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Small Change (Tom Waits album)

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405:, who portrayed the iconic Elvira, Mistress of the Dark. Peterson, however, says she's not sure of the authenticity of this claim, stating, "I can’t say it’s completely not me—I can’t say it’s not true—but I have absolutely no recollection of doing it, if it is true....I do not remember the ’70s, for who-knows-what-all reasons. But anyway, it could be me. There is a possibility. But I just look and look and look at it and go, “It doesn’t look exactly like me.” I don’t know. Maybe it is." 318:" Howe offers the following to his aspiring songwriters: "A battered old suitcase to a hotel someplace / And a wound that will never heal." This particular Tom Waits lyric Howe considers to be "brilliant." It's "the work of an extremely talented lyricist, poet, whatever you want to say. That is brilliant, brilliant work. And he never mentions the person, but you see the person." 610: 572: 567: 648: 643: 638: 633: 628: 605: 600: 595: 590: 562: 557: 552: 522: 517: 512: 507: 502: 460: 455: 450: 445: 440: 382:
hard-living reputation in the eyes of many fans. The album's themes include those of desolation, deprivation, and, above all else, alcoholism. The cast of characters, which includes hookers, strippers and small-time losers, are, for the most part, night-owls and drunks; people lost in a cold, urban world.
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With the album Waits asserted that he "tried to resolve a few things as far as this cocktail-lounge, maudlin, crying-in-your-beer image that I have. There ain't nothin' funny about a drunk I was really starting to believe that there was something amusing and wonderfully American about being a drunk.
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He said the most wonderful thing about writing that song. He went down and hung around on skid row in L.A. because he wanted to get stimulated for writing this material. He called me up and said, "I went down to skid row ... I bought a pint of rye. In a brown paper bag." I said, "Oh really?" "Yeah -
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singer Mathilde Bondo. Indeed, in a 1998 radio interview, she confirmed that she met Waits and that they spent a night on the town together. Waits himself described the song's subject during a concert in Sydney, Australia in March 1979: "Uh, well I met this girl named Matilda. And uh, I had a little
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had to be changed. Howe recounted: "We set up at Heider's for that record the same way I used to make jazz records in the 1950s. I wanted to take Tom back to that direction of making records, with an orchestra and Tom in the same room, all playing and singing together. I was never afraid of making a
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Well, gee. I'd say there's probably more songs off that record that I continued to play on the road, and that endured. Some songs you may write and record but you never sing them again. Others you sing em every night and try and figure out what they mean. "Tom Traubert's Blues" was certainly one of
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Waits recorded the album in reaction to these hardships. This is evident in the pessimism and cynicism that pervade the record, with many songs, such as "The Piano Has Been Drinking" and "Bad Liver and a Broken Heart" presenting a bare and honest portrayal of alcoholism, while also cementing Waits'
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Howe was amazed when he first heard the song, and he's still astonished by it. "I do a lot of seminars," he says. "Occasionally I'll do something for songwriters. They all say the same thing to me. 'All the great lyrics are done.' And I say, 'I'm going to give you a lyric that you never heard
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I was sick through that whole period It was starting to wear on me, all the touring. I'd been travelling quite a bit, living in hotels, eating bad food, drinking a lot - too much. There's a lifestyle that's there before you arrive and you're introduced to it. It's
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The album's closing song, "I Can't Wait to Get Off Work (And See My Baby on Montgomery Avenue)", has a simple musical arrangement, boasting only Waits' voice and piano, with bass by Jim Hughart. The lyrics are about Waits' first job at Napoleone Pizza House in
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record where the musicians all breathed the same air. Leakage is not a problem. In fact, it's a good thing — it holds a record together... He was always surrounded by the music and the records sound like it. We never used headphones. Never."
264:. The music, for the most part, consists of Waits' gravelly, rough voice, set against a backdrop of piano, upright bass, drums and saxophone. Some tracks have a string section, whose sweet timbre is starkly contrasted to Waits' voice. 1425: 2017: 809: 1353: 469: 190:. It was successful commercially and outsold his previous albums. This resulted in Waits putting together a touring band - The Nocturnal Emissions, which consisted of 401:
The cover art features Waits sitting in a go-go dancer's dressing room, with a topless go-go dancer standing nearby. It was alleged that the go-go dancer pictured is
271:" opens the album. Jay S. Jacobs has described the song as a "stunning opener sets the tone for what follows." The refrain is based almost word by word on the 1890 282:
The origin of the song is somewhat ambiguous. The sub-title, "Four Sheets to the Wind in Copenhagen", seems to indicate that it is about a time that Waits spent in
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hunkered down, drank the pint of rye, went home, threw up, and wrote 'Tom Traubert's Blues' Every guy down there ... everyone I spoke to, a woman put him there."
