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44:
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McMahan took practice tapes home and worked on vocals with the use of a 4-track tape recorder. Sitting in his parents' car made it possible to record softly spoken vocals over the band's loud music. After developing these new songs, Slint's members wanted a cleaner sound than that of their first LP, so they approached
Minneapolis producer Brian Paulson who had recorded two albums with McMahan's former bandmates' group
519:
508:
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in 1991. The album was unlike anything else that the label had released to date. Slint was to have gone on a
European tour after its release, but with the band no longer together, there were no tours, interviews, photo or video shoots to promote the album. Despite this, the album's repute grew and it
413:
was released, most of the group had gone off to college and would return to
Louisville during breaks to write and practice new material. Returning to the Walfords' basement, the group would spend hours repeating the same guitar riff and then adding in layers of nuance on top of it. After rehearsals,
448:
in
Chicago. It was recorded live, with vocals overdubbed in no more than two takes and with little to no rehearsal on the part of McMahan. The group used two different microphones to record vocals: one for softer, spoken voices, and one for louder, sung voices. During mixdown, Paulson and the group
390:, but the band did not hear back from the label. A friend of the group, Jennifer Hartman, paid for the album's release for a tiny run on the imprint Jennifer Hartman Records in 1989. By then the group had returned to the studio with Albini to record two instrumental tracks. Original copies of
316:
founded on a pedagogy of self-directed learning. They began performing music together at an early age, forming the
Languid and Flaccid with Ned Oldham (later of The Anomoanon) while still in middle school. In their teens Walford and McMahan played together in the seminal Louisville punk band
729:
The band is noted for having syncopated guitar riffs, drastically altering dynamics, and complex song structures and time signatures. McMahan's and
Walford's vocals comprised hushed spoken words, singing, and strained screaming. Artists that influenced Slint include
683:
hinted at more activity from the band in the coming months: "We still communicate regularly and we've got some surprises for next year that fans will be excited about. I know I am." The band reunited in
December 2013 to play as one of the headliners of the final
370:
on Albini's mixing board. Without formal song titles, eight of the album's tracks were named for the band members' parents, and a ninth for
Walford's dog, Rhoda. Once completed, Buckler was dissatisfied with the recordings and left Slint to form the group
481:
rhythms, sparse guitar lines and haunting subject matter. The record's impact was such that many fans and critics consider it a foundational post-rock album, helping to usher in a new wave of bands seeking a move away from the unfettered aggression of
344:
congregation on
November 2; performing under the name Small Tight Dirty Tufts of Hair, most of the congregation left during the band's first two songs. They were soon joined by McMahan and named themselves Slint after one of Walford's pet fish.
667:
series of shows, as well as at a handful of dates in Europe, the U.S. (at
Chicago's Pitchfork Music Festival, the Showbox in Seattle, and the Henry Fonda Theatre in Hollywood), and Canada. In addition to performing the album and the EP
471:
continued to sell several thousand copies annually in the years following its release--a considerable feat for an indie record by a defunct group--and a mystique around the record, and the artists who made it, began to grow.
375:, initially made up of all of Slint's members taking up different instruments. All of Slint's original members recorded the single "Movie Star" as King Kong in Steve Albini's studio while he was away on a trip in 1989.
362:. Though Slint's members had composed the album's music during rehearsals in Walford's parents' basement, most of the lyrics were created in-studio, and included between-song sound effects and
328:, Pajo and Walford's musical direction became too obtuse for the other members of Maurice, who parted ways. Maurice's later material would form the basis of some of Slint's early compositions.
43:
695:
boxset was announced in January 2014. In 2014 Touch and Go released several live, demo, and practice sessions of songs recorded by the band between 1989 and 1990. These appeared as the LP
655:, England. Also in 2005, Slint played a number of shows in the U.S. and in Europe. Though they insisted the reunion was short-term, the band regrouped once again in 2007 to perform
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conversations with Albini. During mixdown, Walford requested that Albini "make the bass drum sound like a ham being slapped by a catcher's mitt," and then spilled a cup of
321:. Walford left the band following their first recording session while McMahan went on to tour and record Squirrel Bait's two albums before the band's dissolution in 1987.
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2011:
422:, McMahan was in a near-fatal car accident. While in the ambulance, a paramedic called in "Code 138" and the immobilized McMahan regained consciousness singing the
2001:
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Pajo and Walford (and, briefly, McMahan) were in the punk/prog-metal band Maurice with future members of Kinghorse. After being influenced by the music of the
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s recording session ended, McMahan checked himself into a mental hospital where he was diagnosed with depression, and left the band a few months later.
