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540:(1833–1843; London, N.P.G.), for which he executed nearly 400 portrait studies in oil. Hayter was an ardent supporter of the reform movement and this painting was not commissioned but to all intents and purposes a labour of love. It occupied him for ten years with no guarantee of financial reward. This is one of the last images executed of the interior of the old House of Commons before its destruction in the fire of 1834. The painting was finally purchased by the government for the nation in 1854, 20 years after it was started.
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411:, whose studio he attended while painting his portrait, where he absorbed Canova's classical style. He is also believed to have learned sculpture from Canova at this time. Canova was Perpetual Principal of the Accademia di San Luca (Rome's premier artistic institution) and doubtless put Hayter forward for honorary membership on the strength of his painting ‘The Tribute Money’ which was very favourably received in Rome. Hayter thereby became the Academy's youngest ever member.
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several biblical scenes from the Old and New
Testament, among them The Angels Ministering to Christ in 1849 (V&A) and Joseph Interpreting the Baker's Dream in 1854 (Lancaster City Museums). He also produced fluent landscape watercolours (many of Italian views), etchings (he published a volume in 1833), decorative designs and sculpture.
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née Miller (1818–1867) on 23 April 1863. By the mid-1840s Hayter's portrait style was considered old-fashioned. He adjusted his type of history painting to suit the more literal taste of the early
Victorian era (e.g. Wellington Viewing Napoleon's Effigy at Madame Tussaud's; destr. 1925; engraving, 1854).
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in May 1845. He planned to move back to the continent but could not after he received severe leg injuries in July 1845 train accident. His wife, Sarah, died in 1844, and on 12 May 1846 he married (Helena) Cecilia Hyde, née Burke (1791/2–1860). After she died in 1860, Hayter married Martha Carey,
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Hayter painted several large religious paintings including two depicting important
Reformist events, 'Bishop Latimer Preaching at Paul's Cross' and 'The Martyrdom of Bishops Ridley and Latimer' (exh. 1855), both of which were given to the Art Museum, Princeton University, USA in 1984. He painted
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and marriage of 1840 and also the
Christening of the Prince of Wales of 1843 (all Brit. Royal Col.). He also painted several royal portraits including his most well-known work the State Portrait of the new Queen Victoria. Several versions of this portrait were done, with the assistance of the
446:, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families. His unconventional domestic life (separated from his wife, yet living with his mistress) set him apart from official Academy circles: he was never elected to the Royal Academy.
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In 1809 he secretly married Sarah Milton, a lodger at his father's house (he was 15 or 16, she 28), the arrangement remaining secret until around 1811. Together they had three children Sophia (born and died 1811), Georgiana (born 1813) and
William Henry (born 1814).
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In 1827 his mistress, Louisa Cauty, died after poisoning herself with arsenic. Although it was apparently an accident, in a bid for attention, it was widely assumed that he had driven her to suicide, and he was forced by the scandal to move from
Florence to Rome.
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2002:
644:, although others say the ancestor was Sir George Hayter himself. However the family tree of John and George Hayter published in Crisps Visitations shows no possible link to SW Hayter. What is known for certain is that the French painter and writer,
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Around 1816 his wife left him, for reasons which are not apparent. He subsequently began a relationship with Louisa Cauty, daughter of Sir
William Cauty, with whom he lived openly for the next decade and who bore him two children, Angelo and Louisa.
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Having painted the young
Princess Victoria (1832–3; destr.; oil sketch, Brit. Royal Col.), Hayter was not a surprising choice as the new Queen's 'Portrait and Historical Painter'. But on the death of
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By late 1828 he was in Paris, where his portraits of
English society members (some exhibited at the Salon in 1831) were stylistically akin to the work of recent French portrait painters such as
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633:(1800–1895), was also an artist, known chiefly as a portrait draughtsman in chalks and crayons and his younger sister Anne worked as a miniaturist. Some sources say that the influential
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486:); painted on a large scale (2.33×2.66 m), Hayter's first (and most successful) contemporary history painting revealed a taste for high drama effectively realised. In the Trial of
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490:, in the Old Bailey in 1683 (1825; Woburn Abbey) Hayter celebrated John Russell's ancestry, in a work reminiscent of fashionable tableaux vivants of the country-house set.
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artist's son Angelo, to be sent as diplomatic gifts. Hayter's active period at court was short-lived, however, because Albert preferred German painters such as
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Louisa
Philips, Countess of Lichfield (c.1800-1879) with two of her Children, Thomas George Anson and Lady Harriet Frances Maria Anson, painted in 1832
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In 1826 Hayter settled in Italy. The Banditti of Kurdistan Assisting Georgians in Carrying off Circassian Women (untraced), completed in Florence for
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502:(exhibited British Institution 1829), demonstrated Hayter's assimilation of the style and exotic subject-matter of contemporary French Romantic art.
