
4070:
4028:
4023:
3959:
3954:
3945:
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3892:
3877:Telling Stories
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3435:
3430:
3426:
3416:
3414:
3409:. 24 May 2006.
3401:
3400:
3396:
3386:
3384:
3383:on 4 March 2011
3375:
3374:
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3259:
3257:
3241:
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3211:
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3206:
3196:
3194:
3193:on 4 March 2011
3185:
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2506:
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2501:
2491:
2489:
2481:The Irish Times
2473:
2472:
2465:
2460:
2456:
2442:
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2426:
2425:
2421:
2407:
2405:
2391:
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2269:
2264:
2260:
2250:
2248:
2240:Cokemachineglow
2232:
2231:
2214:
2204:
2202:
2188:
2187:
2183:
2173:
2171:
2155:
2154:
2143:
2133:
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2114:
2113:
2102:
2092:
2090:
2074:
2073:
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2034:
2032:
2019:
2018:
2014:
2004:
2002:
1989:
1988:
1984:
1974:
1972:
1958:
1957:
1953:
1943:
1941:
1924:
1923:
1916:
1902:
1892:
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1673:
1663:
1661:
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1618:
1617:
1613:
1603:
1601:
1588:
1587:
1583:
1573:
1571:
1558:
1557:
1553:
1543:
1541:
1528:
1527:
1518:
1508:
1506:
1493:
1492:
1488:
1478:
1430:Scottish Albums
1411:
1396:
1391:
1319:– lead vocals,
1294:
1243:
1167:
1117:
1112:
1107:
1102:
1097:
1092:
1087:
1082:
1077:
1056:
1051:
1046:
1041:
994:
989:
984:
979:
956:
951:
946:
941:
918:
913:
908:
903:
880:
875:
870:
865:
841:Cokemachineglow
830:
825:
820:
815:
759:
658:
650:Giorgio Moroder
523:Cokemachineglow
498:LCD Soundsystem
452:
435:Adrian Sherwood
377:UK Albums Chart
367:
251:
246:
243:
242:
237:
234:
233:
205:
196:
187:
165:
122:
118:
117:
109:
46:
19:
12:
11:
5:
4339:
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4323:
4318:
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4303:
4302:
4296:
4295:
4293:
4292:
4285:
4279:
4277:
4273:
4272:
4270:
4269:
4262:
4259:One to Another
4255:
4248:
4241:
4234:
4227:
4220:
4213:
4205:
4203:
4199:
4198:
4196:
4195:
4188:
4180:
4178:
4174:
4173:
4171:
4170:
4167:Different Days
4163:
4156:
4149:
4142:
4135:
4132:Up at the Lake
4128:
4121:
4118:Us and Us Only
4114:
4107:
4104:The Charlatans
4100:
4097:Up to Our Hips
4093:
4086:
4078:
4076:
4072:
4071:
4069:
4068:
4065:
4059:
4058:
4053:
4046:
4039:
4033:
4030:
4029:
4026:The Charlatans
4024:
4022:
4021:
4014:
4007:
3999:
3993:
3992:
3981:
3972:
3958:
3957:External links
3955:
3953:
3952:
3919:
3913:
3896:
3890:
3870:
3862:
3861:
3845:
3829:
3803:
3777:
3760:
3741:
3710:
3677:
3644:
3633:on 27 May 2006
3610:
3574:
3538:
3505:
3470:
3433:
3424:
3394:
3368:
3338:
3329:
3291:
3279:
3267:
3234:
3204:
3178:
3169:
3131:
3101:
3071:
3036:
3025:on 16 May 2006
2998:
2963:
2928:
2893:
2858:
2823:
2788:
2753:
2718:
2683:
2648:
2613:
2578:
2534:
2499:
2463:
2454:
2419:
2384:
2349:
2314:
2276:
2267:
2258:
2247:on 20 May 2006
2212:
2201:on 8 July 2013
2181:
2141:
2100:
2056:
2042:
2012:
1982:
1965:Flood Magazine
1951:
1926:Beaumont, Mark
1914:
1888:Creole Records
1866:
1835:
1805:
1770:
1735:
1703:
1671:
1641:
1611:
1581:
1551:
1516:
1485:
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1477:
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1471:
1470:
1467:
1456:
1455:
1452:
1441:
1440:
1437:
1426:
1425:
1422:
1417:Irish Albums (
1414:
1413:
1408:
1395:
1392:
1388:
1387:
1383:
1382:
1379:
1376:
1373:
1370:
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1361:
1358:
1348:
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1334:
1333:
1330:
1324:
1314:
1311:
1305:The Charlatans
1298:
1293:
1290:
1289:
1288:
1285:
1282:
1279:
1276:
1273:
1270:
1267:
1264:
1261:
1258:
1242:
1239:
1211:Up To Our Hips
1123:
1122:
1068:
1062:
1061:
1032:
1024:
1023:
1020:
1012:
1011:
1008:
1000:
999:
970:
962:
