405:, who portrayed the iconic Elvira, Mistress of the Dark. Peterson, however, says she's not sure of the authenticity of this claim, stating, "I can’t say it’s completely not me—I can’t say it’s not true—but I have absolutely no recollection of doing it, if it is true....I do not remember the ’70s, for who-knows-what-all reasons. But anyway, it could be me. There is a possibility. But I just look and look and look at it and go, “It doesn’t look exactly like me.” I don’t know. Maybe it is."
318:" Howe offers the following to his aspiring songwriters: "A battered old suitcase to a hotel someplace / And a wound that will never heal." This particular Tom Waits lyric Howe considers to be "brilliant." It's "the work of an extremely talented lyricist, poet, whatever you want to say. That is brilliant, brilliant work. And he never mentions the person, but you see the person."
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hard-living reputation in the eyes of many fans. The album's themes include those of desolation, deprivation, and, above all else, alcoholism. The cast of characters, which includes hookers, strippers and small-time losers, are, for the most part, night-owls and drunks; people lost in a cold, urban world.
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With the album Waits asserted that he "tried to resolve a few things as far as this cocktail-lounge, maudlin, crying-in-your-beer image that I have. There ain't nothin' funny about a drunk I was really starting to believe that there was something amusing and wonderfully
American about being a drunk.
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He said the most wonderful thing about writing that song. He went down and hung around on skid row in L.A. because he wanted to get stimulated for writing this material. He called me up and said, "I went down to skid row ... I bought a pint of rye. In a brown paper bag." I said, "Oh really?" "Yeah -
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singer
Mathilde Bondo. Indeed, in a 1998 radio interview, she confirmed that she met Waits and that they spent a night on the town together. Waits himself described the song's subject during a concert in Sydney, Australia in March 1979: "Uh, well I met this girl named Matilda. And uh, I had a little
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had to be changed. Howe recounted: "We set up at Heider's for that record the same way I used to make jazz records in the 1950s. I wanted to take Tom back to that direction of making records, with an orchestra and Tom in the same room, all playing and singing together. I was never afraid of making a
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Well, gee. I'd say there's probably more songs off that record that I continued to play on the road, and that endured. Some songs you may write and record but you never sing them again. Others you sing em every night and try and figure out what they mean. "Tom
Traubert's Blues" was certainly one of
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Waits recorded the album in reaction to these hardships. This is evident in the pessimism and cynicism that pervade the record, with many songs, such as "The Piano Has Been
Drinking" and "Bad Liver and a Broken Heart" presenting a bare and honest portrayal of alcoholism, while also cementing Waits'
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Howe was amazed when he first heard the song, and he's still astonished by it. "I do a lot of seminars," he says. "Occasionally I'll do something for songwriters. They all say the same thing to me. 'All the great lyrics are done.' And I say, 'I'm going to give you a lyric that you never heard
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I was sick through that whole period It was starting to wear on me, all the touring. I'd been travelling quite a bit, living in hotels, eating bad food, drinking a lot - too much. There's a lifestyle that's there before you arrive and you're introduced to it. It's
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The album's closing song, "I Can't Wait to Get Off Work (And See My Baby on
Montgomery Avenue)", has a simple musical arrangement, boasting only Waits' voice and piano, with bass by Jim Hughart. The lyrics are about Waits' first job at Napoleone Pizza House in
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record where the musicians all breathed the same air. Leakage is not a problem. In fact, it's a good thing — it holds a record together... He was always surrounded by the music and the records sound like it. We never used headphones. Never."
264:. The music, for the most part, consists of Waits' gravelly, rough voice, set against a backdrop of piano, upright bass, drums and saxophone. Some tracks have a string section, whose sweet timbre is starkly contrasted to Waits' voice.
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190:. It was successful commercially and outsold his previous albums. This resulted in Waits putting together a touring band - The Nocturnal Emissions, which consisted of
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The cover art features Waits sitting in a go-go dancer's dressing room, with a topless go-go dancer standing nearby. It was alleged that the go-go dancer pictured is
271:" opens the album. Jay S. Jacobs has described the song as a "stunning opener sets the tone for what follows." The refrain is based almost word by word on the 1890
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The origin of the song is somewhat ambiguous. The sub-title, "Four Sheets to the Wind in
Copenhagen", seems to indicate that it is about a time that Waits spent in
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hunkered down, drank the pint of rye, went home, threw up, and wrote 'Tom
Traubert's Blues' Every guy down there ... everyone I spoke to, a woman put him there."
