345:
national schools and art movements, others chronologically. Time
Magazine characterized Skira as a "perfectionist" for his opulent publications made for a high-end market. Many of the leading art historians, archaeologists, and intellectuals of the time were commissioned to write the books, providing authoritative text. Unlike the majority of art history books up to that time, which if illustrated at all, were illustrated in black and white, Editions d'Art Albert Skira books were profusely illustrated with high quality color reproductions "
349:" into each volume. At that time, one of the Skira series "Painting, Color, History", was praised for the "notable achievement" of having all the illustrations in each volume in color, and the "quality of the color and of the paper and typography". They were sold in protective, plain cardboard slipcases with glossy illustrated dust jackets. The books were well constructed with embossed lettering on cloth or
332:, from around the world, as well as large series of art books that were sold throughout Europe and North America. In French-speaking counties Skira's books were exclusively distributed by Achille Weber and in the United Kingdom by the art publishing firm and bookshop A. Zwemmer Ltd., which had previously distributed Minotaure in the 1930s. The books were distributed in the USA and Canada by The
1006:, and many others. The books are near square in shape (6.25 x 7 in./15.9 x 17.8 cm.) with beige buckram covers, embossed gilt-lettering in red (monographs), blue (Art Revolutions), and black (Famous Places). Each book had 44-78 (most 50-65) color plates. Second editions appeared as early as the late 1950s (e.g. Degas 1958, Picasso 1959), with a few more 1968-1969, and many in 1972.
27:
239:. Skira promoted the magazine as a "primary source of information about the arts" that would reproduce works of "universal interest" and supplement them with critical studies of current artistic trends. Picasso was commissioned to photograph a series of sculptures for the first number which also included reproductions of works by Matisse and
861:'s volume on Chinese Painting is considered a classic text that for decades was required reading in Chinese art history classes. The volumes in this series were originally written in English, with the exception of Painting of Central Asia Vol. VI which was written in Italian and translated into English by
921:
Promoted as "handy-sized" these small, relatively low priced books were designed for a wide audience without compromising Skira's high standards. Four "subseries" include
Monographs (43 volumes), The Great Art Revolutions (6 volumes), Famous Places as Seen by Great Painters (4 volumes published with
344:
With the success of the "Les Trésors de la
Peinture Française" (1934-1952) and other series in France, Albert Skira planned and directed the publication of several ambitious series of books for an international market. These series systematically reviewed the art of European and beyond, some through
369:
as known today. In her study on "the impact of Albert Skira in the post-war years on the art book" Corisande stated "It is because he was the creator that Albert Skira marked the history of the art book between 1950 and 1970, and established itself as a vital mediator between art and the public."
848:
A companion series to The Great
Centuries of Painting (identical in format except the covers are yellow), presented as "the next step in our encyclopedic program of art publishing is to provide a comprehensive survey of painting in Asia". The authors were all highly regarded in their respective
382:
called to the series "the imaginary museum" and said these collections modified the relationship of painting with his audience, the general public, and DufrĂŞne said of Albert Skira and his series of the 1950s -1970s "the publisher is often more important than the author; format and layout more
360:
Skira was praised as a "distinguished" publisher with "long lists of reputable, scholarly publications" to its credit. Albert Skira "brought his high standards to a mass audience" and along with the publications of just a few contemporaries (e.g. Cailler and
Editions Tisné; Éditions Mazenod;
377:
said "this man, who had the absolute eye, helped to make history." suggesting that the success of these book series in Europe and North
America were a contributing influence and factor in determining what art and artist we consider important and how art is perceived today, as have others.
728:(4to) format, near square in dimensions (11.25 x 10 in./28.4 x 25.2 cm.). Many volumes have foldout pages supporting large or comparative sets of color plates. Second editions of some volumes were published in 1972, and paperback editions were published by Skira/Rizzoli later years.
1662:
Although heavily skewed to painting, this series expands coverage to encompass sculpture, architecture, and other visual arts, and to place that art into the broader social, political, philosophical, and historical context of the period that it was produced in. The authors include
394:
Over two decades in the making, the original series for an international audience was "An historical conspectus of the great schools of painting and the chief art movements, past and present" Many art historians of the 20th century were commissioned to write the books, including
319:(The Psychology of Art). Holman wrote her art history thesis on Editions d'Art Albert Skira focusing on the years between 1928 and 1948, his desire to publish a book with Picasso, and the different types of books he published: magazines, artist's books, and history books.
1687:
wrapped around the dust jackets, with transparent dust jacket protectors, all in white cloth slipcases. Originally planned as a 14 volume series with the titles promoted on the dust jackets of the published volumes, the first four volumes never materialized:
357:, and great attention to details. Most volumes in each collection were translated into multiple languages and available in French, English, and Italian editions, and often in German and Spanish "according to the market and the demand of the distributors".
383:
important than the text". Corisande discussed "the place held by Albert Skira and his books in the process of training public taste" and asked "Are they driving the formation of taste or are they devoted to contributing to an already established taste?"
