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Brussels, and at the back is a closed temple or temple-like building. The square is populated by several nude women with their arms stretched out as in desperation; in the foreground a woman enters from the right with an upset expression, and several women gesture while on their knees. To the left
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The art historian
Virginie Devillers says all of Delvaux's Venus paintings portray a state between sleep and wakefulness and share their contrast between calm and violence. The paintings from 1944 stand out due to their involvement of other characters, and the second of them differs from the first
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Jill Locke uses the painting as a meditation on shame and politics, and says its images of the calm, shamelessly nude Venus, the upset mourners and the seemingly abandoned political buildings can be viewed as an ambivalent depiction of "threat, stasis, and possibility".
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of a sleeping Venus that was part of the museum's exhibition. This wax figure became the model for all his paintings of Venus. Delvaux made the fourth
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on canvas and has the dimensions 172.7 cm Ă— 199.1 cm (68.0 in Ă— 78.4 in). It is signed "P. DELVAUX / 11-44".
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and
Delvaux wanted to contrast the psychological drama of the moment with the calm Venus. The painting has been in the collection of
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with its outdoors setting and more dramatic staging, expressing the tension of a particular time and place. The
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buildings at night. To the right is a building with two horses' heads, based on decorations from the old
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in
Brussels. He was fascinated by the contrast between the fair, the monstrosities of the museum, and a
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343:. Le sens de l'image (in French). Brussels: Éditions de l'Université de Bruxelles. pp. 32, 39.
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Catalogue of the Tate
Gallery's Collection of Modern Art other than Works by British Artists
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from
Delvaux in 1944. It was purchased by Baron Urvater in 1957 for presentation at
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172.7 cm Ă— 199.1 cm (68.0 in Ă— 78.4 in)
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Democracy and the Death of Shame: Political
Equality and Social Disturbance
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buildings. It was painted in
Brussels while the city was bombed during
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figure reclines with closed eyes and her hands behind her head.
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in London, where it has been since then. The
English rock band
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surrounded by anguished people at a town square with
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314:"T00134 La VĂ©nus endormie (Sleeping Venus) 1944"
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233:in Brussels while the city was bombed during
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270:used a detail as cover art for the single "
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337:Paul Delvaux : Le théâtre des figures
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183:This was the fourth painting titled
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142:depicts a town square flanked by
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570:Collection of the Tate galleries
389:Purbright, Jack (January 2005).
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334:Devillers, Virginie (1992).
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508:The Sacrifice of Iphigenia
560:Paintings by Paul Delvaux
115:. It depicts a reclining
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27:Painting by Paul Delvaux
585:Oil on canvas paintings
284:Belgium in World War II
254:Carlo van den Bosch in
135:Subject and composition
312:Alley, Ronald (1981).
204:cabinet of curiosities
179:Analysis and reception
131:in London since 1957.
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243:historian of politics
206:that was part of the
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534:Paul Delvaux Museum
565:Paintings of Venus
460:Procession in Lace
153:dressmaker's dummy
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375:978-1-107-06319-8
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272:Dark Entries
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51:Paul Delvaux
575:Moon in art
492:Night Train
274:" in 1980.
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549:Categories
500:The Temple
290:References
258:purchased
250:Provenance
75:Dimensions
452:Paintings
349:0770-0962
144:classical
121:classical
278:See also
187:made by
83:Location
402:28 July
268:Bauhaus
256:Antwerp
527:Museum
519:(1979)
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165:Venus
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404:2022
370:ISBN
345:ISSN
264:Tate
223:fair
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60:1944
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