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Eugene Aynsley Goossens

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525: 101: 38: 705:, and Goossens's version became synonymous with the conductor (but much less so with its orchestrator). Because of disputes around whose work the orchestration was, and the fact that the manuscript was held by the Beecham estate, despite it being claimed by Goossens's estate, it went unperformed for over 40 years. It went unrecorded for even longer, until a new recording appeared in 2020, again with the RPO, under Jonathan Griffith. 93: 425:, who with his wife Alice Goossens-Viceroy, a soprano with the New South Wales State Orchestra, was on the teaching staff of the Sydney Conservatorium, was not related. Their daughter Renee Goossens, soprano and teacher at the Sydney Conservatorium and the Melba Conservatorium, has been confused with RenĂŠe Goossens (born 1940), youngest daughter of Sir Eugene Goossens and author of 370:
Although he was not immediately arrested or charged, Goossens naively agreed to attend a police interview a few days later, where he was confronted with photographs of Norton's "ceremonies" and his letters. Faced with the evidence of his affair with Norton – which left him open to the serious charge
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Among his works as a composer are two symphonies (1940, 1945), two "Phantasy" concertos (one for piano, one for violin) both composed in the 1940s, two string quartets (1918, 1942), two violin sonatas (1918 and 1930) and a Concertino for string octet (1928) that became quite popular and was later
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to mark the bicentenary of the composer's death in 1959. Goossens augmented the original orchestration with parts for four horns, three trombones, tuba, piccolo, contrabassoon, two harps, triangle, cymbals, and bass drum. Memorably, he added cymbal clashes on the second repeat of "Wonderful,
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He was married three times: to Dorothy Millar from 1919 to 1928 (with whom he had three daughters), to pianist Janet Lewis from 1930 to 1944 (two daughters, Sidonie born in 1932 and Renee born in 1940), and to Marjorie Foulkrod from 1946 to 1962 (childless).
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of "scandalous conduct" – Goossens was forced to plead guilty to the pornography charges. He paid a fine of £100; more significantly, the scandal ruined his reputation and forced him to resign from his positions. He returned to England in disgrace.
202:(1916). In 1921 he decided to make conducting his career and founded his own orchestra; with this ensemble he made a number of gramophone records for Edison-Bell's Velvet Face label. He gave the British concert premiere of 341:, which Goossens secretly shared. They conducted an intense affair, exchanging a number of passionate letters; although Goossens asked Norton to destroy all of them, she kept a bundle hidden behind a sofa. 2278: 1841: 657:, with the Cincinnati Symphony Orchestra. Goossens's recording ignored the cuts that were popular with conductors at that time. That same year, also with the Cincinnati Symphony, he recorded 294:
Goossens spent nine years in Australia, from 1947 to 1956. There, he enthusiastically lobbied for a new major performing arts theatre, which ultimately led to the creation of the
2313: 2123: 2323: 2308: 1985: 1834: 519: 1795: 2273: 2343: 2318: 1753: 2268: 1827: 2338: 1813: 1442: 2288: 2116: 565:, Robert Thomas and Andrei McPherson. The performance was conducted by Goossens himself. And between 1949 and 1954 he wrote a large-scale oratorio, 248: 1577: 2328: 363:, following a tip-off by informants in London; his bags were searched by Customs officials, who found a large amount of what was then considered 2303: 1460: 1707: 348:
police were already in possession of his letters to Norton and photographs of her occult activities, which had been stolen from her flat by
309:. He held these positions concurrently until March 1956, when he was forced to resign after a major public scandal, only a year after being 2333: 1251: 1219: 2283: 2109: 1978: 1493: 760: 31: 406:
His daughter Renee published an autobiography in 2003, which noted that her mother said her biological father was a Swedish violinist.
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visited him near the end of his life, and found him "absolutely destroyed". Nevertheless, he was engaged for work with the BBC, and
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had wanted it to be on or near Wynyard Railway Station in the north-west of the CBD, but Goossens insisted that it be built at
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Two Centuries of Music in Liverpool: A Scrap-book of Information Concerning Musical Activities Both Professional and Amateur
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After his return to England, Goossens was approached by Beecham to arrange a modern symphony orchestra version of
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just before his death and it was released as the sole selection on the LP. His other Everest recordings included
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conducting the London Philharmonic Orchestra), Omega/Everest CD reissue of Everest 1958–59 LPs: EVC 9009 (1994).
