591:. Pop did not sleep much during its making, commenting "See, Bowie's a hell of a fast guy ... I realized I had to be quicker than him, otherwise whose album was it gonna be?" He worked frequently with the Sales brothers and Gardiner, even rejecting some musical arrangements Bowie provided him for a few tracks, including "Success". Pop prepared only fragments of lyrics before singing, and essentially improvised at the microphone. This spontaneous lyrical method inspired Bowie to improvise his own words on his next studio album
42:
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1412:, I really thought America was gonna rock to this motherfucker. And it took 20 fuckin' years which is a really long time to wait. I guess what happened is that there was this system that wasn't gonna fuckin' give me a break, and I outlived the system. The movies and advertisers have subverted the stranglehold of radio in America, and there are now other ways for people to hear music. All of a sudden, – a few years ago when
836:, praised Pop's on-stage energy. Thurston recalled Pop being more professional than his days touring with the Stooges; he attributed this to him turning 30 years old. Thurston and Pop became good friends during the tour, although Pop still suffered from bouts of alcohol and cocaine use, as well as financial troubles. Pop fired the Sales brothers at the end of the tour.
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1487:. The box set, released on May 29, includes remastered versions of both albums along with outtakes, alternate mixes, and a 40-page book. The two original albums were also re-released individually, each paired with an additional album of live material to create separate stand-alone two-disc deluxe editions.
545:
At the end of the tour, Pop and Bowie returned to Berlin to start writing. To further achieve his own identity, Pop moved out of the apartment he was sharing with Bowie and his assistant Coco Schwab, relocating to his own place in the same building. The two continued writing for a few weeks before
520:
and the tour earned Pop fame and success greater than he ever achieved with the
Stooges. However, during interviews, he was often asked about Bowie more than his own work. This frustrated Pop and led to him realizing that for their next collaboration, he would have to take more control.
1271:
At the end of the tour, Pop became fed up with RCA and decided he was going to quickly finish his contract with a live album. The album, assembled from soundboard tapes from the two prior tours and given quick touch-ups by Edu Meyer at Hansa, was released as
694:, according to Pop's former girlfriend Esther Friedmann. The lyrics have also been interpreted as "Iggy's knowing commentary on Bowie's cultural vampirism". The music, a "laid-back ... springy groove", was composed by Gardiner. Characterized by
811:
With little promotion from the label, Pop continued touring. The Sales brothers were brought back for the tour, while the
Canadian guitarist Stacy Heydon, who worked with Bowie on his 1976 Isolar Tour, replaced Gardiner on guitar. Bowie, promoting
713:, was a sprawling confessional that dated back to an abortive recording session by Bowie and Pop in May 1975, when the latter was in the depths of his drug addiction. Originally titled "Moving On", it was composed by Bowie, Pop, Walter Lacey, and
531:
David and I had determined that we would record very quickly, which we wrote, recorded, and mixed in eight days, and because we had done it so quickly, we had a lot of money left over from the advance, which we split."
737:. It was taken in Pop's dressing room while he was preparing to talk to an interviewer during his UK tour. Kent stated: "It was a lucky great shot. This was Jimmy. The nice guy, a guy you'd like to hang out with."
516:", "Some Weird Sin", and "Turn Blue". Bowie was adamant about not taking the spotlight away from Pop, often staying behind his keyboard and not addressing the audience. The tour ended on April 16. The success of
762:
two weeks earlier, whose catalog the label was adamant on reissuing. Although RCA had pressed decent quantities of the album, once the first pressings were sold out, there were none left. Tony Sales recalled:
1207:
is not as "consistent" as its predecessor. He nevertheless considered the album one of his favorite albums of 1977, finding it to be more of a "day" record with its predecessor being a "night" record. In
717:. It was the only set of lyrics that did not appear on the original vinyl record sleeve. The album's remaining tracks included "Sixteen", the only piece written entirely by Pop; "Some Weird Sin", a
779:, which he calls "the most overtly commercial album of Iggy Pop's career"—and the record that marked his "return to health and happiness"—received little, contributing to its poor performance.
