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Despite being based predominantly in mainland Europe, Eastlake regularly sent works back to London to be exhibited, and in 1827 he was elected a member of the Royal
Academy. Three years later, he returned to England permanently where he continued to paint historic and biblical paintings set in
263:
on acquisitions, he was appointed the
Gallery's second Keeper in 1843, a post he later resigned "in consequence of an unfortunate purchase that roused much animadversion, a portrait erroneously ascribed to Holbein". In 1855 he returned as the first director, "with more extended powers".
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Eastlake, the painter and gallery inspector, furnished his countrymen, in 1840, with such an excellent translation of Goethe's theory of color that it is a perfect reproduction of the original and reads more easily; in fact, it is understood more easily than the
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231:, which in its first English version was translated by 'A Lady', Mrs. Margaret Hutton. These publications and Eastlake's reputation as an artist led to his nomination in 1841 to become secretary of the
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614:"Fitzroy Square Pages 52-63 Survey of London: Volume 21, the Parish of St Pancras Part 3: Tottenham Court Road and Neighbourhood. Originally published by London County Council, London, 1949"
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896:
155:, London). Like many other people at the time, Eastlake had hired a boat to take him to the ship on which Napoleon was held in Plymouth harbour. He sketched him from the boat.
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306:, London. His will provided for the Gallery to purchase his collection of paintings. Lady Eastlake sold her husband's art history book collection to the Gallery's library.
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282:. Elected president of the Royal Academy and knighted in 1850, he became a notable figure in the British art establishment. He was appointed the first president of the
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However, his first exhibited work was shown at the
British Institution in 1815, a year in which he also visited Paris and studied works in the
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Goethe's Theory of
Colours: Translated from the German; with Notes by Charles Lock Eastlake, R.A., F.R.S.
122:(then still in London). He was committed to becoming a painter, and in 1809 he became the first pupil of
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as an
Honorary Academician. From 1850 to 1865, he was the second president of the
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66:, gallery director, collector and writer of the 19th century. After a period as
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in 1853 and the first director of the
National Gallery in 1855. In 1864, the
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Catalogue of the
National Gallery (Wornum), and books mentioned in the text.
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lawyer. He was educated at local grammar schools in
Plymouth, including
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Committee members of the
Society for the Diffusion of Useful Knowledge
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Members and
Associates of the Royal Birmingham Society of Artists
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512:(1847). A second volume was published posthumously in 1869.
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was exhibited at the 1829 Royal Academy summer exhibition.
498:, 1846, one of Eastlake's most popular biblical paintings.
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For his nephew, the architect and furniture designer, see
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Memoir by Lady Eastlake prefixed to the second series of
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where he painted members of the British elite staying in
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landscapes. While he had been abroad his 1827 painting
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808:"Archival material relating to Charles Lock Eastlake"
556:, NPG 3944(22), 17 July 2013. Retrieved 17 July 2013.
62:(17 November 1793 – 24 December 1865) was a British
714:. London: Smith, Elder & Co. pp. 330–333.
341:A View of the Erechtheum on the Acropolis, Athens
752:. Vol. 8 (11th ed.). pp. 835–836.
721:Contributions to the Literature of the Fine Arts
516:Contributions to the Literature of the Fine Arts
252:
890:
764:28 artworks by or after Charles Lock Eastlake
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141:). His first notable success was a painting
130:schools in London—where he later exhibited.
1118:People educated at Plymouth Grammar School
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883:
875:
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578:Introduction to Goethe's Theory of Colours
250:praised Eastlake's translation of Goethe.
1108:Translators of Johann Wolfgang von Goethe
1063:Directors of the National Gallery, London
685:
565:
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798:Works by or about Charles Lock Eastlake
655:The Spring Exhibition, 1933 (catalogue)
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510:Materials for a History of Oil Painting
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94:Charles Eastlake in a pencil sketch by
1038:People educated at Charterhouse School
702:Monkhouse, William Cosmo (1885–1900).
657:. Royal Birmingham Society of Artists.