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included a flyer advertising a 12" single of these songs to be released on Jennifer Hartman. But by now, the band had succeeded in catching the ear of
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in 1987 and released in obscurity on the Jennifer Hartman Records label in 1989. It was followed two years later by the critically acclaimed
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2016:
2006:
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Slint formed in the summer of 1986. Walford and Pajo were joined by the slightly older Buckler (age 18 at the time) for a show for a
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in Wales. The group has no plans to record new material and have since disbanded after their most recent reunions in 2013 and 2014.
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tried adding different effects, but all these were rejected, resulting in a very pared-down production sound. The day after
430:". McMahan's brush with death left him feeling depressed, which affected the recording and aftermath of Slint's next album.
1401:
462:, a longtime friend of the band, took numerous photos of the group as potential album covers. Some were taken in a nearby
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Slint in 2007. Left to right: Michael McMahan, Matt Jencik, Brian McMahan, Britt Walford (obscured), and David Pajo.
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and one was chosen with Slint's four members' heads bobbing above the surface of the water. Touch and Go released
713:' 90-minute documentary about the band shot over the course of 12 years. In 2014, the band also performed at the
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of the two songs from the shelved tapes recorded between their two albums—one a reinterpretation of "Rhoda" from
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Buckler was soon replaced by bass player Todd Brashear. Slint had hoped that Touch and Go Records would release
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who agreed to release the group's next album. The master tapes to the proposed 12" were then shelved, making
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The band briefly reformed in 1992, and again in 1994. During this time, Touch and Go Records reissued
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Tennent, Scott. "Spiderland." Slint's Spiderland (33 1/3). N.p.: Bloomberg, n.d. 113. Print. 33 1/3.
418:. On a trip to visit Bastro and Paulson during the recording sessions for their final studio album,
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Nearly fifteen years after originally disbanding, three members of Slint—Brian McMahan,
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featuring an ever-shifting cast of members who have occasionally included David Pajo.
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Members of Slint have since appeared in a number of bands. Pajo has been a member of
1995:
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In a September 2012 interview conducted with Northern Irish music publication
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1652:"End Of An Era Part 2 curated by ATP & Loop - All Tomorrow's Parties"
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608:, also known as Aerial M, or just M. Guitarist Brian McMahan formed
490:
included an address seeking a female vocalist; the English songwriter
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1377:"Slint and Will Oldham discuss that famous 'Spiderland' album cover"
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1725:"Some Fucking Stars: Slint Documentary Breadcrumb Trail Reviewed"
1552:
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1464:"Slowcore Week: Slint and Codeine - a shared musical language?"
928:
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367:
1028:""I'm trying to find my way home":DiS meets Slint (Part Two)"
616:
in Palace. Britt Walford played drums in Evergreen, and for
781:– drums, guitar, vocals (1986–1990, 1992, 1994, reunions)
1853:
308:
Walford and McMahan met in their pre-teens and attended
945:"Review of the Definitive Alternative Album Spiderland"
1283:"Spiderland by Slint: the album that reinvented rock"
477:
is considered a seminal work, characterized by dark,
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793:– vocals, guitar (1986–1990, 1992, 1994, reunions)
620:under the pseudonym Shannon Doughton on the album
592:as a live back-up musician. He briefly played in
1370:
1368:
1161:"Maurice – Louisville Punk/Hardcore History"
1675:"Slint's Spiderland Gets Deluxe Box Set Reissue"
1347:(5th ed.). Edinburgh: Mojo Books. pp.
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806:Michael McMahan – guitar (2005, 2007, 2013–2014)
647:, and Britt Walford—reunited to curate the 2005
406:the sole release on the Jennifer Hartman label.
1198:
1137:. Louisvillepunk.awardspace.com. Archived from
442:Paulson and Slint met over a weekend to record
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1182:
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8:
1575:"News | Touch and Go / Quarterstick Records"
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922:Weingarten, Christopher R. (November 2002).
659:in its entirety in Barcelona as part of the
295:They have reunited sporadically since 1990.
1628:(in Japanese). iheartau.com. Archived from
636:has released several albums with his group
379:1988–1990: Todd Brashear joins, release of
260:(drums, vocals), Todd Brashear (bassist on
1876:
1862:
1854:
1841:
775:– guitar (1986–1990, 1992, 1994, reunions)
42:
31:
1807:"Murder Ballads: an interview with Slint"
717:music festival in Spain and Portugal and
2022:Musical groups from Louisville, Kentucky
553:, and the other a track called "Glenn".
248:, formed in 1986. The band consisted of
2012:Indie rock musical groups from Kentucky
1525:"Body Language, Translated and Remixed"
1375:Schneider, Martin (December 18, 2014).
