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253:, who left the band during the recording sessions. Dalton plays bass on all songs on the album except for "Mr. Big Man". The lineup of the Kinks would be trimmed down significantly in 1977 following the album's release, as the brass section and backup singers were removed and the band returned to a standard rock band outfit.
318:
Beginning in May 1976, the band began rehearsing new material (up to thirty new tracks) Ray Davies had penned, with twenty songs attempted by the band. Rejected song titles included "Power of Gold", "Stagefright", "Restless", and "Elevator Man", the latter being used by Ray Davies on the 1994 EP
554:"emphatically testifies to the dramatic artistic revival of Raymond Douglas Davies, whose supreme talents as a writer have been so distressingly overlooked during the first half of . really is the group's strongest and most organised album in years." Giovanni Dadomo of
31:
518:
since "Apeman" in 1970. Its follow-up single, "Juke Box Music", failed to make an impact. Although Clive Davis had originally pushed for "Brother" to be released as a single, comparing its appeal to that of
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left the band, citing his lack of family time, the stresses of the road, and low pay as reasons. Overdubs by the remaining four-piece were added throughout the rest of
October and November.
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245:, released in 1977. It marked a return to straight-ahead, self-contained rock songs after several years of concept albums. It is the first album in what critics usually call the "
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in 1976 of the upcoming recording sessions for a new Kinks album, "Yes, I am looking forward to it, because the situation is right. It's a great studio; I'm proud of it."
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249:" phase of the group, in which more commercial and mainstream production techniques would be employed. The album also marks the last appearance of bassist
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was added to the group. The band then recorded "Mr. Big Man" in
December, which, when added to the album's running order, replaced "In a Foreign Land".
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512:. That following March, the title track of the album, backed with "Full Moon", reached #48 in the US, becoming the first Kinks single to reach the
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360:) were also made. In October, new versions of "Juke Box Music" and "Life on the Road" were recorded, as well as the new "Stormy Sky". Another
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Critical reaction to the album was generally positive, an improvement on the band's previous reception during their theatrical incarnation.
341:", respectively), and the rejected "Back to 64 / Decade", "Lazy Day", and "The Poseur", the latter released on the CD reissue of the album.
352:". Rejects "Child Bride", "Everything Is Alright", "One Woman Man", and "On the Outside" (the latter appearing both on the CD reissue of
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shift toward concept albums and a theatrical sound for the band. After the release of the band's more rock-oriented 1975 album,
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Following the band's signing to Arista, plans for a new album began to emerge. Just prior to the album's recording, the band's
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was released during
February 1977 in both the US and UK. Although the album, like all Kinks albums since 1967's
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826:– lead guitar, backing and harmony vocals, lead vocals on "Sleepless Night", co-lead vocals on "Juke Box Music"
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333:"Hay Fever" and "In a Foreign Land", B-sides "Prince of the Punks" and "Artificial Light" (flipsides to "
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1124:
The Kinks: All Day and All of the Night: Day by Day
Concerts, Recordings, and Broadcasts, 1961-1996
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had less and less commercial success throughout the 1970s, largely attributed to bandleader
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368:", was also attempted, but was held off the album. During this time, longtime bassist
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was less approving, saying, "it's not the great new album one always hopes for."
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In
September, more songs for the album were recorded, including "Full Moon", "
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is easily their most powerful since 'Lola'." In the UK, Allan Jones in
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327:", "Life on the Road", and "Brother", future follow-up album
1653:
Waterloo Sunset: The Very Best of The Kinks & Ray Davies
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was equipped with a new 24-track recorder. Davies said to
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Christgau's Record Guide: Rock Albums of the
Seventies
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1782:Give the People What We Want: Songs of The Kinks
820:– lead and backing vocals, guitar and keyboards
256:It was their first album for the Arista label.
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527:", it never saw an official single release.
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264:Despite their success with the hit singles "
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62:1 July – 20 December 1976
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234:is the sixteenth studio album by the
7:
1687:A Hole in the Sock of (Dave Davies)
1095:. No. RS 237. Straight Arrow.
540:, who said, "The Kinks' playing on
417:
1332:Village Green Preservation Society
832:– bass guitar (except where noted)
18:1977 studio album by the Kinks
14:
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286:, the Kinks switched labels from
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1629:The Kinks Are Well Respected Men
550:praised the album, saying, that
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1143:God Save The Kinks: A Biography
1436:Give the People What They Want
1081:Altman, Bill (21 April 1977).
971:Erlewine, Stephen Thomas.
838:– keyboards and backing vocals
736:
651:
581:
534:was lauded by Billy Altman of
1:
1845:Albums produced by Ray Davies
1680:Four More Respected Gentlemen
983:. Retrieved 12 November 2011.