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received critical reviews equal to or better than Waits' previous albums, and was at first a surprise commercial success, rising to #89 on the
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Waits was drinking more and more heavily, and life on the road was starting to take its toll on him. Waits, looking back at the period said:
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on drums and vibraphone. The Nocturnal Emissions toured Europe and the United States extensively from October 1976 till May 1977.
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Beyond the serious themes with which the album deals, the lyrics are often also noted for their humour; with songs such as "
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An excerpt of the opening saxophone solo from "Small Change (Got Rained On With His Own .38)" was used for the opening of
1292: 2059: 1904: 1749: 390: 1076: 1897: 1865: 297: 2310: 1971: 2045: 1552: 712: 244:, and was, like Waits' previous albums, heavily jazz-influenced, with a lyrical style that owed influence to 2134: 2113: 2010: 1911: 1833: 1756: 1711: 1392: 753: 481: 268: 136: 1175: 2085: 1936: 1777: 333: 217: 187: 2206: 2165: 2099: 1879: 1584: 327: 301:, aired December 15, 2006, Waits said that Tom Traubert was a "friend of a friend" who died in prison. 2315: 2288: 2252: 2127: 1784: 1742: 1080: 662: 213: 183: 75: 2092: 2073: 1484: 1430: 531: 28: 291:
too much to drink that night. This is about throwing up in a foreign country." In an interview on
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Bones Howe, the album's producer, recalls when Waits first came to him with the song:
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chart within two weeks of its release. Three weeks later, the album fell off the
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was recorded, direct to 2-track stereo tape, July 15, 19–21 and 29, 1976 at
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those songs I continued to sing, and in fact, close my show with.
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The Piano Has Been Drinking (Not Me) (An Evening with Pete King)
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The Piano Has Been Drinking (Not Me) (An Evening with Pete King)
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in 1988, its first season of screening cult films introduced by
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Gill, Andy (December 2011). "What Is He Building in There..?".
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Top 200, and Waits was not to better its position until 1999's
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Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)
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under the title "Tom Traubert's Blues (Waltzing Matilda)".
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MacLaren, Trevor, "Tom Waits: Small Change", 2004 March 2
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on tenor saxophone, FitzGerald Jenkins on bass guitar and
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Christgau's Record Guide: Rock Albums of the Seventies
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is the fourth studio album by singer and songwriter
