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songs that are otherwise great are nearly ruined by lyrical banality". DiCrescenzo mentioned that the "clinical production scrubs the rock down to a smooth grain of clear sand". So thought it was a mistake to switch producers as the "entire record has a thoroughly bland, almost adult-contemporary texture to it". Comstock, on the other hand, noted an improvement of production from their first album. He mentioned that the addition of Dewees made the album come across as "predictable -- while some of the songs seemed more complete and polished, many have simply lost their edge".
1189:"Put aside the love songs, and their classic Something to Write Home About can be read as a concept album about the pressure of seeing then-fledgling indie label Vagrant literally bet the farm on their success. But they also wrote concisely and passionately about girls, heartbreak, and trouble with authority, thus setting the norms for 21st-century emo: While the band’s presentation and ethics were overtly punk, their songs harkened back to early rock’n’roll records that functioned as teen pop."
466:. Starting from December 1998, the group wrote a batch of new material as they were waiting for their deal with Mojo Records to be finalized. The Pope brothers' apartment had a piano that Dewees would often play; while the group were practising a song at the apartment, Dewees showed them a vocal harmony and piano part he had come up with. The group had wanted a keyboardist for sometime; with Coalesce having gone on hiatus during this period, Dewees joined as their keyboard player.
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499:, California to record their next album. Before the group could start, Vagrant Records' co-owner Jon Cohen had to borrow money from his parents, who mortgaged their house in order to fund the sessions. The album was recorded over the course of six weeks in June and July 1999 at Mad Hatter Studios in
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EP and forfeited the vinyl rights to their following album. That same month, they formed their own record label, Heroes & Villains
Records, which signed a deal with Vagrant Records, giving the latter rights to other acts signed to Heroes & Villains, which included the members' solo projects.
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contributor Rob
Browning wrote that the album retaining the "edge of their Doghouse past, but sported cleaner production and more hooks than a tackle box". He went on to say that these "12 songs are the strongest body of works they had been able to muster prior or since". Meehan said the band offer
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Pryor also began to branch out lyrically, including on “Red Letter Day,” which was written about the bands’ negative experiences with Dirk
Hemsmath and Doghouse Records. In writing the album, the band was also more conscious of traditional pop song structure, focusing more on hooks and placing less
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and Alex Brahl, the latter of which did additional engineering. Blinman handled recording, while Dale Lawton served as an assistant. Blinman mixed the recordings, while the album was mastered by Ramon Breton at
Oceanview Mastering. Several of the songs included were re-recorded from past releases:
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Brent DiCrescenzo noted a lack of originality in the music, writing that "implementation of keyboards and acoustic guitars is predictable and unimpressive", calling the release "an entire album of songs which follow the same formula, yet never reach the quasi- memorable qualities of a radio hit."
1151:
said that if the lyrics "sometimes seem a little clumsy or overwrought, that's all part of the package". DiCrescenzo referred to the words as "meaningless lyrics masquerading as poetic insight"; Nude as the News writer Ed
Comstock felt the band had "regressed lyrically -- to such an extent that
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In 2008, Pryor said that the group was in discussions with
Vagrant Records to re-release the album as a 10th anniversary package, including a DVD and photo booklet. In February 2009, Doghouse Records re-pressed the album on vinyl. The 10th anniversary edition was released on September 8, which
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included a DVD with a recording of their first show in a few years and a documentary on the making of the album. In addition, it included 7 downloadable demo recordings from the sessions. Doghouse has since re-pressed the album on vinyl twice more, in 2015 and 2016, respectively.
394:, among others, have included the album on best-of lists for the emo and pop-punk genres. It was re-released as a CD and DVD set in 2008, and has been re-pressed on vinyl in 2015 and 2016; the 2015 version charted at number 16 on the
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wanted to treat the band as a new act, own the rights to their music publishing, in addition to being unwilling to buy the band out of their contract with
Doghouse. To get out of their Doghouse contract, the band recorded the
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writer James
Skinner complimented the band members for "how brilliantly play off each other," coupled with a "healthy dose of longing and you're halfway there in terms of understanding its appeal". Reviewing the album for
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in
September 1997. It was supported by American and European tours between September 1997 and May 1998. The group then went on a break and spent the next few months writing material for their next record. Their next album,
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639:, stating that it was more "important to maybe make some sacrifices for the tune instead of pounding away and thinking of yourself as an individual player." Pryor would later remark that he wished the songs were
698:
In August and
September 1999, the group went on a European tour; the tour was planned to last a month, however, the group only got to play six shows over eight days. Following this, the band appeared at the
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was released on September 28 through Vagrant and Heroes & Villains Records. The vinyl version was released through Doghouse Records. The Japanese version included "Forgive and Forget" and a cover of
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reviewer Zac Johnson noted that despite the band "struggling with stumbling relationships," they were still capable of "process the complexities of their daily lives through music". Stevie Chick of
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By April 1999, tired that the negotiations with Mojo Records had taken too long and eventually came to a halt, the band felt it wasn't the right time to be signing with a major. Vocalist/guitarist
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all signed to the label because of the album's success. The album has been viewed as an important release for the second wave of emo, and an influence on the third wave of acts, such as
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751:" as B-sides. The group went on a European tour in May and June with the Anniversary. In September and October, the band went on a headlining US tour with support from the Anniversary,
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joined as the band's keyboardist. As negotiations with the label eventually stalled, they eventually went with Vagrant Records. They recorded their next album at Mad Hatter Studios in
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vocals during the chorus sections; "My Apology" is a mid-tempo song. "I'm a Loner Dottie, a Rebel" discusses the aftermath of a one-night stand, while its title is a quote from
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referred to "Valentine" as a "perfect snapshot of the way any distance, emotional or physical, feels oceanic in scope". The acoustic "Out of Reach" crescendos into a piano-led
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577:"occup that perfect nexus between punk, emo, indie rock, and pure power-pop". When making the album, the band tried to consciously expand their sound from the harder edge of
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founder Eric J. Herboth said that like their debut, Something was "complete bunk" aside from the two "great" songs "Red Letter Day" and "I'm a Loner Dottie, a Rebel".
