Knowledge (XXG)

So Evil My Love

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391:) and the two plan a daring art heist. Things go awry, and they are forced into a rooftop flight, narrowly avoiding police bullets. Returning to Olivia, he tells her he intends to leave London to try to make good elsewhere. However, she has now fallen under his romantic spell and is prepared to do anything to keep him with her. The couple are in dire need of money, and Olivia is persuaded to insinuate herself into the home of her wealthy former schoolfriend Susan Courtney (Fitzgerald) and her older husband Henry ( 380:), who has been taken ill. Despite Mark's vagueness about his life and past, the couple strike up a friendship. Fully recovered by the time the ship docks, Mark persuades Olivia to allow him to take up residence in the lodging house she has inherited from her late husband. He proceeds to work a smooth line of seduction on her, while still finding time to also use his charms on the more worldly and vulgar Kitty ( 395:). She finds Susan in a state of neurosis and barely suppressed hysteria, worn down by the criticisms of the cold and sneering Henry, who agrees to employ her as Susan's live-in companion. Under Mark's urging, she immediately begins to pilfer stocks and bonds and small valuables from the Courtney household, passing them on to Mark to turn into cash. 431:
Mark announces his intention to take Olivia away with him to a new life in America, beyond the reach of British prosecution. Olivia however is conscience-stricken about Susan, and matters take a fatal turn when she runs into Kitty, wearing the incriminating locket. All her illusions about Mark's love
428:. Olivia releases Susan and tricks her into giving her husband a dose of medicine laced with poison. Henry succumbs, the police are summoned and the hopelessly confused and incoherent Susan makes what sounds like a confession to murder. She is taken away to prison to face the prospect of the gallows. 605:
wrote, "Withal, there is too much confusion of a rather commonplace plot in the script prepared by Ronald Miller and Leonard Spigelgass. Too much time is wasted with tempting yet trivial details of a complex maneuver at extortion to maintain anxiety. So, by the time the poison is passing and the big
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Henry locks the horrified Susan in her room to await the arrival of the sanatorium doctors and orders Olivia out of the house. At Mark's behest, she returns to step up the blackmail threat, but is countered by Henry confronting her with the information he has on Mark, which would be more than enough
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repugnant and a step too far down the road of criminality. She flees from the Courtneys and looks into the possibility of a return to overseas missionary work, only to find that a lone woman is not wanted. She finds herself sheltering in a gloomy church, where Mark somehow manages to track her down.
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Mark meanwhile has discovered an old bundle of letters from Susan to Olivia, containing youthfully indiscreet descriptions of romantic dalliances and questionable moral conduct. Realising that making public the contents of the letters would ruin the Courtneys' social reputation, he believes that he
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for her suddenly shattered, she finally realises that she has all along been no more than a willing pawn in his game. Keeping her own counsel, she waits until the opportunity arises in a hansom cab to take her ultimate revenge by fatally stabbing Mark. The film ends with Olivia entering a
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which was given to him by Olivia. Unknown to Olivia or Susan, Henry has become exasperated by Susan's apparent inability to produce the heir he craves, and is plotting to have her committed to a distant mental asylum. He has also employed a
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called it "... an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled." Further, Jay Seaver at the
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Olivia returns to the Courtney household and sets in motion the blackmail plan, while Mark continues to dally with Kitty and gifts her a
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In despair, she falls for his blandishments and submits herself again to his control and instructions, blackmail and all.
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has hit the financial jackpot. As low as she has already sunk under his influence however, Olivia finds the notion of
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retribution scenes set in, the audience is likely to be meandering down the street several blocks ahead of them."
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Mark's past as an art thief and forger is revealed as he reunites with former partner-in-crime Edgar Bellamy (
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actors Milland, Todd and Fitzgerald, each British-born star had made their mark first in their homeland.