1347:
803:
chart, and performed well in the
Netherlands, peaking at number 8. "Success", backed with "The Passenger", was released on September 30, 1977, as a single from the album, but failed to chart.
447:
in 1974. The majority of the music was composed by Bowie, while Pop wrote most of the lyrics, often in response to the music being composed. Due to Bowie's major influence on its creation,
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504:
on bass and drums, respectively. Rehearsals began in mid-February 1977 and the tour began at the start of March. Songs played included popular
Stooges numbers, a couple of tracks from
1222:, as well as his vocal performance. However, he was critical of some tracks, including "Some Weird Sin", "Tonight", and "Success", the last of which he considered "'Fame' revisited".
409:; the former would later be regarded as one of his best works and has appeared on several best album lists. It also marked Pop and Bowie's final collaboration until the mid-1980s.
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671:
news in Berlin. At various points in the song, the melody is doubled by the entire band; in Alomar's words, "You can't play a counter-rhythm to that, you just had to follow."
546:
they were joined by
Gardiner in May 1977, who recalled that "quite a few ideas were already present". The trio spent a small number of weeks writing, devising tracks such as "
3776:
1214:, Pete Makowski praised the record, calling it "excellent". He complimented the band's performance and Pop's vocals, labeling them "a bit jagged but powerful". Writing for
566:, solely contributing keyboards like the tour. Gardiner recalled that because they were already a "tour-hardened band", there was a more "live" feel to the tracks than
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2091:
1241:
Pop's "most effervescent, optimistic album", praising Pop's greater contribution to the record over its predecessor. Reviewing the album as part of the 2020 box set
1233:
Pop's best solo work, stating that with the record, he "managed to channel the aggressive power of his work with the
Stooges with the intelligence and perception of
1193:"because it's faster and more assertive—which means, among other things, that the nihilistic satire is counteracted by the forward motion of the music itself".
3160:
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1450:
725:" "Neighborhood Threat"; and "Fall in Love with Me", which grew from an impromptu jam by the band to which Pop composed lyrics apparently evoking Friedmann.
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was released through RCA on
September 9, 1977, with the catalog number RCA PL-12488. It received little promotion from RCA, primarily due to the death of
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in March. The album became the biggest commercial success involving Pop up to that point, reaching the top 40 in both the US and the UK charts.
1914:
570:. For the impromptu "Fall in Love with Me", the band swapped instruments: Hunt played bass, Tony Fox played guitar, and Gardiner played drums.
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to begin recording. The rhythm section of Hunt and Tony Sales on drums and bass, respectively, returned from the tour, along with guitarist
4469:
1382:
3975:
2494:...two other songs 'Drink to Me' and 'Turn Blue' which, with a new lyric, featured on Iggy's 1977 solo tour and in much altered form on
2436:
1351:. Pop praised it, commenting: "She threw a little note in when she sings it that I wish I had thought of, it's kind of improved it The
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597:(1977). According to Pop, the entire album was written, recorded, and mixed in eight days, starting in May and finishing in June.
4616:
2520:
1372:, resulting in a new UK chart peak of number 26 after being reissued as a single. The single's success inspired Pop's then-label
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3215:
2714:
1317:
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would be the two's last official collaboration until the mid-1980s. Pop co-wrote tracks with Bowie for the latter's 1984 album
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in May 1978. It earned him a decent payout from RCA. Prior to its release, recordings Pop had made with former
Stooges member
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the drums sound not huge but massive! The loudest cymbals known to man, that riff! I wanted to sound like that, still do."
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is a successful album", but complained that Pop's "new stance is so utterly unchallenging and cautious". By contrast,
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abuse. In contrast were more upbeat songs such as "Success" and "Lust for Life", the latter of which was described by
1437:
ranked the album 21st and 44th in their lists of the 100 greatest albums of all time in 1986 and 1995, respectively.