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in the Royal Navy. His father secured his release, and they came to an agreement that Hayter should assist him while pursuing his own studies.
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to the Queen caused some annoyance at the Royal Academy as this appointment had historically been the preserve of the President, then
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Moving the Address to the Crown on the Opening of the First Reformed Parliament in the Old House of Commons, 5 February 1833
456:, by George Hayter. Exhibited RA in 1820 and winner of the Royal Academy Painting of the Year in 1823 (Chatsworth House, UK)
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Returning to London in 1818, Hayter practised as a portrait painter in oils and history painter. Dubbed ‘The Phoenix’ by
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Schools early in 1808, but in the same year, after a disagreement about his art studies, ran away to sea as a
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In 1831 Hayter returned to England. His grandiose plan to paint the first sitting after the passage of the
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was a great great grandson of George Hayter, through his eldest daughter Georgiana Elizabeth, who married
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in East Finchley. The contents of Hayter's studio were auctioned at Christie's, London, on 19 April 1871.
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1802:"London, England, Church of England Births and Baptisms, 1813-1923 for William Henry Hayter"
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One or more of the preceding sentences incorporates text from a publication now in the
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Thomas Brunton in 1832 (inventor of studded-link, marine chain cable), friend of the artist
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Politics Personified: Portraiture, caricature and visual culture in Britain, c.1830-80
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Several significant examples of Hayter's works from this period remain a part of the
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Sir George Hayter's Drawings at Duncombe Park: Family Ties and a "Melancholy Event"
1904:, Volume 17 1911, ed. Frederick Arthur Crisp, reprinted 1997 by Heritage Books Inc.
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Self-portrait of George Hayter aged 28, painted in 1820 (National Portrait Gallery)
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1788:"Westminster, London, England, Church of England Births and Baptisms, 1813-1919"
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Now in his fifties, Hayter struggled with his health and debts and he sold his
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1916:: le cherche midi éditeur, 1997 (entretiens avec Paul Ricœur et Henri Maldiney)
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555:. In 1842 Hayter was knighted. He painted several royal ceremonies including
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for Fisher's Drawing Room Scrap Book, 1837 with a poetical illustration by
349:(1761–1835), a miniature painter and popular drawing-master and teacher of
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On 18 January 1871 Hayter died at his home in London. He was buried in
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and large works involving sometimes several hundred individual portraits.
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1723:. Vol. 13 (11th ed.). Cambridge University Press. p. 114.
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Francis Baring, 1st Baron Northbrook (1833) for House of Commons picture
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and published a well-known introduction to perspective and other works.
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Saith Satoor and Ali Hassan Bey, 1831. Saith Satoor was the protégé of
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1990:
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379:, and in 1815 was appointed Painter of Miniatures and Portraits by
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in 1820 (exh. Cauty's Great Rooms, 80-82 Pall Mall, 1823; London,
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The Victorian Pictures in the Collection of Her Majesty the Queen
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Robert Lawrence Pemberton of Bainbridge House with his mother
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Charlotte, Countess de la Bourdonnaye (1795–1875) Paris 1830
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The Hon. Charlotte and The Hon. Louisa Stuart, daughters of
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Hayter was most productive and innovative during the 1820s.
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in the House of Lords 1820 (188 portraits), completed 1823
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Self-portrait of Sir George Hayter in 1863 (Private Coll.)
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who was appointed Professor of Perspective and Drawing to
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Barbara Coffey Bryant, "Hayter, Sir George (1792–1871)",
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Queen Victoria seated on the throne in the House of Lords
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Queen Victoria seated on the throne in the House of Lords
1939:(exh. cat. by B. Coffey , London, Morton Morris, 1982)
1888:*Innovation in printmaking: Obituary of Mr S W Hayter,
407:, he travelled to Italy to study in 1816. There he met
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The First Meeting of the Reformed House of Parliament
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853:Queen Caroline, wife of George IV during her trial
1982:. Vol. XI (9th ed.). 1880. p. 543.
142:The Trial of Queen Caroline in the House of Lords
1768:"England, Hampshire Parish Registers, 1538-1980"
1626:Joseph Interpreting the Dream of the Chief Baker
1574:Sir James Robertson-Bruce 2nd Bt painted in 1820
360:Initially tutored by his father, he went to the
321:appreciated his merits and appointed Hayter her
375:At the Royal Academy Schools he studied under
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454:Venus, supported by Iris, complaining to Mars
8:
1861:. Manchester University Press. p. 129.