1621:Come Dancing with The Kinks
796:"On the Outside" (1994 Mix)
785:"On the Outside" (1977 Mix)
503:Something Else by The Kinks
348:", "Sleepless Night", and "
1861:
1613:The Great Lost Kinks Album
569:All tracks are written by
525:Bridge over Troubled Water
1799:
1197:
998:30 September 2007 at the
879:Hal Fiedler – calligraphy
876:John Dyer – art direction
870:James Wedge – photography
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356:and, in another form, on
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1573:The Kinks Greatest Hits!
1016:"Consumer Guide '70s: K"
486:Christgau's Record Guide
1637:The Ultimate Collection
1527:BBC Sessions: 1964–1977
1372:Everybody's in Show-Biz
1141:Jovanovic, Rob (2014).
1024:. robertchristgau.com.
857:– bass on "Mr. Big Man"
731:CD reissue bonus tracks
339:A Rock 'n' Roll Fantasy
202:Released: 18 March 1977
1597:Then Now and Inbetween
1404:Schoolboys in Disgrace
375:To replace Dalton, ex-
283:Schoolboys in Disgrace
215:Released: 10 June 1977
144:Schoolboys in Disgrace
1840:Arista Records albums
1122:Hinman, Doug (2004).
867:Roger Wake – engineer
763:"Prince of the Punks"
521:Simon and Garfunkel's
387:Release and reception
1581:Well Respected Kinks
1348:Lola Versus Powerman
1308:The Kink Kontroversy
1107:on 30 November 2007.
873:Bob Heimall – design
849:Additional musicians
392:Professional ratings
1672:Unreleased projects
1661:The Essential Kinks
1495:Live at Kelvin Hall
1364:Muswell Hillbillies
1257:Gordon John Edwards
1145:. Aurum Press Ltd.
931:, pp. 204–206.
844:– drums, percussion
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647:
577:
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358:Waterloo Sunset '94
321:Waterloo Sunset '94
1757:The Kast Off Kinks
1735:Session performers
1605:The Kink Kronikles
1444:State of Confusion
1388:Preservation Act 2
1380:Preservation Act 1
1126:. Backbeat Books.
752:"Artificial Light"
730:
645:
597:"Life on the Road"
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1012:Christgau, Robert
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682:"Sleepless Night"
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515:Billboard Hot 100
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227:
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1835:The Kinks albums
1807:
1806:
1718:Related articles
1546:Kinksize Session
1503:One for the Road
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1103:. Archived from
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1789:Sunny Afternoon
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1303:(1965; US-only)
1287:(1965; US-only)
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993:Blender review
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1268:Studio albums
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608:"Mr. Big Man"
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564:Track listing
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537:Rolling Stone
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509:Billboard 200
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397:Review scores
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366:Black Messiah
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159:
155:
154:
150:
146:
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141:
140:
136:
132:
128:
125:
122:
120:
116:
113:
110:
108:
104:
92:
88:
85:
82:
80:
76:
72:
69:
65:
61:
57:
54:February 1977
53:
49:
45:
40:
36:
32:
27:
22:
16:
1788:
1780:
1773:
1766:
1743:Bobby Graham
1739:Clem Cattini
1730:Band members
1709:1965 US tour
1704:1965 UK tour
1685:
1678:
1659:
1651:
1645:Picture Book
1643:
1635:
1627:
1619:
1611:
1603:
1595:
1587:
1579:
1571:
1565:Compilations
1552:
1544:
1525:
1517:
1509:
1501:
1493:
1474:
1466:
1460:Think Visual
1458:
1450:
1442:
1434:
1426:
1418:
1411:
1410:
1402:
1394:
1386:
1378:
1370:
1362:
1354:
1346:
1338:
1330:
1322:
1316:Face to Face
1314:
1306:
1298:
1290:
1282:
1274:
1233:John Gosling
1208:
1201:
1142:
1123:
1115:
1114:
1105:the original
1090:
1084:
1083:"The Kinks:
1076:
1064:
1035:. Retrieved
1019:
1006:
988:
977:> Review"
974:
973:"The Kinks:
967:
955:
924:
888:
887:
861:
860:
848:
847:
836:John Gosling
811:
810:
774:"The Poseur"
717:Life Goes On
693:"Stormy Sky"
568:
555:
551:
547:Melody Maker
545:
541:
535:
531:
529:
513:
507:
501:
497:
496:
484:
446:
374:
361:
357:
353:
350:Life Goes On
343:
328:
320:
317:
307:Melody Maker
305:
302:Konk Studios
299:
292:Clive Davis'
281:
278:Ray Davies's
263:
255:
230:
229:
228:
184:Sleepwalker
183:
160:
152:
151:
142:
39:Studio album
15:
1830:1977 albums
1775:Do It Again
1725:Discography
1554:Kwyet Kinks
1522:(1994/1996)
1519:To the Bone
1487:Live albums
1412:Sleepwalker
1292:Kinda Kinks
1248:Ian Gibbons
1243:Jim Rodford
1228:John Dalton
1223:Pete Quaife
1210:Dave Davies
1085:Sleepwalker
1069:Hinman 2004
1057:Hinman 2004
1037:28 February
975:Sleepwalker
948:Hinman 2004
929:Hinman 2004
917:Hinman 2004
830:John Dalton
824:Dave Davies
704:"Full Moon"
621:Sleepwalker
552:Sleepwalker
542:Sleepwalker
532:Sleepwalker
498:Sleepwalker
377:Blodwyn Pig
370:John Dalton
354:Sleepwalker
346:Sleepwalker
288:RCA Records
272:" in 1970,
251:John Dalton
231:Sleepwalker
197:Sleepwalker
153:Sleepwalker
24:Sleepwalker
1824:Categories
1428:Low Budget
1396:Soap Opera
1284:Kinks-Size
1260:Mark Haley
1253:Bob Henrit
1218:Mick Avory
1203:Ray Davies
1031:089919026X
884:References
842:Mick Avory
818:Ray Davies
571:Ray Davies
260:Background
247:arena rock
133:chronology
124:Ray Davies
1791:(musical)
1238:Andy Pyle
1191:The Kinks
1101:0035-791X
889:Citations
862:Technical
855:Andy Pyle
812:The Kinks
807:Personnel
634:"Brother"
381:Andy Pyle
314:Recording
274:the Kinks
243:the Kinks
131:The Kinks
44:the Kinks
1809:Category
1014:(1981).
996:Archived
981:AllMusic
646:Side two
576:Side one
411:AllMusic
379:bassist
330:Misfits'
119:Producer
73:, London
59:Recorded
51:Released
41: by
1468:UK Jive
1420:Misfits
1300:Kinkdom
1116:Sources
448:Blender
364:song, "
362:Misfits
337:" and "
268:" and "
241:group,
236:English
180:Singles
166:(1978)
162:Misfits
157:(1977)
148:(1975)
1762:Argent
1664:(2014)
1656:(2012)
1648:(2008)
1640:(2002)
1632:(1987)
1624:(1986)
1616:(1973)
1608:(1972)
1600:(1969)
1592:(1967)
1584:(1966)
1576:(1966)
1557:(1965)
1549:(1964)
1530:(2001)
1514:(1988)
1506:(1980)
1498:(1968)
1479:(1993)
1476:Phobia
1471:(1989)
1463:(1986)
1455:(1984)
1447:(1983)
1439:(1981)
1431:(1979)
1423:(1978)
1415:(1977)
1407:(1975)
1399:(1975)
1391:(1974)
1383:(1973)
1375:(1972)
1367:(1971)
1359:(1971)
1351:(1970)
1343:(1969)
1340:Arthur
1335:(1968)
1327:(1967)
1319:(1966)
1311:(1965)
1295:(1965)
1279:(1964)
1149:
1130:
1099:
1028:
744:Length
659:Length
589:Length
557:Sounds
405:Rating
402:Source
270:Apeman
112:Arista
90:Length
67:Studio
1768:X-Ray
1356:Percy
1276:Kinks
741:Title
656:Title
586:Title
182:from
107:Label
79:Genre
1752:Konk
1147:ISBN
1128:ISBN
1097:ISSN
1039:2019
1026:ISBN
799:5:20
788:5:07
777:2:53
766:3:18
755:3:27
722:5:03
707:3:52
696:3:58
685:3:18
674:5:32
637:5:28
626:4:04
611:3:49
600:5:02
266:Lola
239:rock
84:Rock
71:Konk
1538:EPs
979:at
793:14.
782:13.
771:12.
760:11.
749:10.
737:No.
652:No.
582:No.
290:to
1826::
1745:,
1741:,
1737::
1089:.
1047:^
1018:.
936:^
897:^
712:5.
701:4.
690:3.
679:2.
664:1.
631:4.
616:3.
605:2.
594:1.
491:B−
99:10
95:40
1183:e
1176:t
1169:v
1155:.
1136:.
1087:"
1041:.
719:"
715:"
671:"
667:"
623:"
619:"
523:"
212:"
208:"
199:"
195:"
97::
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