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4699:
4515:
4324:
4155:
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1362:
The title track gained renewed popularity in the late 1990s after being featured in the 1996 British comedy film
1338:
1218:, Max Bell gave the record a positive review, calling it "quite good". He praised Pop's greater role compared to
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was well-received, with many praising Pop's energetic performance throughout and his greater role compared to
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thing is good." Bowie reconnected with the Sales brothers in 1989 when they formed their hard rock band
1189:
to be more consistent than Pop's albums with the
Stooges. He later noted that of the two, he preferred
323:. At the tour's conclusion, Pop and Bowie regrouped in Berlin to record the former's next solo album.
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Although Bowie had told interviewers that he planned to do a third collaboration with Pop in 1978,
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praised Pop's performance, writing that he managed to put more of himself into the record than
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as one of Pop's "most haunting" tracks, and "Tonight" and "Turn Blue", both of which deal with
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439:
437:, France, Bowie decided to produce Pop's first solo album. Recorded from June to August 1976,
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who was brought in by Bowie as a musical director. Bowie reduced his role significantly from
477:
in
January 1977 and due to its unexpected commercial success, Bowie persuaded RCA to release
4444:
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4352:
4310:
3947:
3714:
3201:
2752:
2358:
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820:. The band performed 40 gigs in almost nine weeks and received positive reviews. The critic
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and afterwards, moved to Europe with him in hopes of getting sober. After moving into the
385:
330:
159:
88:
3444:
Murray, Charles Shaar (October 25, 1984). "Let's Talk, A Conversation with David Bowie".
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2044:
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from May to June 1977, with production being handled by Bowie, Pop, and the engineer
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has continued to receive positive reviews. Writing for AllMusic, Mark Deming called
361:, often composing his own arrangements, including for "Sixteen". This resulted in a
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3381:
3111:
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2448:
1757:
1657:
1033:
821:
714:
687:
672:
636:. However, some of its themes are similarly dark, as in "The Passenger", cited by
353:
on bass and drums, respectively, comprised the primary lineup for the album. After
288:
147:
4075:
1181:
refuted the critical opinion that Pop's "creative power has dissipated", finding
663:
According to Pop, Bowie's celebrated riff on "Lust for Life" was inspired by the
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1969:
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1368:. The song was heavily featured in the film's marketing campaign and subsequent
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received little promotion from RCA but nevertheless peaked at number 28 on the
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1688:
1500:, except "Turn Blue" by Pop and Walter Lacey; music composers are listed below
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664:
629:
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501:
452:
373:. Pop would use Bowie's arrangements for some songs, including the well-known
366:
350:
309:, released in March the same year. Shortly after Bowie released his own album
117:
17:
2389:
1292:, credited jointly to Pop and Williamson. After leaving RCA, Pop signed with
357:
was mostly composed by Bowie, Pop was adamant about having more control over
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3588:
1445:
number 64 in its list of the 100 Best Albums of the 1970s in 2004. In 2013,
1418:
1387:
1288:
1163:
was met with positive reviews from music critics. In a contemporary review,
722:
718:
625:
608:
is generally considered to be more of a pop record than the Bowie-dominated
362:
214:
112:
1968:
Chris O'Leary and AllMusic give the release date as August 29, 1977, while
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695:
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poem that saw "modern life as a journey by car", as well as rides on the
643:
456:
418:
394:. It also peaked at number 8 in the Netherlands and number 120 on the US
292:
183:
54:
1479:, a seven-disc deluxe box set featuring expanded remastered versions of
702:
as "an infectious throwaway", "Success" is a light-hearted track of the
4216:
4211:
1333:
and removed the opening drug-related lines, and "Don't Look Down" from
3515:
Derringer, Liz (August 1989). "Tin Machine – Bowie's Latest Vehicle".
488:, opting instead to support Pop on a tour of his own. With himself on
651:
1719:
According to the liner notes and the author Thomas Jerome Seabrook:
1386:. Joe Ambrose writes that it gained the same level of resurgence as
1453:. It was also included in the 2018 edition of Robert Dimery's book
1329:: "Neighborhood Threat" and "Tonight", which he dueted with singer
790:
and remained Pop's highest-charting release in the UK until 2016's
1262:
49:
3715:"Iggy Pop Box Set to Focus on First Two David Bowie-Produced LPs"
1429:
has appeared on several best-of lists by multiple publications.