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material, which included photographs, prints, books, a spool of film, some rubber masks, and sticks of incense.
2293: 1867: 1309: 672: 654: 476: 1030:, cond. Eugene Goossens. Edison Bell 'Velvet-Face' 1042 (10" (25 cm) 78 rpm), masters 7325, 7326. Issued 113: 1318:, London Symphony Orchestra, Everest stereo LP SDBR 3035 (1959); reissued as Omega/Everest CD EVC 9025 (with 2071: 1903: 1179: 1112: 913:, Aaron Copland conducting, London Symphony Orchestra), Omega/Everest CD reissue of 1958 LP: EVC 9039 (1996) 764: 752:
overlooking Sydney Harbour. The site of Bennelong Point was confirmed in 1957, after he had left Australia.
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as a youngster, Eugene Aynsley Goossens studied violin with Charles Ross at the Liverpool College of Music
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A Fanfare to the Forces of our Latin-American Allies, composed by Henry Cowell, performed 30 Oct. 1942
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At the end of his life he and his wife lived apart, and he was instead joined by a young pianist from
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ballet suite, London Symphony Orchestra, Sir Eugene Goosens, conductor, Everest stereo LP, SDBR 3003
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For nearly a quarter of a century, he accepted positions at U.S. orchestras. At the invitation of
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asked Goossens to make some stereo recordings. For Everest he completed a powerful recording of
1255:, London Symphony Orchestra, Vanguard/Everest CD reissue of Everest 1958 LPs: EVC 9042, (1996). 2191: 2179: 2011: 1456: 1408: 1329: 1199: 1132: 1122: 1078: 1052: 1042: 937: 889: 862: 843: 824: 805: 786: 698: 663: 446: 2101: 973:, London Symphony Orchestra, Omega/Everest CD reissue of 1958–59 Everest LPs: EVC 9007 (1994) 2173: 2083: 2053: 1927: 1519: 1448: 1314: 688: 534: 480: 349: 149: 145: 141: 50: 17: 2059: 1879: 1740: 1358: 1205: 1173: 1168: 550: 499: 442: 438: 422: 322: 228: 203: 172: 92: 1658: 1647: 759:, a small concert and recording facility that is part of the broadcasting complex of the 187: 1115:: Violin Concerto No. 3 and Paul Hindemith: Violin Concerto (world premiere recording), 2077: 2065: 1873: 1191: 1064: 1010: 981: 885: 719: 676: 668: 538: 533:
re-scored for string orchestra. The Oboe Concerto (1927), was written for his brother,
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A Fanfare for American Heroes, composed by William Grant Still, performed 18 Dec. 1942
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Fanfare for the Merchant Marine, composed by Eugene Goossens, performed 16 April 1943
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Fanfare for the American Soldier, composed by Felix Borowski, performed 5 March 1943
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A Fanfare for the Fighting French, composed by Walter Piston, performed 23 Oct. 1942
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to build a music performance venue, a process that led to the construction of the
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Fanfare for the Medical Corps, composed by Anis Fuleihan, performed 26 Feb. 1943
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Fanfare for the Signal Corps, composed by Howard Hanson, performed 2 April 1943
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orchestra), Philips CD reissue of Everest 1958 LPs: Philips 422 303–2, (1989).