926:), and four unnumbered volumes on drawing were published 1967-71 as a promotional campaign, buy three regular numbered volumes from the series and get one drawing book free. Collectively more than 30 authors contributed to the series including
439:, 12 volumes (French, Modern, Italian); light red, 5 volumes (Dutch, Flemish, German); others are shades from beige to brown. Some books feature foldout pages with color plates. Second editions of many volumes were published in the 1970s by
336:, Cleveland, Ohio, although for a brief time Editions d'Art Albert Skira had a subsidiary in New York City, Skira International Corporation, led by Henry Field, and Crown Publishers, Inc, New York handled them briefly in the early 1970s.
2319:, Geneva and Paris: Éditions Albert Skira, 1948. With cover design and frontispiece by Henri Matisse and introduction by Paul Éluard. Historical catalogue published to commemorate the 20th anniversary of the firm Éditions Albert Skira.
327:
In the 1950s and 1960s Skira became a multinational publisher of quality art books printed in color with very high technical standards. Skira published individual books on many areas of art, including histories, contemporary art, and
1553:
This collection was "Created by Albert Skira for
Horizon Magazine" and focuses on the architecture, fine art, and decorative arts of various cultures or cities. The authors include art historians and archeologist including
141:. Albert Skira wanted his firm to publish books in which "the greatest of artists illustrate the best in literature". For that reason Skira's first publications were a number of large scale
254:
with each volume containing "large colour plates and a brief text". The series had sold a million copies in France and
Switzerland by 1950 and ultimately grew to 48 volumes ending in 1952.
716:. Most volumes were originally written in French or Italian and translated into other languages. Nine of the 14 volumes were translated into English by literary scholar and translator
435:(History of Modern Painting III), three were originally in English. They are large books (13.75 x 10 in.) with cloth covers embossed gilt-lettering. The covers vary in color:
161:, which were executed in 1930 in Picasso's neoclassical style and published in 1931 in a limited edition. These were followed by further luxury editions of poetry, including
270:), a luxury artist's book created at the "highest possible standards ... in design and typography". Other major books published by Skira in the 1940s included Rabelais's
2379:
2369:
2224:
De
Lasarte, J. A. Catalan Painting: From the Nineteenth to the Surprising Twentieth Century. (1992), Skira/Rizzoli International Publications, Inc., New York. 154 pp.
2197:
Dufrêne, Bernadette (2002) L'édition d'art des années 1950-1970 : des promesses non tenues ?, Communication et langages. No. 134, 4 ème trimestre 22-38 pp.
676:, ancient Egypt, Greece, Rome, Byzantine, Medieval Europe, The Renaissance, to the end of nineteenth century. The authors include archeologists and art historians:
2277:
Alexandre Cirici-Pellicer and
Francisco Javier Sanchez Canton. Treasures of Spain: From Charles V to Goya. (1965), Editions d'Art Albert Skira, Geneva, 236 pp.
2364:
2384:
857:, Akiyama Terukazu (National Institute of Art Researchers, Tokyo), Douglas Barrett (British Museum, London), and Mario Bussagli (University of Rome).
1902:
William Rubin editor (1980), Pablo Picasso: A Retrospective. The Museum of Modern Art (distributed by the New York Graphic Society, New York. 464 pp.
1832:
672:
This collection provides a historical overview of painting in Europe and western civilization, systematically surveying prehistoric cave painting at
125:
in Switzerland in 1928 and now based in Italy. The firm is known particularly for its art books of "vastly improved quality of colour reproduction".
641:
Florens Deuchler, Marcel Roethlisberger, and Hans LĂĽthy. (1976), Skira/Rizzoli International Publications, Inc., New York. 65 color plates 198 pp.
1582:
books (13 x 10-1/2 in.) with red cloth covers embossed with gold gilt-lettering and include both black & white, and color tipped-in plates.
1590:
St Peter's Basilica, The Vatican Museums and Galleries, The Treasure of St Peter's, The Vatican Grottoes and Necropolis, the Vatican Palaces.
1599:
the Church of St Mark's, the treasure of St Mark's, the Ducal Palace, the Gallerie Dell'accademia, the Architecture and Monuments of Venice.
1559:
262:
In 1941 Albert Skira returned to Geneva. In the years 1941 to 1948 he devoted himself (with the assistance of Henri Matisse) to publishing
2030:
166:
1940:
1886:
1683:, Nello Ponente, and Robert L. Delevoy. These books are in a quarto (4to) format (9 3/4 x 12 1/8 in.), and originally came with black
209:
and opened a branch of his firm there. At that time Paris was an artistic centre and many of the great modern movements, such as
2042:
Holman, Valery Jean. (1987). Albert Skira and Art Publishing. Doctoral Thesis, Courtauld Institute of Art, University of London.
427:. Fourteen of the 23 volumes were translated into English from French, Italian, and Spanish by literary scholar and translator
2286:
Maurizio Calvesi and Deoclecio Redig de Campos. Treasures of the Vatican. (1962), Editions d'Art Albert Skira, Geneva, 207 pp.
865:. Second editions of some volumes were published in 1972, and paperback editions were published by Skira/Rizzoli later years.
432:
564:
Maynal Raynal, Jacques Lassaigne, Arnold RĂĽdlinger, Hans Bolliger, and Werner Schmalenbach (1950), 112 color plates, 209 pp.