889:
887:
883:
1002:"Slint Biography, Songs, & Albums"
796:Todd Brashear – bass (1988–1990, 1992)
354:, was recorded in the fall of 1987 by
2002:American post-hardcore musical groups
1241:"Invisible Histories: Slint (Part 2)"
1040:from the original on November 4, 2016
7:
2052:Musical groups reestablished in 2005
2047:Musical groups reestablished in 2013
2032:Musical groups reestablished in 2007
1849:Slint Touch and Go records band page
1497:"When PJ Harvey tried to join Slint"
1462:Riggs, Richard (February 17, 2009).
812:Matt Jencik – bass (2007, 2013–2014)
699:, as well as in box set editions of
288:, released on the independent label
1495:Ferrier, Aimee (February 5, 2024).
1101:Johnson, Jeff (November 30, 2003).
976:"Nosferatu Man - Slint | Song Info"
688:festival in Camber Sands, England.
498:1992–present: reunions and reissues
2027:Musical groups established in 1986
1673:Minsker, Evan (January 30, 2014).
1523:Ratliff, Ben (September 5, 2010).
1429:Parker, Chris (February 9, 2005).
332:1986–1989: Founding, Recording of
25:
1751:Berman, Stuart (April 16, 2014).
1431:"Brian Paulson: Studio aethetics"
600:, and performs under the moniker
1805:Calvert, John (March 12, 2014).
1163:. History.louisvillehardcore.com
1072:"About - J. Graham Brown School"
1026:Cooke, Robert (March 11, 2014).
517:
506:
2042:1986 establishments in Kentucky
894:Murray, Robin (July 23, 2013).
663:, in London as part of the ATP
604:and occasionally with his band
336:, and Ethan Buckler's departure
1410:. November 17, 2003. p. 9
588:. In 2009, he performed with
486:but not its underlying ethic.
1:
1723:Nixon, Dan (March 24, 2014).
1402:"Top 100 Albums of the 1990s"
1281:Simpson, Dave (May 1, 2014).
1103:"Something Like An Anomoanon"
809:Todd Cook – bass (2005, 2007)
612:in 1994 and also played with
2037:Touch and Go Records artists
278:, was recorded by engineer
2068:
1343:The Great Rock Discography
1219:"Images for Slint - Tweez"
626:, and as Mike Hunt on the
494:was among the applicants.
2017:American math rock groups
2007:American post-rock groups
1891:
1601:"Slint - King's approach"
1311:"King Kong - "Me Hungry""
331:
41:
1207:. Chicago: Touch and Go.
661:Primavera Sound Festival
651:(ATP) music festival in
542:in 1993, and in 1994 an
529:Pitchfork Music Festival
314:Louisville public school
272:). Slint's first album,
155:Jennifer Hartman Records
924:"Isis - Oceanic review"
420:Sing the Troubled Beast
1599:zlayed (May 4, 2011).
822:Tim Ruth – bass (1994)
801:Former touring members
686:All Tomorrow's Parties
649:All Tomorrow's Parties
396:Touch & Go Records
342:Unitarian Universalist
54:Background information
1251:on September 22, 2012
1203:Bangs, Lance (2014).
1076:www.mybrownschool.org
348:Slint's first album,
1702:"Slint - Spiderland"
1579:Touch and Go Records
1553:"Slint reunion 2005"
1476:on February 20, 2009
290:Touch and Go Records
63:Louisville, Kentucky
1753:"Slint: Spiderland"
1115:on October 19, 2012
580:-fronted rock band
1530:The New York Times
1141:on January 8, 2017
1082:on January 2, 2018
896:"Slint To Reform!"
787:– bass (1986–1987)
719:Green Man Festival
703:alongside the DVD
596:, took up bass in
584:, and as of 2021,
576:, the short-lived
527:Slint at the 2007
252:(guitar, vocals),
27:American rock band
1989:
1988:
1654:. Atpfestival.com
1632:on March 23, 2016
1443:on March 30, 2018
1337:Strong, Martin C.
