325:(which were not yet commercially released). Tomita created the album's polyphonic sounds by recording selections one part at a time, taking 14 months to produce the album. The modular human whistle sounds used would also be copied in the presets of later electronic instruments.
29:
259:. Thus, the term tone painting is quite appropriate, in that Debussy's compositions often experimented with a much broader palette of tones, allowing each to behave similar to a colour within an illustration.
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At least two of these titles are slightly wrong; the title track appears to be a mistranslation back into
English of an other-language (probably Japanese) version of Debussy's original title (
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here describes the nature of a large portion of
Debussy's work which was concerned with mood and colour, eschewing traditional tonality in favour of constructions such as the
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273:" which it was responsible for taking to new heights. The album's contributions to electronic music included an
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The album sleeve names the musical instruments and recording hardware used by Tomita to create the work.
255:, in order to achieve a greater degree of musical expression not allowed by strict adherence to a single
355:. In Japan during the late 1970s, parts of the track "Reverie" were used for the opening and closing of
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223:'s best-selling classical album of the year. In Canada, it reached number 57 in the
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in April 1974. The album consists entirely of Tomita's arrangements of
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679:"Simon Reynolds tracks the history of electronica's Seventies pioneers"
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Analog synthesizers: from the legacy of Moog to software synthesis
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Analog synthesizers: from the legacy of Moog to software synthesis
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332:" was used from 1976 to 2011 as the theme music for the
965:"World Sport: Tokyo 2020 Olympics emerges as a winner"
305:using four speakers, realistic string simulations,
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64:
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479:2. "Whistle and Chime - The Art of Sound Creation"
262:The album is considered an early example of proto-
990:Component equipment used by Tomita for this album
317:. A particularly significant achievement was its
321:sound, which was created without the use of any
1010:: CS1 maint: others in cite AV media (notes) (
365:2020 Summer Olympics closing ceremony in Tokyo.
1059:Clair De Lune - Ultimate Edition - Isao Tomita
203:'s "tone paintings", performed by Tomita on a
187:, recorded in 1973–1974 and first released by
529:One 904-B voltage-controlled high-pass filter
526:Two 904-A voltage-controlled low-pass filters
8:
27:
18:
505:has the correct spelling of the latter.)
934:Jack Horkheimer Star Gazer official site
523:One 914 extended range fixed filter bank
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702:
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1093:Space music albums by Japanese artists
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870:Musician, player and listener, Issue 8
550:Five 902 voltage-controlled amplifiers
367:for the extinguishing of the caldron.
535:One 901 Voltage-controlled oscillator
7:
465:" – 10:18 (from the 1975 album
16:1974 studio album by Isao Tomita
873:, Amordian Press, 1977, p. 40
538:Three 901-A oscillator controllers
463:Prelude to the Afternoon of a Faun
14:
963:Tirebuck, Ben (August 11, 2021).
930:"Jack Horkheimer Star Gazer FAQ"
474:Bonus tracks (2012 SACD release)
1036:Tomita – Snowflakes Are Dancing
614:Two Sony MX-12 6-channel mixers
611:Two Sony MX-16 8-channel mixers
940:. October 2007. Archived from
266:. It sparked a "revolution in
219:album of the year, and it was
105:(51:51 in the 2000 CD release)
1:
750:"RPM Top 100 Albums (51-100)"
559:One 960 sequential controller
456:Bonus track (2000 CD release)
435:The Girl with the Flaxen Hair
359:'s transmissions. The track "
342:Jack Horkheimer: Star Hustler
571:One 6401 Bode ring modulator
568:Two 950 keyboard controllers
547:One 911-A dual-trigger delay
544:Four 911 envelope generators
347:Jack Horkheimer: Star Gazer
1109:
556:One 984 four-channel mixer
482:8. "Deux Arabesques No. 2"
251:, and to a certain extent
565:One 962 sequential switch
553:One 912 envelope follower
161:Pictures at an Exhibition
139:
26:
779:"Snowflakes Are Dancing"
713:, August 16, 1975, p. 41
603:One Teac 7030GSL 2-track
586:One Ampex AG-440 4-track
532:One 904-C filter coupler
215:in 1975, including best
757:Collectionscanada.gc.ca
323:polyphonic synthesizers
309:whistles, and abstract
60:January 1973–March 1974
1048:Snowflakes Are Dancing
541:Nine 901-B oscillators
449:Footprints in the Snow
421:The Engulfed Cathedral
383:Snowflakes Are Dancing
176:Snowflakes Are Dancing
153:Snowflakes Are Dancing
22:Snowflakes Are Dancing
388:"Reverie" – 4:44
301:speakers, electronic
183:by Japanese musician
998:RCA Red Seal Records
944:on February 25, 2008
633:Clockworks "Instant
295:spatial audio effect
235:The use of the term
1006:cite AV media notes
969:The Phuket News Com
759:. December 14, 1974
495:The Snow Is Dancing
442:Golliwog's Cakewalk
393:Gardens in the Rain
1083:Isao Tomita albums
1055:(list of releases)
1043:(list of releases)
1000:. 1976. p. 1.