2206:
Venturi, L. & R. Skira-Venturi. Italian Painting: The Renaissance. (1951), Editions D'Art Albert Skira, Geneva. 168 pp.
1856:
724:. The books have dark forest green, buckram covers with embossed gold gilt-lettering on the front and spines, and are in a
177:
said of Matisse's work "The etchings of the 1932 edition of Mallarmé perhaps mark the peak in his efforts in this medium".
2175:
Starobinski, Jean (1968) Albert Skira, 40 ans d’édition, in Salut à Albert Skira, Genève, Revue de Belles-Lettres, 26 p.
2162:
1986:
971:
408:
296:
2342:
2374:
858:
2017:
2147:
403:, Hans Bolliger, Jules David Brown, Albert Châtelet, Robert L. Delevoy, Enrique Lafuente Ferrari, Hanspeter Landolt,
213:, were active there. To cater for this audience, Skira, in collaboration with the art critic, editor and publisher
2247:
1806:
2215:
Landolt, H. German Painting: Late Middle Ages (1350-1500). (1968), Editions D'Art Albert Skira, Geneva. 168 pp.
333:
272:
1571:
665:
J. A. De Lasarte (1992), Skira/Rizzoli International Publications, Inc., New York. 101 color plates, 154 pp.
649:
J. A. De Lasarte (1990), Skira/Rizzoli International Publications, Inc., New York. 105 color plates, 152 pp.
182:
162:
657:
J A. De Lasarte (1991), Skira/Rizzoli International Publications, Inc., New York. 102 color plates, 161 pp.
2295:
André Chastel. The Myth of the Renaissance 1420-1520. (1969), Editions d'Art Albert Skira, Geneva, 231 pp.
186:
1920:
Descharnes, Robert (1984), Salvador Dali, the Work, the Man. Harry N. Abrams, Inc., New York, NY. 455 pp.
1911:
John Jacobus (1972), Matisse, from The Library of Great Painters. Harry N. Abrams, Inc. New York. 184 pp.
963:
311:
but whose newspaper format showed that he was attempting to reach a wider audience. The final number of
2133:
2003:
556:
Maynal Raynal, Jacques Lassaigne, Arnold RĂĽdlinger, and Hans Bolliger (1950), 88 color plates, 151 pp.
1680:
1563:
854:
1619:
Alexandre Cirici-Pellicer and Francisco Javier Sanchez Canton (1965), ? plates/? color, 236 pp.
1048:
Vol. 17. M. Brunetti, T. Pignatti, R. Pallucchini, and J. Lassaigne (1956), 78 color plates, 155 pp.
236:
2250:. "James Cahill dies at 87; scholar of Chinese art". Los Angeles Times. Retrieved 25 February 2014.
436:
1837:
1672:
1637:
Alexandre Cirici-Pellicer and Francisco Javier Sanchez Canton (1967), 124 plates/? color, 249 pp.
927:
701:
677:
2106:
Raynal, M. (1951) The Nineteenth Century, Goya to Gauguin. Editions D'Art Albert Skira. 148 pp.
1795:
995:
987:
967:
721:
689:
420:
404:
366:
291:
Towards the end of the war he also published "a monthly review of art and literature" called
267:
2053:
1684:
1676:
1668:
1628:
Cyril Mango, Ekrem Akurgal, and Richard Ettinghausen (1966). ? plates/86 color, 253 pp.
1003:
999:
983:
951:
943:
931:
923:
713:
709:
681:
424:
374:
304:
300:
178:
142:
947:
697:
354:
329:
1794:
After the early death of the firm's founder, Albert Skira, in 1973, the firm was sold to
1567:
991:
935:
685:
379:
285:
277:
224:
2185:
194:
979:
955:
717:
705:
428:
412:
346:
244:
228:
2097:
Raynal, M. (1949) The History of Modern Painting. Editions D'Art Albert Skira. 151 pp.
553:
The History of Modern Painting II: Matisse, Munch, Rouault, Fauvism and Expressionism.
2358:
2349:
2238:
Cahill, James. Chinese Painting. (1960), Editions d'Art Albert Skira, Geneva, 213 pp.
2085:
1555:
959:
862:
693:
440:
400:
170:
154:
146:
2021:, New York: Farrar Straus Giroux, 1983, 1985, (ebook) 2012. Retrieved 11 March 2019.
1805:
In 1996 the firm was acquired by the Italian publishing group Einaudi and later by
1664:
1592:
Maurizio Calvesi and Deoclecio Redig de Campos (1962), 120 plates/85 color, 207 pp.
975:
939:
416:
396:
362:
174:
122:
56:
26:
1947:(3rd ed.), Oxford University Press, 2015 online edition. Retrieved 10 March 2019.
2268:
Claude Roy (1971), Daumier Dessins. Editions d'Art Albert Skira, Geneva, 103 pp.
2259:
Pierre Courthion (1956). Montmartre. Editions d'Art Albert Skira, Geneva, 143 pp
1575:
822:
The Seventeenth Century: The New Developments in Art from Caravaggio to Vermeer.