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932:
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886:
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796:
792:
791:
787:
786:
783:
777:
776:
773:
769:
768:
758:
755:
735:in London and
666:Creole Records
657:
654:
543:Keith Richards
506:Gregory Isaacs
466:, replicating
451:
448:
423:Hook End Manor
389:Up at the Lake
372:Up at the Lake
366:
363:
332:Gregory Isaacs
296:Hook End Manor
286:and guitarist
272:the Charlatans
257:
256:
253:
252:
250:
249:
240:
230:
227:
226:
216:
215:
212:
211:
208:
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189:
184:Up at the Lake
175:
174:
171:The Charlatans
167:
166:
164:
163:
162:The Charlatans
160:
156:
154:
148:
147:
146:
145:
140:
133:
127:
126:
115:
111:
110:
108:
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96:
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86:
85:
79:
73:Hook End Manor
68:
64:
63:
60:
56:
55:
52:
48:
47:
44:the Charlatans
42:
35:
34:
26:
25:
17:
13:
10:
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6:
4:
3:
2:
4338:
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4319:
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4309:
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4260:
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4189:
4187:
4186:
4182:
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4179:
4175:
4169:
4168:
4164:
4162:
4161:
4160:Modern Nature
4157:
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4154:
4150:
4148:
4147:
4143:
4141:
4140:
4136:
4134:
4133:
4129:
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4120:
4119:
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4112:
4108:
4106:
4105:
4101:
4099:
4098:
4094:
4092:
4091:
4087:
4085:
4084:
4083:Some Friendly
4080:
4079:
4077:
4075:Studio albums
4073:
4066:
4064:
4061:
4060:
4057:
4054:
4052:
4051:
4047:
4045:
4044:
4040:
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4035:
4034:
4031:
4027:
4020:
4015:
4013:
4008:
4006:
4001:
4000:
3997:
3991:
3990:
3985:
3982:
3980:
3976:
3973:
3970:
3966:
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3961:
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3956:
3941:
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3933:
3929:
3925:
3920:
3916:
3910:
3906:
3902:
3897:
3893:
3887:
3883:
3882:Penguin Books
3879:
3878:
3872:
3871:
3869:
3868:
3858:
3854:
3849:
3846:
3842:
3838:
3833:
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3807:
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3791:
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3757:
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3742:
3729:
3725:
3721:
3714:
3711:
3698:
3694:
3693:
3688:
3681:
3678:
3665:
3661:
3660:
3655:
3648:
3645:
3632:
3628:
3627:Yahoo! Launch
3624:
3617:
3615:
3611:
3598:
3594:
3593:
3588:
3581:
3579:
3575:
3562:
3558:
3557:
3552:
3545:
3543:
3539:
3526:
3522:
3518:
3512:
3510:
3506:
3501:
3496:|people=
3488:
3480:
3474:
3471:
3466:
3461:|people=
3453:
3445:
3444:
3437:
3434:
3428:
3425:
3412:
3408:
3404:
3398:
3395:
3382:
3378:
3372:
3369:
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3333:
3330:
3317:
3313:
3309:
3302:
3300:
3298:
3296:
3292:
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3280:
3274:
3272:
3268:
3255:
3251:
3250:
3245:
3238:
3235:
3222:
3218:
3214:
3208:
3205:
3192:
3188:
3182:
3179:
3173:
3170:
3157:
3153:
3152:
3147:
3140:
3138:
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3132:
3119:
3115:
3111:
3105:
3102:
3089:
3085:
3081:
3075:
3072:
3067:
3055:
3051:
3047:
3040:
3037:
3024:
3020:
3019:
3014:
3007:
3005:
3003:
2999:
2994:
2982:
2978:
2974:
2967:
2964:
2959:
2947:
2943:
2939:
2932:
2929:
2924:
2912:
2908:
2904:
2897:
2894:
2889:
2877:
2873:
2869:
2862:
2859:
2854:
2842:
2838:
2834:
2827:
2824:
2819:
2807:
2803:
2799:
2792:
2789:
2784:
2772:
2768:
2764:
2757:
2754:
2749:
2737:
2733:
2729:
2722:
2719:
2714:
2702:
2698:
2694:
2687:
2684:
2679:
2667:
2663:
2659:
2652:
2649:
2644:
2632:
2628:
2624:
2617:
2614:
2609:
2597:
2593:
2589:
2582:
2579:
2566:
2562:
2561:
2556:
2553:Moody, Paul.
