148:. The character does not directly interact with the existing animation. In one scene, Joel flies off the animator's drawing board, causing papers to scatter in the animator's studio. Additionally, a rotoscoped trumpet player descends the animator’s staircase. When the animator finishes for the day and exits the room, he is depicted as a rotoscoped character in a Disney background painting. Throughout the video, Joel appears in live-action in two separate instances. At the beginning of the video, there is a black-and-white sequence featuring filmmakers in a studio, which bears minimal relevance to the rest of the content. One of the songs featured in the video was nominated for a Grammy in both the Song and Music Video categories.
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This music video uses animation and special effects as projected landscapes that
Michael Bolton performs in. A full orchestra supports his rich rendition while cascading classic images of the best of the Disney Vault wash the stage transforming the viewer inside the classic movies
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An array of special effects create otherworldly environments to complement McFerrin's exceptional adaptation and performance. Nominated as one of several songs from this album for a Grammy, it blends music and state-of-the-art animation effects. Includes scenes from
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happy-go-lucky millionaire in a house full of women and fancy parties. When repossessed, he remains care-free, claiming he can survive with the "bare necessities of life". In the video, the crew repossessing his house sings along with
Connick, and
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A Disney animator working on drawing a semi-realistic illustration of Joel is confused when the drawing comes alive. The sketchy, comic-book-like Joel proceeds to saunters in-and-out of various scenes of Disney features like
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A man and a woman sing on a desert island with a parrot, a group of people dancing in the ocean water, and a beautiful girl dancing with fishes in the background, as clips from
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showcasing top contemporary singers performing classic Disney songs. Released on
September 27, 1991, this 35-minute feature consists of a series of music videos available on
205:. At least one short film is edited. In the video are a non-speaking, non-interacting woman and a guitar player. He is transported in a computer-generated boat.
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away some of the female guests. This video is, by far, the most elaborate in terms of set, extras, and choreography. The whole music video was shot at
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The black-and-white sequence features LL Cool J rapping about the Three Little Pigs, taking on the persona of both the wolf and third pig in
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Features a series of boldly colored animated sequences, with simplified figures dancing to the
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included new animation, it made great use of existing animated footage. Most new animation in
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The title is not currently in stores but is available through digital download distribution.
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on, as well as one male backup dancer appearing in shots by himself.
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Simply Mad About the Mouse: A Musical
Celebration of Imagination
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Simply Mad About the Mouse: A Musical
Celebration of Imagination
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As evidenced in the descriptions of the music videos, while
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footage intermixed with performance and live-action.
523:Supervising Producer / 1st AD: Morgan D. Smith
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571:Rotten Tomatoes: Simply Mad About the Mouse
490:Based on a material idea by B. A. Robertson
414:The video begins in a set created of "the
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59:Learn how and when to remove this message
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450:An album of the music was created by
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552:"Music: Simply Mad About The Mouse"
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517:Writer: Scott Garen, Rhaz Zeisler
215:Who's Afraid of the Big Bad Wolf?
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511:Animation effects: Rhaz Zeisler
493:Executive producer: Scott Garen
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520:Director: Scott Garen
270:Connick appears as a
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172:The Three Caballeros
586:1990s covers albums
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242:I've Got No Strings
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321:featuring
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108:Billy Joel
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468:En Vogue
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