714:
484:
446:
441:
436:
349:
344:
312:
307:
522:
517:
512:
507:
502:
479:
474:
469:
464:
431:
426:
388:
383:
378:
373:
368:
339:
334:
329:
302:
297:
292:
605:. Chad said: "There's a lot of horrible, dirty sounds on there as a result. There's all sorts of spill - guitars over the drum takes, drums over the bass - purely because we were just in a room together. I think that if a producer had tried to clean it up and separate it all, it just wouldn't have the same feel."
1286:
restructured the track listing considerably at the behest of Epic
Records. The chapters and interlude were removed and the running order was rearranged with "Legacy" and "Shotgun" swapped. More significant was the omission of "Inverse Midas" and "Witness to a Murder (Part Two)" both of which were
616:, a then-new rack processor which contributed to some "fantastic sounds." Chad said that "it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds; it's quite random." Other pedals used include a
580:
Yeah, so what happened was we went out and built a fan base, and then we came back from tour and rented a house in London without having written a thing. We went in and started jamming on the first day. The opening track "Six" was a leftover from
548:. It was released in the UK and Europe on 7 September 1998, and in the US on 20 April 1999, with an alternative running order, different artwork, and the re-recorded single version of the title track. In an interview prior to the release of
31:
691:
coupled with "an old MXR Flanger". As Chad played the riff through the MXR pedal, Draper twirled the knobs simultaneously, contributing to a "really fucked up sound." "Fall Out" also incorporates elements of
646:
synthesiser on occasion while messing around with the synth's filters, while having to tape one of the synthesiser's keys down prior to playing guitar through it. Draper also used the Roland G-707, an early
1291:
re-recording. Small edits appear throughout the remaining track listing: the opening guitar from "Legacy", the feedback from the opening of "Negative" and the removal of silence from the end of "Cancer".
655:
techniques when recording, "slowing the tape down to half-time, transposing the guitar line down about four semi-tones and then playing it back at normal speed. It all helps make the tones interesting."
2580:
742:
was a painting produced by Max
Schindler, and commissioned especially for the album. It contains many references to personal interests and obsessions of the band, such as a
953:" was literally cut in half with the opening two-minute section labelled 'Part One' and released as a single. The title track was completely re-recorded with producer
552:, Paul Draper stated that the "interlude" "Witness to a Murder (Part Two)" was included to separate the album into two parts as a tribute to old-style vinyl albums.
2585:
2107:
705:
The main riff of "Anti-Everything" uses a Bel BF20 rack flanger. Chad recalled "it's on the verge of being out-of-tune-y, but it's a fantastic noise."
612:. The band decided that if any of them wrote a new idea to jam, such as a riff, they also had to create a new guitar sound. They repeatedly used the
941:. The album spawned four singles, each one was altered for single release. The alterations ranged from subtle to dramatic. The first single "
2133:
2239:
926:
The inlay booklet includes enlarged images of the piles of books from the cover, making it easier to read the authors and titles.
2292:
2590:
896:
2061:
2527:
2575:
2429:
2404:
2365:
153:
873:
699:
1571:
585:
called "More." That was all we had to start, and we recorded everything chronologically as we came up with it.
1870:
2506:
2457:
1925:
1326:
1288:
954:
2258:
2108:"INTERVIEW: PAUL DRAPER on the 17th anniversary of 'Six', getting sacked from Mansun & 'Spooky Action'"
957:
and released in the winter of 1999. "Legacy" was the most successful single and reached the top ten on the
2570:
2313:
2208:
2092:
1674:
1632:
1505:
1344:
1023:
1017:
946:
608:
After the basic tracks were recorded, the group added on the album's "nutsy effects," a lot of which were
232:
128:
1782:
1549:
830:
680:
602:
560:
The main musical palette of the album were created out of guitar ideas that Draper and Chad coined at
2565:
2478:
2422:
2285:
1706:
1362:
1229:
942:
818:
206:
635:
and, in helping to achieve a "really shitty chorus sound," a vintage
Electro-Harmonix Clone Theory.
2471:
2386:
1287:
composed by
Dominic Chad. The full eight-minute recording of the title track is substituted by the
2544:
2520:
915:
648:
564:, on their tour bus and in hotel rooms, and were then "blended into wordy and complex tableaux."
2186:
589:
Wanting to capitalise upon their increasing live skills, the band recorded the basic tracks on
2235:
2002:
1578:
1322:
999:
911:
675:
245:
1818:
1526:
958:
760:
as Number 6 (sitting in the ball chair commonly occupied by the different Number 2's), from
757:
625:
537:
493:
80:
961:. "Being a Girl (Part One)" and "Six" made the top twenty, while "Negative" peaked at #27.