1321:Lady Elizabeth Harcourt, eldest daughter of
937:, 1823 (for Trial of Queen Caroline picture)
794:1838 (copy commissioned by Madamme Tussauds)
306:(17 December 1792 – 18 January 1871) was an
53:Self Portrait from 1843 (Private collection)
1946:, 2 vols, London N.P.G. cat. (London, 1986)
1933:, 2 vols, London N.P.G. cat. (London, 1973)
1659:, three studies with trees and storm clouds
438:and George Hayter (Shipley Art Gallery, UK)
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1503:John Campbell, 2nd Marquess of Breadalbane
1488:John Campbell, 2nd Marquess of Breadalbane
1387:at the age of ninety-three, sketch in oils
434:(father of John and George), John Hayter,
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1586:Mrs Ellen Robertson-Bruce painted in 1820
1211:Countess Elizabeth Vorontsova (1792–1880)
986:William Cavendish, 6th Duke of Devonshire
969:William Cavendish, 6th Duke of Devonshire
869:The Trial of William Lord Russell in 1683
822:Queen Victoria taking the Coronation Oath
807:Queen Victoria taking the Coronation Oath
745:Coronation of Queen Victoria 28 June 1838
1960:, Apollo, cxxxv (1992), pp. 240–50
1827:. Oxford University Press. p. 330.
1532:(1839), for the House of Commons picture
244:Knight of the Lion and the Sun of Persia
1752:Oxford Dictionary of National Biography
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1081:Portrait of a young lady in an interior
933:Robert Jenkinson, 2nd Earl of Liverpool
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611:The Angels Ministering to Christ, 1849
430:(1800–1891) showing from left to right
2140:The Christening of the Prince of Wales
1937:Drawings by Sir George and John Hayter
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724:The Christening of the Prince of Wales
185:The Christening of the Prince of Wales
1987:91 artworks by or after George Hayter
7:
902:Latimer preaching at St.Paul's cross
526:The State Portrait of Queen Victoria
557:Queen Victoria's coronation of 1838
167:The Coronation of HM Queen Victoria
159:State Portrait of HM Queen Victoria
1821:Chilvers, I.; Osborne, H. (1988).
1371:William Craven, 2nd Earl of Craven
1341:John Montagu, 7th Earl of Sandwich
917:The Martydom of Ridley and Latimer
25:
2252:19th-century English male artists
2247:Burials at East Finchley Cemetery
2108:The Trial of William Lord Russell
1343:(1811–1884), 7th Earl of Sandwich
1229:, society beauty and author, 1832
952:Thomas Graham, 1st Baron Lynedoch
500:John Proby, 1st Earl of Carysfort
405:John Russell, 6th Duke of Bedford
2116:The Coronation of Queen Victoria
1997:
1754:, Oxford University Press, 2004
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464:(later Lord Dover) commissioned
1902:Visitation of England and Wales
1066:Lord Richard Cavendish as a boy
761:Marriage of Victoria and Albert
2212:Principal Painters in Ordinary
2124:The Marriage of Queen Victoria
1914:Jean Bazaine: Couleurs et Mots
1458:Sir Robert Inglis, 2nd Baronet
1356:John Spencer, 3rd Earl Spencer
1285:Prime Minister 1834, 1835–1841
1131:, British Ambassador to France
284:King Leopold I of the Belgians
176:The Marriage of Queen Victoria
1:
2217:19th-century English painters
2035:Principal Painter in Ordinary
1115:and her daughters, Paris 1830
640:was a direct descendant from
549:Principal Painter in Ordinary
323:Principal Painter in Ordinary
246:, Member of the Academies of
1824:The Oxford dictionary of art
76:St. James's, London, England
2100:The Trial of Queen Caroline
1268:Charles Grey, 2nd Earl Grey
837:The Trial of Queen Caroline
467:The Trial of Queen Caroline
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2132:The House of Commons, 1833
1953:, 2 vols (Cambridge, 1992)
886:The House of Commons, 1833
403:Encouraged by his patron,
2227:English portrait painters
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1973:"Sir George Hayter"
1931:Early Victorian Portraits
536:resulted in his painting
484:National Portrait Gallery
383:. Hayter was awarded the
297:
269:
85:18 January 1871 (aged 78)
46:
2232:English history painters
2011:Letitia Elizabeth Landon
1673:List of British painters
1270:Prime Minister 1830–1834
1179:, Crown Prince of Persia
1148:Baron Stuart de Rothesay
650:Pierre-Dominique Bazaine
1979:Encyclopædia Britannica
1720:Encyclopædia Britannica
1641:Amy Emily Sarah Fitzroy
1129:Lord Stuart de Rothesay
1112:Lady Stuart de Rothesay
1033:Queen Louise of Belgium
599:and other art works at
494:Return to the Continent
424:A Controversy on Colour
325:and also awarded him a
2172:(great great grandson)
1545:The Duke of Wellington
1530:The Duke of Wellington
638:Stanley William Hayter
624:St Marylebone cemetery
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553:Sir Martin Archer Shee
529:
474:'s attempt to divorce
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415:Historical portraiture
345:Hayter was the son of
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292:6th Duke of Devonshire
2222:English male painters
2003:The Princess Victoria
1892:, London, May 7, 1988
1558:Rt Hon John Johnson,
1309:Anne Elphinstone 1835
730:, Windsor 25 Jan 1842
629:His younger brother,
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488:William, Lord Russell
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1756:accessed 7 June 2007
1560:Lord Mayor of London
1254:Alfred Count D'Orsay
1194:, daughter of Count
389:Richard Payne Knight
1417:6th Duke of Bedford
1401:6th Duke of Bedford
728:St. George's Chapel
385:British Institution
288:6th Duke of Bedford
1855:Henry, M. (2016).