4226:
2425:; Peisner, David; Raftery, Brian; Robbins, Ira (October 2007).
2225:
2223:
2221:
1302:, was produced by Williamson and released in the fall of 1979.
3657:
3501:
2394:
2242:
2240:
2238:
2181:
2179:
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critic Billy Altman considered that "purely on its own terms,
745:, in that Pop's healthy appearance and smiling gaze represent
733:
The cover photo was by Andy Kent, who also shot the cover for
709:
At just under seven minutes, "Turn Blue", the longest song on
638:
459:. After the album's completion, Bowie recorded his own album,
2329:
2327:
2325:
1315:, while Bowie would co-write and co-produce Pop's 1986 album
443:
was Pop's first release since the breakup of his former band
388:
and remained Pop's highest-charting album there until 2016's
2300:
2298:
2296:
1831:
1237:, and the result was the best of both worlds". Trynka calls
4222:
3843:"British album certifications – Iggy Pop – Lust for Life"
2115:
2113:
2111:
2109:
1404:. In 1999, Pop reflected on the song's renewed popularity:
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2594:
2592:
2166:
2164:
2833:
2831:
2829:
2208:
2206:
2014:
2012:
1325:, Bowie covered three of Pop's tracks, including two off
3037:
3035:
2816:
2814:
2812:
2810:
1267:
Pop on stage during the Lust for Life tour in late 1977.
3896:
Strange Fascination – David Bowie: The Definitive Story
2542:
2540:
2538:
1416:
came out – I was walkin' down the street and I'd heard
455:
sound of the Stooges, in favor of a style more akin to
3957:
Christgau's Record Guide: Rock Albums of the Seventies
2882:(in Dutch). Hung Medien. Retrieved November 17, 2021.
2271:
2269:
2267:
782:
Despite little promotion and lack of vinyl pressings,
3064:
3062:
3008:"Pop On Pop: Iggy Rates His Own Music (And So Do We)"
1467:
On April 10, 2020, Pop released an alternate mix of "
816:, was replaced on keyboards by former Stooges member
767:
just disappeared from the shelves, and that was it."
752:
s overall positive tone compared to its predecessor.
2390:"Iggy Pop – 'Post Pop Depression' – The NME Verdict"
581:
under the pseudonym "Bewlay Bros.", named after the
4599:
4567:
4486:
4461:
4436:
4415:
4267:
4260:
1742: – rhythm guitar, backing vocals, lead guitar
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1619:
1519:
1508:
741:writes that the cover provides a stark contrast to
231:
182:
158:
146:
130:
99:
84:
76:
61:
48:
34:
4177:
4054:Ashes to Ashes: The Songs of David Bowie 1976–2016
3377:"The world was not ready for Iggy and the Stooges"
3140:
3138:
4452:Roadkill Rising: The Bootleg Collection 1977–2009
1972:and Joe Ambrose give a date of September 7, 1977.
369:sound more akin to his older style with the band
3991:Coleman, Mark; Kemp, Rob (2004). "Iggy Pop". In
2507:
2505:
775:had received a decent amount of press coverage,
341:. The touring band of Pop, Bowie, the guitarist
4152:David Bowie – Starman: The Definitive Biography
3775:: CS1 maint: others in cite AV media (notes) (
1819:Richard Robinson – mastering engineer (US)
1406:
1282:in 1975 were released in November 1977 through
612:, being less experimental and having more of a
529:
3653:"The 500 Greatest Albums of All Time: 300–201"
1800: – producer (as Bewlay Bros.), engineer,
944:
721:number featuring a "lost-boy lyric"; the "neo-
616:flavor. Overall, reviewers have characterized
4238:
2875:
2873:
2651:"S-Bahn brachte Iggy Pop auf "The Passenger""
2435:. Vol. 23, no. 10. pp. 67–70.
1794:David Bowie – producer (as Bewlay Bros.)