2199: 2174: 2158: 1988: 1921: 1889: 1857: 1734: 1658:. London: Flame Tree Publishing. pp. 156–157. 1469:Coleman, Mark; Scoppa, Bud (2004). "Tom Waits". In 838: 830: 743: 735: 122: 110: 98: 82: 71: 63: 48: 35: 21: 1390:Johnston, Emma (May 2018). "Tom Waits: Reissues". 1293:"Elvira, Mistress Of The Dark (and merchandising)" 1132: 1130: 858:"Pasties and a G-String (At the Two O'Clock Club)" 286:in 1976 while on a tour. There, he apparently met 797:"I Wish I Was in New Orleans (In the Ninth Ward)" 386:I ended up telling myself to cut that shit out." 943:Ed Lustgarten – cello, orchestra manager strings 1104: 1102: 1054:Shipments figures based on certification alone. 891:"Small Change (Got Rained on with His Own .38)" 1166: 1164: 1162: 1160: 437: 1712: 1239:Smellin' Like a Brewery, Lookin' Like a Tramp 1226:Smellin' Like a Brewery, Lookin' Like a Tramp 724:All songs written and composed by Tom Waits. 8: 1598:"ARIA Charts – Accreditations – 2001 Albums" 1196:Interview with Tom Waits on NPR's World Cafe 625: 587: 549: 499: 345:, which he began in 1965, at the age of 16. 2039:Christmas Card from a Hooker in Minneapolis 1719: 1705: 1697: 1002: 969: 961:– arranger and conductor of string section 869:"Bad Liver and a Broken Heart (In Lowell)" 685:in 1999 if he shared many fans' view that 412: 252:as well as a vocal delivery influenced by 27: 18: 2268:Come On Up to the House: Women Sing Waits 2004:(Looking for) The Heart of Saturday Night 1979:Orphans: Brawlers, Bawlers & Bastards 1605:Australian Recording Industry Association 1530:""Tom Traubert's Blues" lyrics and notes" 1458:. No. 73. October 1992. p. 101. 782:"Jitterbug Boy (Sharing a Curbstone with 827: 732: 1068: 1050: 908: 1424:Deusner, Stephen M. (March 24, 2018). 1413:. No. 200. July 2010. p. 76. 2282:Step Right Up: The Songs of Tom Waits 909: 418: 7: 178:, released on September 21, 1976 on 1532:. Tom Waits Library. Archived from 1174:. Tom Waits Library. Archived from 439: 1110:"Tom Waits Time line: 1976 - 1980" 16:1976 studio album by Tom Waits 14: 2080:16 Shells From a Thirty-Ought-Six 1480:The New Rolling Stone Album Guide 627: 589: 551: 501: 1873:Romeo Bleeding: Live from Austin 1581:Small Change – Tom Waits: Awards 1379:– via robertchristgau.com. 1291:O'Neal, Sam (October 28, 2009). 689:was the crowning moment of his " 679:When asked in an interview with 646: 641: 636: 631: 626: 608: 603: 598: 593: 588: 570: 565: 560: 555: 550: 520: 515: 510: 505: 500: 458: 453: 448: 443: 438: 368:At the time of the recording of 1656:A Brief History of Album Covers 1518:. No. 175. pp. 52–53. 934:– violin, concertmaster strings 1139:"'Bones' Howe & Tom Waits" 831: 736: 321:The song has been recorded by 1: 2326:Albums produced by Bones Howe 1630:British Phonographic Industry 582:The Rolling Stone Album Guide 182:. It was recorded in July at 1137:Daley, Dan (February 2004). 52:September 21, 1976 1958:The Early Years, Volume Two 1951:The Early Years, Volume One 1750:The Heart of Saturday Night 1452:"Tom Waits: Small Change". 1426:"Tom Waits: The Asylum Era" 1407:"Tom Waits: Small Change". 1396:. No. 248. p. 98. 1252:"When Elvira met Tom Waits" 1083:. p. 1. Archived from 391:The Piano Has Been Drinking 2342: 1587:. Retrieved July 26, 2012. 1321:"Small Change – Tom Waits" 1198:, aired December 15, 2006 1051: 1036: 1021: 1013: 1010: 1007: 982: 975: 972: 928:Tom Waits – vocals, piano 898: 887: 876: 865: 854: 847:"Invitation to the Blues" 843: 835: 804: 793: 778: 763: 748: 740: 426: 423: 237:The album featured famed 130: 26: 1553:All Time Top 1000 Albums 1209:Timeline and Discography 1145:. SOS Publications Group 713:All Time Top 1000 Albums 706:was voted number 958 in 470:Christgau's Record Guide 220:under the production of 2135:Come On Up to the House 2121:Innocent When You Dream 2114:Hang On St. Christopher 1757:Nighthawks at the Diner 1213:Innocent When You Dream 880:"The One That Got Away" 184:Wally Heider's Studio 3 137:Nighthawks at the Diner 76:Wally Heider's Studio 3 2086:Jockey Full of Bourbon 1937:Anthology of Tom Waits 1654:Draper, Jason (2008). 