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a lot and wanted more synthesizer parts, with Dewees being "such a talented piano player, he just sort of upped the ante." Dewees' keyboard parts recalled the work of
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690:"Close to Home" is followed by the album's closing song "I'll Catch You"; the latter opens with a piano part and sees a person talking with someone they admire.
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considered it superior to the band's debut, stating that the "tunes are absolutely absorbing, sucking you into the hooks, the energy, the drive, the music".
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to sign with the label. It is often cited as one of the best albums of the second-wave movement of emo, and is cited as an influence on third wave acts like
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in Europe on March 13. "Action & Action" was released as a single on March 24 in Europe with a demo of "I'm a Loner Dottie, I'm a Rebel" and a cover of
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song "Ten Minutes" is a homage to be stuck in traffic on the way to a lover's residence, and features Suptic on lead vocals. "The Company Dime" features
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In February 2000, the Get Up Kids played a one-off show in Kansas before embarking on a Japanese tour. The band then went on a tour of Australia with
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as bonus tracks, while the European version featured included a re-recorded version of "Forgive and Forget" and "Central Standard Time" (taken from a
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featured both “I’ll Catch You” and “Valentine” on its list of the 40 best Emo love songs of all time. In 2014, as part of 10-year celebrations for
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from the album. Later that year, the band toured across Australia, Japan, Europe, ending with a headlining US tour; in early 2001 they supported
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2010:
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503:. The band would spend the daytime at the studio and spend nights at a friend's house. They produced the record themselves, with co-producers
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included it in their 101 Modern Classics list at number 97. They later ranked it at number 102 on the list of best albums in their lifetime.
3300:
4517:
3937:
724:). The album's artwork is a painting that depicts two robots cuddling on a sofa. In October and November, the group went on a US tour with
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music critic Dave Meehan said "provide a melodic counterpoint to Suptic's thrashing and give the whole album a party-like-its-1983 feel".
78:
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1097:"each song enough individual care to let them stand on their own while still bowing to the album's coherent feel and rush". The staff at
3423:
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320:, with many praising the songwriting. The album was a commercial success, selling over 100,000 copies, and peaking at number 31 on the
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listed ‘’Something to Write Home About’’ as the 19th greatest pop-punk album of all time, and the 42nd best punk album of all time.
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writer Andrew Beaujon found the band to be "peppy enough to make even a college sophomore feel old," adding that they sound "
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emphasis on long instrumental sections. Ryan Pope made a conscious effort to restrain his drum parts on the album, emulating
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615:, they incorporated more of it with the inclusion of Dewees into the band. According to Pryor, they had been listening to
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felt that the album "still holds up, its power and impact remaining as profound as ever". In a 2017 retrospective of
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439:. When the Get Up Kids went on tour, Dewees would look after the apartment. The group released their debut album,
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763:, who had helped people discover the band and other Vagrant Records' acts. In January 2001, the group supported
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and the band's own label Heroes & Villains Records. Following the promotional tours for their debut album
3670:
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1090:, but they never forget the sheer pleasure that the right sequence of notes or the perfect harmony brings".
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said it was a "strong and varied record that's just right for the beginning of autumn". In a review for
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3938:"Coheed & Cambria Secretly Wrote 'Stairway To Heaven 2' On 'In Keeping Secrets Of Silent Earth: 3'"
3744:"Weezer, Descendents, The Get Up Kids and more to perform their seminal albums in full at US Riot Fest"
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At the time, Vagrant was searching for a flagship band on which they could expand their business with.
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The album has appeared on many best-of lists for the emo and pop-punk genres, by publications such as
4670:
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1612:
1513:
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662:; Meehan said "Action and Action" was "another done-me-wrong, finger-pointing tale". Niko Stratis of
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2003:"Something to write home about: Get Up Kids celebrate 10-year anniversary reissue of pivotal record"
2002:
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423:. In June 1997, the group went on a tour of the United States, on which they became friends with
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is credited with establishing Vagrant Records as an emo music industry powerhouse. Acts such as
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3170:"The Get Up Kids: Something to Write Home About (25th Anniversary Deluxe Edition) Album Review"
1918:"Q&A: Get Up Kids' Matt Pryor Talks Jumping Around, Playing Pop Music and the Emo Handbook"
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3079:"Album Review: The Get Up Kids – Something To Write Home About (Tenth Anniversary Edition)"
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chart. By 2002, the album had sold 150,000 copies. In 2015, it charted at number 16 on the
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as primary influences in writing new material. While the group had toyed with keyboards on
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chart in the United States. The band promoted it with a European tour and a US tour with
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4025:"American Football: American Football / The Get Up Kids: Something to Write Home About"
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658:, was suggested by Suptic. The opening fast-paced track "Holiday" starts with a guitar
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3548:"25 Years Of Vagrant Records: The label that accidentally took emo to the mainstream"
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The band, who wanted to leave Doghouse, began discussions with other labels, such as
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wrote that the band are "certainly not purveyors of bubble-punk in the same mold as
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3494:"Emo at the Crossroads: 'Very Emergency' and 'Something to Write Home About' at 20"
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1258:(2007). Similarly, "Action & Action" appeared on a best-of emo songs list by
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3715:
1860:"An Interview with The Get Up Kids: Still Finding Something To Write Home About"
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587:
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4095:
Napier, Patrick, ed. (April 2019). "The 250 Greatest Albums Of Our Lifetime".
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728:. A music video was released for "Action & Action" through music retailer
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3970:"The Wonder Years' Dan Campbell: My Favourite Pop-Punk Album Of All Time Is…"
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described the album in the context of the band's contemporaries: "Braid and
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3610:"From 'Three Cheers' To 'Bleed American': The 10 Most Important Emo Albums"
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down as he was yelling at the top of his vocal range throughout the album.