2549:
2547:
2545:
2543:
2541:
2539:
2535:
2530:
2518:
2514:
2510:
2503:
2500:
2487:
2483:
2482:
2477:
2470:
2468:
2464:
2458:
2455:
2450:
2438:
2434:
2430:
2423:
2420:
2415:
2403:
2399:
2395:
2388:
2385:
2380:
2368:
2364:
2360:
2353:
2350:
2345:
2333:
2329:
2325:
2318:
2315:
2310:
2298:
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2290:
2283:
2281:
2277:
2271:
2268:
2262:
2259:
2246:
2242:
2241:
2236:
2229:
2227:
2225:
2223:
2221:
2219:
2217:
2213:
2200:
2196:
2192:
2185:
2182:
2169:
2165:
2164:
2159:
2152:
2150:
2148:
2146:
2142:
2129:
2125:
2121:
2117:
2111:
2109:
2107:
2105:
2101:
2088:
2084:
2083:
2078:
2071:
2069:
2067:
2065:
2063:
2061:
2057:
2051:
2049:
2047:
2043:
2030:
2026:
2022:
2016:
2013:
2000:
1996:
1992:
1986:
1983:
1970:
1966:
1962:
1955:
1952:
1939:
1935:
1931:
1927:
1921:
1919:
1915:
1910:
1905:|people=
1897:
1889:
1885:
1879:
1877:
1875:
1873:
1871:
1867:
1854:
1850:
1846:
1845:"Tim Burgess"
1839:
1836:
1823:
1819:
1815:
1809:
1806:
1801:
1789:
1785:
1781:
1774:
1771:
1758:
1754:
1753:
1748:
1742:
1740:
1736:
1723:
1719:
1718:
1713:
1707:
1704:
1691:
1687:
1680:
1678:
1676:
1672:
1659:
1655:
1651:
1645:
1642:
1629:
1625:
1621:
1615:
1612:
1599:
1595:
1591:
1585:
1582:
1569:
1565:
1561:
1560:"Water Tour!"
1555:
1552:
1539:
1535:
1531:
1525:
1523:
1521:
1517:
1504:
1500:
1496:
1490:
1487:
1483:
1482:
1475:
1465:
1461:
1457:
1450:
1446:
1442:
1435:
1431:
1427:
1420:
1415:
1409:
1407:Chart (2006)
1406:
1405:
1402:
1393:
1386:
1380:
1377:
1374:
1371:
1368:
1365:
1362:
1359:
1356:
1355:
1354:
1353:
1349:
1344:
1341:
1340:
1339:
1338:
1331:
1328:
1325:
1322:
1318:
1315:
1312:
1309:
1308:
1307:
1306:
1302:
1301:
1297:
1291:
1286:
1283:
1280:
1277:
1274:
1271:
1268:
1265:
1262:
1259:
1256:
1255:
1254:
1252:
1248:
1241:Track listing
1240:
1238:
1235:
1231:
1229:
1225:
1220:
1219:Yahoo! Launch
1216:
1212:
1208:
1207:
1202:
1201:
1196:
1195:
1188:
1186:
1182:
1181:
1175:
1174:
1166:
1165:
1160:
1159:
1153:
1152:
1146:
1145:
1139:
1137:
1133:
1129:
1069:
1067:
1066:Yahoo! Launch
1064:
1063:
1033:
1031:
1030:
1026:
1025:
1021:
1019:
1018:
1014:
1013:
1009:
1007:
1006:
1002:
1001:
971:
969:
968:
964:
963:
933:
931:
930:
926:
925:
895:
893:
892:
888:
887:
857:
855:
854:
850:
849:
845:
843:
842:
838:
837:
807:
805:
802:
801:
793:
790:Review scores
788:
784:
782:
779:
778:
770:
765:
756:
754:
752:
748:
747:
741:
738:
734:
730:
726:
725:T in the Park
722:
716:
713:
708:
703:
701:
697:
692:
688:
684:
680:
679:Austin, Texas
676:
671:
667:
663:
655:
653:
651:
647:
644:
640:
636:
632:
628:
624:
620:
615:
613:
607:
605:
600:
596:
592:
588:
584:
581:
577:
572:
570:
566:
562:
558:
557:
550:
548:
544:
540:
536:
533:
529:
525:
524:
519:
515:
511:
507:
503:
499:
495:
491:
487:
483:
479:
475:
474:
469:
465:
461:
457:
449:
447:
445:
441:
436:
432:
431:Stereophonics
428:
424:
418:
416:
412:
408:
404:
403:
398:
394:
390:
386:
382:
378:
374:
373:
364:
362:
360:
356:
352:
351:Austin, Texas
348:
343:
339:
337:
333:
329:
325:
321:
317:
313:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
269:
265:
264:
254:
241:
232:
231:
228:
225:
221:
217:
213:
204:
203:
199:
195:
194:
190:
186:
185:
181:
180:
176:
172:
168:
161:
158:
157:
155:
153:
149:
144:
141:
139:
136:
135:
134:
132:
128:
116:
112:
106:
103:
101:
98:
97:
95:
93:
89:
83:
80:
78:
74:
71:
70:
69:
65:
61:
57:
54:17 April 2006
53:
49:
45:
40:
36:
32:
27:
22:
16:
4287:
4245:Tremelo Song
4190:
4183:
4177:Compilations
4165:
4158:
4153:Who We Touch
4151:
4144:
4138:
4137:
4130:
4123:
4116:
4109:
4102:
4095:
4088:
4081:
4055:
4050:Mark Collins
4048:
4041:
4037:Martin Blunt
4036:
3987:
3978:
3963:
3944:. Retrieved
3927:
3900:
3875:
3866:
3865:
3848:
3832:
3820:. Retrieved
3806:
3794:. Retrieved
3780:
3732:. Retrieved
3713:
3701:. Retrieved
3690:
3680:
3668:. Retrieved
3657:
3647:
3635:. Retrieved
3631:the original
3601:. Retrieved
3597:the original
3592:The Observer
3590:
3565:. Retrieved
3561:the original
3554:
3529:. Retrieved
3478:
3473:
3441:
3436:
3427:
3415:. Retrieved
3406:
3397:
3385:. Retrieved
3381:the original
3371:
3359:. Retrieved
3350:
3341:
3332:
3320:. Retrieved
3311:
3258:. Retrieved
3247:
3237:
3225:. Retrieved
3221:the original
3207:
3195:. Retrieved
3191:the original
3181:
3172:
3160:. Retrieved
3149:
3122:. Retrieved
3113:
3104:
3092:. Retrieved
3083:
3074:
3064:– via
3058:. Retrieved
3054:the original
3039:
3027:. Retrieved
3023:the original
3016:
2991:– via
2985:. Retrieved
2981:the original
2966:
2956:– via
2950:. Retrieved
2946:the original
2931:
2921:– via
2915:. Retrieved
2911:the original
2896:
2886:– via
2880:. Retrieved
2876:the original
2861:
2851:– via
2845:. Retrieved
2841:the original
2826:
2816:– via
2810:. Retrieved
2806:the original
2791:
2781:– via
2775:. Retrieved
2771:the original
2756:
2746:– via
2740:. Retrieved
2736:the original
2721:
2711:– via
2705:. Retrieved
2701:the original
2686:
2676:– via
2670:. Retrieved
2666:the original
2651:
2641:– via
2635:. Retrieved
2631:the original
2616:
2606:– via
2600:. Retrieved
2596:the original
2581:
2569:. Retrieved
2565:the original
2558:
2527:– via
2521:. Retrieved
2517:the original
2502:
2490:. Retrieved
2479:
2457:
2447:– via
2441:. Retrieved
2437:the original
2422:
2412:– via
2406:. Retrieved
2402:the original
2387:
2377:– via
2371:. Retrieved
2367:the original
2352:
2342:– via
2336:. Retrieved
2332:the original
2317:
2307:– via
2301:. Retrieved
2297:the original
2270:
2261:
2249:. Retrieved
2245:the original
2238:
2203:. Retrieved
2199:the original
2194:
2184:
2172:. Retrieved
2163:The Guardian
2161:
2132:. Retrieved
2091:. Retrieved
2080:
2033:. Retrieved
2024:
2015:
2003:. Retrieved
1994:
1985:
1973:. Retrieved
1964:
1954:
1942:. Retrieved
1933:
1883:
1857:. Retrieved
1848:
1838:
1826:. Retrieved
1817:
1808:
1798:– via
1792:. Retrieved
1788:the original
1773:
1761:. Retrieved
1750:
1726:. Retrieved
1715:
1706:
1694:. Retrieved
1662:. Retrieved
1653:
1644:
1632:. Retrieved
1623:
1614:
1602:. Retrieved
1593:
1584:
1572:. Retrieved
1563:
1554:
1542:. Retrieved
1507:. Retrieved
1498:
1489:
1480:
1479:
1400:
1384:
1351:
1350:
1345:– percussion
1336:
1335:
1327:Mark Collins
1304:
1303:
1295:
1251:Mark Collins
1244:
1233:
1232:
1223:
1204:
1198:
1192:
1189:
1184:
1178:
1171:
1164:The Guardian
1162:
1158:The Observer
1156:
1149:
1142:
1140:
1127:
1126:
1027:
1015:
1003:
967:The Observer
965:
927:
889:
853:The Guardian
851:
839:
750:
744:
742:
737:Hampden Park
717:
711:
704:
669:
659:
643:Gram Parsons
610:
608:
595:the Specials
573:
559:(2001). The
554:
551:
547:Jimmy Miller
538:
521:
482:the Dead 60s
471:
455:
453:
419:
411:Mark Collins
400:
388:
370:
368:
341:
340:
316:the Dead 60s
307:
288:Mark Collins
262:
261:
260:
223:
200:
192:
191:
182:
39:Studio album
15:
4316:2006 albums
4283:Discography
4231:Me. In Time
4224:Over Rising
4185:Melting Pot
4067:Jon Brookes
4063:Rob Collins
4056:Tony Rogers
4043:Tim Burgess
3946:11 February
3822:11 February
3796:11 February
3734:11 February