1715:Hayter, Sir George
1385:Lady Louisa Stuart
1177:Prince Abbas Mirza
1096:Portrait of a Lady
935:and Prime Minister
763:, 10 February 1840
690:State Portrait of
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562:F. X. Winterhalter
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528:(Royal Collection)
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381:Princess Charlotte
355:Princess Charlotte
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313:, specialising in
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2170:Jean René Bazaine
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2043:Succeeded by
1944:Regency Portraits
1868:978-1-5261-1170-8
1834:978-0-19-860476-1
1598:Portrait of a boy
1473:Edward Codrington
1323:2nd Earl of Lucan
1196:Stanislav Potocki
1068:, painted in 1825
674:Princess Victoria
652:older brother of
646:Jean René Bazaine
573:Buckingham Palace
462:George Agar-Ellis
304:Sir George Hayter
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98:, London, England
18:Sir George Hayter
16:(Redirected from
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1989: at the
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1872:. Retrieved
1857:
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1838:. Retrieved
1823:
1816:
1807:Ancestry.com
1805:
1796:
1782:
1773:FamilySearch
1771:
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1751:
1718:
1692:
1678:Henry Collen
1657:Hemsted Park
1655:
1640:
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1471:Admiral Sir
1325:and wife of
1151:, Paris 1830
1145:
1133:, Paris 1830
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676:painted 1833
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136:Notable work
29:
2207:1871 deaths
2202:1792 births
2181:Romanticism
2176:Regency era
2164:John Hayter
1956:B. Bryant:
1949:O. Millar:
1942:R. Walker:
1929:R. Ormond:
1419:(1766–1839)
1403:(1766–1839)
1358:(1782–1845)
642:John Hayter
597:Old-Masters
583:Later years
534:Reform Bill
428:John Hayter
351:perspective
229:John Hayter
199:Romanticism
104:Nationality
2196:Categories
2046:James Sant
2040:1841–1871
1684:References
635:printmaker
470:depicting
366:Midshipman
333:Early life
327:Knighthood
96:Marylebone
89:1871-01-19
70:1792-12-17
2166:(brother)
2092:Paintings
1890:The Times
989:c.1822-26
972:c.1822-26
613:(V&A)
601:Christies
472:George IV
329:in 1841.
315:portraits
275:Patron(s)
231:(brother)
225:Relatives
213:Parent(s)
114:Education
2160:(father)
1667:See also
950:General
260:Florence
205:Children
195:Movement
2151:Related
1708::
1661:, 1856
660:Gallery
478:in the
311:painter
308:English
252:Bologna
129:Painter
120:Schools
108:English
87: (
68: (
2143:(1845)
2135:(1843)
2127:(1842)
2119:(1839)
2111:(1825)
2103:(1823)
1991:Art UK
1865:
1831:
1702:
1643:, 1858
1628:, 1854
1613:, 1849
1505:, 1834
1490:, 1833
919:, 1855
904:, 1855
872:, 1825
855:, 1820
409:Canova
377:Fuseli
264:Venice
236:Awards
1874:1 May
1840:1 May
426:, by
256:Parma
188:1842
179:1840
170:1838
161:1838
154:1833
145:1820
1993:site
1876:2019
1863:ISBN
1842:2019
1829:ISBN
1562:1845
1475:1835
1213:1832
1198:1831
1083:1826
955:1823
809:1838
779:1838
710:1837
695:1837
631:John
262:and
82:Died
59:Born
1717:".
726:in
37:Sir
2198::
1976:.
1804:.
1770:.
1729:^
656:.
579:.
564:.
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391:.
290:,
286:,
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258:,
254:,
250:,
242:,
2077:e
2070:t
2063:v
2013:.
1878:.
1844:.
1810:.
1790:.
1776:.
208:5
91:)
72:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