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Fanfare for the Common Man, composed by Aaron Copland, performed 12 March 1943
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A Fanfare for Friends, composed by Daniel Gregory Mason, performed 6 Nov. 1942
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narrating the story in both English and Spanish. The music was played by the
136:; he himself did not). His younger sisters and brothers, all musicians, were 1129:: Pictures at an Exhibition, Royal Philharmonic Orchestra, Pickwick SPC 4031 1071:
violin, London Symphony Orchestra, (with Hindemith: Symphony in E flat, Sir
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A Fanfare for Paratroopers, composed by Paul Creston, performed 27 Nov. 1942
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Counsellor" in the chorus "For Unto Us A Child is Born", and introduced an
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Orchestra, HMV D694 Cc1777 (1922), reissued on Dutton CD CDBP 9779 (2007)
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Fanfare for Commandos, composed by Bernard Rogers, performed 20 Feb. 1943
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Fanfare de la LibertĂŠ, composed by Darius Milhaud, performed 11 Dec. 1942
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A Fanfare for Airmen, composed by Bernard Wagenaar, performed 9 Oct. 1942
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The Strange Case of Eugene Goossens and Other Tales from The Opera House
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Cover of the Suite for flute, violin and harp, or two violins and piano
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Fanfare for France, composed by Virgil Thomson, performed 15 Jan. 1943
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A Fanfare for Russia, composed by Deems Taylor, performed 16 Oct. 1942
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Fanfare for Freedom, composed by Morton Gould, performed 22 Jan. 1943
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Fanfare for Poland, composed by Harl McDonald, performed 5 Feb. 1943
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Fanfare for Airmen, composed by Leo Sowerby, performed 29 Jan. 1943
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from 1911 to 1915 and as second violinist a founding member of the
1578:"The Fall of the House – AFC fully funds Geoff Burton documentary" 694: 549:(1935). The latter was broadcast by the BBC on 11 April 1959 with 523: 356: 99: 91: 36: 1475:
Grove's Dictionary of Music and Musicians, 5th ed. 1954: Vol III
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Waltz, Royal Opera House Orchestra, His Master's Voice/Electrola
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on 7 June 1921 at the Queen's Hall with the composer present.
198:'s assistant conductor with a performance of Stanford's opera 132:, 1845–1906; his father and grandfather spelled Eugène with a 65: 1007:, live broadcast, 2 November 1956, Dutton CD CDBP 9779 (2007) 59: 580: ..." Copland responded to the request with his famous 541:, which Banfield believes are among his major achievements: 76:; 26 May 1893 – 13 June 1962) was an English 223:
from 1923 to 1931. This post also involved teaching at the
390:, by Drew Crawford. The scandal is documented in the film 112:, London, the son of the Belgian conductor and violinist 56: 667:, in its 1920 edition, and also the original version of 1492:(Interview). Interviewed by Michelle Arrow. Australia: 726:
Orchestra. The performance was later released on CD by
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In 1942 Goossens wrote to several composers, including
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reporter Joe Morris, who had infiltrated her supposed "
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and was made associate of the Royal College of Music.
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Goossens is credited for much of the lobbying to the
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and a haemorrhaging gastric ulcer on 13 June 1962 at
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In early 1956, Goossens visited Europe, unaware that
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Academic staff of the Sydney Conservatorium of Music
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In 1941 he made the first American recording of the
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Cincinnati Interludes: A Conductor and His Audience
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Blue plaque, 70 Edith Road, West Kensington, London