2492:
2450:
2436:
2278:
938:
856:
835:
771:
767:
396:
123:
75:
2443:
2334:
1792:
1541:
1035:
886:
866:
851:
843:
788:
727:
694:
651:("It's been mostly old gear, but new sounds,") while Chad developed a liking for using
189:
2559:
2348:
1956:
1513:
1509:
823:
688:
639:
613:
609:
687:
The ending of "Fall Out," which re-incorporates the riff from "Legacy", features an
2513:
2485:
2320:
1736:
1596:
1518:
1478:
1247:
1027:
950:
901:
779:
762:
722:
455:
417:
359:
219:
111:
1844:
1975:
1556:
1536:
1522:
919:
665:
617:
132:
67:
2499:
2379:
2327:
1532:
1031:
752:
739:
670:
652:
632:
621:
561:
545:
406:
171:
116:
1588:
1158:
881:
810:
796:
783:
747:
594:
713:
2165:
1929:
1904:
1896:
1545:
628:
321:
284:
85:
572:
The majority of Six was written from scratch after returning from their
2464:
2264:
30:
2234:(19th ed.). London: Guinness World Records Limited. p. 348.
2301:
1770:
775:
743:
598:
541:
140:
43:
664:
Draper said the segues between songs were influenced by side two of
2093:"BRITPOP POPPED: AN INTERVIEW WITH EX-MANSUN FRONTMAN PAUL DRAPER"
799:
also depicts a number of (perhaps non-existent) books, including:
642:
and Bell BF20 flangers, the band also put Chad's guitar through a
38:
643:
2274:
786:, and the album's name is in fact a reference to Milne's book
1296:
All tracks are written by Paul Draper; except where indicated
970:
All tracks are written by Paul Draper; except where indicated
2134:"Paul Draper on The Prisoner, Portmeirion and Mansun's Six"
770:
standing close to a painting that may be a reproduction of
2270:
1157:"Witness to a Murder (Part Two)" (monologue performed by
937:
was released in
September 1998, it débuted at #6 on the
1559:
Backing Vocals by
Maryetta Midgley and Vernon Midgley
877:
by A. A. Milne (referenced in the lyrics of "Shotgun")
576:
tour. In 2018, Draper noted about the writing process:
1644:"The Impending Collapse of it All (Acoustic Version)"
2537:
2414:
2396:
2357:
1312:
1301:
1191:
1180:
1148:
1137:
989:
978:
188:
139:
122:
110:
94:
66:
58:
50:
37:
23:
869:(referenced in the lyrics of "Anti-Everything")
578:
365:
2286:
2160:
2158:
2156:
2154:
1819:"Menace Beach (New band of the day No 1,670)"
859:(referenced in the lyrics of “Inverse Midas”)
8:
1449:"Special / Blown It (Delete as Appropriate)"
1214:"Special / Blown It (Delete as Appropriate)"
826:(1984 was one of the album's working titles)
499:
461:
423:
326:
289:
734:) features on the album sleeve and CD disc.
2581:Progressive rock albums by English artists
2293:
2279:
2271:
2055:
2053:
2051:
2049:
2047:
2045:
2043:
2005:MANSUN – Six (import edition) (Parlophone)
1754:
782:is known to be both a Taoist and a fan of
264:
29:
20:
922:, an important influence on Dominic Chad)
597:'s Parr Street Studios and then later at
2209:"Official Scottish Albums Chart Top 100"
1298:
1174:
1131:
972:
949:" were given slight trims. Conversely, "
889:(referenced in the lyrics of "Negative")
814:by Tom Baker (the actor's autobiography)
712:
2211:. officialcharts.com. 13 September 1998
1845:"Six Review by Stephen Thomas Erlewine"
1809:
1593:Matthew Vaughn – Pro Tools on "Legacy"
847:(referenced in the lyrics of "Cancer")
838:(referenced in the lyrics of "Legacy")
270:
7:
1974:DiCrescenzo, Brent (20 April 1999).
1869:Lauridsen, R. Adam (30 April 1999).
1264:"I Care" (Japanese only bonus track)
2060:Leonard, Michael (September 1998).
367:
2586:Art rock albums by English artists
2106:Millar, Mark (12 September 2015).
1978:Mansun – Six (Parlophone UK; 1999)
1647:"Ski Jump Nose (Acoustic Version)"
14:
2132:Adams, Sean (11 September 2013).