936:. Miami, Florida:
817:, pp. 133–4,
562:Two 961 interfaces
487:Nuages - Nocturnes
279:symphony orchestra
227:Top Albums chart.
910:978-0-240-52072-8
824:978-0-240-52072-8
644:Echorec "2" units
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583:MM-1100 16-track
519:Moog synthesizer
311:bell-like sounds
241:full-tonal scale
205:Moog synthesizer
145:Switched On Rock
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687:. 21 April 2007
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626:BX20E Echo unit
600:A-3340S 4-track
593:TC-9040 4-track
576:Tape recorders
511:
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407:Arabesque No. 1
378:
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357:Fuji Television
339:-based program
330:Arabesque No. 1
315:ring modulation
245:parallel chords
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1031:of Isao Tomita
1024:
1023:External links
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313:created using
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237:tone paintings
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201:Claude Debussy
179:is the second
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451:" – 4:30
450:
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444:" – 2:50
443:
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437:" – 3:25
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430:" – 3:17
429:
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423:" – 6:18
422:
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409:" – 3:57
408:
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402:" – 5:48
401:
400:Clair de lune
397:
395:" – 3:41
394:
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387:
385:" – 2:10
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371:Track listing
370:
368:
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361:Clair de lune
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283:reverberation
281:, the use of
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213:Grammy Awards
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974:November 19,
972:. Retrieved
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948:February 19,
946:. Retrieved
942:the original
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914:, retrieved
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891:Mark Jenkins
885:
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689:. Retrieved
684:The Guardian
682:
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619:Accessories
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293:to create a
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225:RPM Magazine
181:studio album
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144:
127:Plasma Music
116:RCA Red Seal
37:Studio album
1088:1974 albums
1053:MusicBrainz
994:Isao Tomita
352:Star Gazers
328:The track "
271:programming
268:synthesizer
195:label as a
189:RCA Records
185:Isao Tomita
133:Isao Tomita
87:space music
75:avant-garde
42:Isao Tomita
1077:Categories
916:2011-05-27
877:2011-05-28
830:2011-05-27
790:2011-05-28
735:2011-05-28
665:References
319:polyphonic
307:portamento
249:bitonality
197:Quadradisc
135:chronology
784:Billboard
763:March 27,
729:Billboard
710:Billboard
656:Mellotron
509:Recording
499:Golliwogg
428:Passepied
337:astronomy
253:atonality
217:classical
209:Mellotron
79:classical
1068:AllMusic
901:Elsevier
893:(2007),
853:27 March
848:Namm.org
815:Elsevier
807:(2007),
691:27 March
631:Eventide
467:Firebird
291:flanging
275:ambience
264:synthpop
231:Overview
193:Red Seal
123:Producer
57:Recorded
49:Released
39: by
1041:Discogs
1029:Fansite
608:Mixers
345:(later
287:phasing
191:on the
164:(1975)
157:(1974)
148:(1972)
71:Ambient
1063:iTunes
907:
821:
649:Fender
642:Binson
635:Phaser
503:Amazon
414:Side B
376:Side A
299:stereo
207:and a
93:Length
753:(PDF)
581:Ampex
485:13. "
461:11. "
297:with
111:Label
66:Genre
1012:link
976:2021
950:2015
938:WPBT
905:ISBN
855:2022
819:ISBN
765:2022
693:2022
654:One
647:One
640:Two
629:One
622:One
598:Teac
596:One
591:Sony
589:One
579:One
289:and
221:NARM
1061:on
1051:at
1039:at
624:AKG
334:PBS
257:key
1079::
1008:}}
1004:{{
996:.
967:.
932:.
899:,
846:.
813:,
781:.
755:.
726:.
701:^
681:.
247:,
243:,
102:33
98:41
85:,
81:,
77:,
73:,
1014:)
978:.
952:.
857:.
793:.
767:.
738:.
695:.
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100::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