596:
Lionello Venturi and Rosabianca Skira-Venturi. (1950), 103 color plates, 205 pp.
232:
66:
2086:
Corisande Evesque. Albert Skira et ses livres d’art (1948-1973). Histoire. 2015
612:
Lionello Venturi and Rosabianca Skira-Venturi. (1952), 84 color plates, 174 pp.
604:
Lionello Venturi and Rosabianca Skira-Venturi (1951), 105 color plates, 168 pp.
850:
662:
Catalan Painting III: From the Nineteenth to the Surprising Twentieth Century.
240:
214:
210:
476:
Jean-Jacques Mayoux and Sir Anthony Blunt. (1972). 130 color plates, 281 pp.
1799:
1579:
1359:
Vol. 52. P. Descargues (1972), 47 color plates, 155 pp. (no English edition)
219:
86:
1508:
Drawings (special promotion unnumbered volumes, published with green obis):
1215:
Vol. 51. A. Fermigier (1971), 54 color plates, 142 pp. (no English edition)
2350:
Albert Skira, Overview. http://www.worldcat.org/identities/lccn-n81095878/
809:
Jacques Lassaigne and Giulio Carlo Argan (1955), 116 color plates, 235 pp.
638:
Swiss Painting: From the Middle Ages to the Dawn of the Twentieth Century.
492:
Jacques Lassaigne and Robert L. Delevoy. (1958), 112 color plates, 201 pp.
1476:
Vol. 53. L. Delevoy (1972), 55 color plates, 201 pp. (no English edition)
906:
Vol. V. Douglas Barrett & Basil Gray (1963), 83 color plates, 215 pp.
572:
Maurice Raynal (1953), 200 color reproductions (not hand tipped), 339 pp.
134:
2124:
Cahill, J. (1960) Chinese Painting. Editions D'Art Albert Skira. 213 pp.
1893:, Oxford University Press, 2010 online edition. Retrieved 10 March 2019.
1861:, Manchester University Press, 1993, pp. 77-79. Retrieved 11 March 2019.
1601:
Michelangelo Murano and André Grabar (1963). 126 plates/? color, 218 pp.
508:
Jacques Thuillier and Albert Châtelet. (1964), 106 color plates, 277 pp.
673:
500:
Albert Châtelet and Jacques Thuillier (1963), 109 color plates, 245 pp.
350:
295:(1944–1946) which contained essays on topics and by painters (Cingria,
158:
1956:
1873:
1224:
Vol. 50. C. Roy (1971), 46 color plates, 127 pp. (no English edition)
725:
190:
138:
1626:
The earliest civilizations of Anatolia Byzantium the Islamic Period.
1653:
Medes and Persians, Treasures Of The Magi, The Iranian Renaissance.
1010:
Famous Places as Seen by Great Painters (published with black obis)
825:
Jacques Dupont and Francois Mathey (1951), 64 color plates, 136 pp.
588:
Amedeo Maiuri and Lionello Venturi (1959), 99 color plates, 199 pp.
419:, Werner Schmalenbach, Rosabianca Skira-Venturi, Arnold RĂĽdlinger,
2184:
Gaëtan Picon. Skira Albert (1904-1973). Encyclopaedia Universalis
1810:
1546:
J. Leymarie (1967), 51 illustrations, 44 tipped in plates, 107 pp.
206:
76:
2115:
Estienne, C. (1953) Gauguin. Editions D'Art Albert Skira. 115 pp.
801:
Jacques Dupont and Cesare Gnudi (1954), 110 color plates, 215 pp.
790:
Romanesque Painting, from the Eleventh to the Thirteenth Century.
785:
André Grabar and Carl Nordenfalk (1957), 98 color plates, 243 pp.
782:
Early Medieval Painting, from the Fourth to the Eleventh Century.
339:
1608:
The Arts of the Pre-Columbian Civilizations from Mexico to Peru.
838:
The Nineteenth Century: New Sources of Emotion, Goya to Gauguin.
793:
André Grabar and Carl Nordenfalk (1958), 99 color plates 231 pp.
150:
585:
Italian Painting I: From The Origins to the Thirteenth Century.
561:
The History of Modern Painting III: from Picasso to Surrealism.
217:, launched a glossy avant-garde art magazine with the title of
2324:
Giacometti, Balthus, Skira: les années Labyrinthe, 1944-1946:
1809:
and its head office was moved to the Palazzo Casati Stampa in
340:
Editions d'Art Albert Skira book series of the 1950s and 1960s
2031:
Giacometti, Balthus, Skira: Les années Labyrinthe (1944-1946)
1494:
Vol. 33. E. Lafuente Ferrari (1960), 54 color plates, 131 pp.
1087:
Impressionism II, after 1873: Biographical and Critical Study
1078:
Impressionism I, before 1873: Biographical and Critical Study
545:
The History of Modern Painting I: from Baudelaire to Bonnard.
1975:, Bloomsbury Academic, 2017, p. 36. Retrieved 11 March 2019.
1610:
Samuel Kirkland Lothrop (1964). 145 plates/85 color, 230 pp.
