Knowledge (XXG)

Sleepwalker (The Kinks album)

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1805: 476: 471: 466: 438: 461: 456: 433: 428: 423: 418: 253:, who left the band during the recording sessions. Dalton plays bass on all songs on the album except for "Mr. Big Man". The lineup of the Kinks would be trimmed down significantly in 1977 following the album's release, as the brass section and backup singers were removed and the band returned to a standard rock band outfit. 318:
Beginning in May 1976, the band began rehearsing new material (up to thirty new tracks) Ray Davies had penned, with twenty songs attempted by the band. Rejected song titles included "Power of Gold", "Stagefright", "Restless", and "Elevator Man", the latter being used by Ray Davies on the 1994 EP
554:"emphatically testifies to the dramatic artistic revival of Raymond Douglas Davies, whose supreme talents as a writer have been so distressingly overlooked during the first half of . really is the group's strongest and most organised album in years." Giovanni Dadomo of 31: 518:
since "Apeman" in 1970. Its follow-up single, "Juke Box Music", failed to make an impact. Although Clive Davis had originally pushed for "Brother" to be released as a single, comparing its appeal to that of
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left the band, citing his lack of family time, the stresses of the road, and low pay as reasons. Overdubs by the remaining four-piece were added throughout the rest of October and November.
1020: 485: 1339: 245:, released in 1977. It marked a return to straight-ahead, self-contained rock songs after several years of concept albums. It is the first album in what critics usually call the " 1331: 1347: 310:
in 1976 of the upcoming recording sessions for a new Kinks album, "Yes, I am looking forward to it, because the situation is right. It's a great studio; I'm proud of it."
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was added to the group. The band then recorded "Mr. Big Man" in December, which, when added to the album's running order, replaced "In a Foreign Land".
1636: 512:. That following March, the title track of the album, backed with "Full Moon", reached #48 in the US, becoming the first Kinks single to reach the 1844: 360:) were also made. In October, new versions of "Juke Box Music" and "Life on the Road" were recorded, as well as the new "Stormy Sky". Another 530:
Critical reaction to the album was generally positive, an improvement on the band's previous reception during their theatrical incarnation.
341:", respectively), and the rejected "Back to 64 / Decade", "Lazy Day", and "The Poseur", the latter released on the CD reissue of the album. 352:". Rejects "Child Bride", "Everything Is Alright", "One Woman Man", and "On the Outside" (the latter appearing both on the CD reissue of 1686: 1181: 1502: 1150: 1131: 1232: 835: 524: 1628: 280:
shift toward concept albums and a theatrical sound for the band. After the release of the band's more rock-oriented 1975 album,
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Following the band's signing to Arista, plans for a new album began to emerge. Just prior to the album's recording, the band's
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was released during February 1977 in both the US and UK. Although the album, like all Kinks albums since 1967's
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The Kinks: All Day and All of the Night: Day by Day Concerts, Recordings, and Broadcasts, 1961-1996
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had less and less commercial success throughout the 1970s, largely attributed to bandleader
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was less approving, saying, "it's not the great new album one always hopes for."
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In September, more songs for the album were recorded, including "Full Moon", "
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is easily their most powerful since 'Lola'." In the UK, Allan Jones in
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Waterloo Sunset: The Very Best of The Kinks & Ray Davies
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was equipped with a new 24-track recorder. Davies said to
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Christgau's Record Guide: Rock Albums of the Seventies
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Straight Arrow. 540:, who said, "The Kinks' playing on 417: 1332:Village Green Preservation Society 832:– bass guitar (except where noted) 18:1977 studio album by the Kinks 14: 455: 286:, the Kinks switched labels from 1804: 1803: 1629:The Kinks Are Well Respected Men 550:praised the album, saying, that 474: 469: 464: 459: 454: 436: 431: 426: 421: 416: 1143:God Save The Kinks: A Biography 1436:Give the People What They Want 1081:Altman, Bill (21 April 1977). 971:Erlewine, Stephen Thomas. 838:– keyboards and backing vocals 736: 651: 581: 534:was lauded by Billy Altman of 1: 1845:Albums produced by Ray Davies 1680:Four More Respected Gentlemen 983:. Retrieved 12 November 2011. 1621:Come Dancing with The Kinks 796:"On the Outside" (1994 Mix) 785:"On the Outside" (1977 Mix) 503:Something Else by The Kinks 348:", "Sleepless Night", and " 1861: 1613:The Great Lost Kinks Album 569:All tracks are written by 525:Bridge over Troubled Water 1799: 1197: 998:30 September 2007 at the 879:Hal Fiedler – calligraphy 876:John Dyer – art direction 870:James Wedge – photography 792: 781: 770: 759: 748: 740: 711: 700: 689: 678: 663: 655: 630: 615: 604: 593: 585: 404: 401: 356:and, in another form, on 223: 189: 174: 137: 28: 1573:The Kinks Greatest Hits! 1016:"Consumer Guide '70s: K" 486:Christgau's Record Guide 1637:The Ultimate Collection 1527:BBC Sessions: 1964–1977 1372:Everybody's in Show-Biz 1141:Jovanovic, Rob (2014). 1024:. robertchristgau.com. 857:– bass on "Mr. Big Man" 731:CD reissue bonus tracks 339:A Rock 'n' Roll Fantasy 202:Released: 18 March 1977 1597:Then Now and Inbetween 1404:Schoolboys in Disgrace 375:To replace Dalton, ex- 283:Schoolboys in Disgrace 215:Released: 10 June 1977 144:Schoolboys in Disgrace 1840:Arista Records albums 1122:Hinman, Doug (2004). 867:Roger Wake – engineer 763:"Prince of the Punks" 521:Simon and Garfunkel's 387:Release and reception 1581:Well Respected Kinks 1348:Lola Versus Powerman 1308:The Kink Kontroversy 1107:on 30 November 2007. 873:Bob Heimall – design 849:Additional musicians 392:Professional ratings 1672:Unreleased projects 1661:The Essential Kinks 1495:Live at Kelvin Hall 1364:Muswell Hillbillies 1257:Gordon John Edwards 1145:. Aurum Press Ltd. 931:, pp. 204–206. 844:– drums, percussion 732: 647: 577: 393: 358:Waterloo Sunset '94 321:Waterloo Sunset '94 1757:The Kast Off Kinks 1735:Session performers 1605:The Kink Kronikles 1444:State of Confusion 1388:Preservation Act 2 1380:Preservation Act 1 1126:. Backbeat Books. 752:"Artificial Light" 730: 645: 597:"Life on the Road" 575: 391: 1817: 1816: 1012:Christgau, Robert 803: 802: 726: 725: 682:"Sleepless Night" 641: 640: 515:Billboard Hot 100 495: 494: 227: 226: 170: 169: 1852: 1835:The Kinks albums 1807: 1806: 1718:Related articles 1546:Kinksize Session 1503:One for the Road 1184: 1177: 1170: 1161: 1156: 1137: 1109: 1108: 1103:. 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Index


Studio album
the Kinks
Konk
Genre
Rock
Label
Arista
Producer
Ray Davies
The Kinks
Schoolboys in Disgrace
Misfits
Singles
Sleepwalker
Juke Box Music
English
rock
the Kinks
arena rock
John Dalton
Lola
Apeman
the Kinks
Ray Davies's
Schoolboys in Disgrace
RCA Records
Clive Davis'
Arista Records
Konk Studios

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