391:) and the two plan a daring art heist. Things go awry, and they are forced into a rooftop flight, narrowly avoiding police bullets. Returning to Olivia, he tells her he intends to leave London to try to make good elsewhere. However, she has now fallen under his romantic spell and is prepared to do anything to keep him with her. The couple are in dire need of money, and Olivia is persuaded to insinuate herself into the home of her wealthy former schoolfriend Susan Courtney (Fitzgerald) and her older husband Henry (
380:), who has been taken ill. Despite Mark's vagueness about his life and past, the couple strike up a friendship. Fully recovered by the time the ship docks, Mark persuades Olivia to allow him to take up residence in the lodging house she has inherited from her late husband. He proceeds to work a smooth line of seduction on her, while still finding time to also use his charms on the more worldly and vulgar Kitty (
395:). She finds Susan in a state of neurosis and barely suppressed hysteria, worn down by the criticisms of the cold and sneering Henry, who agrees to employ her as Susan's live-in companion. Under Mark's urging, she immediately begins to pilfer stocks and bonds and small valuables from the Courtney household, passing them on to Mark to turn into cash.
431:
Mark announces his intention to take Olivia away with him to a new life in
America, beyond the reach of British prosecution. Olivia however is conscience-stricken about Susan, and matters take a fatal turn when she runs into Kitty, wearing the incriminating locket. All her illusions about Mark's love
428:. Olivia releases Susan and tricks her into giving her husband a dose of medicine laced with poison. Henry succumbs, the police are summoned and the hopelessly confused and incoherent Susan makes what sounds like a confession to murder. She is taken away to prison to face the prospect of the gallows.
605:
wrote, "Withal, there is too much confusion of a rather commonplace plot in the script prepared by Ronald Miller and
Leonard Spigelgass. Too much time is wasted with tempting yet trivial details of a complex maneuver at extortion to maintain anxiety. So, by the time the poison is passing and the big
423:
Henry locks the horrified Susan in her room to await the arrival of the sanatorium doctors and orders Olivia out of the house. At Mark's behest, she returns to step up the blackmail threat, but is countered by Henry confronting her with the information he has on Mark, which would be more than enough
403:
repugnant and a step too far down the road of criminality. She flees from the
Courtneys and looks into the possibility of a return to overseas missionary work, only to find that a lone woman is not wanted. She finds herself sheltering in a gloomy church, where Mark somehow manages to track her down.
398:
Mark meanwhile has discovered an old bundle of letters from Susan to Olivia, containing youthfully indiscreet descriptions of romantic dalliances and questionable moral conduct. Realising that making public the contents of the letters would ruin the
Courtneys' social reputation, he believes that he
432:
for her suddenly shattered, she finally realises that she has all along been no more than a willing pawn in his game. Keeping her own counsel, she waits until the opportunity arises in a hansom cab to take her ultimate revenge by fatally stabbing Mark. The film ends with Olivia entering a
411:
which was given to him by Olivia. Unknown to Olivia or Susan, Henry has become exasperated by Susan's apparent inability to produce the heir he craves, and is plotting to have her committed to a distant mental asylum. He has also employed a
29:
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called it "... an intriguing film, although a little on the talky side. The performances are excellent throughout, with
Milland shining as the cad, the type of role in which he excelled." Further, Jay Seaver at the
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Olivia returns to the
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In despair, she falls for his blandishments and submits herself again to his control and instructions, blackmail and all.
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420:), who has managed to trace the missing stocks and bonds back to Mark and has built up a dossier of his criminal past.
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has hit the financial jackpot. As low as she has already sunk under his influence however, Olivia finds the notion of
336:(published under the pseudonym Joseph Shearing). Elements of the plot are based on the mysterious death of barrister
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retribution scenes set in, the audience is likely to be meandering down the street several blocks ahead of them."
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Mark's past as an art thief and forger is revealed as he reunites with former partner-in-crime Edgar
Bellamy (
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actors
Milland, Todd and Fitzgerald, each British-born star had made their mark first in their homeland.
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in 1876. The conclusion may also be based on the death (in New York City, in 1904) of Cesar Young by
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766:"Movie review: 'So Evil My Love,' starring Ann Todd and Ray Milland, new feature at Rivoli."
584:, on 6 May and wrapped production on 12 August 1947. Although the lead roles were played by
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noted "... an enjoyably pulpy bit of gaslight crime"; and film critic Nick Beal at
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patients on the lower decks. There she meets the suavely handsome Mark Bellis (
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to hang him. A struggle ensues, and Henry collapses with a life-threatening
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734:"Original print information: 'So Evil My Love' (1948)."
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style in the late-1940s subgenre often referred to as "
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687:"Film Noir of the Week: 'So Evil My Love' (1948)."
692:, 19 September 2009. Retrieved: 26 August 2016.
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817:The Complete Index to Literary Sources in Film
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326:noir". The film is based on the popular 1947
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646:"Hazen Denies Rank Has Interest in 'Fury'"
27:
18:
637:
1142:American psychological thriller films
624:called it "incandescently splendid."
7:
1202:British psychological thriller films
819:. London: Walter de Gruyter, 1999.
1132:1940s psychological thriller films
797:"Movie Review: 'So Evil My Love'."
14:
494:Roderick Lovell as Sir John Curle
563:Clarence Bigge as Dr. Cunningham
560:Leonie Lamartine as Proprietress
372:) is prevailed on to help nurse
1167:Films produced by Hal B. Wallis
576:began principal photography at
285:is a 1948 British and American
1172:Films set in the Victorian era
1137:American black-and-white films
750:"Articles: 'So Evil My Love'."
