Knowledge (XXG)

Smash the Control Machine

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278:"The economic crisis is hitting every working family in this country. The album and its title track, 'Smash The Control Machine', will lay bare the greed and corruption that fostered this calamity, but will also focus on the undying spirit of the working class that always fights the good fight. The title is a line from a William S. Burroughs poem. It is my intention to create an album that serves every head of the hydra that is OTEP. From poetry, to politics, to shock and awe, to sex and righteousness, to standing up and fighting back. Like the mystical symbol of the Ouroboros (the sacred serpent swallowing its tail) all things will be brought back to circle." 288:"Rise, Rebel, Resist" discusses "human rights, civil rights, and about justice and fairness in ". "Numb and Dumb" is a look at the apathy that infects the American soul and a provocation to destroy it." Otep wrote "Run For Cover" for the band's military fans. "When I was writing it, I was getting messages at the time from soldiers– supportive messages from soldiers in Iraq and Afghanistan. I was thinking heavily about them and how they all thank us for writing our music and speaking out when they can’t and how our music helps them when they’re out on patrol. And, I wanted to write a song that would get everyone pumped up enough to fight their own battles." 340:"I had read an article about a rather diseased rodent of a human being, who had hurt some children in the most terrible way imaginable. During his trial, he was sort of just laughing at what he’d done and how he hurt these kids and taking their lives. And these are young kids, these are little eight/nine-year-old children. And I just — you know, there’s a part of me that’s got this — I’m empowered by the vigil anti-spirit and I didn’t think that sending him to jail was an appropriate punishment, and that was my idea of what the appropriate punishment would’ve been to someone who steals innocence and hurts children." 310:. Lyrically, the song "deals with the archaic and sometimes barbaric rites and rituals, that transition girls into women. It is a challenge to those social and cultural fossils and offers a rather common sense idea for what a real woman is: someone, who has accepted the responsibility of becoming their own person and with it, all the struggles, sacrifices, and successes." 454: 449: 444: 439: 434: 226:
lineup of the band in seven years. "When I was told it was time to write a new album I reached out to . At first, it was going to be just one song, but it was soon very clear that we couldn't stop what we started. Once we were back in the room together, it was if we were never apart."
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When asked how the collaboration came about, Otep responded; "I’m not sure how it happened. I got a message from Victory telling me to check this out. I mean Otep and True Blood. I almost fell out of my chair. I am a big fan of the show. It is such an honor to be a part of it."
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The album was expected to sell between 12-15k copies in its first week. Ultimately, the album sold 10,400 copies in its first week of release to debut at #47 on The Billboard 200 chart. By January 2010, the album had sold 40,000 copies in the US.
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was released by Victory Records on August 18, 2009. Along with a standard edition, a deluxe edition was released with a bonus DVD as well. The pre-release package also contained a T-shirt featuring the album cover and a poster of the cover.
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Two of the album's songs are thematic continuations from songs featured on Otep's prior albums. According to Otep, "Ur A Wmn Now" (stylised in all caps) is the final part of a sequence of songs starting with "Emtee" from
404:, Laina Dawes said; "Everyone knows that Shamaya's messages are what hold this band together, but it doesn't have to be so painfully obvious. The bark is still there, but the bite is gone." 268:. While it was originally done with the audio muted in order to prevent the album's songs from leaking, Otep eventually used it to do small in-studio shows before the band started touring. 264:
was written and recorded at the same time; "writing in the mornings, recording in the evenings, scrutinizing in the afternoons". The album's recording process was livestreamed via
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contributed piano and violin to the song, respectively. Otep has described "Where The River Ends" as a sequel to "Jonestown Tea" (from
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To promote the album, Otep embarked on the "Rise, Rebel, Resist" Tour in the US along with Victory labelmates
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http://www.play.com/Music/CD/-/16/40/-/11102974/Smash-The-Control-Machine/Product.html?searchtype=genre
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lineup. It is also the final album to feature long-time bassist Jason "eVil J" McGuire.
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It was released on August 18, 2009. 412: 395:received mixed reviews from critics. 7: 851: 849: 804: 802: 800: 798: 745: 743: 741: 739: 737: 735: 996:http://smashthecontrolmachine.com/ 685:In 2010, Otep was nominated for a 252:, who had worked in the past with 14: 716:"OTEP Signs With VICTORY RECORDS" 433: 468:All music and lyrics written by 452: 447: 442: 437: 432: 198:is the fourth studio album from 1356:Albums produced by Ulrich Wild 882:Jolicoeur, Todd (2010-08-19). 479: 1: 16:2009 studio album by Otep 1306:"Rise, Rebel, Resist" (live) 670:– bass guitar, backup vocals 304:and "Perfectly Flawed" from 1287:"Smash the Control Machine" 777:Blabbermouth (2009-11-01). 714:Blabbermouth (2009-04-06). 627:"I Remember" (Hidden Track) 517:"Smash the Control Machine" 167:"Smash the Control Machine" 1372: 658:– violin on "UR A WMN NOW" 398:In a negative review from 179:Released: January 25, 2010 156:Smash the Control Machine 1154:Smash the Control Machine 1038: 884:"INTERVIEW: Otep Shamaya" 691:Smash the Control Machine 664:– piano on "UR A WMN NOW" 623: 612: 601: 590: 579: 568: 557: 546: 535: 524: 513: 502: 491: 483: 420: 417: 393:Smash the Control Machine 350:Smash the Control Machine 262:Smash the Control Machine 195:Smash the Control Machine 187: 161: 146: 125:Smash the Control Machine 109: 26: 22:Smash the Control Machine 1284:"Necessary Accessories" 912:www.ultimate-guitar.com 695:21st GLAAD Media Awards 572:"Kisses & Kerosene" 170:Released: June 30, 2009 1351:Victory Records albums 1301:Not to Touch the Earth 1266:"March of the Martyrs" 1207:Sounds Like Armageddon 668:Jason "eViL J" McGuire 616:"Where the River Ends" 379:Commercial performance 342: 280: 1290:"Rise, Rebel, Resist" 495:"Rise, Rebel, Resist" 345:Release and promotion 338: 176:"Rise, Rebel, Resist" 755:www.metalmaidens.com 408:Professional ratings 232:William S. Burroughs 1082:Matt "Spooky" Damon 1075:Mark "Moke" Bistany 834:San Antonio Current 674:Mark "Moke" Bistany 409: 332:In an interview to 248:It was produced by 1272:"Perfectly Flawed" 1232:Wurd Becomes Flesh 1105:Karma Singh Cheema 407: 1328: 1327: 1066:"Evil" J. McGuire 931:Trimboli, Grant. 687:GLAAD Media Award 634: 633: 539:"Numb & Dumb" 461: 460: 191: 190: 142: 141: 73: 1363: 1321:"To The Gallows" 1278:"Crooked Spoons" 1140:House of Secrets 1050:Ari Mihalopoulos 1025: 1018: 1011: 1002: 978: 973: 967: 966: 964: 963: 949: 943: 942: 940: 939: 928: 922: 921: 919: 918: 904: 898: 897: 895: 894: 879: 873: 872: 870: 868: 853: 844: 843: 841: 840: 830:"Otep loves you" 826: 820: 819: 817: 816: 806: 793: 792: 790: 789: 783:BLABBERMOUTH.NET 774: 765: 764: 762: 761: 747: 730: 729: 727: 726: 720:BLABBERMOUTH.NET 711: 550:"Oh, So Surreal" 481: 476: 457: 456: 455: 451: 450: 446: 445: 441: 440: 436: 435: 410: 301:House of Secrets 284: 180: 177: 171: 168: 111: 110: 71: 68: 67: 63: 31: 19: 1371: 1370: 1366: 1365: 1364: 1362: 1361: 1360: 1331: 1330: 1329: 1324: 1315:"In Cold Blood" 1309:"Apex Predator" 1293:"Run for Cover" 1275:"Confrontation" 1237: 1212: 1194: 1175:Generation Doom 1120: 1108:Aaron Nordstrom 1034: 1029: 987: 982: 981: 976:Allmusic review 974: 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Index


Studio album
Otep
Label
Victory
Producer
Ulrich Wild
Otep
The Ascension
Atavist
Singles
Otep
Sevas Tra
William S. Burroughs
Dead City Radio
Ulrich Wild
Dethklok
Static-X
Ustream
Sevas Tra
House of Secrets
The Ascension
Koichi Fukada
Static-X
Emilie Autumn
Bury Your Dead
Destrophy
True Blood
Exclaim!
AllMusic

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