207:, Soejoedi tried not design something that seems too grandiose or megalomaniac. Soejoedi realized that architecture is not a pure work of art, but also a public and utilitarian endeavor with respect to aesthetic and human experience such as: safety, comfort, and health. In this regard, Soejoedi always tried to open the dialogue between reason and intuition; for him, architecture is the field and playground for both human faculties in the search for something humanly useful and beautiful.
144:'s policy for taking over all foreign companies by the state corporations, caused harm on the higher education institutions, mainly because most of the teaching staff were Dutch nationals. The country needed qualified locals like Soejoedi to work in colleges and other institutions. In 1960, Soejoedi returned from Germany to Indonesia and worked in Bandung as lecturer. After few months, Soejoedi was promoted to be head of the department of architecture at his institution, now renamed the
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Among
Soejoedi's work is the Conference of the New Emerging Forces, the Conefo (1964-1983). For this work, Soejoedi interpreted President Sukarno's intention for an image of a total independence from the East communist bloc and the West democratic capitalist bloc by designing a modern complex with no
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Soejoedi believed in architectural modernity as a vehicle of liberation from the traces of colonialism. He introduced
Indonesian locality not as an imitation of traditional icons, forms, and styles; but in the search for spatial principles. He placed the Javanese concept of spatial category into his
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During his tenure as head of department, he emphasised the use and exploration of modern technology for building construction and material, especially concrete and steel structure. Between 1960 and 1964, he designed and built several buildings and family houses in
Bandung. As a lecturer, he taught
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increased tension between
Indonesia and the Netherlands. These forced several Indonesian students to leave the Netherlands in 1957, including Soejoedi, who had to leave before being able to receive a degree in architecture. Soejoedi had to find somewhere else for the completion of his academic
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about artistic approaches. Form, function, and material are necessarily to be integrated as a geometrical and sculptural composition that works for specific purpose and context, and a strong embodiment to site.
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in 1955. He pursued his study in Paris, but he did not feel comfortable because of personal reason of homesick. Soejoedi's mentor in
Bandung, Prof. Ir. Vincent Rogers van Romondt, arranged his further study at
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Soejoedi's design is characterized with pure geometrical composition. He put emphasis on the site of his building, making sure that the building is harmonious with said site and its conditions. Unlike
62:
to counter military offensive from the Dutch between 1945 and 1949. When the Dutch leave
Indonesia in 1949, one year later Soejoedi applied as an architect in the Building Department of the
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to be in charge as chief architect for national architectural projects in
Jakarta. As a nationalist, he took this request very seriously. He brought some colleagues and students from
243:. For Soejoedi, establishing a new architecture for a national pride was probably more important than maintaining an old building with traces of colonialism of the past.
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70:, which still had a professional Dutch lecturer. From the quality of his works, Soejoedi was nominated and won a scholarship from the French government for a study in
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and established his own firm in
Jakarta, PT. Gubahlaras, in 1969. The vision of his firm is to unveil modern Indonesia through architectural endeavor.
42:. Soejoedi is considered the first native architect of the Post-Colonial period and is considered a proponent of modernist architects and designers.
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Another of
Soejoedi's project, probably the most infamous, is Duta Merlin Hotel project. The project was designed to replace the colonial hotel of
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so that he did not need to start from scratch. During his study, Soejoedi had the opportunities to see the works of Dutch modern architects e.g.
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which was designed as an extraordinary adaptation of Art Deco in the tropical climate of Java, then known as the
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Meanwhile, the increasing tension between the Dutch and the Republic of Indonesia as a consequence of President
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Het Indische bouwen: architectuur en stedebouw in Indonesie : Dutch and Indisch architecture 1800-1950
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qualification in architectural engineering. In the same year, Soejoedi moved to
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516:"SOEJOEDI AND ARCHITECTURE IN MODERN INDONESIA: A Critical Post-Colonial Study"
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in 1928. As a young man, he supported nationalist ideals. During the period of
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to be the chief architect for national architectural projects in
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ARCHITECTUUR & STEDEBOUW IN INDONESIĂ‹ 1870/1970
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272:French Embassy, Jakarta (1971, demolished in 2012)
180:), and the gradation of values from preliminary (
523:International Journal of Architectural Research
473:Budi A Sukada (1998). Gunawan Tjahjono (ed.).