1528:
C. Roy (1971), 61 color plates, 103 pp. (no English edition)
898:
Vol IV. Richard Ettinghausen (1962) 81 color plates, 211 pp.
449:
American Painting I: From its Beginnings to the Armory Show.
315:
published the first chapter of the final draft of Malraux's
890:
Vol. III. Akiyama Terukazu (1961), 81 color plates, 219 pp.
387:
Series and collections planned and directed by Albert Skira
1973:
Matisse’s Poets: Critical Performance in the Artist’s Book
1109:
Vol. 37. P. Waldberg (1962), 65 plates (62 color), 151 pp.
654:
Catalan Painting II: from Gothic splendor to the Baroque.
617:
Spanish Painting I: From the Catalan Frescos to El Greco.
540:
Enrique Lafuente Ferrari (1955), 42 color plates, 151 pp.
537:
Goya: The Frescos in San Antonio de la Florida in Madrid.
2336:
1436:
Piero Della Francesca: Biographical and Critical Studies
1323:
Vol. 47. G. Picon (1967), color 52 color plates, 131 pp.
914:
Vol. VI. Mario Bussagli (1963), 68 color plates, 137 pp.
1802:
before returning to the ownership of the Skira family.
1562:, Alexandre Cirici-Pellicer, Deoclecio Redig de Campo,
1503:
Vol. 45. P. Descargues (1966), 55 color plates, 147 pp.
1314:
Vol. 48. P. Descargues (1968), 42 color plates, 147 pp.
670:
The Great Centuries of Painting: 14 volumes (1950-1959)
97:
1395:
Vol. 39. J. Lassaigne (1963), 50 color plates, 143 pp.
1386:
Vol. 30. J. Lassaigne (1959), 57 color plates, 139 pp.
1332:
Vol. 41. J. Lassaigne (1964), 50 color plates, 131 pp.
1278:
Vol. 46. J. Thuillier (1967), 48 color plates, 159 pp.
1197:
Vol. 40. P. Rosenberg (1963), 49 color plates, 127 pp.
1100:
Vol. 36. P. Courthion (1961), 58 color plates, 139 pp.
1039:
Vol. 21. P. Courthion (1957), 70 color plates, 143 pp.
1030:
Vol. 20. P. Courthion (1957), 69 color plates, 151 pp.
1021:
Vol. 16. P. Courthion (1956), 64 color plates, 143 pp.
874:
Vol. I. James Cahill (1960), 100 color plates, 213 pp.
473:
English Painting: From Hogarth to the Pre-Raphaelites.
365:) ) his books played a role in the development of the
2186:
https://www.universalis.fr/encyclopedie/albert-skira/
2051:
James Brenton, "Volumes Record March of Modern Art",
1578:, Aly Mazahéri, Michelangelo Murano. These are large
1449:
Vol. 22. O. Benesch (1957), 56 color plates, 155 pp.
1377:
Vol. 14. G. Bataille (1955), 53 color plates, 135 pp.
1350:
Vol. 3. J. Lassaigne (1953), 50 color plates, 121 pp.
1296:
Vol. 32. E. Battisti (1960), 54 color plates, 147 pp.
1269:
Vol. 10. G. C. Argan (1955), 49 color plates, 127 pp.
1260:
Vol. 15. P. Guinnard (1956), 53 color plates, 143 pp.
1242:
Vol. 9. J. Lassaigne (1954), 54 color plates, 119 pp.
1206:
Vol. 44. J. Leymarie (1966), 56 color plates, 139 pp.
1170:
Vol. 24. T. Pignatti (1958), 54 color plates, 119 pp.
1152:
Vol. 35. J. Leymarie (1961), 53 color plates, 135 pp.
1143:
Vol. 19. G. C. Argan (1957), 60 color plates, 147 pp.
1125:
Vol. 42. A. Terrasse (1964), 54 color plates, 115 pp.
1091:
Vol. 12. J. Leymarie (1955), 63 color plates, 139 pp.
1082:
Vol. 11. J. Leymarie (1955), 52 color plates, 119 pp.
1073:
Vol. 28. J. Leymarie (1959), 70 color plates, 165 pp.
1064:
Vol. 27. G. Habasque (1959), 71 color plates. 171 pp.
593:
Italian Painting II: The Creators of the Renaissance.
2134:
Painting, Colour, History (Skira) - Book Series List
1999:
1997:
1655:
Aly Mazahéri (1970), ? plates/87 color, 300 pp.
1485:
Vol. 2. C. Estienne (1953), 55 color plates, 127 pp.
1467:
Vol. 26. L. Venturi (1959), 58 color plates, 143 pp.
1368:
Vol. 38. R. Delevoy (1962), 50 color plates, 143 pp.
1355:
Le Douanier Rousseau: Étude biographique et critique
1305:
Vol. 13. P. Gassier (1955), 57 color plates, 139 pp.
1287:
Vol. 1. C. Estienne (1953), 51 color plates, 115 pp.
1188:
Vol. 18. L. Venturi (1956), 53 color plates, 123 pp.
1161:
Vol. 29. R. Delevoy (1959), 54 color plates, 155 pp.