8:
1115:
1077:
1039:
989:
906:
868:
4101:Bowie in Berlin: A New Career in a New Town
3125:
2880:"Dutchcharts.nl – Iggy Pop – Lust for Life"
2801:
2777:
2287:
2229:
2003:
1939:Sales figures based on certification alone.
1751: – lead guitar, backing vocals, drums
660:as Pop's "survivor message to the masses".
4412:
4264:
4245:
4231:
4223:
2119:
1898:
1835:
1791:Iggy Pop – producer (as Bewlay Bros.)
843:
315:in January, Pop went on a tour to support
40:
31:
3041:
2463:"Iggy Pop album 'Lust For Life' turns 45"
1810:Ian Cooper – mastering engineer (UK)
1394:" (1967) after the latter's inclusion in
1341:recorded a cover of "The Passenger" with
828:, who gave negative assessments for both
796:. It also peaked at number 120 on the US
295:, released on September 9, 1977, through
4080:(Revised and Updated ed.). London:
3745:
3688:(Revised and Updated ed.). London:
3686:1001 Albums You Must Hear Before You Die
3419:
2852:
2583:
2316:
2246:
2197:
2185:
2155:
2030:
1991:
1613:
1502:
1456:1001 Albums You Must Hear Before You Die
1449:ranked the album 217th in their list of
554:". At the end of May, they moved to the
3727:from the original on September 28, 2020
3684:Dimery, Robert; Lydon, Michael (2018).
3545:
3482:
3470:
3355:
3163:from the original on September 24, 2020
2837:
2333:
2212:
2131:
1984:
1961:
1935:
1700:
537:—Iggy Pop on the recording process for
492:, Bowie assembled a band that included
299:. It was his second collaboration with
3768:
3533:
3407:
3343:
3331:
3319:
3297:from the original on November 29, 2020
3053:
2953:
2931:from the original on September 9, 2021
2903:
2864:
2820:
2789:
2427:"The 30 Essential Punk Albums of 1977"
2352:
2350:
2348:
2346:
2344:
2342:
2304:
2258:
2143:
2059:from the original on December 30, 2014
4470:Nude & Rude: The Best of Iggy Pop
3790:"Iggy Pop | Artist | Official Charts"
3258:from the original on January 28, 2021
3188:
3109:(Summer 2020). "The Berlin Stories".
2619:from the original on October 27, 2016
2439:from the original on October 20, 2020
2078:Little, Michael H. (March 30, 2016).
1769: – bass, backing vocals, guitar
1760: – keyboards and backing vocals
1701:
849:
7:
3823:from the original on August 24, 2021
3458:
3448:. No. 433. pp. 14, 18, 74.
3431:
2891:
2735:
2637:
2598:
2275:
2170:
2018:
1822:Andrew Kent – cover photography
1778: – drums, backing vocals, bass
1475:in promotion of then-upcoming album
786:managed to peak at number 28 on the
4695:New wave albums by American artists
3873:Gimme Danger: The Story of Iggy Pop
3589:"The 100 Greatest Albums Ever Made"
3020:from the original on August 9, 2020
2759:from the original on March 14, 2017
2690:from the original on August 8, 2020
2490:Gimme Danger: The Story of Iggy Pop
2402:from the original on March 12, 2016
1451:the 500 Greatest Albums of All Time
946:
4477:A Million in Prizes: The Anthology
4118:Rubin, Mike (1995). "Stooges". In
3978:from the original on April 6, 2019
3765:. UK: RCA Records. 1977. PL 12488.
3651:Barker, Emily (October 25, 2013).
3622:"The 100 Best Albums of the 1970s"
3601:from the original on June 28, 2021
3569:from the original on July 10, 2021
3218:from the original on March 4, 2016
3145:Makowski, Pete (August 20, 1977).
2663:from the original on June 16, 2016
2547:Altman, Billy (January 12, 1978).
2388:Wilkinson, Matt (March 11, 2016).