4004:
Anon. (April 11, 2000). "The Get Up Kids: Something to Write Home About".
1175:"a masterful follow-up to their unfussy debut." When reviewing the band's
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sold over 40,000 copies, which attracted attention from various labels.
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729:
2989:"The Get Up Kids prep deluxe reissue of Something To Write Home About"
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2573:
1241:
616:
346:
3424:"The Get up Kids' 'Four Minute Mile' Was the Bridge to Emo's Future"
2902:"Get Up Kids' 'Something to Write Home About' vinyl reissue planned"
4259:
2286:"Dusting 'Em Off: The Get Up Kids – Something to Write Home About"
767:
on their US tour, before supporting Weezer in February and March.
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307:
45:
4149:"AP Podcast: The Business Behind the Music – #46 The Get Up Kids"
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chart. The album's success was the first major breakthrough for
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made Vagrant Records one of the major players in the fledgling
4634:
4062:"Best Midwestern – Episode 37 – Something to Write Home About"
2443:
2077:
1755:"Four Minute Mile - The Get Up Kids | Songs, Reviews, Credits"
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1147:
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536:
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357:
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expands on the harder edge of its predecessor, with frontman
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1496:
3640:"20 Emo Albums That Have Resolutely Stood The Test Of Time"
3049:(sleeve). The Get Up Kids. Doghouse Records. 2016. DOG 066.
3021:(sleeve). The Get Up Kids. Doghouse Records. 2015. DOG 066.
2159:"The Get up Kids' 'Something to Write Home About' Turns 20"
2031:
Heisel; Simpson 2016, event occurs at 50:59–51:01, 52:22–30
1821:
Shea 2009, event occurs at 1:26:40–47, 1:28:10–2, 1:28:14–5
1272:, the band performed the album in its entirety. In 2015,
1185:
writer Ian Cohen wrote much more fondly about the album:
3849:"Kerrang posts list of top 50 punk albums of all time"
2929:"The Get Up Kids announce European tour extravaganza!"
3471:"The Get Up Kids Chart History (Heatseekers Albums)"
2790:"Napster Sponsoring Face To Face, Get Up Kids Tours"
2223:"An Interview with Matthew Pryor of The Get Up Kids"
2190:"10 Essential songs about hating the music industry"
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739:in March and April. The album was released through
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4170:Everybody Hurts: An Essential Guide to Emo Culture
1996:
1994:
1992:
1564:Travis M Millard – cover painting, inside painting
1256:Everybody Hurts: An Essential Guide to Emo Culture
4114:"The Get Up Kids – Something to Write Home About"
3139:"The Get Up Kids – Something To Write Home About"
2362:"Something to Write Home About – The Get Up Kids"
4060:Heisel, Scott; Simpson, Greg (August 19, 2016).
3487:
3485:
3360:"The Get Up Kids: Something to Write Home About"
3201:"The Get Up Kids: Something to Write Home About"
2480:"The Get Up Kids: Something to Write Home About"
2315:
2313:
2121:"The Get Up Kids: Something to Write Home About"
1848:Shea 2009, event occurs at 1:28:16–34, 1:30:01–7
1830:Shea 2009, event occurs at 1:19:39–42, 1:21:00–8
3671:"The 13 best albums from the emo/pop-punk boom"
3059:: CS1 maint: others in cite AV media (notes) (
3031:: CS1 maint: others in cite AV media (notes) (
2518:"The Get Up Kids Something To Write Home About"
1981:: CS1 maint: others in cite AV media (notes) (
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1743:Shea 2009, event occurs at 1:19:03–4, 1:19:31–5
1063:was met with generally favourable reviews from
415:EP in 1997, the Get Up Kids signed a two-album
3528:"The Get Up Kids Chart History (Vinyl Albums)"
3324:"Get Up Kids Something to Write Home About CD"
2875:"The Get Up Kids plan reunion show for Sunday"
2250:"Ryan Pope: Gettin' Down With The Get Up Kids"
2152:
2150:
2148:
1155:In a retrospective review, Mischa Pearlman of
808:
565:hadn’t quite shed their hardcore origins, and
4275:
3817:"The 51 greatest pop-punk albums of all time"
3577:"Top 20 Emo Albums in History: Complete List"
3249:
3247:
2783:
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2652:"Get Up Kids - Something To Write Home About"
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2440:"Tricky, Biohazard, Roni Size On Tap For CMJ"
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1971:/Heroes & Villains Records. 1999. 6587-2.
1911:
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573:were too artsy and esoteric". He added that
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316:received generally favourable reviews from
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3876:"The Get Up Kids And Their Adult Problems"
2962:"Get Up Kids premiere new live DVD online"
1632:
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260:, released on September 28, 1999, through
36:
27:
3108:Bird, Ashley (March 11, 2000). "Albums".
2478:DiCrescenzo, Brent (September 21, 1999).
1916:Woodbury, Jason P. (September 14, 2009).
270:(1997), the band were in discussion with
3711:"The 100 Greatest Emo Songs of All Time"
2073:"Did The Get Up Kids Really Invent Emo?"
1329:
520:and "I'm a Loner Dottie, a Rebel" for a
478:later revealed that the label's founder
25:1999 studio album by The Get Up Kids
3418:
3416:
3089:from the original on September 22, 2009
1684:
252:is the second studio album by American
4168:Simon, Leslie; Kelley, Trevor (2007).
4079:
4047:from the original on February 17, 2017
3907:"Dashboard Confessional Still Belongs"
3756:from the original on February 25, 2019
3681:from the original on February 22, 2018
3620:from the original on February 16, 2021
3589:from the original on February 25, 2019
3052:
3024:
2999:from the original on February 20, 2019
2968:from the original on February 25, 2019
2941:from the original on February 20, 2019
2908:from the original on February 25, 2019
2603:from the original on February 13, 2021
2013:from the original on February 25, 2019
1974:
1930:from the original on February 25, 2019
1872:from the original on February 25, 2019
1765:from the original on February 15, 2019
755:and Jebediah. It was sponsored by the
543:album that takes influence from 1960s
491:In June 1999, the band travelled from
4475:Free Language Demons / Up On the Roof
3855:from the original on February 7, 2022
3546:Pearlman, Mischa (November 4, 2021).