1172:"Tom Traubert's Blues" 700: 379: 334:Unplugged...and Seated 311: 2321:Asylum Records albums 2166:Glitter and Doom Tour 1880:Glitter and Doom Live 1237:McGee, David (1977), 1224:McGee, David (1977), 695: 374: 306: 2289:Tom Waits for No One 2128:Way Down in the Hole 2060:Heartattack and Vine 2011:Tom Traubert's Blues 1972:Used Songs 1973–1980 1785:Heartattack and Vine 1485:Simon & Schuster 1260:. 13 September 2010. 1241:, in Montandon, p.30 1228:, in Montandon, p.29 414:Professional ratings 325:on two 1993 albums, 269:Tom Traubert's Blues 2093:Hang Down Your Head 2074:In the Neighborhood 1319:Ruhlmann, William. 1004: 415: 1965:Beautiful Maladies 1898:One from the Heart 1792:Swordfishtrombones 1689:All About Jazz.com 1360:Ticknor and Fields 1003: 413: 403:Cassandra Peterson 2298: 2297: 2275:New Coat of Paint 2149:Back in the Crowd 2046:Romeo Is Bleeding 1806:Franks Wild Years 1346:Christgau, Robert 1280:. 5 October 2016. 1060: 1059: 1055: 996: 995: 955:– tenor saxophone 919: 918: 819: 818: 655: 654: 167: 166: 163: 162: 2333: 2311:Tom Waits albums 2232:Rickie Lee Jones 2212:Kathleen Brennan 2200:Related articles 1721: 1714: 1707: 1698: 1677: 1641: 1640: 1638: 1636: 1622: 1616: 1615: 1613: 1611: 1602: 1594: 1588: 1578: 1572: 1571: 1556:(3rd ed.). 1544: 1538: 1537: 1526: 1520: 1519: 1509: 1503: 1502: 1483:(4th ed.). 1475:Hoard, Christian 1471:Brackett, Nathan 1466: 1460: 1459: 1449: 1443: 1442: 1440: 1438: 1421: 1415: 1414: 1404: 1398: 1397: 1387: 1381: 1380: 1378: 1376: 1342: 1336: 1335: 1333: 1331: 1316: 1310: 1309: 1307: 1305: 1288: 1282: 1281: 1268: 1262: 1261: 1248: 1242: 1235: 1229: 1222: 1216: 1205: 1199: 1193: 1187: 1186: 1184: 1183: 1168: 1155: 1154: 1152: 1150: 1134: 1125: 1124: 1122: 1121: 1112:. Archived from 1106: 1097: 1096: 1094: 1092: 1087:on March 8, 2018 1073: 1053: 1037:United Kingdom ( 1005: 970: 912: 833: 828: 738: 733: 651: 650: 649: 645: 644: 640: 639: 635: 634: 630: 629: 613: 612: 611: 607: 606: 602: 601: 597: 596: 592: 591: 575: 574: 573: 569: 568: 564: 563: 559: 558: 554: 553: 525: 524: 523: 519: 518: 514: 513: 509: 508: 504: 503: 463: 462: 461: 457: 456: 452: 451: 447: 446: 442: 441: 416: 317: 277:Waltzing Matilda 250:Charles Bukowski 246:Raymond Chandler 132: 131: 94: 93: 89: 67:July 15–29, 1976 59: 57: 31: 19: 2341: 2340: 2336: 2335: 2334: 2332: 2331: 2330: 2301: 2300: 2299: 2294: 2195: 2183:The Black Rider 2170: 2154: 2053:Kentucky Avenue 1984: 1917: 1912:The Black Rider 1885: 1853: 1820:Mule Variations 1771:Foreign Affairs 1730: 1725: 1684: 1666: 1653: 1650: 1648:Further reading 1645: 1644: 1634: 1632: 1624: 1623: 1619: 1609: 1607: 1600: 1596: 1595: 1591: 1579: 1575: 1568: 1560:. p. 290. 