2369:from the original on April 3, 2019
686:"The Passenger" was inspired by a
573:Bowie, Pop, and producer-engineer
508:, and tracks that would appear on
417:After a period of drug addiction,
25:
4685:Albums produced by Colin Thurston
4030:The Encyclopedia of Popular Music
4002:The New Rolling Stone Album Guide
3620:Schreiber, Ryan (June 23, 2004).
3559:"The 100 Best Albums of All Time"
3087:from the original on June 6, 2020
2717:from the original on May 31, 2016
2523:from the original on June 2, 2016
2094:from the original on July 1, 2016
1117:
1079:
1041:
991:
908:
870:
698:as "a glorious throwaway" and by
4099:Seabrook, Thomas Jerome (2008).
4033:(5th concise ed.). London:
3986:– via robertchristgau.com.
2659:(in German). February 21, 2013.
1136:
1131:
1126:
1121:
1116:
1098:
1093:
1088:
1083:
1078:
1060:
1055:
1050:
1045:
1040:
1010:
1005:
1000:
995:
990:
960:
955:
950:
945:
927:
922:
917:
912:
907:
889:
884:
879:
874:
869:
4005:(4th ed.). New York City:
3713:Deriso, Nick (April 10, 2020).
2921:"Iggy Pop: Cobo Arena, Detroit"
1816: – mastering engineer (US)
4680:Albums produced by David Bowie
3069:Geffen, Sasha (June 6, 2020).
1744:("Lust for Life", "Turn Blue")
1620:
1509:
1:
4125:Spin Alternative Record Guide
3847:British Phonographic Industry
3434:, pp. 406, 487–489, 493.
3305:– via Rock's Backpages
3281:Bell, Max (August 27, 1977).
3266:– via Rock's Backpages
2980:. No. 29. Archived from
2939:– via Rock's Backpages
2753:"'Some Weird Sin' – Iggy Pop"
1900:Sales and certifications for
1837:Weekly chart performance for
1148:Spin Alternative Record Guide
1072:The Rolling Stone Album Guide
984:Encyclopedia of Popular Music
27:1977 studio album by Iggy Pop
3926:Bowie: An Illustrated Record
3206:"Christgau's Consumer Guide"
3115:. No. 413. p. 108.
2966:Smith, RJ (September 2004).
2684:"'The Passenger' – Iggy Pop"
2613:"'Lust for Life' – Iggy Pop"
1876:
1861:
1807:Eduard Meyer – engineer
1296:; his first album for them,
465:, in a style reminiscent of
451:marked a departure from the
255:Released: September 30, 1977
4180:Iggy Pop: Open Up and Bleed
3628:. p. 4. Archived from
65:September 9, 1977
4716:
4523:Real Wild Child (Wild One)
1732: – keyboards, piano,
1496:All lyrics are written by
484:Bowie declined to promote
4156:Little, Brown and Company
4103:. London: Jawbone Press.
3796:. Retrieved May 6, 2021.
3609:– via rocklist.net.
3577:– via rocklist.net.
1936:
1921:
1913:
1910:
1907:
1881:
1866:
1854:
1827:Charts and certifications
1680:
1666:
1649:
1635:
1627:
1624:
1592:
1572:
1558:
1544:
1524:
1516:
1513:
1376:to issue a greatest hits
1348:Through the Looking Glass
1339:Siouxsie and the Banshees
857:
854:
496:on guitar, with brothers
291:by the American musician
276:
242:
227:
190:
39:
4642:Post Pop Depression Tour
4077:The Complete David Bowie
3894:Buckley, David (2005) .
3346:, pp. 235, 238–239.
2517:"'Turn Blue' – Iggy Pop"
1780:("Fall in Love with Me")
1771:("Fall in Love with Me")
1753:("Fall in Love with Me")
972:Christgau's Record Guide
556:Hansa Studio by the Wall
331:Hansa Studio by the Wall
4122:; Marks, Craig (eds.).
4052:O'Leary, Chris (2019).
3307:(subscription required)
3268:(subscription required)
3176:(subscription required)
3126:Coleman & Kemp 2004
2941:(subscription required)
1422:comin' out of the bars.