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393:" and "Bad Liver And A Broken Heart" including puns and jokes in their treatment of alcoholism, with the added humour in Waits' drunken diction.
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received critical reviews equal to or better than Waits' previous albums, and was at first a surprise commercial success, rising to #89 on the
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Waits was drinking more and more heavily, and life on the road was starting to take its toll on him. Waits, looking back at the period said:
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on drums and vibraphone. The
Nocturnal Emissions toured Europe and the United States extensively from October 1976 till May 1977.
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Beyond the serious themes with which the album deals, the lyrics are often also noted for their humour; with songs such as "
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An excerpt of the opening saxophone solo from "Small Change (Got Rained On With His Own .38)" was used for the opening of
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301:, aired December 15, 2006, Waits said that Tom Traubert was a "friend of a friend" who died in prison.
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too much to drink that night. This is about throwing up in a foreign country." In an interview on
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Bones Howe, the album's producer, recalls when Waits first came to him with the song:
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chart within two weeks of its release. Three weeks later, the album fell off the
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693:-glory-meets-Hollywood-noir period" (i.e. from 1973 to 1980), Waits replied:
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was recorded, direct to 2-track stereo tape, July 15, 19–21 and 29, 1976 at
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those songs I continued to sing, and in fact, close my show with.
2018:
The Piano Has Been
Drinking (Not Me) (An Evening with Pete King)
810:
The Piano Has Been
Drinking (Not Me) (An Evening with Pete King)
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in 1988, its first season of screening cult films introduced by
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Gill, Andy (December 2011). "What Is He Building in There..?".
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Top 200, and Waits was not to better its position until 1999's
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Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)
1626:"British album certifications – Tom Waits – Small Change"
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under the title "Tom Traubert's Blues (Waltzing Matilda)".
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MacLaren, Trevor, "Tom Waits: Small Change", 2004 March 2
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on tenor saxophone, FitzGerald Jenkins on bass guitar and
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Christgau's Record Guide: Rock Albums of the Seventies
786:, Robert Marchese, Paul Body and The Mug and Artie)"
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is the fourth studio album by singer and songwriter
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1658:. London: Flame Tree Publishing. pp. 156–157.
1469:Coleman, Mark; Scoppa, Bud (2004). "Tom Waits". In
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1390:Johnston, Emma (May 2018). "Tom Waits: Reissues".
1293:"Elvira, Mistress Of The Dark (and merchandising)"
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858:"Pasties and a G-String (At the Two O'Clock Club)"
286:in 1976 while on a tour. There, he apparently met
797:"I Wish I Was in New Orleans (In the Ninth Ward)"
386:I ended up telling myself to cut that shit out."
943:Ed Lustgarten – cello, orchestra manager strings
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1054:Shipments figures based on certification alone.
891:"Small Change (Got Rained on with His Own .38)"
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1239:Smellin' Like a Brewery, Lookin' Like a Tramp
1226:Smellin' Like a Brewery, Lookin' Like a Tramp
724:All songs written and composed by Tom Waits.
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1598:"ARIA Charts – Accreditations – 2001 Albums"
1196:Interview with Tom Waits on NPR's World Cafe
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2039:Christmas Card from a Hooker in Minneapolis
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961:– arranger and conductor of string section
869:"Bad Liver and a Broken Heart (In Lowell)"
685:in 1999 if he shared many fans' view that
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252:as well as a vocal delivery influenced by
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18:
2268:Come On Up to the House: Women Sing Waits
2004:(Looking for) The Heart of Saturday Night
1979:Orphans: Brawlers, Bawlers & Bastards
1605:Australian Recording Industry Association
1530:""Tom Traubert's Blues" lyrics and notes"
1458:. No. 73. October 1992. p. 101.
782:"Jitterbug Boy (Sharing a Curbstone with
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1424:Deusner, Stephen M. (March 24, 2018).
1413:. No. 200. July 2010. p. 76.
2282:Step Right Up: The Songs of Tom Waits
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178:, released on September 21, 1976 on
1532:. Tom Waits Library. Archived from
1174:. Tom Waits Library. Archived from
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1110:"Tom Waits Time line: 1976 - 1980"
16:1976 studio album by Tom Waits
14:
2080:16 Shells From a Thirty-Ought-Six
1480:The New Rolling Stone Album Guide
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589:
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1873:Romeo Bleeding: Live from Austin
1581:Small Change – Tom Waits: Awards
1379:– via robertchristgau.com.
1291:O'Neal, Sam (October 28, 2009).