3303:from the original on October 22, 2021
3263:McLeod, Kembrew (December 29, 1999).
3211:from the original on October 27, 2017
3077:Skinner, James (September 17, 2009).
2822:from the original on November 9, 2001
2546:MTV. October 21, 1999. Archived from
2229:from the original on February 5, 2022
1839:Shea 2009, event occurs at 1:21:29–31
1791:Harkness, Geoff (December 28, 2000).
789:
427:. Shortly afterwards, their drummer,
7:
4518:A Newfound Interest in Massachusetts
3650:from the original on August 16, 2015
3608:Davino, Bianca (February 18, 2020).
2854:from the original on August 16, 2011
2766:from the original on October 4, 2000
2085:from the original on August 22, 2017
1899:Shea 2009, event occurs at 1:32:6–14
1803:from the original on August 10, 2016
3851:. Punknews.org. November 29, 2006.
3788:from the original on April 10, 2016
3669:Rousseau, Rob (February 23, 2016).
3168:Gordon, Arielle (August 26, 2024).
3137:Chick, Stevie (February 26, 2000).
2842:"Get Up Kids Reunion: Sunday Night"
2788:Comerford, Will (August 14, 2000).
2492:from the original on March 19, 2009
2320:Stratis, Niko (February 14, 2022).
2169:from the original on March 31, 2022
810:
282:, California, co-producing it with
193:Central Standard Time/Vasil + Bluey
4227:from the original on June 24, 2022
4134:from the original on June 24, 2022
4112:Pearlman, Mischa (December 2009).
4068:from the original on March 6, 2019
3980:from the original on July 18, 2022
3950:from the original on June 24, 2022
3917:from the original on June 24, 2022
3886:from the original on June 19, 2022
3829:from the original on June 24, 2022
3449:from the original on June 19, 2022
3336:from the original on June 24, 2022
2881:from the original on June 20, 2022
2740:from the original on June 11, 2000
2520:. Nude as the News. Archived from
2298:from the original on June 24, 2022
2221:Daly, Andrew (December 17, 2020).
2188:Heisel, Scott (January 15, 2014).
1858:Magid, Morgan (December 2, 2015).
1691:Shea 2009, event occurs at 2:48–55
14:
4468:The Get Up Kids / The Anniversary
4206:The New Rolling Stone Album Guide
4023:Beaujon, Andrew (December 1999).
3905:Lockett, Dee (February 8, 2018).
3575:Kohn, Daniel (October 10, 2013).
3199:Browning, Rob (January 3, 2010).
2960:Paul, Aubin (September 4, 2009).
2873:Paul, Aubin (November 13, 2008).
2762:. Heroes & Villains Records.
2710:. Epitaph Records. Archived from
2684:. Epitaph Records. Archived from
2682:"Get Up Kids - Action and Action"
2628:. The Get Up Kids. Archived from
2572:. The Get Up Kids. Archived from
2416:. The Get Up Kids. Archived from
2390:. The Get Up Kids. Archived from
2368:from the original on June 3, 2012
2157:Cohen, Ian (September 30, 2019).
2053:from the original on May 11, 2000
2001:Niccum, Jon (September 4, 2009).
1314:has expressed admiration for it.
1194:Commercial performance and legacy
1018:
980:
898:
860:
4147:Shea, Mike (November 25, 2009).
3936:Kristobak, Ryan (July 9, 2014).
3709:Cohen, Ian (February 13, 2020).
2900:Paul, Aubin (January 15, 2009).
2595:Paul, Aubin (December 7, 1999).
2284:Young, Alex (January 29, 2011).
1552:– co-producer, recording, mixing
1115:Superchunk". Elmar Salmutter of
1037:
1032:
1027:
1022:
1017:
999:
994:
989:
984:
979:
917:
912:
907:
902:
897:
879:
874:
869:
864:
859:
829:
824:
819:
814:
809:
286:and Alex Brahl. Described as an
3742:Ritacco, Robby (May 15, 2014).
3536:. Retrieved February 19, 2019.
3479:. Retrieved February 19, 2019.
3358:So, Kerwin (December 9, 1999).
2987:Young, Alex (August 19, 2009).
2446:. July 29, 1999. Archived from
2248:DeRogatis, Jim (May 12, 2004).
1793:"Something to write home about"
16:For the Craig Morgan song, see
4256:(streamed copy where licensed)
2927:Slater, Luke (June 10, 2009).
1333:
215:Something to Write Home About
1:
4364:Something to Write Home About
4249:Something to Write Home About
3874:Cohen, Ian (April 30, 2019).
3492:King, Ian (October 4, 2019).
3047:Something to Write Home About
3019:Something to Write Home About
2544:"At the Drive-In, Ratdog ..."
1957:Something to Write Home About
1445:"I'm a Loner Dottie, a Rebel"
1288:Something to Write Home About
1204:Something to Write Home About
1173:Something to Write Home About
1061:Something to Write Home About
1011:The Rolling Stone Album Guide
705:Something to Write Home About
656:Something to Write Home About
575:Something to Write Home About
533:Something to Write Home About
360:scene, attracting bands like
354:Something to Write Home About
314:Something to Write Home About
292:Something to Write Home About
249:Something to Write Home About
184:Something to Write Home About
31:Something to Write Home About
2388:"The 40 Best Emo Love Songs"
2322:"The 40 Best Emo Love Songs"
2119:Meehan, Dave (May 7, 2002).