1134:
Vol. 34. R. Delevoy (1960), 54 color plates, 143 pp.
250:
In 1934 Skira launched a book series with the title
2345:- video "Avec Skira: Les débuts d'un grand éditeur"
2081:
2079:
2077:
2075:
2073:
2071:
2069:
2067:
2065:
2063:
1753:
Giulio Carlo Argan (1964), 64 color plates, 222 pp.
1690:
Oriental Empires to Greek City States 1183-480 B.C.
1644:
The Early Period, The New Kingdom, The Late Period.
1431:
Vol. 49. P. Dufour (1969), 50 color plates, 139 pp.
1413:
Vol. 25. D. Rouart (1958), 52 color plates, 131 pp.
1341:
Vol. 31. N. Ponente (1960),54 color plates, 143 pp.
1035:
Paris in Our Time: Impressionism to the Present Day
882:
Vol. II. Basil Gray (1961) 80 color plates, 191 pp.
761:
Massimo Pallottino (1952), 64 color plates, 139 pp.
609:
Italian Painting IV: From Caracaggio to Modigliani.
484:
Jacques Lassaigne (1957), 112 color plates, 183 pp.
92:
82:
72:
62:
52:
44:
36:
1785:Robert L. Delevoy (1965), 73 color plates, 224 pp.
1769:Eugenie de Keyser (1965), 64 color plates, 210 pp.
1646:Jean Yoyotte (1968). 120 plates/85 plates, 260 pp.
1458:Vol. 7. D. Rouart (1954), 56 color plates, 119 pp.
1440:Vol. 6. L. Venturi(1954), 57 color plates, 127 pp.
1422:Vol. 4. M. Raynal (1953), 63 color plates, 135 pp.
1251:Vol. 43. L. Grote (1965), 54 color plates, 143 pp.
1179:Vol. 8. M. Raynal (1954), 62 color plates, 139 pp.
817:Lionello Venturi (1956), 152 color plates, 283 pp.
745:Arpag Mekhitarian (1954), 95 color plates, 167 pp.
734:Prehistoric Painting, Lascaux or the Birth of Art.
646:Catalan Painting I: The Fascination of Romanesque.
628:Jacques Lassaigne (1952), 70 color plates, 148 pp.
620:Jacques Lassaigne (1952), 70 color plates, 138 pp.
524:Hanspeter Landolt (1968), 72 color plates, 168 pp.
516:Jacques Leymarie (1962), 109 color plates, 231 pp.
452:Jules David Brown (1969), 70 color plates, 145 pp.
1869:
1867:
1761:Jean Starobinski (1964), 63 color plates, 222 pp.
1551:The Treasures of the World: 8 volumes (1962-1970)
1233:Vol. 5. F. Fosca (1954), 52 color plates, 107 pp.
753:Martin Robertson (1959), 99 color plates, 195 pp.
737:Georges Bataille (1955), 68 color plates, 151 pp.
2234:
2232:
2230:
2136:, publishinghistory.com. Retrieved 13 July 2019.
1959:, teriade8.wixsite.com. Retrieved 11 March 2019.
1427:Picasso 1950-1968: Historical and Critical Study
1404:Vol. 23. C. Roy (1958), 57 color plates, 135 pp.
577:Modern Painting, Contemporary Trends: 1940-1960.
521:German Painting I: Late Middle Ages (1350-1500).
392:Painting, Color, History: 23 volumes (1949-1972)
841:Maurice Raynal (1951), 69 color plates, 148 pp.
833:Francois Fosca (1952), 64 color plates, 147 pp.
625:Spanish Painting II: From Velazquez to Picasso.
548:Maynal Raynal, (1949), 80 color plates, 151 pp.
2151:, 16 August 1952, Vol. 221, Issue 5913, p.258.
1782:Dimensions of the Twentieth Century 1900-1945.
1777:Nello Ponente (1965), 66 color plates, 210 pp.
1745:André Chastel (1968), 67 color plates, 217 pp.
1737:André Chastel (1969), 66 color plates, 231 pp.
806:The Fifteenth Century, Van Eyck to Botticelli.
777:André Grabar (1953), 105 color plates, 203 pp.
769:Amedeo Maiuri (1953), 84 color plates, 155 pp.
632:volumes published after Albert Skira's death
580:Nello Ponente (1960). 100 color plates 215 pp.
505:French Painting II: From Le Nain to Fragonard.
468:Jean Leymarie (1956) 114 color plates, 213 pp.
276:(1943) (with "vibrantly-coloured woodcuts" by
2326:, Geneva: Musées d'art et d'histoire, 2009.
1887:"Skira, Albert (1904–73) Swiss art publisher"
1841:, 15 September 1973. Retrieved 10 March 2019.
1774:The Structures of the Modern World 1850-1900.
1729:Georges Duby (1966), 72 color plates, 222 pp.
1721:Georges Duby (1966), 71 color plates, 220 pp.
1713:Georges Duby (1967), 71 color plates, 214 pp.
1265:Fra Angelico: Biographical and Critical Study
919:The Taste of Our Time: 57 volumes (1953-1972)
532:Otto Benesch (1966), 89 color plates, 198 pp.