544:, released in September 1998 via
501:
463:
425:
328:
291:
2232:British Hit Singles & Albums
2001:Garrett, Jon (29 October 2002).
1955:Booth, Daniel (September 1998).
1726:"Church of the Drive Thru Elvis"
1652:from "Being a Girl (Part One)" (
778:allegorical painting. Guitarist
520:
515:
510:
505:
500:
482:
477:
472:
467:
462:
444:
439:
434:
429:
424:
386:
381:
376:
371:
366:
347:
342:
337:
332:
327:
310:
305:
300:
295:
290:
1817:Lester, Paul (3 January 2014).
804:Life as a Series of Compromises
766:. There is also a depiction of
593:live in the studio, firstly at
536:is the second album by English
18:1998 studio album by Mansun
2267:(streamed copy where licensed)
2166:"Mansun at OfficialCharts.com"
1302:
1181:
1138:
979:
1:
2091:Garrett, Jon (9 March 2018).
2028:Sullivan, Caroline. "Review:
1739:(Parts One & Two) (Live)"
1680:"Mansun's Only Acoustic Song"
1796:
1786:
1776:
1732:"What It's Like to Be Hated"
1729:"But the Trains Run on Time"
1350:Draper, Chad, King, Rathbone
638:In addition to usage of the
2607:
2430:Skin Up Pin Up / Flourella
2366:Attack of the Grey Lantern
1895:Erlewine, Stephen Thomas.
1609:
865:a talk given by architect
811:Who On Earth is Tom Baker?
574:Attack Of The Grey Lantern
154:Attack of the Grey Lantern
2308:
2030:Mansun – Six (Parlophone)
1712:"Mansun's Only Live Song"
1684:
1677:(Trouser Enthusiast Mix)"
1610:
1473:
1459:
1445:
1431:
1417:
1403:
1389:
1375:
1357:
1339:
1317:
1309:
1306:
1260:
1242:
1224:
1210:
1196:
1188:
1185:
1153:
1145:
1142:
1114:
1100:
1086:
1072:
1058:
1044:
1012:
994:
986:
983:
278:
275:
259:
251:Released: 1 February 1999
238:Released: 26 October 1998
199:
184:
147:
28:
2187:"Japan: Album positions"
2036:(11 September 1998): 26.
1926:Erlewine, Stephen Thomas
945:" and the third single "
914:(a book on the death of
874:The House at Pooh Corner
700:Pyotr Ilyich Tchaikovsky
225:Released: 24 August 1998
2507:I Can Only Disappoint U
2458:She Makes My Nose Bleed
2230:Roberts, David (2006).
1581:, additional production
674:(1969) and side one of
614:TC Electronics Fireworx
2591:Progressive pop albums
1702:"I Deserve What I Get"
1584:Paul Walton – engineer
1568:Paul Draper – producer
735:
618:Colorsound Tone Bender
587:
212:Released: 29 June 1998
1783:Scottish Albums Chart
1696:"When the Wind Blows"
1635:(The Perfecto Remix)"
1628:"Check Under the Bed"
1622:"Can't Afford to Die"
1555:Tom Baker on track 9
831:The 120 Days of Sodom
716:
603:Olympic Sound Studios
2423:Take It Easy Chicken
1932:Six (Japan) – Mansun
1707:Take It Easy Chicken
1529:, piano, harpsichord
819:Nineteen Eighty Four
730:icon from the show (
266:Professional ratings
2472:Closed for Business
2405:Legacy: The Best Of
2066:The Guitar Magazine
2062:"The Mansun Family"
1875:The Harvard Crimson
1843:Erlewine, Stephen.
