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Sitok Srengenge

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383: 507: 576:. Cornall describes Srengenge's work as "deeply spiritual in the true sense of the word ... where the sensuality of longing, the beauty of sorrow, and the wisdom of deeply felt observation becomes the language of the soul". Himmirsky finds Sitok's poems to include "the true values of life, its pulsating dynamism and wisdom. ... are deeply moved by his affection for his beloved, for his parents, for the human race." The translator 31: 406:. The poems in this second collection ranged from "gentle and romantic" to "drenched in erotic images and metaphors". The edition, published by Sitok's own publishing house Kata Kita, contains Indonesian and English versions of poems from his first four poetry collections, translated by four writers: Nukila Amal, Hasif Amini, Margaret Glade-Agusta, and Lauren Bain. of 287:, he would often attend underground rallies and discussions, reciting verses of poetry. None of these works had been anthologized by 2006. Sitok was one of the participants in the 1995 Istiqlal International Poetry Reading conference, which focused predominantly on Islamic poetry, and several of his poems were included in its publication 497:
Regarding the writing process, Sitok has stated that "There are poems within me. They are just there." He composes his poetry in his mind, and is reluctant to write them unless they are completed. He may produce as few as two poems a year. He says that, although he may occasionally be influenced by
268:) in 1996. Publication of the anthology was supported by Sitok's organization Gorong-Gorong Budaya, meant to encourage and support pro-democracy artists. Sitok was a founding member and one of the directors of the Utan Kayu Arts Community Center, serving as the director of its literary 309:
wrote that Sitok "is considered Indonesia's best young poet often thought ... as contributing to the 'reawakening' of Indonesian literature". The magazine selected him as "one of twenty leaders for the Millennium in society and culture in Asia". The translator and Indonesianist
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that Sitok credits with influencing the sonic qualities of his poetry. As a youth he was active in theatre, and by junior high school he had begun to write poetry. In a 2004 interview, he stated "All I knew was that writing those words that lingered in my head made me happy".
375:, found the novel to have a "rich, dense blend of realist prose in Indonesian, Javanese mythology and Javanese language", making it unprecedented in works of Indonesian literature which deal with the subject matter. She argued that Sitok used local colour ( 335:
as "a statement about the confusion of his generation". Explaining the title, Sitok stated that "Tradition and modernisation met in a careless encounter" producing "a generation of cultural bastards". A second poetry collection,
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and poetry as "real" boxing. When reciting his poetry, he prefers rote memorization over reading published or written editions – something unusual among Indonesian poets. Sirikit Syah of
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Despite the resistance against education, Sitok obtained a scholarship which allowed him to complete his elementary and secondary school studies in the provincial capital of
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writes that Sitok "explores topics with a depth and maturity not only rare among his peers, but also with a vocabulary and clarity that few other poets can match".
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found "both structured and unstructured poetry" and "themes connected to the human condition, such as love, motherhood, childbirth and racism" in the collection.
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styles" and incorporating antique building materials from throughout Java. The landscaping itself maintains natural surroundings, avoiding artificial gardens.
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as "the only sun". In his ten years with Bengkel Teater, Sitok practiced poetry, monologues, and acting, and appeared in several of the troupe's plays.
1897: 494:, who translated several of Sitok's poems into Bulgarian, found his "poetic phrase ... laconic, muscular, and musical", with a universal message. 379:) not as a simple backdrop to a nationalist discourse, but rather to grant "real insight into local ways of thinking and interpreting the world". 257:. He also established his own theater troupe, Teater Matahari, as well as the Keranjang Sampah Kebudayaan ("Cultural Wastebin") discussion forum. 135:. Sitok remained with the company for almost a decade, appearing in several plays as he refined his literary style. His first poetry collection, 1867: 1837: 228:, this collection was intended as a counterpoint to the rise in religious literature which had become popular in Indonesia in the early 1990s. 1862: 1757: 1738: 1715: 1692: 1669: 1646: 1540: 1430: 1354: 1332: 1313: 158:. His poems, noted for their "laconic, muscular, and musical" poetic phrase, have been adapted to music in a variety of genres. In 1999, 1608: 154:. He has presented his poetry in such countries as the Netherlands and Germany, and participated in writers workshops in Hong Kong and 1892: 1887: 276:
during the 1990s and 2000s. Beginning in 2007, he served as a curator for the Salihara cultural center until his resignation in 2013.