1658:
1619:
1567:Sam Spencer – design, layout
1206:charted at number 31 on the
431:, moved in with the bassist
3439:"Kicker EP The Get Up Kids"
3437:Cohen, Ian (June 9, 2018).
3114:. No. 792. p. 47.
2708:"The Get Up Kids Tourdates"
4692:
4589:Reggie and the Full Effect
4455:The Get Up Kids / Coalesce
3699:Simon; Kelley 2007, p. 170
1546:The Get Up Kids – producer
508:"Red Letter Day" from the
15:
4297:
4191:Soults, Franklin (2004).
4064:(Podcast). Punknews.org.
3322:Salmutter, Elmar (1999).
3299:. October–November 1999.
1645:
1606:
1474:
1463:
1452:
1441:
1430:
1419:
1404:
1393:
1382:
1371:
1356:
1345:
1337:
1171:'s Eduardo Cepeda called
797:
794:
757:peer-to-peer file sharing
435:and his brother, drummer
241:
220:
205:
168:
35:
1561:Ramon Breton – mastering
608:The Colour and the Shape
522:split release with Braid
516:" on a 7" vinyl for the
501:Silver Lake, Los Angeles
409:With the release of the
333:until the end of 1999. "
298:citing the works of the
280:Silver Lake, Los Angeles
233:Released: March 24, 2000
4461:The Get Up Kids / Braid
1558:Dale Lawton – assistant
1493:Personnel per booklet.
683:Pee-wee's Big Adventure
470:New label and recording
419:with independent label
376:. Publications such as
132:, Heroes & Villains
4676:Vagrant Records albums
4666:The Get Up Kids albums
3825:. September 23, 2017.
3806:Napier ed. 2019, p. 52
1292:Dashboard Confessional
1199:Commercial performance
1191:
528:Composition and lyrics
405:Background and writing
362:Dashboard Confessional
337:" was released as the
274:. During this period,
79:Silverlake, California
3976:. September 1, 2014.
3426:. September 29, 2017.
3267:. MTV. Archived from
2850:. November 14, 2008.
2792:. MTV. Archived from
2516:Comstock, Ed (1999).
1541:Production and design
1322:All songs written by
1187:
694:Release and promotion
493:Kansas City, Missouri
4211:Simon & Schuster
3749:The Line of Best Fit
3723:on February 13, 2020
3646:. January 14, 2015.
3401:on December 12, 2005
3271:on February 15, 2019
3253:Beaujon 1999, p. 220
3232:Pearlman 2009, p. 95
2993:Consequence of Sound
2796:on February 25, 2019
2632:on February 26, 2000
2550:on February 24, 2019
2450:on February 24, 2019
2334:on February 14, 2022
1725:on November 28, 1999
1304:Coheed & Cambria
1230:Legacy and influence
785:Professional ratings
518:Sub Pop Singles Club
374:Coheed & Cambria
18:Craig Morgan (album)
4645:Black Lodge Studios
4539:Wouldn't Believe It
4532:Action & Action
4174:HarperEntertainment
3241:Soults 2004, p. 330
3055:cite AV media notes
3027:cite AV media notes
2818:. The Get Up Kids.
2736:. The Get Up Kids.
2597:"Get Up Kids Video"
2524:on January 16, 2003
2420:on February 4, 2000
2202:on January 20, 2014
2049:. The Get Up Kids.
1977:cite AV media notes
1865:The Aquarian Weekly
1522:– keyboards, vocals
1362:Action & Action
786:
654:The album's title,
567:Texas Is The Reason
335:Action & Action
228:Action & Action
4594:The New Amsterdams
4485:Compilation albums
3506:on October 5, 2019
1609:Heatseekers Albums
1423:"The Company Dime"
1213:Heatseekers Albums
784:
780:Critical reception
732:in December 1999.
417:recording contract
327:Heatseekers Albums
61:September 28, 1999
4653:
4652:
4604:The Terrible Twos
4424:iTunes Session EP
4193:"The Get Up Kids"
4183:978-0-06-119539-6
4172:. New York City:
4153:Alternative Press
3784:. June 27, 2012.
3389:Herboth, Eric J.
3364:Consumable Online
3265:"Pretty Punk-Pop"
3149:on April 10, 2000
3124:Anon. 2000, p. 48
2847:Back to Rockville
2662:on March 25, 2008
2262:on March 17, 2012
2195:Alternative Press
2081:. July 29, 2009.
1923:Phoenix New Times
1670:
1669:
1663:
1662:
1624:
1623:
1576:
1575:
1485:
1484:
1123:Consumable Online
1058:
1057:
678:call-and-response
561:were too quirky,
449:Four Minute Mile,
245:
244:
201:
200:
4683:
4623:Related articles
4599:Blackpool Lights
4357:Four Minute Mile
4284:
4277:
4270:
4261:
4236:
4234:
4232:
4209:(4th ed.).
4201:Hoard, Christian
4197:Brackett, Nathan
4187:
4164:
4162:
4160:
4143:
4141:
4139:
4119:Record Collector
4108:
4091:
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3739:
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3732:
3730:
3728:
3719:. Archived from
3706:
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3691:
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3688:
3686:
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3502:. Archived from
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3428:
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3397:. Archived from
3386:
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3377:
3375:
3370:on June 17, 2002
3366:. Archived from
3355:
3346:
3345:
3343:
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3319:
3313:
3312:
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3308:
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3154:
3145:. Archived from
3134:
3125:
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3116:
3115:
3105:
3099:
3098:
3096:
3094:
3083:Drowned in Sound
3074:
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3043:
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3030:
3022:
3015:
3009:
3008:
3006:
3004:
2984:
2978:
2977:
2975:
2973:
2964:. Punknews.org.
2957:
2951:
2950:
2948:
2946:
2934:Drowned in Sound
2924:
2918:
2917:
2915:
2913:
2904:. Punknews.org.
2897:
2891:
2890:
2888:
2886:
2877:. Punknews.org.