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in 1876. The conclusion may also be based on the death (in New York City, in 1904) of Cesar Young by
323: 305: 117: 1126: 1079: 1055: 577: 341: 143: 898: 1151: 951: 601: 194: 62: 780: 1071: 844: 820: 413: 1031: 766:"Movie review: 'So Evil My Love,' starring Ann Todd and Ray Milland, new feature at Rivoli." 584:, on 6 May and wrapped production on 12 August 1947. Although the lead roles were played by 596: 470: 392: 1023: 548: 509: 476: 464: 433: 417: 388: 333: 328: 130: 84: 79: 1120: 871: 662: 539: 533: 527: 503: 337: 315: 162: 94: 57: 515: 488: 482: 425: 381: 167: 620:
noted "... an enjoyably pulpy bit of gaslight crime"; and film critic Nick Beal at
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patients on the lower decks. There she meets the suavely handsome Mark Bellis (
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to hang him. A struggle ensues, and Henry collapses with a life-threatening
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style in the late-1940s subgenre often referred to as "
270: 262: 245: 235: 200: 190: 176: 155: 136: 126: 100: 90: 71: 50: 40: 21: 687:"Film Noir of the Week: 'So Evil My Love' (1948)." 692:, 19 September 2009. Retrieved: 26 August 2016. 681: 679: 817:The Complete Index to Literary Sources in Film 923: 326:noir". The film is based on the popular 1947 8: 930: 916: 908: 646:"Hazen Denies Rank Has Interest in 'Fury'" 27: 18: 637: 1142:American psychological thriller films 624:called it "incandescently splendid." 7: 1202:British psychological thriller films 819:. London: Walter de Gruyter, 1999. 1132:1940s psychological thriller films 797:"Movie Review: 'So Evil My Love'." 14: 494:Roderick Lovell as Sir John Curle 563:Clarence Bigge as Dr. Cunningham 560:Leonie Lamartine as Proprietress 372:) is prevailed on to help nurse 1167:Films produced by Hal B. Wallis 576:began principal photography at 285:is a 1948 British and American 1172:Films set in the Victorian era 1137:American black-and-white films 750:"Articles: 'So Evil My Love'." 1: 1227:Films set in the 19th century 1197:Films scored by William Alwyn 1177:Films shot in Buckinghamshire 1162:Films directed by Lewis Allen 1157:Films based on British novels 1147:British black-and-white films 968:Our Hearts Were Young and Gay 652:. 15 January 1947. p. 4. 352:On board a ship traveling to 314:is a period drama set in the 1217:1940s English-language films 976:Those Endearing Young Charms 879:AFI Catalog of Feature Films 802:. Retrieved: 26 August 2016. 786:. Retrieved: 26 August 2016. 781:"Review: 'So Evil My Love'." 755:. Retrieved: 26 August 2016. 739:. Retrieved: 26 August 2016. 673:. Retrieved: 26 August 2016. 670:AFI Catalog of Feature Films 1088:Another Time, Another Place 1248: 545:Guy Le Feuvre as Dr. Pound 195:Paramount British Pictures 946: 368:'s widow Olivia Harwood ( 34:Theatrical release poster 26: 1192:Paramount Pictures films 748:Smith, Richard Harland. 185:Paramount Pictures, Inc. 16:1948 film by Lewis Allen 1048:Appointment with Danger 714:Smith, Richard Harland 557:John Wilder as Footman 554:Chris Halward as Alice 290:psychological thriller 220:21 July 1948 209:3 March 1948 753:Turner Classic Movies 737:Turner Classic Movies 722:Turner Classic Movies 1207:1940s American films 1182:Films shot in London 1104:Decision at Midnight 992:The Perfect Marriage 459:Geraldine Fitzgerald 436:to turn herself in. 306:Geraldine Fitzgerald 228: (New York City) 118:Geraldine Fitzgerald 1222:Films set in London 1212:1940s British films 609:More recently, the 580:and on location in 1232:Films set in Paris 1000:The Imperfect Lady 952:Freedom Comes High 938:Films directed by 867:TCM Movie Database 769:The New York Times 764:Crowther, Bosley. 