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Sitok is married to Farah Maulida. The couple have a daughter, Laire Siwi Mentari. She is a novelist, publishing her debut work
1882: 1877: 1398: 348:, and Adikarya IKAPI Foundation. The collection contained thirty-five works, as well as several illustrations by Agus Suwage. 1872: 1806: 1852: 1847: 1449: 421:, contained poems written by Sitok while still in senior high school and university, up through 1989. The second volume, 604: 453: 1551: 1576: 731: 382: 1508: 1373: 560:
Sitok's poetry has been compared to the work of numerous other poets, both Indonesian and non-Indonesian, including
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as well as other poems written between 1986 and 1991. In August 2015, Sitok released another poetry collection,
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describes him as having "a powerful voice and impressive stage rhythm" and of being "a master of lexicon".
1842: 210: 132: 465: 366: 318:, described Sitok as a "pioneer" leading poets out of "the fear that froze the poets of the eighties". 123:, he became interested in literature at a young age and was heavily influenced by his village's strong 1832: 461: 743:
Such name changes are common in Javanese culture, where they signify one's entrance into adulthood (
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In the mid-1990s Sitok became an independent artist, acting under directors such as Ikranegara (
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Srengenge, Sitok; Amal, Nukila; Amini, Hasif; Glade-Agusta, Margaret; Bain, Lauren (2005).
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style pavilion, a public library, private office, communal kitchen, and guest house. The
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in 2004; by 2009 it had sold more than 40,000 copies. She has published a further novel,
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Sitok has since published multiple poetry collections, including a bilingual work titled
533:), a concert for Ubiet Raseuki, using lyrics taken directly from the poems of Sitok and 534: 186: 124: 1785: 1826: 565: 554: 311: 131:
to complete his university studies, he became involved with the Bengkel Teater under
561: 481: 182: 120: 66: 340:, was published later that year by the Kalam Foundation in collaboration with the 1776:
Syah, Sirikit (4 May 1997b). "Romantic Love is in the Air at Literary Reading".
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As a student, Sitok was involved in pro-democracy rallies against President
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Syah, Sirikit (26 January 1997a). "Sitok: 'There are Poems within Me'".
111:(born 22 August 1965) is an Indonesian poet, actor, and dramatist. Born 522: 510: 359:), in 2004. The work follows a group of common villagers (the Javanese 280: 206: 128: 96: 600: 1010: 1008: 553:, based on the poet's work; Sitok's works have also been adapted by 342:
Royal Netherlands Institute of Southeast Asian and Caribbean Studies
480:, Sitok compared writing to boxing, with essays and other prose as 505: 381: 260:
Short stories by Sitok were included in the short story anthology
250: 1801:[Interpreting Literature through the Melody of Tones]. 1603:[Sitok Srengenge Resigns from the Salihara Community]. 448:
Sitok has attended several writers workshops, including at the
213:, who gave him the name Sitok Srengenge, which translates from 1106: 498:
politics, he tries to separate civic involvement and writing.
445:, which contained fifty poems written between 2010 and 2014. 197:. He graduated from Senior High School 1, Semarang, in 1985. 773:, p. 43) Another possible translation of the title is 1624:
Tesoro, Jose Manuel (5 February 1999). "Sitok Srengenge".
456:(2005). He has read his poems at the Indische Festival in 1323:
Cornall, Jan (2005). "On Eating and Singing On Nothing".
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Sitok's work has been adapted to various media. In 2011,
243:); he has remained active into the 2010s, portraying the 841: 839: 837: 835: 833: 831: 801: 799: 797: 329:), a collection of poems described by Yenni Kwok of the 291:. Bulgarian translations of his works were published in 146:
and a trilogy of revised editions known collectively as
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Institut Keguruan dan Ilmu Pendidikan Jakarta, now the
596:, and in 2009 was working on a short story collection. 1465:
Kwok, Yenni (12 February 2006). "Rhyme of the Times".
