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96:. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately.
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In the slap technique, the bassist replaces the usual plucking motion of the index and middle fingers with "slaps" and "pops". In the slap, the bassist uses the thumb to strike the strings (usually the lower E and A strings) near the base of the bass's neck. In the pop, the bassist will use the index
267:(The Reverend Horton Heat). Kresge's rapid slapping ability is all the more remarkable given that for much of his career he was an electric bassist. The top rockabilly and psychobilly bassists have developed the ability to perform rapid triplet slaps at the same time as they play a walking bassline.
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The slap sound comes from the combination of two elements: slapping, which involves striking the string with the side of the bony joint in the middle of the thumb, a harder surface than the pads of the fingers (used in plucked fingering); and intentionally allowing the vibrating string to come into
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than regular plucking of notes with the soft part of the plucking hands fingers, and is also usually louder (although on an electric instrument, the volume can be adjusted with the volume knob or through compression), brighter, and more distinct than the sound of a bass guitar played with the usual
163:, where the string is plucked so hard that when released it bounces off the finger board, making a distinctive sound. A percussive sound can also be made by smacking the strings with some or all of the fingers on the right hand in between the notes of a bassline, usually in time with the
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The bassist can play many notes quickly by rotating the forearm, alternately slapping and popping: during the pop, the hand moves away from the fretboard, "winding up" or getting in position for the next slap. The slap and pop techniques are commonly used with
359:. Graham has stated in several interviews that he was trying to emulate the sound of a drum set before his band had found its drummer. Graham himself refers to the technique as "thumpin' and pluckin'".
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of the bass, causing them to bounce off the fretboard; this produces a prominent buzzing tone with a sharp attack and more high-frequency vibrations than present in plucked bass.
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uses a double thump technique which is like a slap, but uses both sides of the thumb for all the strings, fast enough to produce the equivalent of a drumroll on the bass guitar.
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musicians. It became an important component of an early form of rock and roll that combined blues and what was then called hillbilly music—a musical style now referred to as
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developed from the slap and pop style and treats the electric bass as a percussion instrument, striking the strings above the pickups with an open palmed hand.
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and classical guitar, although the tonal quality produced in this technique is quite different from that of a slapped electric bass. Japanese musician
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There are numerous variants of the slapping technique. Some bassists use other fingers of the strumming hand to achieve this sound, such as bassist
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create a similar sound by using a hard surface to strike the strings and intentionally cause string contact with the fretboard.
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or middle finger of the plucking hand to snap the strings (usually the higher D and G strings) away from the
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with the fretting (usually left) hand, to further increase the rate at which notes may be played.
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Slap bass continues to be used in the 21st century, as it is widely used by modern rockabilly and
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The invention of slap on electric bass is generally credited to funk bassist
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On double bass it refers to the technique that is a more vigorous version of
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The earliest players of this technique in
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in the early 1900s, and later spread to other genres, including
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is well known for creating a unique slapping style of playing
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was a well-known slap bass player. The technique inspired the
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Slapping is a technique also adopted by acoustic and electric
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The
Complete Encyclopedia of Popular Music and Jazz House
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in the late 1960s. The technique quickly spread to the
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Demonstration of the slap technique on a 6-string bass
431:. Milwaukee, WI: Hal Leonard Corporation. p. 6.
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Slap Bass Audio & Video
Samples from FunkyChops
536:Free Examples with Audio and TAB from Slap It!
458:, University of Illinois Press, 1994, p. 252.
456:Milton Brown and the Founding of Western Swing
392:The slap technique bears some resemblance to
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381:invented by progressive rock bass player
323:The typical position of the slapping hand
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487:"Larry Graham: Trunk of the Funk Tree"
33:Audio example of slap bass with drums.
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45:playing bass with slapping technique
470:. Lawrence Hill, 1975, pp. 278–84;
128:, an electric bassist playing with
551:Music Man Stingray audio and photo
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556:How To Slap Bass Beginners Guide
546:Slap Lessons from BerkleeShares
571:Musical performance techniques
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541:Free Slap Bass Video Tutorial
308:plucking or pick techniques.
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506:"Wrasse Records Biography"
428:Percussive Acoustic Guitar
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251:band bassists, including
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241:the Reverend Horton Heat
130:Sly and the Family Stone
19:Not to be confused with
312:contact with the metal
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193:Slap bass was used by
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492:Bass Player
346:Ghost notes
291:, R&B,
277:bass guitar
271:Bass guitar
249:psychobilly
184:Pops Foster
155:Double bass
114:New Orleans
106:double bass
86:bass guitar
82:double bass
21:Drum stroke
565:Categories
466:see also:
412:References
387:Spank bass
383:Tony Levin
342:hammer-ons
305:percussive
261:Scott Owen
207:Bill Black
203:rockabilly
165:snare drum
122:rockabilly
74:percussive
338:pull-offs
161:pizzicato
112:bands in
94:fretboard
398:flamenco
363:Variants
140:genres.
100:Overview
66:Slapping
41:Bassist
394:tambour
104:On the
90:knuckle
70:popping
512:May 2,
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402:Miyavi
350:damped
225:song "
219:George
314:frets
285:disco
239:from
138:disco
514:2014
460:ISBN
433:ISBN
340:and
330:body
301:rock
293:jazz
289:soul
281:funk
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110:jazz
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275:On
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