602:The New York Times 599:in his review for 592:Critical reception 500:as Miss Shoebridge 63:Leonard Spigelgass 1114: 1113: 1072:A Bullet for Joey 825:978-1-8573-9229-6 690:noiroftheweek.com 491:as Kitty Feathers 473:as Henry Courtney 461:as Susan Courtney 455:as Olivia Harwood 414:private detective 292:film directed by 278: 277: 1239: 1056:At Sword's Point 1032:Chicago Deadline 932: 925: 918: 909: 890: 803: 793: 787: 778: 772: 762: 756: 746: 740: 731: 725: 711: 705: 699: 693: 683: 674: 660: 654: 653: 642: 542:as Joe Helliwell 485:as Mrs. Courtney 479:as Edgar Bellamy 227: 225: 216: 214: 31: 19: 1247: 1246: 1242: 1241: 1240: 1238: 1237: 1236: 1117: 1116: 1115: 1110: 1016:So Evil My Love 942: 936: 887:So Evil My Love 885: 873:So Evil My Love 862:So Evil My Love 851:So Evil My Love 840:So Evil My Love 835: 830: 811: 806: 794: 790: 779: 775: 771:, 22 July 1948. 763: 759: 747: 743: 732: 728: 718:So Evil My Love 712: 708: 700: 696: 684: 677: 664:So Evil My Love 661: 657: 644: 643: 639: 635: 630: 618:eFilmCritic.com 597:Bosley Crowther 594: 574:So Evil My Love 571: 566: 471:Raymond Huntley 442: 393:Raymond Huntley 350: 312:So Evil My Love 282:So Evil My Love 258: 238: 231: 223: 221: 212: 210: 203: 186: 181: 179: 172: 151: 122: 76: 67: 36: 22:So Evil My Love 17: 12: 11: 5: 1245: 1243: 1235: 1234: 1229: 1224: 1219: 1214: 1209: 1204: 1199: 1194: 1189: 1187:Gothic fiction 1184: 1179: 1174: 1169: 1164: 1159: 1154: 1149: 1144: 1139: 1134: 1129: 1119: 1118: 1112: 1111: 1109: 1108: 1100: 1092: 1084: 1076: 1068: 1060: 1052: 1044: 1036: 1028: 1024:Sealed Verdict 1020: 1012: 1004: 996: 988: 980: 972: 964: 956: 947: 944: 943: 937: 935: 934: 927: 920: 912: 906: 905: 899:Review of film 896: 882: 881: 869: 858: 847: 834: 833:External links 831: 829: 828: 812: 810: 807: 805: 804: 788: 773: 757: 741: 726: 706: 694: 675: 672: 655: 636: 634: 631: 629: 626: 593: 590: 578:Denham Studios 570: 567: 565: 564: 561: 558: 555: 552: 549:Vincent Holman 546: 543: 537: 531: 525: 519: 513: 510:Maureen Delany 507: 501: 495: 492: 486: 480: 477:Raymond Lovell 474: 468: 465:Leo G. Carroll 462: 456: 450: 449:as Mark Bellis 443: 441: 438: 434:police station 418:Leo G. Carroll 389:Raymond Lovell 349: 346: 334:Marjorie Bowen 329:For Her to See 318:, and shot in 276: 275: 272: 268: 267: 264: 260: 259: 257: 256: 253: 252:United Kingdom 249: 247: 243: 242: 239: 236: 233: 232: 230: 229: 218: 206: 204: 201: 198: 197: 192: 191:Distributed by 188: 187: 184: 182: 177: 174: 173: 171: 170: 165: 159: 157: 153: 152: 150: 149: 146: 140: 138: 134: 133: 131:Mutz Greenbaum 128: 127:Cinematography 124: 123: 121: 120: 115: 110: 104: 102: 98: 97: 92: 88: 87: 85:Marjorie Bowen 80:For Her to See 73: 69: 68: 66: 65: 60: 54: 52: 48: 47: 42: 38: 37: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1244: 1233: 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1213: 1210: 1208: 1205: 1203: 1200: 1198: 1195: 1193: 1190: 1188: 1185: 1183: 1180: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1124: 1122: 1106: 1105: 1101: 1098: 1097: 1093: 1090: 1089: 1085: 1082: 1081: 1077: 1074: 1073: 1069: 1066: 1065: 1061: 1058: 1057: 1053: 1050: 1049: 1045: 1042: 1041: 1037: 1034: 1033: 1029: 1026: 1025: 1021: 1018: 1017: 1013: 1010: 1009: 1005: 1002: 1001: 997: 994: 993: 989: 986: 985: 981: 978: 977: 973: 970: 969: 965: 962: 961: 960:The Uninvited 957: 954: 953: 949: 948: 945: 941: 933: 928: 926: 921: 919: 914: 913: 910: 904: 900: 897: 895: 891: 888: 883: 880: 877: 875: 874: 870: 868: 864: 863: 859: 857: 853: 852: 848: 846: 842: 841: 837: 836: 832: 826: 822: 818: 815:Goble, Alan. 814: 813: 808: 801: 798: 795:Seaver, Jay. 792: 789: 785: 782: 777: 774: 770: 767: 761: 758: 754: 751: 745: 742: 738: 735: 730: 727: 723: 719: 715: 710: 707: 704: 703:1999, p. 448. 