460:Barbara Rose (1969), 60 color plates, 126 pp.
8:
1698:Five Centuries of Roman Art 88 B.C.-525 A.D.
1537:J. Leymarie (1969), 51 color plates, 104 pp.
1519:J. Lassaigne (1968), 44 color plates, 95 pp.
946:(4 volumes), Robert L. Delevoy (4 volumes),
814:The Sixteenth Century, Leonardo to El Greco.
513:French Painting III: The Nineteenth Century.
481:Flemish Painting I: The Century of Van Eyck.
443:International Publications, Inc., New York.
145:editions. For the first book, Skira engaged
19:
2317:Éditions Albert Skira: Vingt ans d'activité
2033:, ville-geneve.ch. Retrieved 11 March 2019.
1945:A Dictionary of Modern and Contemporary Art
1851:
1849:
1847:
1660:Art, Ideas, History: 10 volumes (1964-1969)
1533:Impressionist Drawings From Manet To Renoir
1310:Frans Hals: Biographical and Critical Study
1139:Botticelli: Biographical and Critical Study
830:The Eighteenth Century, Watteau to Tiepolo.
497:French Painting I: From Fouquet to Poussin.
2145:Frank Davis, "A Page for Collectors", in:
1943:, in: Ian Chilvers and John Glaves-Smith,
1710:The Making of the Christian West 980-1140.
1490:Velazquez: Biographical and Critical Study
1445:Rembrandt: Biographical and Critical Study
1418:Picasso: Biographical and Critical Studies
1346:Lautrec: Biographical and Critical Studies
1328:Kandinsky: Biographical and Critical Study
1283:Gauguin: Biographical and Critical Studies
1274:Fragonard: Biographical and Critical Study
1166:Carpaccio: Biographical and Critical Study
1026:Paris in the Past: from Fouquet to Daumier
529:German Painting II: From DĂĽrer to Holbein.
489:Flemish Painting II: From Bosch to Rubens.
18:
1941:"Skira, Albert (1904–73) Swiss publisher"
1454:Renoir: Biographical and Critical Studies
1256:El Greco: Biographical and Critical Study
2380:Book publishing companies of Switzerland
2370:Publishing companies established in 1928
2160:John Nash, "The line from Lascaux", in:
1967:
1965:
1742:The Crisis of the Renaissance 1520-1600.
1726:Foundations of a New Humanism 1280-1440.
1499:Vermeer: Biographical and Critical Study
1463:Rouault: Biographical and Critical Study
1382:Matisse: Biographical and Critical Study
1229:Degas: Biographical and Critical Studies
1193:Chardin: Biographical and Critical Study
1184:Chagall: Biographical and Critical Study
1175:Cezanne: Biographical and Critical Study
1121:Bonnard: Biographical and Critical Study
1069:Fauvism: Biographical and Critical Study
846:Treasures of Asia: 6 volumes (1960-1963)
307:, Eluard) similar to those appearing in
243:and contributions by Breton, Eluard and
1984:Douglas Cooper, "Meeting Picasso", in:
1822:
1319:Ingres: Biographical and Critical Study
1292:Giotto: Biographical and Critical Study
1238:Dufy: Biographical and Critical Studies
1220:Daumier: Étude biographique et critique
1211:Courbet: Étude biographique et critique
1060:Cubism: Biographical and Critical Study
457:American Painting II: The 20th Century.
1936:
1934:
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1930:
1928:
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1734:The Myth of the Renaissance 1420-1520.
1373:Manet: Biographical and Critical Study
1364:Leger: Biographical and Critical Study
1247:DĂĽrer: Biographical and Critical Study
1202:Corot: Biographical and Critical Study
1157:Bruegel: Historical and Critical Study
1130:Bosch: Biographical and Critical Study
601:Italian Painting III: The Renaissance.
223:including an editorial committee with
2004:Art: Perfectionist, Time, 29 May 1950
1876:, skira.net. Retrieved 10 March 2019.
1828:
1826:
1472:Rubens: Biographisch-Kritische Studie
1391:Miro: Biographical and Critical Study
1337:Klee: Biographical and Critical Study
1301:Goya: Biographical and Critical Study
7:
2343:Albert Skira - Personnalités suisses
1833:"Albert Skira, 69, Publisher of Art"
1718:Europe of the Cathedrals, 1140-1280.
1635:From Altamira to the Catholic Kings.
1409:Monet: Historical and Critical Study
252:Les trésors de la peinture française
2312:, New York: Hallmark Gallery, 1966.
2166:, 21 March 1980, Issue 4017, p.332.
1758:The Invention of Liberty 1700-1789.
978:, Terisio Pignatti, Nello Ponente,
2365:Book publishing companies of Italy
2310:Albert Skira: The Man and his Work
193:Les Bucoliques was illustrated by
169:" illustrated with 29 etchings by
14:
1750:Europe of the Capitals 1600-1700.
1606:The Treasures of Ancient America:
2385:Visual arts publishing companies
1891:The Oxford Companion to the Book
415:, Nello Ponente, Maynal Raynal,
121:is a publishing firm founded by
25:
1991:18 May 1967, Issue 3403, p.412.