689:was the crowning moment of his "
679:When asked in an interview with
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368:At the time of the recording of
1656:A Brief History of Album Covers
1518:. No. 175. pp. 52–53.
934:– violin, concertmaster strings
1139:"'Bones' Howe & Tom Waits"
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321:The song has been recorded by
1:
2326:Albums produced by Bones Howe
1630:British Phonographic Industry
582:The Rolling Stone Album Guide
182:. It was recorded in July at
1137:Daley, Dan (February 2004).
52:September 21, 1976
1958:The Early Years, Volume Two
1951:The Early Years, Volume One
1750:The Heart of Saturday Night
1452:"Tom Waits: Small Change".
1426:"Tom Waits: The Asylum Era"
1407:"Tom Waits: Small Change".
1396:. No. 248. p. 98.
1252:"When Elvira met Tom Waits"
1083:. p. 1. Archived from
391:The Piano Has Been Drinking
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1587:. Retrieved July 26, 2012.
1321:"Small Change – Tom Waits"
1198:, aired December 15, 2006
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847:"Invitation to the Blues"
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1553:All Time Top 1000 Albums
1209:Timeline and Discography
1145:. SOS Publications Group
713:All Time Top 1000 Albums
706:was voted number 958 in
470:Christgau's Record Guide
220:under the production of
2135:Come On Up to the House
2121:Innocent When You Dream
2114:Hang On St. Christopher
1757:Nighthawks at the Diner
1213:Innocent When You Dream
880:"The One That Got Away"
184:Wally Heider's Studio 3
137:Nighthawks at the Diner
76:Wally Heider's Studio 3
2086:Jockey Full of Bourbon
1937:Anthology of Tom Waits
1654:Draper, Jason (2008).
1172:"Tom Traubert's Blues"
700:
379:
334:Unplugged...and Seated
311:
2321:Asylum Records albums
2166:Glitter and Doom Tour
1880:Glitter and Doom Live
1237:McGee, David (1977),
1224:McGee, David (1977),
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2289:Tom Waits for No One
2128:Way Down in the Hole
2060:Heartattack and Vine
2011:Tom Traubert's Blues
1972:Used Songs 1973–1980
1785:Heartattack and Vine
1485:Simon & Schuster
1260:. 13 September 2010.
1241:, in Montandon, p.30
1228:, in Montandon, p.29
414:Professional ratings
325:on two 1993 albums,
269:Tom Traubert's Blues
2093:Hang Down Your Head
2074:In the Neighborhood
1319:Ruhlmann, William.
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1965:Beautiful Maladies
1898:One from the Heart
1792:Swordfishtrombones
1689:All About Jazz.com
1360:Ticknor and Fields
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403:Cassandra Peterson
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2275:New Coat of Paint
2149:Back in the Crowd
2046:Romeo Is Bleeding
1806:Franks Wild Years
1346:Christgau, Robert
1280:. 5 October 2016.
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2232:Rickie Lee Jones
2212:Kathleen Brennan
2200:Related articles
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784:Chuck E. Weiss
780:
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772:
765:
761:
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750:
746:
745:
742:
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623:
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435:
429:
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421:
420:
410:
407:
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395:
365:
362:
234:
231:
211:Wally Heider's
203:
200:
180:Asylum Records
165:
164:
161:
160:
151:
142:
128:
127:
120:
119:
114:
108:
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96:
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24:
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15:
13:
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2064:
2061:
2057:
2054:
2050:
2047:
2043:
2040:
2036:
2033:
2029:
2026:
2025:Step Right Up
2022:
2019:
2015:
2012:
2008:
2005:
2001:
1998:
1994:
1993:
1991:
1989:Notable songs
1987:
1981:
1980:
1976:
1974:
1973:
1969:
1967:
1966:
1962:
1960:
1959:
1955:
1953:
1952:
1948:
1946:
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1759:
1758:
1754:
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1747:
1745:
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1739:
1737:
1735:Studio albums
1733:
1729:
1722:
1717:
1715:
1710:
1708:
1703:
1702:
1699:
1693:
1690:
1686:
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1667:
1665:9781847862112
1661:
1657:
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1647:
1631:
1627:
1621:
1618:
1606:
1599:
1593:
1590:
1586:
1582:
1577:
1574:
1569:
1567:0-7535-0493-6
1563:
1559:
1555:
1554:
1549:
1543:
1540:
1535:
1531:
1525:
1522:
1517:
1516:
1508:
1505:
1500:
1498:0-7432-0169-8
1494:
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1462:
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1417:
1412:
1411:
1403:
1400:
1395:
1394:
1386:
1383:
1371:
1369:0-89919-026-X
1365:
1361:
1357:
1356:
1351:
1347:
1341:
1338:
1326:
1322:
1315:
1312:
1300:
1299:
1298:The A.V. Club
1294:
1287:
1284:
1279:
1278:
1277:The A.V. Club
1273:
1267:
1264:
1259:
1258:
1257:The A.V. Club
1253:
1247:
1244:
1240:
1234:
1231:
1227:
1221:
1218:
1214:
1210:
1204:
1201:
1197:
1192:
1189:
1178:on 2011-12-09
1177:
1173:
1167:
1165:
1163:
1161:
1157:
1144:
1140:
1133:
1131:
1127:
1116:on 2008-10-26
1115:
1111:
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1103:
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1078:
1072:
1069:
1062:
1056:
1046:
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1031:
1028:
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1016:
1011:Certification
1006:
998:
991:
989:
987:
981:
973:Chart (1976)
971:
965:
960:
957:
954:
951:
948:
945:
942:
939:
936:
933:
930:
927:
926:
922:
914:
911:Total length:
904:
901:
897:
893:
890:
886:
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871:
868:
864:
860:
857:
853:
849:
846:
842:
829:
825:
824:
814:
811:
807:
803:
799:
796:
792:
788:
785:
781:
777:
773:
770:
769:Step Right Up
766:
762:
758:
755:
751:
747:
734:
730:
729:
725:
720:Track listing
719:
717:
715:
714:
709:
705:
699:
694:
692:
688:
684:
683:
677:
675:
674:
669:
665:
664:
659:
624:
622:
621:
617:
616:
586:
584:
583:
579:
578:
548:
546:
545:
541:
540:
536:
534:
533:
529:
528:
498:
496:
495:
491:
490:
486:
484:
483:
479:
478:
474:
472:
471:
467:
466:
436:
434:
431:
430:
422:
419:Review scores
417:
408:
406:
404:
396:
394:
392:
387:
383:
378:
373:
371:
363:
361:
359:
355:
351:
346:
344:
338:
336:
335:
330:
329:
328:Lead Vocalist
324:
319:
310:
305:
302:
300:
299:
294:
289:
285:
280:
278:
274:
270:
265:
263:
259:
255:
251:
247:
243:
240:
232:
230:
227:
226:Jayne Meadows
223:
219:
215:
212:
208:
201:
199:
197:
193:
189:
185:
181:
177:
173:
172:
157:
156:
152:
148:
147:
143:
139:
138:
134:
133:
129:
125:
121:
118:
115:
113:
109:
106:
103:
101:
97:
85:
81:
77:
74:
70:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
2287:
2280:
2273:
2266:
2259:
2251:
2242:Larry Taylor
2227:Jim Jarmusch
2188:
2181:
1977:
1970:
1963:
1956:
1949:
1944:Asylum Years
1942:
1935:
1928:
1922:Compilations
1910:
1903:
1896:
1878:
1871:
1864:
1846:
1839:
1832:
1825:
1818:
1813:Bone Machine
1811:
1804:
1797:
1790:
1783:
1776:
1769:
1764:Small Change
1763:
1762:
1755:
1748:
1743:Closing Time
1741:
1688:
1655:
1633:. Retrieved
1620:
1608:. Retrieved
1592:
1576:
1558:Virgin Books
1551:
1548:Colin Larkin
1542:
1534:the original
1524:
1513:
1507:
1479:
1464:
1453:
1447:
1435:. Retrieved
1429:
1419:
1408:
1402:
1393:Classic Rock
1391:
1385:
1373:. Retrieved
1354:
1340:
1328:. Retrieved
1314:
1304:November 20,
1302:. Retrieved
1296:
1286:
1275:
1266:
1255:
1246:
1238:
1233:
1225:
1220:
1212:
1208:
1203:
1191:
1180:. Retrieved
1176:the original
1147:. Retrieved
1142:
1118:. Retrieved
1114:the original
1089:. Retrieved
1085:the original
1071:
1052:
985:
959:Jerry Yester
953:Lew Tabackin
947:Shelly Manne
822:
821:
727:
726:
723:
711:
708:Colin Larkin
704:Small Change
703:
701:
696:
687:Small Change
686:
680:
678:
671:
667:
661:
658:Small Change
657:
656:
618:
580:
542:
530:
492:
482:Classic Rock
480:
468:
400:
388:
384:
380:
377:unavoidable.