698: 695: 691: 688: 682: 680: 676: 671: 668: 666: 665: 659: 656: 651: 647: 641: 638: 632: 627: 625: 623: 622:Noiroftheweek 619: 614: 613: 607: 604: 603: 598: 591: 589: 587: 583: 579: 575: 568: 562: 559: 556: 553: 550: 547: 544: 541: 540:Eliot Makeham 538: 535: 534:Zena Marshall 532: 529: 528:Hugh Griffith 526: 523: 520: 518:as Mr. Watson 517: 514: 511: 508: 506:as Dr. Krylie 505: 504:Finlay Currie 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 444: 439: 437: 435: 429: 427: 421: 419: 415: 410: 405: 402: 396: 394: 390: 385: 383: 379: 375: 371: 367: 363: 359: 355: 347: 345: 343: 342:Nan Patterson 339: 338:Charles Bravo 335: 331: 330: 325: 321: 317: 316:Victorian era 313: 309: 307: 303: 299: 296:and starring 295: 291: 288: 284: 283: 274:$ 2.5 million 273: 269: 265: 261: 255:United States 254: 251: 250: 248: 244: 240: 234: 219: 217: (London) 208: 207: 205: 202:Release dates 199: 196: 193: 189: 183: 175: 169: 166: 164: 163:William Alwyn 161: 160: 158: 154: 148:Leonard Trumm 147: 145: 144:Vera Campbell 142: 141: 139: 135: 132: 129: 125: 119: 116: 114: 111: 109: 106: 105: 103: 99: 96: 95:Hal B. Wallis 93: 89: 86: 82: 81: 74: 70: 64: 61: 59: 58:Ronald Millar 56: 55: 53: 51:Screenplay by 49: 46: 43: 39: 35: 30: 25: 20: 1102: 1094: 1086: 1078: 1070: 1062: 1054: 1046: 1038: 1030: 1022: 1015: 1014: 1006: 998: 990: 982: 974: 966: 958: 950: 902: 886: 872: 861: 850: 839: 816: 809:Bibliography 799: 791: 783: 776: 768: 760: 752: 744: 736: 729: 720:, essay, at 717: 709: 697: 689: 685:Beal, Nick. 663: 658: 649: 640: 621: 617: 610: 608: 600: 595: 573: 572: 516:Ivor Barnard 489:Moira Lister 483:Martita Hunt 430: 426:heart attack 422: 406: 397: 386: 382:Moira Lister 351: 327: 311: 310: 281: 280: 279: 237:Running time 168:Victor Young 78: 1008:Desert Fury 940:Lewis Allen 800:eFilmCritic 524:as Smathers 498:Muriel Aked 447:Ray Milland 378:Ray Milland 364:, Anglican 362:West Indies 360:, from the 298:Ray Milland 294:Lewis Allen 241:112 minutes 108:Ray Milland 91:Produced by 45:Lewis Allen 41:Directed by 1127:1948 films 1121:Categories 984:The Unseen 628:References 569:Production 536:as Lisette 530:as Coroner 522:Ernest Jay 366:missionary 224:1948-07-21 213:1948-03-03 178:Production 1152:Film noir 1096:Whirlpool 1040:Valentino 889:film clip 586:Hollywood 551:as Rogers 512:as Curtis 467:as Jarvis 401:blackmail 354:Liverpool 332:novel by 320:film noir 246:Countries 180:companies 137:Edited by 75:the novel 1064:Suddenly 856:AllMovie 784:TV Guide 612:TV Guide 453:Ann Todd 374:malarial 370:Ann Todd 324:Gaslight 302:Ann Todd 263:Language 156:Music by 113:Ann Todd 101:Starring 72:Based on 1080:Illegal 903:Variety 894:YouTube 876:at the 865:at the 667:at the 650:Variety 358:England 266:English 222: ( 211: ( 1107:(1963) 1099:(1959) 1091:(1958) 1083:(1955) 1075:(1955) 1067:(1954) 1059:(1952) 1051:(1951) 1043:(1951) 1035:(1949) 1027:(1948) 1019:(1948) 1011:(1947) 1003:(1947) 995:(1947) 987:(1945) 979:(1945) 971:(1944) 963:(1944) 955:(1943) 823:  701:Goble 582:London 409:locket 287:Gothic 271:Budget 633:Notes 845:IMDb 821:ISBN 440:Cast 348:Plot 304:and 901:at 892:on 854:at 843:at 384:). 83:by 77:by 1123:: 716:. 678:^ 648:. 356:, 308:. 300:, 931:e 924:t 917:v 827:. 724:. 416:( 344:. 226:) 215:)

Index


Theatrical release poster
Lewis Allen
Ronald Millar
Leonard Spigelgass
For Her to See
Marjorie Bowen
Hal B. Wallis
Ray Milland
Ann Todd
Geraldine Fitzgerald
Mutz Greenbaum
Vera Campbell
William Alwyn
Victor Young
Paramount British Pictures
Gothic
psychological thriller
Lewis Allen
Ray Milland
Ann Todd
Geraldine Fitzgerald
Victorian era
film noir
Gaslight
For Her to See
Marjorie Bowen
Charles Bravo
Nan Patterson
Liverpool

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