817:Session musicians
610:The For Carnation
570:The For Carnation
231:
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170:The For Carnation
107:Slint discography
16:(Redirected from
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1979:Breadcrumb Trail
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1472:. Archived from
1469:Drowned in Sound
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1439:. Archived from
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1247:. Archived from
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1205:Breadcrumb Trail
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1033:Drowned in Sound
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955:on March 3, 2016
951:. Archived from
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706:Breadcrumb Trail
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236:was an American
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1786:. April 4, 2005
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1555:. Descendo.com
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1634:. Retrieved
1630:the original
1626:"David Pajo"
1620:
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1412:. Retrieved
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1314:
1305:
1288:The Guardian
1286:
1255:November 20,
1253:. Retrieved
1249:the original
1235:
1223:. Retrieved
1213:
1204:
1167:November 20,
1165:. Retrieved
1155:
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1139:the original
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1113:the original
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1096:
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969:
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953:the original
938:
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899:
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767:Core members
748:Philip Glass
728:
709:, filmmaker
704:
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697:Bonus Tracks
696:
692:
690:
674:
669:
664:
656:
653:Camber Sands
642:
627:
621:
618:The Breeders
586:Gang of Four
578:Billy Corgan
555:
550:
544:untitled 10"
537:
535:
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450:
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409:By the time
408:
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356:Steve Albini
349:
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339:
333:
323:
307:
294:
283:
280:Steve Albini
273:
269:
268:(bassist on
261:
233:
232:
199:Past members
151:Touch and Go
114:Years active
29:
18:Slint (band)
1816:January 31,
1780:"Slow Fade"
1730:The Quietus
1610:October 27,
1317:. Drag City
1044:November 3,
985:January 30,
959:November 1,
837:Discography
711:Lance Bangs
677:AU Magazine
614:Will Oldham
460:Will Oldham
398:'s founder
103:Discography
1996:Categories
1958:Untitled (
1941:Spiderland
1901:David Pajo
1790:August 15,
1736:January 7,
1386:January 7,
1321:January 7,
1086:January 7,
932:(107): 67.
878:References
857:Spiderland
773:David Pajo
736:Neil Young
701:Spiderland
693:Spiderland
681:David Pajo
657:Spiderland
645:David Pajo
558:Dead Child
488:Spiderland
479:syncopated
475:Spiderland
468:Spiderland
451:Spiderland
445:Spiderland
436:Spiderland
428:We Are 138
400:Corey Rusk
285:Spiderland
262:Spiderland
256:(guitar),
254:David Pajo
242:Louisville
240:band from
211:David Pajo
184:Spinoff of
93:indie rock
1758:Pitchfork
1704:. Discogs
1686:March 29,
1680:Pitchfork
1658:March 29,
1584:March 29,
1559:March 29,
1539:0362-4331
1436:Indy Week
1407:Pitchfork
1297:0261-3077
1225:April 16,
1221:. Discogs
949:About.com
756:Big Black
752:Minutemen
740:Nick Cave
691:A deluxe
638:King Kong
594:Stereolab
492:PJ Harvey
373:King Kong
364:ad-libbed
360:Big Black
326:Minutemen
304:Pre-Slint
175:King Kong
136:2013–2014
121:1986–1990
82:math rock
77:Post-rock
1918:Tim Ruth
1839:AllMusic
1708:July 21,
1447:July 17,
1339:(2000).
1038:Archived
1006:AllMusic
980:AllMusic
907:July 23,
871:Untitled
827:Timeline
598:Interpol
562:Tortoise
246:Kentucky
163:Spinoffs
1764:May 29,
1605:YouTube
1508:May 16,
1502:Far Out
1349:893–894
762:Members
744:Madonna
424:Misfits
299:History
264:), and
1981:(film)
1537:
1355:
1295:
1135:"back"
873:(1994)
860:(1991)
852:(1989)
629:Safari
606:Papa M
566:Palace
464:quarry
434:1991:
426:song "
416:Bastro
144:Labels
70:Genres
65:, U.S.
59:Origin
1960:Slint
1934:Tweez
1885:Slint
1835:Slint
901:Clash
849:Tweez
725:Style
670:Slint
632:EP.
551:Tweez
539:Tweez
454:'
411:Tweez
404:Tweez
392:Tweez
388:Tweez
381:Tweez
351:Tweez
334:Tweez
275:Tweez
270:Tweez
234:Slint
36:Slint
1818:2023
1792:2022
1766:2020
1738:2017
1710:2017
1688:2014
1660:2014
1638:2012
1612:2018
1586:2014
1561:2014
1535:ISSN
1510:2024
1482:2010
1449:2007
1416:2010
1388:2017
1353:ISBN
1323:2017
1293:ISSN
1257:2010
1227:2018
1169:2010
1147:2010
1121:2010
1108:Vice
1088:2017
1046:2016
1013:2013
987:2022
961:2010
909:2013
754:and
602:PAJO
582:Zwan
312:, a
238:rock
133:2007
130:2005
127:1994
124:1992
1837:at
1245:MOG
929:CMJ
758:.
623:Pod
368:tea
1998::
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