1641:"Face in the Crowd"
1625:"Spasm of Identity"
1177:
1134:
975:
267:
1670:"Been Here Before"
1599:– band photography
1572:Mark 'Spike' Stent
1282:The US release of
1175:
1132:
973:
736:
720:was influenced by
649:guitar synthesiser
353:(Japanese edition)
265:
2576:Parlophone albums
2553:
2552:
1982:. Pitchfork Media
1871:"Mansun Six Epic"
1801:
1800:
1748:
1747:
1742:"Live Television"
1687:from "Negative" (
1491:
1490:
1379:"Anti Everything"
1274:
1273:
1171:
1170:
1128:
1127:
1076:"Anti-Everything"
912:Geoffrey Giuliano
806:by Graham Langdon
529:
528:
263:
262:
180:
179:
2598:
2538:Related articles
2295:
2288:
2281:
2272:
2246:
2245:
2227:
2221:
2220:
2218:
2216:
2205:
2199:
2198:
2196:
2194:
2183:
2177:
2176:
2174:
2172:
2162:
2149:
2148:
2146:
2144:
2138:Drowned in Sound
2129:
2123:
2122:
2120:
2118:
2103:
2097:
2096:
2088:
2082:
2081:
2079:
2077:
2057:
2038:
2037:
2025:
2019:
2018:
2016:
2014:
2009:. popmatters.com
1998:
1992:
1991:
1989:
1987:
1971:
1965:
1964:
1952:
1946:
1945:
1943:
1941:
1922:
1916:
1915:
1913:
1911:
1892:
1886:
1885:
1883:
1881:
1866:
1860:
1859:
1857:
1855:
1840:
1834:
1833:
1831:
1829:
1814:
1755:
1699:"King of Beauty"
1608:
1607:
1304:
1299:
1278:US track listing
1183:
1178:
1140:
1135:
981:
976:
959:UK Singles Chart
897:an episode title
893:The Schizoid Man
758:Patrick McGoohan
746:and an image of
689:Eventide DSP4000
640:Eventide DSP4000
626:Electro-Harmonix
538:alternative rock
525:
524:
523:
519:
518:
514:
513:
509:
508:
504:
503:
487:
486:
485:
481:
480:
476:
475:
471:
470:
466:
465:
449:
448:
447:
443:
442:
438:
437:
433:
432:
428:
427:
391:
390:
389:
385:
384:
380:
379:
375:
374:
370:
369:
352:
351:
350:
346:
345:
341:
340:
336:
335:
331:
330:
315:
314:
313:
309:
308:
304:
303:
299:
298:
294:
293:
268:
252:
249:
239:
236:
226:
223:
213:
210:
149:
148:
106:
105:
101:
81:progressive rock
54:7 September 1998
33:
21:
2606:
2605:
2601:
2600:
2599:
2597:
2596:
2595:
2556:
2555:
2554:
2549:
2533:
2451:Wide Open Space
2437:Egg Shaped Fred
2410:
2392:
2353:
2345:Mark Swinnerton
2342:Carlton Hibbert
2304:
2299:
2255:
2250:
2249:
2242:
2229:
2228:
2224:
2214:
2212:
2207:
2206:
2202:
2192:
2190:
2185:
2184:
2180:
2170:
2168:
2164:
2163:
2152:
2142:
2140:
2131:
2130:
2126:
2116:
2114:
2105:
2104:
2100:
2090:
2089:
2085:
2075:
2073:
2059:
2058:
2041:
2027:
2026:
2022:
2012:
2010:
2000:
1999:
1995:
1985:
1983:
1973:
1972:
1968:
1963:. melody maker.
1954:
1953:
1949:
1939:
1937:
1924:
1923:
1919:
1909:
1907:
1894:
1893:
1889:
1879:
1877:
1868:
1867:
1863:
1853:
1851:
1842:
1841:
1837:
1827:
1825:
1816:
1815:
1811:
1806:
1762:
1753:
1751:Chart positions
1675:Wide Open Space
1633:Wide Open Space
1613:from "Legacy" (
1606:
1497:
1492:
1280:
1275:
1172:
1129:
1062:"Inverse Midas"
967:
939:UK Albums Chart
932:
857:Michael Drosnin
836:Marquis de Sade
772:Vinegar tasters
768:Winnie the Pooh
711:
662:
570:
558:
521:
516:
511:
506:
483:
478:
473:
468:
445:
440:
435:
430:
397:Pitchfork Media
387:
382:
377:
372:
348:
343:
338:
333:
311:
306:
301:
296:
255:
250:
243:
242:
237:
230:
229:
224:
217:
216:
211:
204:
203:
175:
166:
157:
135:and Mike Hunter
103:
99:
98:
90:
76:Progressive pop
