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Skoropis

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that time in cursive writing: less ligature and more roundness. At the end of the century, the round outlines of letters became even smoother and more decorative. The cursive writing of that time gradually distanced itself from semi-ustav forms. In the later period, straight lines and curves acquire equilibrium, and letters become more symmetrical and rounded. Unification of letter shapes in the 18th–19th centuries in both office and school led to the emergence of today's handwriting in the 19th century.
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Each scribe had his own handwriting and some individual peculiarities of writing letters and their grouping. Therefore, for correct reading it is necessary to compare vague places with already read parts of the same text. This further complicates the reading of cursive documents and requires specific
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and semi-ustav. In the second half of the 16th century, and especially at the beginning of the 17th century, semicircular strokes became the main lines of writing. In the second half of the 17th century, when many different variants of writing were spread, and one can observe features typical for
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character, roundness of letters, smoothness of their writing, a large number of strokes, ligatures and abbreviations. Usually it is small in lowercase and has long expressive elements with strokes as well as large capitals. Skoropis is difficult to adapt to typesetting due to the large number of
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strokes and ligatures. The cursive letters, partially connected with each other, differ from the letters of other types of writing by their light contours. Letters were largely elongated.
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in the second half of the 14th century and was used in particular in offices and private office work, from which a modern
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Initially, the characters were composed mainly of straight lines, as is typical for the cyrillic
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skills to be acquired by the researcher, mainly from practice.
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In comparison with semi-ustav, cursive writing is marked by:
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variation of letter shapes, depending on their neighborhood;
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after it was damaged by fire in 1718, with his signature.
256:(in Russian). Archived from the original on 2020-10-29. 554: 454: 320: 293: 8: 601: 592: 578: 521: 99:Record from 1721 about the contribution of 300: 286: 278: 132:letters reaching to the top of the line; 221: 259: 7: 117:It is characterized by a pronounced 138:overall simplification of spelling; 135:omission of etymological -ъ and -ь; 230:"excellent fonts for your project" 14: 445: 60:handwriting that developed from 153:marks of aspiration and accent; 75:developed in the 19th century. 87:The postscript of a letter by 1: 564:Barchowsky Fluent Handwriting 193:. М.: Синодальная типография. 604:Vereinfachte Ausgangsschrift 20:Letter of commendation from 658: 106:to the restoration of the 443: 266:: CS1 maint: unfit URL ( 53: 45: 602: 593: 579: 522: 114: 92: 29: 187:Беляев И. С. (1907). 159:sweeping pen strokes. 