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house itself is an "eclectic" design, "fus ethnic and
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with poems written between 1986 and 1991. The third,
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Sitok Srengenge was born Sitok Sunarto in Dorolegi,
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The Shepherd of Time and the Eulogy to Ease Longing
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The Australian writer 460:, the Winternachten Festival in the Hague, the 1685:The Rooster’s Glands and the Pale Green Stanza 1708:Son of the Storm and Proverbs of Banal Poetry 1681:Kelenjar Bekisar Jantan dan Stanza Hijau Muda 1391:"Sitok Srengenge Launches a Poetry Anthology" 761:notes that the title translates literally as 671:Kelenjar Bekisar Jantan dan Stanza Hijau Muda 423:Kelenjar Bekisar Jantan dan Stanza Hijau Muda 220:Sitok published his first poetry collection, 205:In 1985, Sitok moved to Indonesia's capital, 8: 1501:"Poet Sitok Not Afraid to Say It Like It Is" 1277:Bijdragen tot de Taal-, Land- en Volkenkunde 372:Bijdragen tot de Taal-, Land- en Volkenkunde 1273:: Local Understandings of National History" 425:, was expanded on the previous collections 224:, in 1992. Funded by the singer-songwriter 1347:Twenty Best Indonesian Short Stories, 2008 1142: 1130: 1118: 845: 417:, was released in 2013. Its first volume, 29: 18: 1366:"Making Poetry Sing, In the Name Of Love" 1250: 1226: 1202: 1154: 1053: 1029: 1014: 934: 805: 386:Sitok reading a poem from his collection 1476:"My Jakarta: Laire Siwi Mentari, Writer" 963: 413:A trilogy of poetry collections, titled 1343:Dua Puluh Cerpen Indonesia Terbaik 2008 1308:. Athens, Ohio: Ohio University Press. 1214: 1178: 1041: 975: 793: 723: 710:Cinta di Negeri Seribu Satu Tiran Kecil 1788:. Hong Kong Baptist University. 2005. 1442:"Salihara Promises New Cultural Oasis" 1327:. Depok: Kata Kita. pp. 340–342. 999: 987: 922: 822: 770: 16:Indonesian poet, actor & dramatist 1550:Setiawati, Indah (20 November 2011). 1238: 1190: 1166: 1077: 1065: 907: 7: 1792:from the original on 6 October 2015. 1727:Ereignis dan Cinta yang Keras Kepala 1658:Gembala Waktu dan Madah Pereda Rindu 1552:"Karna, His Identity and Complexity" 1094: 951: 878: 778: 744: 683:Ereignis dan Cinta yang Keras Kepala 665:Gembala Waktu dan Madah Pereda Rindu 443:Ereignis dan Cinta yang Keras Kepala 419:Gembala Waktu dan Madah Pereda Rindu 388:Ereignis dan Cinta yang Keras Kepala 1799:"Menafsir Sastra Lewat Alunan Nada" 1641:]. Jakarta: Kalam Foundation. 1587:from the original on 13 March 2013 1577:"Sitok Srengenge's True Sanctuary" 14: 1607:. 3 December 2013. Archived from 1562:from the original on 5 March 2016 1499:Prihandono, Omar (27 June 2004). 1389:Hara, Chisato (11 October 2005). 404:Ubud Writers and Readers Festival 351:Sitok published his debut novel, 1797:Wahid, Ismi (6 September 2011). 1704:Anak Badai dan Amsal Puisi Banal 1575:Setiawati, Indah (3 June 2012). 1533:Lexicon of Indonesian Literature 1474:Malik, Candra (31 August 2009). 677:Anak Badai dan Amsal Puisi Banal 435:Anak Badai dan Amsal Puisi Banal 1898:Jakarta State University alumni 1805:(in Indonesian). Archived from 1535:]. Jakarta: Balai Pustaka. 1364:Hamdani, Sylvia (2 June 2011). 365:) in the period following the 1: 1868:21st-century Indonesian poets 1838:20th-century Indonesian poets 517:based on one of Sitok's poems 502:Impact and critical reception 1863:People from Grobogan Regency 1440:Junaidi, A. (23 July 2007). 