1546: 1545: 1541: 1528: 1527: 1523: 1511: 1510: 1506: 1499: 1468: 1467: 1463: 1451: 1450: 1446: 1436: 1434: 1423: 1422: 1418: 1406: 1405: 1401: 1389: 1388: 1384: 1374: 1372: 1370: 1344: 1343: 1339: 1329: 1327: 1318: 1317: 1313: 1303: 1301: 1290: 1289: 1285: 1270: 1269: 1265: 1250: 1249: 1245: 1236: 1232: 1223: 1219: 1207:Montadon, Mac, 1206: 1202: 1194: 1190: 1181: 1179: 1170: 1169: 1158: 1148: 1146: 1136: 1135: 1128: 1119: 1117: 1108: 1107: 1100: 1090: 1088: 1075: 1074: 1070: 1065: 1015:Certified units 1001: 977: 968: 966:Chart positions 932:Harry Bluestone 925: 920: 910: 820: 722: 673:Mule Variations 647: 642: 637: 632: 609: 604: 599: 594: 571: 566: 561: 556: 521: 516: 511: 506: 459: 454: 449: 444: 411: 399: 366: 315: 254:Louis Armstrong 235: 204: 158: 155:Foreign Affairs 149: 140: 91: 87: 86: 55: 53: 44: 17: 12: 11: 5: 2339: 2337: 2329: 2328: 2323: 2318: 2313: 2303: 2302: 2296: 2295: 2293: 2292: 2285: 2278: 2271: 2264: 2257: 2249: 2247:Chuck E. 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Club 1253: 1247: 1244: 1240: 1234: 1231: 1227: 1221: 1218: 1214: 1210: 1204: 1201: 1197: 1192: 1189: 1178:on 2011-12-09 1177: 1173: 1167: 1165: 1163: 1161: 1157: 1144: 1140: 1133: 1131: 1127: 1116:on 2008-10-26 1115: 1111: 1105: 1103: 1099: 1086: 1082: 1078: 1072: 1069: 1062: 1056: 1046: 1043: 1040: 1035: 1031: 1028: 1025: 1020: 1016: 1011:Certification 1006: 998: 991: 989: 987: 981: 973:Chart (1976) 971: 965: 960: 957: 954: 951: 948: 945: 942: 939: 936: 933: 930: 927: 926: 922: 914: 911:Total length: 904: 901: 897: 893: 890: 886: 882: 879: 875: 871: 868: 864: 860: 857: 853: 849: 846: 842: 829: 825: 824: 814: 811: 807: 803: 799: 796: 792: 788: 785: 781: 777: 773: 770: 769:Step Right Up 766: 762: 758: 755: 751: 747: 734: 730: 729: 725: 720:Track listing 719: 717: 715: 714: 709: 705: 699: 694: 692: 688: 684: 683: 677: 675: 674: 669: 665: 664: 659: 624: 622: 621: 617: 616: 586: 584: 583: 579: 578: 548: 546: 545: 541: 540: 536: 534: 533: 529: 528: 498: 496: 495: 491: 490: 486: 484: 483: 479: 478: 474: 472: 471: 467: 466: 436: 434: 431: 430: 422: 419:Review scores 417: 408: 406: 404: 396: 394: 392: 387: 383: 378: 373: 371: 363: 361: 359: 355: 351: 346: 344: 338: 336: 335: 330: 329: 328:Lead Vocalist 324: 319: 310: 305: 302: 300: 299: 294: 289: 285: 280: 278: 274: 270: 265: 263: 259: 255: 251: 247: 243: 240: 232: 230: 227: 226:Jayne Meadows 223: 219: 215: 212: 208: 201: 199: 197: 193: 189: 185: 181: 177: 173: 172: 157: 156: 152: 148: 147: 143: 139: 138: 134: 133: 129: 125: 121: 118: 115: 113: 109: 106: 103: 101: 97: 85: 81: 77: 74: 70: 66: 62: 51: 47: 43: 38: 34: 30: 25: 20: 2287: 2280: 2273: 2266: 2259: 2251: 2242:Larry Taylor 2227:Jim Jarmusch 2188: 2181: 1977: 1970: 1963: 1956: 1949: 1944:Asylum Years 1942: 1935: 1928: 1922:Compilations 1910: 1903: 1896: 1878: 1871: 1864: 1846: 1839: 1832: 1825: 1818: 1813:Bone Machine 1811: 1804: 1797: 1790: 1783: 1776: 1769: 1764:Small Change 1763: 1762: 1755: 1748: 1743:Closing Time 1741: 1688: 1655: 1633:. Retrieved 1620: 1608:. Retrieved 1592: 1576: 1558:Virgin Books 1551: 1548:Colin Larkin 1542: 1534:the original 1524: 1513: 1507: 1479: 1464: 1453: 1447: 1435:. Retrieved 1429: 1419: 1408: 1402: 1393:Classic Rock 1391: 1385: 1373:. Retrieved 1354: 1340: 1328:. Retrieved 1314: 1304:November 20, 1302:. Retrieved 1296: 1286: 1275: 1266: 1255: 1246: 1238: 1233: 1225: 1220: 1212: 1208: 1203: 1191: 1180:. Retrieved 1176:the original 1147:. Retrieved 1142: 1118:. Retrieved 1114:the original 1089:. 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Index


Studio album
Tom Waits
Wally Heider's Studio 3
Label
Asylum
Producer
Bones Howe
Tom Waits
Nighthawks at the Diner
Foreign Affairs
Tom Waits
Asylum Records
Wally Heider's Studio 3
Hollywood
Frank Vicari
Chip White
Wally Heider's
Studio 3
Hollywood
Bones Howe
Jayne Meadows
drummer
Shelly Manne
Raymond Chandler
Charles Bukowski
Louis Armstrong
Dr. John
Howlin' Wolf
Tom Traubert's Blues

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