53: 1527:Journal of the Royal Australian Historical Society 741:. Having agreed to go ahead with the project, the 378:(1990), by Inez Baranay; it also inspired a play, 1332:conducting the London Symphony Orchestra) (1996). 1851:Rochester Philharmonic Orchestra Music Directors 243:. In a tribute to Goossens on his departure for 163:, and in 1907 in London on a scholarship at the 783:Overture and Beginners: A Musical Autobiography 520:List of compositions by Eugene Aynsley Goossens 227:. During the late 1920s he often conducted for 1202:Orchestra, His Master's Voice/Electrola (1925) 1109:, London Philharmonic Orchestra, Saga XID 5056 305:and other groups, and was the director of the 2117: 1995:Cincinnati Symphony Orchestra Music Directors 1979: 1835: 1659:Paul Hindmarsh, notes for Chandos 9472 (1997) 1266:, London Symphony Orchestra (and Stravinsky: 1233:orchestra) Everest stereo LP SDBR 3009 (1958) 1223:, London Symphony Orchestra, (and Stravinsky 537:. He wrote two operas, both with libretto by 175:among others. He won the silver medal of the 124:singer. He was the grandson of the conductor 8: 2314:Burials at St Pancras and Islington Cemetery 291:, with Goossens himself writing the finale. 104:70 Edith Road West Kensington London W14 9AR 2133:Sydney Symphony Orchestra Chief Conductors 2124: 2110: 2102: 1986: 1972: 1964: 1842: 1828: 1820: 804:. North Ryde, NSW: Angus & Robertson. 785:. Westport, Connecticut: Greenwood Press. 155:Eugene studied music at the age of ten in 27:English conductor and composer (1893–1962) 1814:International Music Score Library Project 1710:. The Cincinnati Symphony. Archived from 1453:10.1093/gmo/9781561592630.article.O003511 1601: 1599: 253:Variations on a Theme by Eugene Goossens 2324:20th-century British conductors (music) 1436: 1434: 1377: 2309:Conductors (music) awarded knighthoods 1810:Free scores by Eugene Aynsley Goossens 1401:Taylor, Stainton de Boufflers (1976). 374:The scandal was the basis of a novel, 712:, he recorded a bilingual version of 7: 2274:Alumni of the Royal College of Music 953:ballet suite and Alberto Ginastera: 902:, Everest stereo LP SDBR 3013 (1958) 569:, after the Revelation of St. John. 255:, for orchestra. The composers were 2344:20th-century English male musicians 2319:Pupils of Charles Villiers Stanford 1754:"Who's really shouting Hallelujah?" 1383: 1381: 761:Australian Broadcasting Corporation 1672:"Eugene Goossens Orchestral Works" 1580:. Screen Australia. 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He was buried in 177:Worshipful Company of Musicians 120:, 1867–1958) and Annie Cook, a 2329:20th-century English composers 1732:Liner note by Eric Pridham to 1606:Blanks, Fred (26 April 2003). 1444:Goossens, Sir (Aynsley) Eugene 1061:, His Master's Voice/Electrola 194:before coming to attention as 1: 2304:Composers awarded knighthoods 1095:Mendelssohn: Symphonies Nos. 1092:, His Master's Voice BLP 1045 1059:London Philharmonic Orchestra 881:A far from complete listing: 823:. 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St. Austell: DGR Books. 755:He is commemorated in the 583:Fanfare for the Common Man 517: 247:, nine American composers 161:Liverpool College of Music 29: 2139: 2001: 1857: 1796:Eugene Goossens biography 1612:The Sydney Morning Herald 927:Sydney Symphony Orchestra 900:London Symphony Orchestra 838:Goossens, Eugene (1995). 781:Goossens, Eugene (1972). 303:Sydney Symphony Orchestra 182:He was a first violin in 169:Charles Villiers Stanford 1674:. MusicWeb International 911:Statements for Orchestra 239:as the conductor of the 219:he was conductor of the 2254:People from Camden Town 1787:Eugene Aynsley Goossens 1708:"The Goossens Fanfares" 1553:"The fall of the house" 1180:Nikolai Rimsky-Korsakov 1113:Wolfgang Amadeus Mozart 743:New South Wales Premier 225:Eastman School of Music 159:, three years later at 122:Carl Rosa Opera Company 1364:The Three-Cornered Hat 1090:BBC Symphony Orchestra 1026:, Op.20 (~1917–1918), 1005:BBC Symphony Orchestra 819:Rosen, Carole (1994). 800:Baranay, Inez (1990). 529: 398:Marriages and children 233:American Opera Company 188:Queen's Hall Orchestra 165:Royal College of Music 105: 97: 41: 2259:Composers from London 2006:Frank Van der Stucken 1608:"Belonging: A Memoir" 1300:Le Sacre du Printemps 1282:Le Sacre du Printemps 1239:Le Sacre du Printemps 1028:Goossens' s Orchestra 1016:Symphonie fantastique 697:at the climax of the 527: 488:Symphonie Fantastique 421:The Belgian baritone 392:The Fall of the House 103: 95: 40: 1739:20 July 2011 at the 1625:Beth Mary Williams. 888:: Symphony No 4 and 857:Hubble, Ava (1998). 757:Eugene Goossens Hall 380:The Devil is a Woman 192:Philharmonic Quartet 30:For other uses, see 2168:Willem van Otterloo 1886:Theodore Bloomfield 1800:Boosey & Hawkes 1764:on 26 December 2013 1287:Sergei Rachmaninoff 1143:Sergei Rachmaninoff 1067:: Violin Concerto, 861:. 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Index

Sir Eugene Aynsley Goossens
Eugène Goossens

/ˈɡuːsənz/
conductor
composer


Camden Town
Eugène Goossens
Carl Rosa Opera Company
Eugène Goossens
grave accent
Marie
Adolphe
LĂŠon
Sidonie
Bruges
Liverpool College of Music
Royal College of Music
Charles Villiers Stanford
Achille Rivarde
Worshipful Company of Musicians
Henry Wood
Queen's Hall Orchestra
Philharmonic Quartet
Thomas Beecham
Igor Stravinsky
The Rite of Spring
George Eastman

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