46:
19:
12:
11:
5:
2604:
2602:
2594:
2593:
2588:
2583:
2578:
2573:
2568:
2558:
2557:
2551:
2550:
2548:
2547:
2541:
2539:
2535:
2534:
2532:
2531:
2524:
2517:
2510:
2503:
2496:
2489:
2482:
2475:
2468:
2461:
2454:
2447:
2444:Stripper Vicar
2440:
2433:
2426:
2418:
2416:
2412:
2411:
2409:
2408:
2400:
2398:
2394:
2393:
2391:
2390:
2383:
2376:
2369:
2361:
2359:
2355:
2354:
2352:
2351:
2346:
2343:
2339:
2338:
2335:Andie Rathbone
2331:
2324:
2317:
2309:
2306:
2305:
2300:
2298:
2297:
2290:
2283:
2275:
2269:
2268:
2254:
2253:External links
2251:
2248:
2247:
2240:
2222:
2200:
2189:. oricon.co.jp
2178:
2150:
2124:
2098:
2083:
2039:
2020:
1993:
1966:
1947:
1917:
1887:
1861:
1835:
1808:
1807:
1805:
1802:
1799:
1798:
1795:
1793:UK Album Chart
1789:
1788:
1785:
1779:
1778:
1775:
1765:
1764:
1759:
1752:
1749:
1746:
1745:
1744:
1743:
1740:
1733:
1730:
1727:
1723:
1722:
1714:
1713:
1710:
1703:
1700:
1697:
1693:
1692:
1683:
1682:
1681:
1678:
1671:
1668:
1665:
1662:
1658:
1657:
1649:
1648:
1645:
1642:
1639:
1636:
1629:
1626:
1623:
1619:
1618:
1605:
1602:
1601:
1600:
1594:
1591:
1587:Jan Kybeert –
1585:
1582:
1577:Mike Hunter –
1575:
1569:
1565:
1564:
1553:
1552:
1542:Andie Rathbone
1539:
1530:
1527:backing vocals
1516:
1502:
1501:
1496:
1493:
1489:
1488:
1485:
1482:
1475:
1471:
1470:
1467:
1464:
1461:
1457:
1456:
1453:
1450:
1447:
1443:
1442:
1439:
1436:
1433:
1429:
1428:
1425:
1422:
1419:
1415:
1414:
1411:
1408:
1405:
1401:
1400:
1397:
1394:
1391:
1387:
1386:
1383:
1380:
1377:
1373:
1372:
1369:
1366:
1359:
1355:
1354:
1351:
1348:
1341:
1337:
1336:
1333:
1330:
1319:
1315:
1314:
1311:
1308:
1305:
1294:
1279:
1276:
1272:
1271:
1268:
1265:
1262:
1258:
1257:
1254:
1251:
1244:
1240:
1239:
1236:
1233:
1226:
1222:
1221:
1218:
1215:
1212:
1208:
1207:
1204:
1201:
1198:
1194:
1193:
1190:
1187:
1184:
1173:
1169:
1168:
1165:
1162:
1155:
1151:
1150:
1147:
1144:
1141:
1130:
1126:
1125:
1122:
1119:
1116:
1112:
1111:
1108:
1105:
1102:
1098:
1097:
1094:
1091:
1088:
1084:
1083:
1080:
1077:
1074:
1070:
1069:
1066:
1063:
1060:
1056:
1055:
1052:
1049:
1046:
1042:
1041:
1038:
1021:
1014:
1010:
1009:
1006:
1003:
996:
992:
991:
988:
985:
982:
968:
966:
963:
931:
928:
924:
923:
916:Rolling Stones
908:Paint It Black
905:
890:
887:L. Ron Hubbard
878:
870:
867:Richard Rogers
863:People Places,
860:
852:The Bible Code
848:
844:Book of Mormon
839:
827:
815:
807:
789:Now We Are Six
728:penny farthing
710:
707:
695:The Nutcracker
661:
658:
610:guitar effects
569:
566:
557:
554:
527:
526:
497:
489:
488:
459:
451:
450:
421:
413:
412:
409:
403:
402:
399:
393:
392:
363:
355:
354:
324:
318:
317:
287:
281:
280:
277:
273:
272:
261:
260:
257:
256:
254:
253:
240:
227:
214:
200:
197:
196:
186:
185:
182:
181:
178:
177:
168:
159:
145:
144:
137:
136:
126:
120:
119:
114:
108:
107:
96:
92:
91:
89:
88:
83:
78:
72:
70:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
2603:
2592:
2589:
2587:
2584:
2582:
2579:
2577:
2574:
2572:
2571:Mansun albums
2569:
2567:
2564:
2563:
2561:
2546:
2543:
2542:
2540:
2536:
2529:
2528:Slipping Away
2525:
2522:
2518:
2515:
2511:
2508:
2504:
2501:
2497:
2494:
2490:
2487:
2483:
2480:
2476:
2473:
2469:
2466:
2462:
2459:
2455:
2452:
2448:
2445:
2441:
2438:
2434:
2431:
2427:
2424:
2420:
2419:
2417:
2413:
2407:
2406:
2402:
2401:
2399:
2395:
2389:
2388:
2384:
2382:
2381:
2377:
2375:
2374:
2370:
2368:
2367:
2363:
2362:
2360:
2358:Studio albums
2356:
2350:
2349:Julian Fenton
2347:
2344:
2341:
2340:
2337:
2336:
2332:
2330:
2329:
2325:
2323:
2322:
2318:
2316:
2315:
2311:
2310:
2307:
2303:
2296:
2291:
2289:
2284:
2282:
2277:
2276:
2273:
2266:
2262:
2261:
2257:
2256:
2252:
2243:
2241:1-904994-10-5
2237:
2233:
2226:
2223:
2210:
2204:
2201:
2188:
2182:
2179:
2167:
2161:
2159:
2157:
2155:
2151:
2139:
2135:
2128:
2125:
2113:
2109:
2102:
2099:
2094:
2087:
2084:
2071:
2067:
2063:
2056:
2054:
2052:
2050:
2048:
2046:
2044:
2040:
2035:
2034:Friday Review
2031:
2024:
2021:
2008:
2006:
1997:
1994:
1981:
1979:
1970:
1967:
1962:
1960:
1951:
1948:
1935:
1933:
1927:
1921:
1918:
1906:
1902:
1900:
1891:
1888:
1876:
1872:
1865:
1862:
1850:
1846:
1839:
1836:
1824:
1820:
1813:
1810:
1803:
1794:
1791:
1790:
1784:
1781:
1780:
1773:
1772:
1767:
1766:
1760:
1758:Chart (1998)
1757:
1756:
1750:
1741:
1738:
1734:
1731:
1728:
1725:
1724:
1720:
1716:
1715:
1711:
1708:
1704:
1701:
1698:
1695:
1694:
1690:
1686:
1685:
1679:
1676:
1672:
1669:
1666:
1663:
1660:
1659:
1655:
1651:
1650:
1646:
1643:
1640:
1637:
1634:
1630:
1627:
1624:
1621:
1620:
1616:
1612:
1611:
1603:
1598:
1595:
1592:
1590:
1586:
1583:
1580:
1576:
1574:– co-producer
1573:
1570:
1567:
1566:
1562:
1561:
1560:
1558:
1551:
1547:
1543:
1540:
1538:
1534:
1531:
1528:
1524:
1520:
1517:
1515:
1514:rhythm guitar
1511:
1507:
1504:
1503:
1499:
1498:
1494:
1486:
1483:
1480:
1476:
1472:
1468:
1465:
1462:
1458:
1454:
1451:
1448:
1444:
1440:
1437:
1434:
1430:
1426:
1423:
1420:
1416:
1412:
1409:
1406:
1402:
1398:
1395:
1392:
1388:
1384:
1381:
1378:
1374:
1370:
1367:
1364:
1360:
1356:
1352:
1349:
1346:
1342:
1338:
1334:
1331:
1328:
1324:
1320:
1316:
1300:
1297:
1293:
1290:
1285:
1277:
1269:
1266:
1263:
1259:
1255:
1252:
1249:
1245:
1241:
1237:
1234:
1231:
1227:
1223:
1219:
1216:
1213:
1209:
1205:
1202:
1199:
1195:
1179:
1166:
1163:
1160:
1156:
1152:
1136:
1123:
1120:
1117:
1113:
1109:
1106:
1103:
1099:
1095:
1092:
1089:
1085:
1081:
1078:
1075:
1071:
1067:
1064:
1061:
1057:
1053:
1050:
1047:
1043:
1039:
1037:
1033:
1029:
1025:
1022:
1019:
1015:
1011:
1007:
1004:
1001:
997:
993:
977:
971:
965:Track listing
964:
962:
960:
956:
952:
948:
944:
940:
936:
929:
927:
921:
917:
913:
909:
906:
904:
903:
898:
894:
891:
888:
884:
883:
879:
876:
875:
871:
868:
864:
861:
858:
854:
853:
849:
846:
845:
840:
837:
833:
832:
828:
825:
824:George Orwell
821:
820:
816:
813:
812:
808:
805:
802:
801:
800:
798:
793:
791:
790:
785:
781:
777:
773:
769:
765:
764:
759:
755:
754:
749:
745:
741:
733:
729:
725:
724:
719:
715:
708:
706:
703:
701:
697:
696:
690:
685:
683:
682:
677:
673:
672:
667:
659:
657:
654:
650:
645:
641:
636:
634:
630:
627:
623:
619:
615:
611:
606:
604:
600:
596:
592:
586:
584:
577:
575:
567:
565:
563:
555:
553:
551:
547:
543:
539:
535:
534:
498:
496:
495:
491:
490:
460:
458:
457:
453:
452:
422:
420:
419:
415:
414:
410:
408:
405:
404:
400:
398:
395:
394:
364:
362:
361:
357:
356:
325:
323:
320:
319:
288:
286:
283:
282:
274:
271:Review scores
269:
258:
247:
241:
234:
228:
221:
215:
208:
202:
201:
198:
195:
191:
187:
183:
174:
173:
169:
165:
164:
160:
156:
155:
151:
150:
146:
142:
138:
134:
130:
127:
125:
121:
118:
115:
113:
109:
97:
93:
87:
84:
82:
79:
77:
74:
73:
71:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2514:Electric Man
2486:Being a Girl
2403:
2397:Compilations
2385:
2378:
2372:
2371:
2364:
2333:
2326:
2321:Dominic Chad
2319:
2312:
2259:
2231:
2225:
2215:19 September
2213:. Retrieved
2203:
2191:. Retrieved
2181:
2169:. Retrieved
2141:. Retrieved
2137:
2127:
2115:. Retrieved
2111:
2101:
2086:
2074:. Retrieved
2069:
2065:
2033:
2029:
2023:
2011:. Retrieved
2004:
1996:
1984:. Retrieved
1977:
1969:
1959:Six - Mansun
1958:
1950:
1938:. Retrieved
1931:
1920:
1908:. Retrieved
1899:Six – Mansun
1898:
1890:
1880:17 September
1878:. Retrieved
1874:
1864:
1854:17 September
1852:. Retrieved
1848:
1838:
1826:. Retrieved
1823:The Guardian
1822:
1812:
1774:Album Chart
1769:
1737:Being a Girl
1718:
1717:from "Six" (
1688:
1653:
1614:
1597:Pennie Smith
1554:
1519:Dominic Chad
1479:Being a Girl
1466:Draper, Chad
1438:Draper, Chad
1435:"Television"
1295:
1289:Arthur Baker
1283:
1281:
1248:Being a Girl
1203:Draper, Chad
1200:"Television"
1051:Draper, Chad
969:
955:Arthur Baker
951:Being a Girl
934:
933:
925:
907:
902:The Prisoner
900:
892:
880:
872:
862:
850:
841:
829:
817:
809:
803:
794:
787:
780:Dominic Chad
763:The Prisoner
761:
751:
738:The album's
737:
731:
723:The Prisoner
721:
717:
704:
693:
686:
679:
669:
663:
637:
607:
590:
588:
582:
579:
573:
571:
559:
549:
532:
531:
530:
492:
456:The Guardian
454:
416:
360:Melody Maker
358:
316:(US edition)
220:Being a Girl
193:
170:
162:
161:
152:
39:Studio album
15:
2566:1998 albums
2545:Discography
2387:Kleptomania
2314:Paul Draper
2193:13 December
2072:(12): 49–56
1557:spoken word
1523:lead guitar
1510:lead vocals
1506:Paul Draper
1407:"Serotonin"
1104:"Serotonin"
920:Brian Jones
784:A. A. Milne
666:the Beatles
660:Composition
562:soundchecks
129:Paul Draper
2560:Categories
2380:Little Kix
2328:Stove King
2143:9 November
1936:. Allmusic
1828:9 November
1804:References
1664:"Railings"
1563:Production
1550:percussion
1533:Stove King
1393:"Fall Out"
1090:"Fall Out"
918:guitarist
895:refers to
753:Doctor Who
740:sleeve art
671:Abbey Road
653:vari-speed
556:Background
546:Parlophone
411:(Positive)
407:PopMatters
172:Little Kix
143:chronology
133:Mark Stent
117:Parlophone
2117:6 October
2076:6 October
2003:"Review:
1976:"Review:
1930:"Review:
1897:"Review:
1768:Japanese
1763:position
1719:Eleven EP
1661:"Hideout"
1589:Pro Tools
1495:Personnel
1463:"Shotgun"
1327:Baker Mix
1310:Writer(s)
1189:Writer(s)
1159:Tom Baker
1146:Writer(s)
1133:Interlude
1048:"Shotgun"
987:Writer(s)
882:Dianetics
797:cover art
748:Tom Baker
709:Packaging
595:Liverpool
568:Recording
2493:Negative
2171:4 August
2112:XS Noize
2013:4 August
1986:4 August
1957:"Review
1940:4 August
1910:4 August
1905:Allmusic
1849:AllMusic
1667:"I Care"
1615:Eight EP
1579:engineer
1421:"Cancer"
1345:Negative
1176:Part Two
1118:"Cancer"
1036:Rathbone
1018:Negative
974:Part One
947:Negative
732:pictured
726:and the
684:(1986).