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284:the Republic of Indonesia's Embassy, Belgrade
172:design: the balance of the realm of outside (
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228:recognizable traces of precedent buildings.
122:Political circumstances over West New Guinea
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430:] (in Indonesian). Jakarta: Erlangga.
260:Department of Agriculture complex, Jakarta
155:In 1964, Soejoedi was called by President
257:Balai Sidang Senayan, Jakarta (1960-1965)
278:Office of the Ministry of Transportation
501:. Helmond: Gemeentemuseum Helmond. 1990
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246:Below are some of Soejoedi's project.
129:to pursue his architectural degree at
266:the Republic of Indonesia's Embassy,
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1146:20th-century Indonesian male artists
281:Pembangkit Listrik Tenaga Air Sutami
275:Gedung Pusat Grafika, Jakarta (1971)
235:, a masterpiece of Indies architect
514:Wiryomartono, Bagoes (March 2013).
1141:20th-century Indonesian architects
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1082:Post-colonial & contemporary
985:Mosque architecture in Indonesia
211:Post-colonial architecture works
85:Delft University of Technology
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1018:Church buildings in Indonesia
131:Technische Universität Berlin
980:List of mosques in Indonesia
458:. Zutphen: De Walburg Pers.
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937:Hindu-Buddhism in Indonesia
843:Sundanese traditional house
81:Technische Hogeschool Delft
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624:Balinese traditional house
146:Institut Teknologi Bandung
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298:Architecture of Indonesia
203:'s grand design e.g. the
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105:Kraaijvanger Architects
452:Akihary, Huib (1990).
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188:), and inner sanctum (
72:L’Ecole des Beaux Arts
30:) was an architect in
22:(December 27, 1928 in
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609:Bali Aga architecture
420:Agus Sachari (2007).
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118:city reconstruction.
50:Soejoedi was born in
20:Soejoedi Wirjoatmodjo
219:The Conefo, now the
16:Indonesian architect
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1038:Henri Maclaine Pont
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634:Candi bentar
531:. Retrieved
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614:Bale kulkul
413:Cited works
108: [
89:Netherlands
1125:Categories
639:Meru tower
465:9060116976
304:References
959:Paduraksa
904:Palembang
889:Manggarai
835:Sundanese
789:Rangkiang
784:Balairung
768:Saka guru
738:Alun-alun
649:Padmasana
644:Paduraksa
505:March 30,
135:pesantren
116:Rotterdam
60:Surakarta
52:Surakarta
46:Biography
32:Indonesia
24:Surakarta
1111:Category
894:Mentawai
879:Gayonese
864:Acehnese
758:Pendhapa
730:Javanese
654:Wantilan
602:Balinese
292:See also
874:Enggano
720:Sandung
676:Geriten
533:June 6,
252:Jakarta
157:Sukarno
148:(ITB).
142:Sukarno
101:drafter
68:Bandung
40:Jakarta
36:Sukarno
28:Jakarta
919:Toraja
869:Banjar
808:Papuan
753:Kraton
686:Jambur
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443:6 July
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254:(1975)
194:ndalem
127:Berlin
87:, the
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990:Surau
975:Bedug
949:Candi
924:Uluan
914:Sumba
909:Sasak
884:Malay
848:Leuit
815:Honai
799:Surau
748:Joglo
711:Liang
705:Dayak
691:Singa
681:Gorga
663:Batak
629:Bhoma
519:(PDF)
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190:utama
186:madya
182:purwa
178:njero
112:]
83:(now
76:Paris
899:Nias
696:Sopo
535:2016
507:2015
483:ISBN
460:ISBN
445:2015
432:ISBN
174:jaba
95:and
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