375:
370:Small Change
369:
367:
347:
339:
332:
326:
320:
312:
307:
303:
296:
281:
266:
262:Howlin' Wolf
242:Shelly Manne
236:
207:Small Change
206:
205:
192:Frank Vicari
171:Small Change
170:
169:
168:
153:
146:Small Change
145:
144:
135:
37:Studio album
22:Small Change
2316:1976 albums
2261:Wicked Grin
2207:Discography
2067:Jersey Girl
1890:Soundtracks
1858:Live albums
1827:Blood Money
1487:. pp.
1330:October 11,
1022:Australia (
938:Jim Hughart
323:Rod Stewart
78:(Hollywood)
2305:Categories
2237:Marc Ribot
2222:Bones Howe
2217:Greg Cohen
1182:2007-01-18
1120:2007-01-18
1077:"Releases"
1063:References
354:Moviedrome
298:World Cafe
284:Copenhagen
273:Australian
222:Bones Howe
202:Production
196:Chip White
126:chronology
117:Bones Howe
56:1976-09-21
2142:Bad as Me
2032:Somewhere
1848:Bad as Me
1841:Real Gone
1799:Rain Dogs
1728:Tom Waits
1674:227198538
1437:March 24,
1431:Pitchfork
1375:March 21,
986:Billboard
978:position
923:Personnel
702:In 2000,
668:Billboard
663:Billboard
532:Pitchfork
409:Reception
343:San Diego
218:Hollywood
188:Hollywood
176:Tom Waits
124:Tom Waits
42:Tom Waits
2253:Big Time
2175:Musicals
1866:Big Time
1635:July 26,
1610:July 26,
1585:AllMusic
1550:(2000).
1477:(eds.).
1348:(1981).
1325:AllMusic
1215:, p. 385
1091:March 6,
823:Side two
728:Side one
433:AllMusic
358:Alex Cox
258:Dr. John
214:Studio 3
112:Producer
64:Recorded
49:Released
39: by
2190:Woyzeck
1997:Ol' '55
1149:1 April
1047:60,000
1044:Silver
1032:35,000
1017:/sales
1008:Region
949:– drums
691:beatnik
350:BBC Two
314:before.
275:song, "
239:drummer
159:(1977)
150:(1976)
141:(1975)
54: (
2256:(film)
1672:
1662:
1564:
1495:
1489:854–55
1366:
940:– bass
839:Length
744:Length
537:9.0/10
427:Rating
424:Source
364:Themes
288:Danish
105:Asylum
83:Length
72:Studio
2159:Tours
1834:Alice
1601:(PDF)
1515:Uncut
1081:Anti-
1029:Gold
915:49:28
836:Title
741:Title
620:Uncut
397:Cover
233:Music
100:Label
2100:Time
1692:link
1670:OCLC
1660:ISBN
1637:2012
1612:2012
1562:ISBN
1493:ISBN
1439:2018
1410:Mojo
1377:2019
1364:ISBN
1332:2020
1306:2009
1151:2022
1093:2018
1024:ARIA
976:Peak
905:3:17
894:5:07
883:4:07
872:4:50
861:2:32
850:5:24
815:3:40
800:4:53
789:3:44
774:5:43
759:6:39
682:Mojo
494:Mojo
487:9/10
331:and
260:and
248:and
1583:at
1350:"W"
1211:in
1039:BPI
992:89
988:200
984:US
832:No.
737:No.
710:'s
352:'s
295:'s
293:NPR
216:in
186:in
2307::
1668:.
1628:.
1603:.
1491:.
1473:;
1428:.
1362:.
1358:.
1352:.
1323:.
1295:.
1274:.
1254:.
1159:^
1141:.
1129:^
1101:^
1079:.
1041:)
1026:)
899:6.
888:5.
877:4.
866:3.
855:2.
844:1.
805:5.
794:4.
779:3.
764:2.
749:1.
716:.
676:.
475:B−
360:.
256:,
92:28
88:49
2151:"
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2027:"
2023:"
2020:"
2016:"
2013:"
2009:"
2006:"
2002:"
1999:"
1995:"
1720:e
1713:t
1706:v
1676:.
1639:.
1614:.
1570:.
1501:.
1455:Q
1441:.
1334:.
1308:.
1185:.
1153:.
1123:.
1095:.
812:"
808:"
771:"
767:"
756:"
752:"
544:Q
316:'
267:"
90::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.