633:Rat fuzz
629:Big Muff
322:AllMusic
285:AllMusic
233:Negative
124:Producer
86:art rock
59:Recorded
51:Released
41: by
2465:Taxloss
2415:Singles
2265:YouTube
1709:(Live)"
1654:Nine EP
1604:B-sides
930:Release
622:Daddy-O
190:Singles
176:(2000)
167:(1998)
158:(1997)
2479:Legacy
2302:Mansun
2238:
1771:Oricon
1689:Ten EP
1638:"GSOH"
1500:Mansun
1484:
1452:
1424:
1410:
1396:
1382:
1368:
1363:Legacy
1332:
1313:Length
1267:
1253:
1235:
1230:Legacy
1217:
1192:Length
1149:Length
1121:
1107:
1093:
1079:
1024:Draper
1005:
990:Length
943:Legacy
776:Taoist
756:, and
744:TARDIS
681:Parade
676:Prince
599:London
583:Attack
542:Mansun
401:7.8/10
279:Rating
276:Source
207:Legacy
141:Mansun
95:Length
44:Mansun
1546:drums
1307:Title
1186:Title
1143:Title
984:Title
624:, an
540:band
494:Uncut
192:from
112:Label
68:Genre
2521:Fool
2236:ISBN
2217:2016
2195:2010
2173:2009
2145:2020
2119:2017
2078:2017
2015:2009
1988:2009
1942:2009
1912:2009
1882:2024
1856:2024
1830:2020
1761:Peak
1537:bass
1487:8:00
1469:6:27
1455:5:18
1441:8:21
1427:9:16
1413:2:33
1399:3:47
1385:2:25
1371:6:19
1353:4:16
1335:3:56
1270:3:42
1256:7:59
1238:6:33
1220:5:32
1206:8:21
1167:3:06
1164:Chad
1124:9:31
1110:2:33
1096:3:47
1082:2:25
1068:1:44
1065:Chad
1054:6:38
1040:4:21
1032:King
1028:Chad
1008:8:07
842:The
795:The
774:, a
644:Korg
631:, a
620:, a
194:Six
62:1998
2500:Six
2373:Six
2263:at
2260:Six
2032:".
1787:14
1777:40
1474:11.
1460:10.
1323:Six
1303:No.
1284:Six
1261:14.
1243:13.
1225:12.
1211:11.
1197:10.
1182:No.
1139:No.
1000:Six
980:No.
935:Six
910:by
899:of
885:by
855:by
834:by
822:by
750:as
718:Six
698:by
678:'s
601:'s
591:Six
550:Six
533:Six
246:Six
163:Six
24:Six
2562::
2153:^
2136:.
2110:.
2068:.
2064:.
2042:^
1928:.
1903:.
1873:.
1847:.
1821:.
1797:6
1548:,
1544:–
1535:–
1525:,
1521:–
1512:,
1508:–
1446:9.
1432:8.
1418:7.
1404:6.
1390:5.
1376:4.
1358:3.
1340:2.
1329:)"
1318:1.
1154:9.
1115:8.
1101:7.
1087:6.
1073:5.
1059:4.
1045:3.
1034:,
1030:,
1026:,
1013:2.
995:1.
792:.
702:.
668:'
131:,
104:37
100:70
2530:"
2526:"
2523:"
2519:"
2516:"
2512:"
2509:"
2505:"
2502:"
2498:"
2495:"
2491:"
2488:"
2484:"
2481:"
2477:"
2474:"
2470:"
2467:"
2463:"
2460:"
2456:"
2453:"
2449:"
2446:"
2442:"
2439:"
2435:"
2432:"
2428:"
2425:"
2421:"
2294:e
2287:t
2280:v
2244:.
2219:.
2197:.
2175:.
2147:.
2121:.
2095:.
2080:.
2070:8
2017:.
2007:"
1990:.
1980:"
1961:"
1944:.
1934:"
1914:.
1901:"
1884:.
1858:.
1832:.
1735:"
1721:)
1705:"
1691:)
1673:"
1656:)
1631:"
1617:)
1481:"
1477:"
1365:"
1361:"
1347:"
1343:"
1325:(
1321:"
1250:"
1246:"
1232:"
1228:"
1161:)
1020:"
1016:"
1002:"
998:"
418:Q
248:"
244:"
235:"
231:"
222:"
218:"
209:"
205:"
102::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