734:(Universitas Negeri Jakarta) 454:Hong Kong Baptist University 201:Theatre and first collection 1529:Leksikon Susastra Indonesia 732:State University of Jakarta 369:. Pamela Allen, writing in 1914: 1731:Ereignis and Stubborn Love 1710:]. Jakarta: KataKita. 1702:Srengenge, Sitok (2013c). 1687:]. Jakarta: KataKita. 1679:Srengenge, Sitok (2013b). 1664:]. Jakarta: KataKita. 1656:Srengenge, Sitok (2013a). 698:Menggarami Burung Terbang 531:Eight Compositions of Love 285:Suharto's 1998 resignation 272:and editor of its journal 90: 1893:21st-century male writers 1888:20th-century male writers 1733:]. Depok: Kata Kita. 1725:Srengenge, Sitok (2015). 1633:Srengenge, Sitok (2000). 1417:(2000). "Editor's Note". 1289:10.1163/22134379-90003599 1271:Menggarami Burung Terbang 476:In a 1999 interview with 437:, contained the poems of 353:Menggarami Burung Terbang 321:In 2000, Sitok published 150:, as well as a novel and 139:, was published in 1992. 28: 712:(essay collection; 2012) 314:, in his 2001 anthology 1786:"Visiting Writers 2005" 1304:Aveling, Harry (2001). 641:Kelenjar Bekisar Jantan 549:released a jazz album, 537:. In 2012 she released 527:Delapan Komposisi Cinta 431:Kelenjar Bekisar Jantan 35:Sitok Srengenge in 2015 1883:21st-century essayists 1878:20th-century essayists 1267:Allen, Pamela (2011). 518: 398:volume of his poetry, 391: 299:Subsequent collections 1873:Indonesian male poets 1109:, pp. 6–11, 347. 1107:Srengenge et al. 2005 509: 466:University of Hamburg 385: 357:Salting a Flying Bird 1853:Indonesian novelists 1848:Indonesian essayists 1752:. Depok: Kata Kita. 1525:Rampan, Korrie Layun 1056:, pp. 6, 11–12. 599:The family lives in 462:University of Leiden 367:coup attempt of 1965 283:. In the lead-up to 1467:Sunday Morning Post 1044:, pp. 188–189. 557:and David Kotlowy. 332:Sunday Morning Post 293:Chants of Nusantara 233:Jam Berapa Sekarang 127:. When he moved to 1452:on 3 December 2013 1415:Himmirsky, Krassin 628:Poetry collections 519: 450:University of Iowa 392: 316:Secrets Need Words 253:in a 2011 play by 1858:Indonesian actors 1759:978-979-3778-19-8 1740:978-979-3778-74-7 1717:978-979-3778-72-3 1694:978-979-3778-71-6 1671:978-979-3778-70-9 1648:978-979-95480-5-4 1542:978-979-666-358-3 1480:The Jakarta Globe 1432:978-979-95480-5-4 1376:on 5 January 2013 1356:978-979-22-3449-7 1334:978-979-3778-19-8 1315:978-0-89680-216-2 718:Explanatory notes 635:Persetubuhan Liar 551:Singing Srengenge 492:Krassin Himmirsky 427:Persetubuhan Liar 394:Sitok released a 222:Persetubuhan Liar 137:Persetubuhan Liar 89: 88: 82:Years active 1905: 1818: 1816: 1814: 1793: 1781: 1778:The Jakarta Post 1772: 1769:The Jakarta Post 1763: 1744: 1721: 1698: 1675: 1652: 1629: 1628:. Hong Kong: 43. 1620: 1618: 1616: 1596: 1594: 1592: 1581:The Jakarta Post 1571: 1569: 1567: 1556:The Jakarta Post 1546: 1520: 1518: 1516: 1507:. 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Hong Kong: 7. 1464: 1455: 1453: 1439: 1433: 1413: 1404: 1402: 1401:on 5 March 2016 1388: 1379: 1377: 1363: 1357: 1341: 1335: 1322: 1316: 1303: 1266: 1262: 1257: 1249: 1245: 1237: 1233: 1225: 1221: 1213: 1209: 1201: 1197: 1189: 1185: 1177: 1173: 1165: 1161: 1157:, pp. 7–8. 1153: 1149: 1143:Srengenge 2013c 1141: 1137: 1131:Srengenge 2013b 1129: 1125: 1119:Srengenge 2013a 1117: 1113: 1105: 1101: 1093: 1084: 1076: 1072: 1064: 1060: 1052: 1048: 1040: 1036: 1028: 1021: 1017:, inside cover. 