1790:Skira after its founder's death
1560:Francisco Javier Sánchez Cantón
264:Florilège des Amours de Ronsard
2248:Woo, Elaine (21 February 2014)
1642:The Treasures of the Pharaohs:
205:In 1933 Albert Skira moved to
1:
2163:The Times Literary Supplement
1987:The Times Literary Supplement
1766:The Romantic West, 1789-1850.
1694:Hellenism to Rome 480-88 B.C.
1515:Chagall Unpublished Drawings
986:, Denis Rouart (2 volumes),
266:(Anthology of the Amours of
115:Editions d'Art Albert Skira,
2148:The Illustrated London News
2401:
2006:. Retrieved 12 March 2019.
1702:Rise of Byzantium 500-1050
720:and the Lascaux volume by
185:(Isidore Lucien Ducasse) "
137:, Skira soon relocated to
2188:(Accessed March 21, 2019)
1588:Treasures of the Vatican:
1053:The Great Art Revolutions
284:(1949) (with etchings by
181:produced 43 etchings for
24:
1858:Art Criticism Since 1900
1624:The Treasures of Turkey:
1597:The Treasures of Venice:
1481:Van Gogh: Critical Study
964:Enrique Lafuente Ferrari
911:Painting of Central Asia
334:World Publishing Company
299:, Gruber) and thinkers (
165:'s collection of poems "
2018:Giacometti: A Biography
1617:From Charles V to Goya.
1572:Samuel Kirkland Lothrop
411:, Jean- Amedeo Maiuri,
317:La Psychologie de l'Art
129:Switzerland (1928–1932)
2057:, 16 July 1955, p. 26.
1651:The Treasures of Iran:
1615:Treasures of Spain II:
373:Swiss literary critic
187:Les Chants de Maldoror
183:Comte de Lautréamont's
133:Originally located in
2348:WorldCat Identities:
1789:
1633:Treasures of Spain I:
235:, Maurice Heine, and
189:" published in 1934.
73:Headquarters location
16:Swiss publishing firm
1564:Richard Ettinghausen
1558:, Maurizio Calvesi,
855:Richard Ettinghausen
363:Harry N. Abrams, Inc
2375:Mass media in Milan
774:Byzantine Painting.
21:
2088:. ffdumas-01256888
1838:The New York Times
1704:, by C. Brandi).
1696:, by J. Marccadé;
1692:, by P. Amandrym;
1673:Giulio Carlo Argan
928:Giulio Carlo Argan
849:fields, including
758:Etruscan Painting.
742:Egyptian Painting.
702:Massimo Pallottino
678:Giulio Carlo Argan
323:Geneva (1949–1973)
258:Geneva (1941–1948)
31:Skira company logo
1681:Eugénie De Keyser
996:Jacques Thuillier
968:Jacques Lassaigne
948:Pierre Descargues
903:Painting of India
887:Japanese Painting
722:Austryn Wainhouse
690:Jacques Lassaigne
421:Jacques Thuillier
405:Jacques Lassaigne
367:coffee table book
268:Pierre de Ronsard
201:Paris (1933–1940)
163:Stéphane Mallarmé
155:Les MĂ©tamorphoses
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83:Publication types
63:Country of origin
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1542:Picasso Drawings
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1000:Lionello Venturi
992:Antoine Terrasse
984:Pierre Rosenberg
944:Pierre Courthion
936:Eugenio Battisti
932:Georges Bataille
879:Persian Painting
871:Chinese Painting
798:Gothic Painting.
714:Lionello Venturi
710:Martin Robertson
682:Georges Bataille
569:Modern Painting.
425:Lionello Venturi
375:Jean Starobinski
301:Jean-Paul Sartre
297:René Auberjonois
280:) and Malraux's
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397:Otto Benesch
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380:Gaëtan Picon
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286:André Masson
281:
278:André Derain
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225:André Breton
218:
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175:John Jacobus
132:
123:Albert Skira
118:
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57:Albert Skira
1576:Cyril Mango
1096:Romanticism
437:French blue
233:Paul Eluard
67:Switzerland
2359:Categories
1817:References
1796:Flammarion
1400:Modigliani
1114:Monographs
1105:Surrealism
1017:Montmartre
988:Claude Roy
851:Basil Gray
313:Labyrinthe
293:Labyrinthe
273:Pantagruel
211:Surrealism
157:" with 30
1807:Mondadori
1800:Edipresse
431:, one by
309:Minotaure
220:Minotaure
87:Art books
191:Virgil's
159:etchings
135:Lausanne
1957:TĂ©riade
674:Lascaux
351:buckram
241:BrassaĂŻ
215:TĂ©riade
167:Poésies
53:Founder
45:Founded
1889:, in:
1148:Braque
1044:Venice
726:quarto
712:, and
423:, and
347:tipped
197:1936.
139:Geneva
119:Skira,
100:.skira
40:Active
37:Status
1811:Milan
1580:folio
1002:(3),
207:Paris
77:Milan
20:Skira
1685:obis
924:obis
153:'s "
151:Ovid
113:and
102:.net
48:1928
288:).
98:www
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2229:^
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