298:On 24 December 1865, Eastlake died in
225:(Handbook of the History of Painting)
7:
669:"Eastlake, Charles Lock (ESTK864CL)"
386:The Colosseum from the Campo Vaccino
1113:19th-century British businesspeople
211:As an art historian, he translated
70:, he was the first director of the
743:"Eastlake, Sir Charles Lock"
448:Pilgrims arriving in sight of Rome
25:
906:Directors of the National Gallery
554:National Portrait Gallery, London
481:Zia Theresa: The Visit to the Nun
401:The Celian Hill from the Palatine
274:In 1845, he was elected into the
74:. From 1850 to 1865 he served as
1098:19th-century British translators
1088:Burials at Kensal Green Cemetery
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725:Pictures by Sir Charles Eastlake
711:Dictionary of National Biography
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371:The Colosseum from the Esquiline
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290:awarded him an honorary degree.
39:Portrait of Sir Charles Eastlake
496:Christ Lamenting over Jerusalem
857:President of the Royal Academy
783:Works by Charles Lock Eastlake
774:Works by Charles Lock Eastlake
705:"Eastlake, Charles Lock"
356:A View of Trajan's Forum, Rome
76:President of the Royal Academy
1:
1048:19th-century English painters
602:– via Internet Archive.
280:Birmingham Society of Artists
166:including fellow artists Sir
148:Bellerophon in Plymouth Sound
1123:Writers from Plymouth, Devon
1083:Fellows of the Royal Society
1033:Artists from Plymouth, Devon
789:(public domain audiobooks)
673:A Cambridge Alumni Database
325:Napoleon on the Bellerophon
259:Having already advised the
49:British painter (1793–1865)
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675:. University of Cambridge.
276:National Academy of Design
26:
1103:19th-century male artists
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863:
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738:Rossetti, William Michael
594:London: John Murray. 1840
550:Sir Charles Lock Eastlake
302:, Italy. He is buried at
158:In 1816, he travelled to
55:Sir Charles Lock Eastlake
18:Sir Charles Lock Eastlake
466:Blessing Little Children
261:National Gallery, London
153:National Maritime Museum
929:Frederic William Burton
749:Encyclopædia Britannica
288:University of Cambridge
174:. He also travelled to
116:Plymouth Grammar School
110:, the fourth son of an
1058:English art historians
989:Charles Saumarez Smith
850:Sir Martin Archer Shee
728:Haydon's Autobiography
618:British History Online
257:
208:
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1053:English male painters
917:Charles Lock Eastlake
304:Kensal Green Cemetery
244:On Vision and Colours
205:Kensal Green Cemetery
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126:and a student at the
102:Eastlake was born in
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812:UK National Archives
530:On Vision and Colors
284:Photographic Society
267:In 1849, he married
233:Fine Arts Commission
1068:English translators
203:Funerary monument,
137:(then known as the
118:, and, briefly, at
1073:Royal Academicians
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432:Lord Byron's Dream
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193:Lord Byron's Dream
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80:Martin Archer Shee
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864:Succeeded by
842:Cultural offices
778:Project Gutenberg
221:Theory of Colours
16:(Redirected from
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1001:Gabriele Finaldi
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965:Philip Hendy
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621:. Retrieved
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596:. Retrieved
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504:Publications
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416:The Champion
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248:Schopenhauer
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229:Franz Kugler
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120:Charterhouse
101:
54:
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1028:1865 deaths
1023:1793 births
829:The Brigand
696:Attribution
1017:Categories
861:1850–1865
598:18 October
537:References
255:original.
207:, London.
112:Admiralty
787:LibriVox
740:(1911).
623:4 August
523:See also
246:, § 14,
144:Napoleon
104:Plymouth
45:, London
800:at the
518:(1848).
310:Gallery
242:In his
151:(1815;
98:, 1825.
64:painter
1003:(2015)
997:(2008)
991:(2002)
985:(1987)
979:(1973)
973:(1968)
967:(1946)
961:(1934)
955:(1929)
949:(1916)
943:(1906)
937:(1894)
931:(1874)
925:(1866)
919:(1855)
768:Art UK
483:, 1844
468:, 1839
464:Christ
450:, 1827
435:, 1827
418:, 1824
403:, 1823
388:, 1822
373:, 1822
358:, 1821
343:, 1818
328:, 1815
294:Legacy
213:Goethe
180:Athens
176:Naples
135:Louvre
68:keeper
164:Italy
108:Devon
770:site
625:2020
600:2017
300:Pisa
178:and
170:and
160:Rome
86:Life
785:at
776:at
227:by
215:'s
59:PRA
1019::
810:.
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219:(
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20:)
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