1013: 1006: 998: 994: 986: 982: 974: 970: 962: 958: 950: 941: 933: 929: 921: 914: 906: 885: 877: 852: 846:Prihandono 2004 844: 829: 821: 812: 804: 795: 791: 786: 785: 755: 751: 742: 738: 729: 725: 720: 715: 693: 688: 630: 625: 586: 570:Iwan Simatupang 504: 474: 346:Ford Foundation 301: 237:Ratna Sarumpaet 203: 175: 170: 109:Sitok Srengenge 106: 93:Indonesian name 69: 59: 56: 55:August 22, 1965 50: 48: 47: 46: 36: 24: 23:Sitok Srengenge 17: 12: 11: 5: 1911: 1909: 1901: 1900: 1895: 1890: 1885: 1880: 1875: 1870: 1865: 1860: 1855: 1850: 1845: 1840: 1835: 1825: 1824: 1820: 1819: 1794: 1782: 1773: 1764: 1758: 1745: 1739: 1722: 1716: 1699: 1693: 1676: 1670: 1653: 1647: 1630: 1621: 1597: 1572: 1547: 1541: 1521: 1496: 1486:on 27 May 2024 1471: 1462: 1437: 1431: 1411: 1386: 1361: 1355: 1339: 1333: 1320: 1314: 1301: 1263: 1261: 1258: 1256: 1255: 1251:Setiawati 2012 1243: 1231: 1227:Srengenge 2000 1219: 1217:, p. 341. 1207: 1205:, p. 106. 1203:Srengenge 2015 1195: 1183: 1171: 1159: 1155:Srengenge 2015 1147: 1135: 1123: 1111: 1099: 1082: 1070: 1058: 1054:Srengenge 2000 1046: 1034: 1030:Himmirsky 2000 1019: 1015:Srengenge 2000 1004: 1002:, p. 426. 992: 980: 968: 966:, p. 197. 956: 939: 935:Setiawati 2011 927: 925:, p. 425. 912: 883: 850: 827: 810: 806:Himmirsky 2000 792: 790: 787: 784: 783: 749: 736: 722: 721: 719: 716: 714: 713: 707: 701: 694: 692: 689: 687: 686: 680: 674: 668: 662: 656: 650: 644: 638: 631: 629: 626: 624: 621: 585: 582: 541:, an album of 535:Nirwan Dewanto 503: 500: 473: 470: 300: 297: 262:Para Pembohong 241:Pesta Terakhir 202: 199: 187:oral tradition 174: 171: 169: 166: 125:oral tradition 95:, there is no 87: 86: 83: 79: 78: 75: 71: 70: 60: 44: 42: 38: 37: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1910: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1844: 1843:Living people 1841: 1839: 1836: 1834: 1831: 1830: 1828: 1808: 1804: 1800: 1795: 1791: 1787: 1783: 1779: 1774: 1770: 1765: 1761: 1755: 1751: 1746: 1742: 1736: 1732: 1728: 1723: 1719: 1713: 1709: 1705: 1700: 1696: 1690: 1686: 1682: 1677: 1673: 1667: 1663: 1659: 1654: 1650: 1644: 1640: 1636: 1631: 1627: 1622: 1610: 1606: 1602: 1598: 1586: 1582: 1578: 1573: 1561: 1557: 1553: 1548: 1544: 1538: 1534: 1530: 1526: 1522: 1510: 1506: 1502: 1497: 1485: 1481: 1477: 1472: 1468: 1463: 1451: 1447: 1443: 1438: 1434: 1428: 1424: 1420: 1416: 1412: 1400: 1396: 1392: 1387: 1375: 1371: 1370:Jakarta Globe 1367: 1362: 1358: 1352: 1348: 1344: 1340: 1336: 1330: 1326: 1321: 1317: 1311: 1307: 1302: 1298: 1294: 1290: 1286: 1282: 1278: 1274: 1272: 1265: 1264: 1259: 1252: 1247: 1244: 1240: 1235: 1232: 1229:, rear cover. 1228: 1223: 1220: 1216: 1211: 1208: 1204: 1199: 1196: 1192: 1187: 1184: 1180: 1175: 1172: 1168: 1163: 1160: 1156: 1151: 1148: 1144: 1139: 1136: 1132: 1127: 1124: 1120: 1115: 1112: 1108: 1103: 1100: 1096: 1091: 1089: 1087: 1083: 1079: 1074: 1071: 1067: 1062: 1059: 1055: 1050: 1047: 1043: 1038: 1035: 1031: 1026: 1024: 1020: 1016: 1011: 1009: 1005: 1001: 996: 993: 989: 984: 981: 977: 972: 969: 965: 964:Gramedia 2008 960: 957: 953: 948: 946: 944: 940: 936: 931: 928: 924: 919: 917: 913: 909: 904: 902: 900: 898: 896: 894: 892: 890: 888: 884: 880: 875: 873: 871: 869: 867: 865: 863: 861: 859: 857: 855: 851: 847: 842: 840: 838: 836: 834: 832: 828: 825:, p. 43. 824: 819: 817: 815: 811: 807: 802: 800: 798: 794: 788: 780: 776: 775:Wild Coupling 772: 768: 764: 760: 759: 753: 750: 747:, p. 7). 746: 740: 737: 733: 727: 724: 717: 711: 708: 705: 704:Trilogi Kutil 702: 700:(novel; 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Index


Purwodadi
Central Java
Indonesian name
family name
patronymic
Purwodadi
Central Java
oral tradition
Jakarta
Rendra
serial
Iowa
Asiaweek
Purwodadi
Central Java
oral tradition
Semarang
Jakarta
Rendra
Javanese
Iwan Fals
Ratna Sarumpaet
Mahabharata
Karna
Goenawan Mohamad
biennale
Suharto
Suharto's 1998 resignation
Asiaweek

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