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2698:
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2693:
2678:
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2669:
2667:
2658:. Archived from
2648:
2642:
2641:
2639:
2637:
2622:
2613:
2612:
2610:
2608:
2599:. Punknews.org.
2592:
2586:
2585:
2583:
2581:
2576:on June 22, 2000
2566:
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2394:on June 13, 2000
2384:
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2357:
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2339:
2330:. Archived from
2317:
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2281:
2272:
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2269:
2267:
2258:. Archived from
2245:
2239:
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2218:
2212:
2211:
2209:
2207:
2198:. Archived from
2185:
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2176:
2174:
2154:
2143:
2142:
2140:
2138:
2133:on June 15, 2002
2129:. Archived from
2116:
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1732:
1730:
1721:. Archived from
1711:
1692:
1689:
1633:
1594:
1590:Original release
1585:
1534:– guitar, vocals
1510:– guitar, vocals
1497:
1478:"I'll Catch You"
1456:"Long Goodnight"
1386:"Red Letter Day"
1335:
1330:
1312:the Wonder Years
1164:Four Minute Mile
1158:Record Collector
1137:
1070:Drowned in Sound
1042:
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1036:
1035:
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973:Record Collector
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841:Drowned in Sound
834:
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822:
818:
817:
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812:
787:
613:Four Minute Mile
579:Four Minute Mile
559:the Promise Ring
442:Four Minute Mile
421:Doghouse Records
267:Four Minute Mile
234:
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170:
169:
119:
118:
114:
40:
28:
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4618:
4577:
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4443:
4397:
4385:There Are Rules
4344:
4293:
4291:The Get Up Kids
4288:
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4228:
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4099:(250). London.
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3574:
3573:
3569:
3559:
3557:
3556:. Wasted Talent
3545:
3544:
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3509:
3507:
3499:Under the Radar
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2727:
2717:
2715:
2714:on May 11, 2000
2706:
2705:
2701:
2691:
2689:
2688:on May 11, 2000
2680:
2679:
2675:
2665:
2663:
2656:Epitaph Records
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1502:The Get Up Kids
1491:
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1467:"Close to Home"
1324:the Get Up Kids
1320:
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1224:Vagrant Records
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880:
875:
870:
865:
830:
825:
820:
815:
782:
773:
726:At the Drive-In
722:the Anniversary
696:
601:(1999) and the
593:Jimmy Eat World
551:. Ian Cohen of
530:
472:
407:
352:The success of
331:At the Drive-In
310:as influences.
304:Jimmy Eat World
262:Vagrant Records
258:the Get Up Kids
237:
232:
225:
224:
196:
187:
178:
162:The Get Up Kids
156:
145:The Get Up Kids
116:
112:
111:
103:
53:
51:The Get Up Kids
26:
21:
12:
11:
5:
4689:
4687:
4679:
4678:
4673:
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4506:
4504:
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4479:
4478:
4471:
4464:
4457:
4451:
4449:
4445:
4444:
4442:
4441:
4434:
4431:Simple Science
4427:
4420:
4417:Red Letter Day
4413:
4405:
4403:
4399:
4398:
4396:
4395:
4388:
4381:
4374:
4367:
4360:
4352:
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4327:
4320:
4313:
4306:
4298:
4295:
4294:
4289:
4287:
4286:
4279:
4272:
4264:
4258:
4257:
4243:
4242:External links
4240:
4238:
4237:
4219:
4188:
4182:
4165:
4144:
4109:
4092:
4057:
4020:
4000:
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2699:
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2643:
2614:
2587:
2561:
2535:
2503:
2461:
2431:
2405:
2379:
2360:Johnson, Zac.
2345:
2309:
2273:
2255:Modern Drummer
2240:
2213:
2180:
2144:
2096:
2064:
2033:
2024:
1988:
1941:
1901:
1892:
1883:
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1643:
1642:
1637:
1636:Charts (2015)
1625:
1622:
1621:
1618:
1604:
1603:
1598:
1597:Charts (1999)
1583:
1581:
1578:
1574:
1573:
1569:
1568:
1565:
1562:
1559:
1556:
1553:
1547:
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1428:
1427:
1424:
1421:
1417:
1416:
1413:
1406:
1402:
1401:
1398:
1397:"Out of Reach"
1395:
1391:
1390:
1387:
1384:
1380:
1379:
1376:
1373:
1369:
1368:
1365:
1358:
1354:
1353:
1350:
1347:
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1342:
1339:
1336:
1328:
1319:
1316:
1231:
1228:
1200:
1197:
1195:
1192:
1080:Kembrew McLeod
1067:upon release.