3703:11 February
3670:11 February
3417:12 February
3387:11 February
3361:12 February
3322:11 February
3260:11 February
3197:11 February
3124:12 February
3094:12 February
3060:11 February
2987:11 February
2952:11 February
2917:11 February
2882:11 February
2847:11 February
2812:11 February
2777:11 February
2742:11 February
2707:11 February
2672:11 February
2637:11 February
2602:11 February
2523:11 February
2492:11 February
2443:11 February
2408:11 February
2373:11 February
2338:11 February
2303:11 February
2205:11 February
2035:12 February
2005:12 February
1975:11 February
1944:11 February
1886:(booklet).
1859:12 February
1828:12 February
1794:11 February
1763:11 February
1696:11 February
1664:12 February
1634:12 February
1323:, harmonica
1317:Tim Burgess
1247:Tim Burgess
749:(2006) and
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700:modern rock
694:bassist in
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427:Oxfordshire
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300:Oxfordshire
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4326:Dub albums
4305:Categories
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3903:. London:
3880:. London:
3692:The Skinny
3637:5 February
3603:5 February
3521:Metacritic
3249:Vice Media
3227:30 October
3029:5 February
3018:PopMatters
2476:"Pop/Rock"
2251:5 February
1728:4 February
1604:8 February
1574:8 February
1544:9 February
1509:8 February
1476:References
1180:PopMatters
1173:The Skinny
1132:Metacritic
1017:PopMatters
781:Metacritic
687:Alan McGee
623:Carl Barât
619:Libertines
612:The Matrix
583:death rock
556:Wonderland
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476:(1980) by
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336:Studio One
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4139:Simpatico
3979:Billboard
3964:Simpatico
3936:0006-2510
3928:Billboard
3905:Constable
3724:BBC Music
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3463:ignored (
3312:Billboard
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1329:– guitars
1292:Personnel
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757:Reception
712:Simpatico
670:Simpatico
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631:Matisyahu
599:film noir
591:dancehall
539:Simpatico
535:dance-pop
516:reviewer
510:the Clash
456:Simpatico
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3989:LeftLion
3940:Archived
3816:Archived
3790:Archived
3728:Archived
3697:Archived
3664:Archived
3659:Exclaim!
3567:29 March
3531:29 March
3525:Archived
3411:Archived
3355:Archived
3316:Archived
3254:Archived
3162:29 March
3156:Archived
3118:Archived
3088:Archived
2571:29 March
2486:Archived
2195:musicOMH
2174:29 March
2168:Archived
2134:29 March
2128:Archived
2124:AllMusic
2093:29 March
2087:Archived
2082:musicOMH
2029:Archived
1999:Archived
1969:Archived
1938:Archived
1853:Archived
1822:Archived
1757:Archived
1722:Archived
1690:Archived
1658:Archived
1628:Archived
1598:Archived
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2888:Twitter
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2643:Twitter
2608:Twitter
2529:Twitter
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2379:Twitter
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2309:Twitter
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464:grooves
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197:(2006)
188:(2004)
4238:Weirdo
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