1:
1227:Films set in the 19th century
1197:Films scored by William Alwyn
1177:Films shot in Buckinghamshire
1162:Films directed by Lewis Allen
1157:Films based on British novels
1147:British black-and-white films
968:Our Hearts Were Young and Gay
652:. 15 January 1947. p. 4.
352:On board a ship traveling to
314:is a period drama set in the
1217:1940s English-language films
976:Those Endearing Young Charms
879:AFI Catalog of Feature Films
802:. Retrieved: 26 August 2016.
786:. Retrieved: 26 August 2016.
781:"Review: 'So Evil My Love'."
755:. Retrieved: 26 August 2016.
739:. Retrieved: 26 August 2016.
673:. Retrieved: 26 August 2016.
670:AFI Catalog of Feature Films
1088:Another Time, Another Place
1248:
545:Guy Le Feuvre as Dr. Pound
195:Paramount British Pictures
946:
368:'s widow Olivia Harwood (
34:Theatrical release poster
26:
1192:Paramount Pictures films
748:Smith, Richard Harland.
185:Paramount Pictures, Inc.
16:1948 film by Lewis Allen
1048:Appointment with Danger
714:Smith, Richard Harland
557:John Wilder as Footman
554:Chris Halward as Alice
290:psychological thriller
220:21 July 1948
209:3 March 1948
753:Turner Classic Movies
737:Turner Classic Movies
722:Turner Classic Movies
1207:1940s American films
1182:Films shot in London
1104:Decision at Midnight
992:The Perfect Marriage
459:Geraldine Fitzgerald
436:to turn herself in.
306:Geraldine Fitzgerald
228: (New York City)
118:Geraldine Fitzgerald
1222:Films set in London
1212:1940s British films
609:More recently, the
580:and on location in
1232:Films set in Paris
1000:The Imperfect Lady
952:Freedom Comes High
938:Films directed by
867:TCM Movie Database
769:The New York Times
764:Crowther, Bosley.
602:The New York Times
599:in his review for
592:Critical reception
500:as Miss Shoebridge
63:Leonard Spigelgass
1114:
1113:
1072:A Bullet for Joey
825:978-1-8573-9229-6
690:noiroftheweek.com
491:as Kitty Feathers
473:as Henry Courtney
461:as Susan Courtney
455:as Olivia Harwood
414:private detective
292:film directed by
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1056:At Sword's Point
1032:Chicago Deadline
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479:as Edgar Bellamy
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862:So Evil My Love
851:So Evil My Love
840:So Evil My Love
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771:, 22 July 1948.
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618:eFilmCritic.com
597:Bosley Crowther
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1024:Sealed Verdict
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418:Leo G. Carroll
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329:For Her to See
318:, and shot in
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528:Hugh Griffith
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518:as Mr. Watson
517:
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504:Finlay Currie
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296:and starring
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274:$ 2.5 million
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752:
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736:
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720:, essay, at
717:
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689:
685:Beal, Nick.
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516:Ivor Barnard
489:Moira Lister
483:Martita Hunt
430:
426:heart attack
422:
406:
397:
386:
382:Moira Lister
351:
327:
311:
310:
281:
280:
279:
237:Running time
168:Victor Young
78:
1008:Desert Fury
940:Lewis Allen
800:eFilmCritic
524:as Smathers
498:Muriel Aked
447:Ray Milland
378:Ray Milland
364:, Anglican
362:West Indies
360:, from the
298:Ray Milland
294:Lewis Allen
241:112 minutes
108:Ray Milland
91:Produced by
45:Lewis Allen
41:Directed by
1127:1948 films
1121:Categories
984:The Unseen
628:References
569:Production
536:as Lisette
530:as Coroner
522:Ernest Jay
366:missionary
224:1948-07-21
213:1948-03-03
178:Production
1152:Film noir
1096:Whirlpool
1040:Valentino
889:film clip
586:Hollywood
551:as Rogers
512:as Curtis
467:as Jarvis
401:blackmail
354:Liverpool
332:novel by
320:film noir
246:Countries
180:companies
137:Edited by
75:the novel
1064:Suddenly
856:AllMovie
784:TV Guide
612:TV Guide
453:Ann Todd
374:malarial
370:Ann Todd
324:Gaslight
302:Ann Todd
263:Language
156:Music by
113:Ann Todd
101:Starring
72:Based on
1080:Illegal
903:Variety
894:YouTube
876:at the
865:at the
667:at the
650:Variety
358:England
266:English
222: (
211: (
1107:(1963)
1099:(1959)
1091:(1958)
1083:(1955)
1075:(1955)
1067:(1954)
1059:(1952)
1051:(1951)
1043:(1951)
1035:(1949)
1027:(1948)
1019:(1948)
1011:(1947)
1003:(1947)
995:(1947)
987:(1945)
979:(1945)
971:(1944)
963:(1944)
955:(1943)
823:
701:Goble
582:London
409:locket
287:Gothic
271:Budget
633:Notes
845:IMDb
821:ISBN
440:Cast
348:Plot
304:and
901:at
892:on
854:at
843:at
384:).
83:by
77:by
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716:.
678:^
648:.
356:,
308:.
300:,
931:e
924:t
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827:.
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416:(
344:.
226:)
215:)
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