1056:
1055:
1052:
1044:
1043:
1014:
1006:
1005:
976:
968:
967:
964:
956:
955:
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932:
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923:
894:
886:
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856:
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847:
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836:
835:
806:
800:
799:
796:
792:
791:
781:
778:
772:
769:
741:Epitaph Europe
695:
692:
581:. Pryor cites
529:
526:
510:Red Letter Day
485:Red Letter Day
471:
468:
406:
403:
243:
242:
239:
238:
236:
235:
221:
218:
217:
207:
206:
203:
202:
199:
198:
189:
180:
175:Red Letter Day
166:
165:
158:
157:
155:
154:
151:
146:
142:
140:
134:
133:
127:
121:
120:
109:
105:
104:
102:
101:
96:
90:
88:
82:
81:
75:
71:
70:
69:June–July 1999
67:
63:
62:
59:
55:
54:
49:
42:
41:
33:
32:
24:
13:
10:
9:
6:
4:
3:
2:
4688:
4677:
4674:
4672:
4669:
4667:
4664:
4663:
4661:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4627:
4625:
4621:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4590:
4587:
4586:
4584:
4582:Side projects
4580:
4574:
4571:
4569:
4566:
4564:
4561:
4560:
4558:
4554:
4547:
4543:
4540:
4536:
4533:
4529:
4526:
4522:
4519:
4515:
4512:
4508:
4507:
4505:
4501:
4495:
4494:
4490:
4489:
4487:
4483:
4477:
4476:
4472:
4470:
4469:
4465:
4463:
4462:
4458:
4456:
4453:
4452:
4450:
4446:
4440:
4439:
4435:
4433:
4432:
4428:
4426:
4425:
4421:
4419:
4418:
4414:
4412:
4411:
4407:
4406:
4404:
4400:
4394:
4393:
4389:
4387:
4386:
4382:
4380:
4379:
4375:
4373:
4372:
4368:
4366:
4365:
4361:
4359:
4358:
4354:
4353:
4351:
4349:Studio albums
4347:
4341:Thomas Becker
4340:
4337:
4336:
4333:
4332:
4328:
4326:
4325:
4321:
4319:
4318:
4314:
4312:
4311:
4307:
4305:
4304:
4303:Matthew Pryor
4300:
4299:
4296:
4292:
4285:
4280:
4278:
4273:
4271:
4266:
4265:
4262:
4255:
4251:
4250:
4246:
4245:
4241:
4226:
4222:
4220:9780743201698
4216:
4212:
4208:
4207:
4202:
4198:
4194:
4189:
4185:
4179:
4175:
4171:
4166:
4159:September 28,
4154:
4150:
4145:
4133:
4129:
4125:
4121:
4120:
4115:
4110:
4106:
4102:
4098:
4093:
4089:
4083:
4067:
4063:
4058:
4046:
4042:
4038:
4034:
4030:
4026:
4021:
4017:
4013:
4009:
4008:
4002:
4001:
3999:
3998:
3979:
3975:
3971:
3965:
3962:
3949:
3945:
3944:
3939:
3932:
3929:
3916:
3912:
3908:
3901:
3898:
3885:
3881:
3877:
3870:
3867:
3854:
3850:
3844:
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3828:
3824:
3823:
3818:
3812:
3809:
3803:
3800:
3787:
3783:
3782:
3777:
3771:
3768:
3755:
3751:
3750:
3745:
3738:
3735:
3722:
3718:
3717:
3712:
3705:
3702:
3696:
3693:
3680:
3676:
3675:On the A Side
3672:
3665:
3662:
3649:
3645:
3641:
3635:
3632:
3619:
3615:
3611:
3604:
3601:
3588:
3584:
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3578:
3571:
3568:
3555:
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3549:
3542:
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3535:
3534:
3529:
3524:
3522:
3518:
3505:
3501:
3500:
3495:
3488:
3486:
3482:
3478:
3477:
3472:
3467:
3465:
3461:
3448:
3444:
3440:
3433:
3430:
3425:
3419:
3417:
3413:
3400:
3396:
3392:
3385:
3382:
3369:
3365:
3361:
3354:
3352:
3348:
3335:
3332:(in German).
3331:
3330:
3325:
3318:
3315:
3302:
3298:
3297:
3292:
3286:
3283:
3270:
3266:
3259:
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3250:
3248:
3244:
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3229:
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3210:
3206:
3202:
3195:
3193:
3189:
3177:
3176:
3171:
3164:
3161:
3148:
3144:
3140:
3133:
3131:
3127:
3121:
3118:
3113:
3112:
3104:
3101:
3093:September 30,
3088:
3084:
3080:
3073:
3071:
3067:
3062:
3056:
3048:
3042:
3039:
3034:
3028:
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3014:
3011:
2998:
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2811:
2808:
2795:
2791:
2784:
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2778:
2765:
2761:
2755:
2752:
2739:
2735:
2729:
2726:
2713:
2709:
2703:
2700:
2687:
2683:
2677:
2674:
2661:
2657:
2653:
2647:
2644:
2631:
2627:
2621:
2619:
2615:
2602:
2598:
2591:
2588:
2575:
2571:
2570:"Audio/Video"
2565:
2562:
2549:
2545:
2539:
2536:
2523:
2519:
2512:
2510:
2508:
2504:
2496:September 30,
2491:
2487:
2486:
2481:
2474:
2472:
2470:
2468:
2466:
2462:
2449:
2445:
2441:
2435:
2432:
2419:
2415:
2409:
2406:
2393:
2389:
2383:
2380:
2372:September 30,
2367:
2363:
2356:
2354:
2352:
2350:
2346:
2333:
2329:
2328:
2323:
2316:
2314:
2310:
2297:
2293:
2292:
2287:
2280:
2278:
2274:
2261:
2257:
2256:
2251:
2244:
2241:
2228:
2224:
2217:
2214:
2201:
2197:
2196:
2191:
2184:
2181:
2168:
2164:
2160:
2153:
2151:
2149:
2145:
2132:
2128:
2127:
2122:
2115:
2113:
2111:
2109:
2107:
2105:
2103:
2101:
2097:
2084:
2080:
2079:
2074:
2068:
2065:
2052:
2048:
2047:"Discography"
2042:
2040:
2038:
2034:
2028:
2025:
2012:
2008:
2004:
1997:
1995:
1993:
1989:
1984:
1978:
1970:
1966:
1962:
1958:
1952:
1950:
1948:
1946:
1942:
1929:
1925:
1924:
1919:
1912:
1910:
1908:
1906:
1902:
1896:
1893:
1887:
1884:
1871:
1867:
1866:
1861:
1854:
1851:
1845:
1842:
1836:
1833:
1827:
1824:
1818:
1815:
1802:
1798:
1794:
1787:
1785:
1783:
1781:
1777:
1764:
1760:
1756:
1749:
1746:
1740:
1737:
1724:
1720:
1716:
1710:
1708:
1706:
1704:
1702:
1700:
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1694:
1688:
1685:
1681:
1680:
1673:
1666:
1655:
1654:
1649:
1644:
1638:
1635:
1634:
1631:
1630:
1626:
1616:
1615:
1610:
1605:
1599:
1596:
1595:
1592:
1591:
1587:
1586:
1579:
1572:
1566:
1563:
1560:
1557:
1554:
1551:
1548:
1545:
1544:
1543:
1542:
1538:
1533:
1532:Matthew Pryor
1530:
1527:
1524:
1521:
1518:
1515:
1512:
1509:
1506:
1505:
1504:
1503:
1499:
1498:
1494:
1488:
1480:
1477:
1473:
1469:
1466:
1462:
1458:
1455:
1451:
1447:
1444:
1440:
1436:
1433:
1429:
1425:
1422:
1418:
1414:
1411:
1407:
1403:
1399:
1396:
1392:
1388:
1385:
1381:
1377:
1374:
1370:
1366:
1363:
1359:
1355:
1351:
1348:
1344:
1331:
1327:
1325:
1318:Track listing
1317:
1315:
1313:
1309:
1305:
1301:
1300:Alkaline Trio
1297:
1296:Saves the Day
1293:
1289:
1285:
1283:
1282:
1277:
1276:
1271:
1267:
1263:
1262:
1257:
1253:
1252:On the A Side
1249:
1248:
1243:
1239:
1238:
1229:
1227:
1225:
1221:
1218:
1214:
1211:
1210:
1205:
1198:
1193:
1190:
1186:
1184:
1180:
1179:
1174:
1170:
1166:
1165:
1160:
1159:
1153:
1150:
1149:
1144:
1140:
1134:
1133:
1128:
1124:
1120:
1119:
1114:
1110:
1109:
1104:
1102:
1101:
1095:
1094:
1089:
1085:
1081:
1077:
1072:
1071:
1066:
1065:music critics
1062:
1053:
1051:
1050:
1046:
1045:
1015:
1013:
1012:
1008:
1007:
977:
975:
974:
970:
969:
965:
963:
962:
958:
957:
945:
943:
942:
938:
937:
933:
931:
930:
926:
925:
895:
893:
892:
888:
887:
857:
855:
854:
850:
849:
845:
843:
842:
838:
837:
807:
805:
802:
801:
793:
790:Review scores
788:
779:
777:
770:
768:
766:
762:
758:
754:
750:
746:
742:
738:
733:
731:
727:
723:
719:
715:
711:
706:
702:
701:CMJ MusicFest
693:
691:
689:
688:country-esque
685:
684:
679:
675:
671:
667:
666:
661:
657:
652:
650:
646:
642:
638:
634:
633:Charlie Watts
628:
626:
622:
618:
614:
610:
609:
604:
600:
599:
594:
590:
589:
584:
580:
576:
572:
568:
564:
563:Saves The Day
560:
556:
555:
550:
546:
542:
538:
534:
527:
525:
523:
519:
515:
511:
506:
502:
498:
494:
489:
486:
481:
477:
476:Matthew Pryor
469:
467:
465:
461:
457:
452:
450:
445:
443:
438:
434:
430:
426:
422:
418:
414:
413:
404:
402:
400:
397:
393:
392:
387:
386:
381:
380:
375:
371:
370:Alkaline Trio
367:
366:Saves the Day
363:
359:
355:
350:
348:
344:
340:
336:
332:
328:
325:
324:
319:
318:music critics
315:
311:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
269:
268:
263:
259:
255:
251:
250:
240:
229:
223:
222:
219:
216:
212:
208:
204:
195:
194:
190:
186:
185:
181:
177:
176:
172:
171:
167:
163:
159:
152:
150:
147:
144:
143:
141:
139:
135:
131:
128:
126:
122:
110:
106:
100:
97:
95:
92:
91:
89:
87:
83:
80:
76:
72:
68:
64:
60:
56:
52:
47:
43:
39:
34:
29:
23:
19:
4491:
4473:
4466:
4459:
4454:
4436:
4429:
4422:
4415:
4408:
4390:
4383:
4376:
4369:
4363:
4362:
4355:
4331:James Dewees
4329:
4322:
4315:
4308:
4301:
4248:
4229:. Retrieved
4204:
4169:
4157:. Retrieved
4152:
4136:. Retrieved
4117:
4096:
4082:cite podcast
4070:. Retrieved
4049:. Retrieved
4032:
4028:
4007:Melody Maker
4005:
3996:
3995:
3982:. Retrieved
3973:
3964:
3952:. Retrieved
3941:
3931:
3919:. Retrieved
3910:
3900:
3888:. Retrieved
3879:
3869:
3857:. Retrieved
3843:
3831:. Retrieved
3820:
3811:
3802:
3790:. Retrieved
3779:
3770:
3760:February 25,
3758:. Retrieved
3747:
3737:
3725:. Retrieved
3721:the original
3714:
3704:
3695:
3685:February 25,
3683:. Retrieved
3664:
3652:. Retrieved
3643:
3634:
3622:. Retrieved
3603:
3593:February 25,
3591:. Retrieved
3580:
3570:
3558:. Retrieved
3551:
3541:
3532:
3508:. Retrieved
3504:the original
3497:
3475:
3451:. Retrieved
3442:
3432:
3403:. Retrieved
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4338:Nathan Shay
4231:December 4,
4051:December 4,
3215:October 27,
3153:October 27,
2760:"Tourdates"
2734:"Tourdates"
2626:"Tourdates"
2291:Consequence
2225:. VWMusic.
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1375:"Valentine"
749:Close to Me
637:Jim Keltner
621:Duran Duran
588:Summerteeth
514:Ten Minutes
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4660:Categories
4378:Guilt Show
4310:Jim Suptic
4097:Rock Sound
3984:August 28,
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3781:Rock Sound
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3329:Ox-Fanzine
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2126:PopMatters
1674:References
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1275:Rock Sound
1169:Vice Media
1118:Ox-Fanzine
1093:PopMatters
961:PopMatters
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4128:0261-250X
4105:1465-0185
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3476:Billboard
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3175:Pitchfork
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2163:Stereogum
1715:"History"
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1641:position
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1306:, while
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