98: 86: 19: 26:Solovetsky Monastery 632:Western calligraphy 502:Technical lettering 129:word abbreviations; 22:Ivan IV Vasilyevich 574:Getty-Dubay Italic 540:Ukrainian skoropys 205:Ukrainian skoropys 115: 101:Zaporizhian Hetman 93: 30: 619: 618: 104:Ivan Skoropadskyi 649: 607: 598: 584: 556:Teaching scripts 527: 449: 408:Serbian Cyrillic 302: 295: 288: 279: 272: 271: 265: 257: 250: 244: 243: 241: 240: 226: 194: 89:Alexis of Russia 70: 55: 47: 40: 657: 656: 652: 651: 650: 648: 647: 646: 637:Cyrillic script 622: 621: 620: 615: 550: 531:Russian cursive 450: 441: 322: 316: 306: 276: 275: 258: 252: 251: 247: 238: 236: 228: 227: 223: 218: 201: 186: 183: 170: 111:Pecherska Lavra 81: 64: 56:) is a type of 36: 12: 11: 5: 655: 653: 645: 644: 639: 634: 624: 623: 617: 616: 614: 613: 608: 599: 590: 585: 576: 571: 566: 560: 558: 552: 551: 549: 548: 543: 533: 528: 519: 514: 509: 504: 499: 494: 489: 484: 479: 474: 469: 464: 458: 456: 452: 451: 444: 442: 440: 439: 434: 429: 428: 427: 417: 416: 415: 405: 404: 403: 400: 395:Early Cyrillic 392: 387: 382: 377: 372: 367: 362: 360:Insular script 357: 352: 347: 342: 337: 332: 326: 324: 318: 317: 307: 305: 304: 297: 290: 282: 274: 273: 245: 220: 219: 217: 214: 213: 212: 207: 200: 197: 196: 195: 182: 179: 169: 166: 161: 160: 157: 154: 139: 136: 133: 130: 80: 77: 13: 10: 9: 6: 4: 3: 2: 654: 643: 640: 638: 635: 633: 630: 629: 627: 612: 609: 606: 605: 600: 597: 596: 591: 589: 586: 583: 582: 577: 575: 572: 570: 567: 565: 562: 561: 559: 557: 553: 547: 544: 541: 537: 534: 532: 529: 526: 525: 520: 518: 515: 513: 510: 508: 505: 503: 500: 498: 495: 493: 490: 488: 485: 483: 480: 478: 475: 473: 470: 468: 465: 463: 460: 459: 457: 453: 448: 438: 435: 433: 430: 426: 423: 422: 421: 418: 414: 411: 410: 409: 406: 401: 398: 397: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 346: 343: 341: 338: 336: 333: 331: 328: 327: 325: 319: 315: 311: 303: 298: 296: 291: 289: 284: 283: 280: 269: 263: 255: 249: 246: 235: 231: 225: 222: 215: 211: 208: 206: 203: 202: 198: 192: 191: 185: 184: 180: 178: 175: 167: 165: 158: 155: 152: 148: 144: 140: 137: 134: 131: 128: 127: 126: 123: 120: 112: 109: 105: 102: 97: 90: 85: 78: 76: 74: 68: 63: 59: 51: 43: 39: 34: 27: 23: 18: 642:Palaeography 611:Zaner-Bloser 581:Grundschrift 535: 323:and medieval 248: 237:. Retrieved 234:Paratype.com 233: 224: 189: 171: 162: 149:letters, no 124: 119:calligraphic 116: 32: 31: 507:Copperplate 370:Blackletter 355:Carolingian 350:Merovingian 310:handwritten 168:Development 151:diacritical 73:handwriting 65: [ 626:Categories 512:Spencerian 432:Court hand 420:Glagolitic 365:Beneventan 345:Visigothic 239:2024-01-29 216:References 181:Literature 62:semi-ustav 46:ско́ропись 595:Sütterlin 569:D'Nealian 546:Shorthand 492:Secretary 472:Johannine 437:Lombardic 413:Bosančica 402:Poluustav 312:European 308:Types of 210:Shorthand 54:ско́ропис 50:Ukrainian 38:‹See Tfd› 536:Skoropis 477:Humanist 467:Chancery 385:Georgian 380:Bastarda 262:cite web 199:See also 79:Features 58:Cyrillic 33:Skoropis 524:Kurrent 497:Library 462:Cursive 425:Angular 375:Rotunda 321:Ancient 314:scripts 141:no big 42:Russian 28:(1539). 24:to the 588:Palmer 482:Italic 455:Modern 340:Uncial 335:Rustic 174:uncial 145:Ѫ, no 517:Ronde 487:Round 399:Ustav 390:Greek 330:Roman 147:Greek 69:] 268:link 108:Kyiv 143:yus 628:: 264:}} 260:{{ 232:. 67:ru 52:: 48:; 44:: 542:) 538:( 301:e 294:t 287:v 270:) 242:. 35:(

Index


Ivan IV Vasilyevich
Solovetsky Monastery
‹See Tfd›
Russian
Ukrainian
Cyrillic
semi-ustav
ru
handwriting

Alexis of Russia

Zaporizhian Hetman
Ivan Skoropadskyi
Kyiv
Pecherska Lavra
calligraphic
yus
Greek
diacritical
uncial
Практический курс изучения древней русской скорописи для чтения рукописей XV—XVIII столетий (Практическiй курсъ изученiя древней русской скорописи для чтенiя рукописей XV—XVIII столѣтiй)
Ukrainian skoropys
Shorthand
"excellent fonts for your project"
"Основные данные вспомогательных исторических дисциплин, необходимые для чтения старых рукописей"
cite web
link
v

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