198:, as she thought the song described her friend, King, very well. King recorded the song and Stewart did the vocal. Price gave rights to the other two in exchange for publicity, as she felt she knew nothing about the music distribution business. The song did so well commercially that when Price wrote the song "
425:) but since all other British versions (and the previously-mentioned King recording) use the title "Slow Coach" the actual reason for this recording is unclear. It is possible the record may have been intended for the Australian market where bloke is a common appellation.
202:" the next year, she felt she could do better by ceding partial credit for authorship to King and Stewart than trying to publicize the song on her own, so that song as well was credited to King, Stewart, and Price, though Price was the sole author.
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chart. It appeared on the country charts on
September 21, 1951 for 31 weeks, peaking at #1 and remaining there for 15 weeks. Outside the US, topped the Australian charts in May 1952.
421:
Yet another recording made by Pee Wee King used the title "Slow Bloke" (and appropriate lyric changes). This would seem to have been made for the
British market ("bloke" being a
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as catalog number 998, reached #7 on the country charts, having first charted on
December 8, 1951. It lasted 4 weeks on the charts. The song also reached #26 on the pop charts.
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the song was called "Slow Coach." The lyric was changed to fit the
British title. Pee Wee King also recorded a version with that title. The major British versions recorded by
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on March 24, 1952 as the first melody of the medley "Dancing to the piano (No. 14) - Part 1. Hit Medley of
Foxtrots" along with "
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Best Seller chart on
December 28, 1951 for 11 weeks, peaking at #12. The song was one side of a two-sided hit; the flip side, "
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Best Seller chart on
October 21, 1951 and lasted 22 weeks, peaking at #3. It was his only crossover from the
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Best
Sellers chart on December 7, 1951 and lasted 4 weeks on the chart, where it peaked at #28.
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on 78 rpm as catalog number 21-4373 and 45 rpm as 47-4373. It first appeared on the
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Best Seller chart beginning
December 7, 1951 and lasted 11 weeks, peaking at #16.
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as catalog number 21-0489 (78rpm) and 48-0489 (45 rpm). It first entered the
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Best Seller chart on
January 4, 1952 at #30, in its only week on the chart.
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Best Seller chart on January 18, 1952, for 2 weeks and peaked at #29.
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and his orchestra with vocals by The Singing Winds was issued by
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This song was sampled for the song "Punk" by British singer
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Billboard Top Country & Western Records of 1952
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333:as catalog number 1837. It first appeared on the
278:The next-best-known version was the recording by
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368:Other who recorded the song as "Slow Coach":
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182:"Slow Poke" is credited to three writers:
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286:as catalog number 39632. It entered the
692:Number-one singles in the United States
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304:as catalog number 5740. It entered the
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418:label as catalog number B 10263.
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319:, catalog number 27792, entered the
194:. Actually Price wrote the song in
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487:"To Chilton goes all the credit"
697:Songs written by Chilton Price
1:
707:Songs written by Redd Stewart
702:Songs written by Pee Wee King
551:Top Country Singles 1944-1988
398:with Rhythm Acc. Recorded in
329:released her recording on
300:'s version was released by
213:'s recording was issued by
23:1951 single by Pee Wee King
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263:In 1951, the recording by
18:Slow Poke (disambiguation)
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530:Top Pop Records 1940-1955
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282:, which was released by
245:version was released by
233:Other recorded versions
717:Hawkshaw Hawkins songs
410:". It was released by
225:genre to score on the
206:Pee Wee King recording
497:E. W. Scripps Company
345:No One Will Ever Know
294:," also reached #12.
16:For other uses, see
639:Bonaparte's Retreat
492:The Cincinnati Post
712:Pee Wee King songs
553:. Record Research.
532:. Record Research.
416:His Master's Voice
335:Billboard magazine
321:Billboard magazine
306:Billboard magazine
288:Billboard magazine
273:Billboard magazine
247:King Records (USA)
219:Billboard magazine
151:"Silver and Gold"
137:"Tennessee Waltz"
128:singles chronology
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653:Changing Partners
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499:. Archived from
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284:Columbia Records
243:Hawkshaw Hawkins
238:As "Slow Poke":
200:You Belong to Me
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327:Helen O'Connell
302:Mercury Records
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52:"Whisper Waltz"
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547:Whitburn, Joel
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526:Whitburn, Joel
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503:on 2005-08-17.
485:(2002-09-27).
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354:United Kingdom
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343:for his album
341:Jimmie Rodgers
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292:Dance Me Loose
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408:Unforgettable
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687:1952 singles
682:1951 singles
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617:Pee Wee King
574:November 14,
572:. Retrieved
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501:the original
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423:British word
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344:
211:Pee Wee King
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188:Redd Stewart
184:Pee Wee King
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167:" is a 1951
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126:Pee Wee King
39:Pee Wee King
569:Discogs.com
430:As "Punk":
313:Roberta Lee
254:Ray Conniff
29:"Slow Poke"
676:Categories
469:References
380:Dinah Kaye
269:RCA Victor
215:RCA Victor
178:Background
107:RCA Victor
646:Slow Poke
434:Doris Day
298:Tiny Hill
256:Singers (
165:Slow Poke
144:Slow Poke
60:July 1951
549:(1989).
528:(1973).
457:See also
452:in 2007.
450:Red Face
396:Semprini
375:Dyd Dean
364:Quartet.
360:and the
65:Recorded
57:Released
624:Singles
443:Samples
414:on the
406:" and "
352:In the
223:country
169:popular
153:(1952)
148:(1951)
139:(1951)
79:Country
436:(1955)
400:London
347:(1962)
190:, and
85:Length
47:B-side
35:Single
660:Bimbo
102:Label
74:Genre
576:2020
390:1951
384:The
258:1964
252:The
196:1951
172:song
68:1951
412:EMI
404:Cry
227:pop
37:by
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241:A
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.