669:American Forces Network
4648:Teatime Dub Encounters
2711:"'Success' – Iggy Pop"
2120:Carr & Murray 1981
1684:"Fall in Love with Me"
1424:
1268:
585:on Bowie's 1971 album
534:
268:Released: October 1977
4558:I Wanna Be Your Slave
4346:Naughty Little Doggie
3922:Murray, Charles Shaar
3871:Ambrose, Joe (2004).
3720:Ultimate Classic Rock
2488:Ambrose, Joe (2007).
1670:"Neighborhood Threat"
1266:
4056:. London: Repeater.
4027:(2011). "Iggy Pop".
4007:Simon & Schuster
2919:(November 5, 1977).
1396:Francis Ford Coppola
1345:on their 1987 album
1259:Aftermath and legacy
845:Professional ratings
648:Charles Shaar Murray
431:Château d'Hérouville
4537:Well, Did You Evah!
4388:Post Pop Depression
3771:cite AV media notes
3748:, pp. 152–158.
3410:, pp. 236–240.
3389:on February 5, 2021
3358:, pp. 189–190.
3334:, pp. 234–235.
3322:, pp. 326–327.
3204:(October 3, 1977).
2956:, pp. 233–235.
2867:, pp. 417–426.
2792:, pp. 228–229.
2601:, pp. 177–178.
2586:, pp. 148–158.
2469:. September 9, 2022
2336:, pp. 185–186.
2307:, pp. 263–272.
2249:, pp. 146–147.
2200:, pp. 144–145.
2188:, pp. 145–146.
2173:, pp. 570–571.
2158:, pp. 136–137.
2021:, pp. 487–488.
1904:
1841:
1616:
1505:
1463:2020 deluxe edition
846:
793:Post Pop Depression
771:notes that whereas
729:Artwork and release
401:chart. Critically,
391:Post Pop Depression
287:is the second solo
4690:RCA Records albums
4462:Compilation albums
4219:(list of releases)
3962:Ticknor and Fields
3930:Eel Pie Publishing
3632:on August 16, 2021
3375:(March 11, 2010).
3240:(September 1977).
2088:The Vinyl District
1899:
1887:Top LPs & Tape
1836:
1802:mastering engineer
1614:
1503:
1269:
1245:, Sasha Geffen of
844:
840:Critical reception
801:Top LPs & Tape
421:joined his friend
399:Top LPs & Tape
319:with Bowie as his
4657:
4656:
4432:
4431:
4411:
4410:
4195:978-0-76792-319-4
4184:. New York City:
4165:978-0-31603-225-4
4154:. New York City:
4128:. New York City:
4110:978-1-90600-208-4
4091:978-1-78565-365-0
4063:978-1-91224-830-8
4044:978-0-85712-595-8
3948:Christgau, Robert
3939:978-0-38077-966-6
3909:978-0-75351-002-5
3886:978-1-84449-328-9
3699:978-1-78840-080-0
3665:on April 11, 2021
3500:. July 15, 1990.
3211:The Village Voice
3202:Christgau, Robert
3006:(July 22, 1990).
2780:, pp. 74–75.
2565:on April 20, 2008
2232:, pp. 66–70.
2033:, pp. 80–81.
2006:, pp. 20–27.
1994:, pp. 76–79.
1952:
1951:
1945:
1944:
1940:
1895:
1894:
1781:
1772:
1763:
1754:
1745:
1711:
1710:
1628:Music composer(s)
1610:
1609:
1517:Music composer(s)
1343:brass instruments
1225:Retrospectively,
1178:The Village Voice
1157:
1156:
704:call and response
280:
279:
223:
222:
16:(Redirected from
4707:
4700:Protopunk albums
4617:The Prime Movers
4600:Related articles
4445:TV Eye Live 1977
4418:James Williamson
4413:
4311:Zombie Birdhouse
4265:
4247:
4240:
4233:
4224:
4199:
4183:
4169:
4143:
4114:
4095:
4067:
4048:
4020:
3997:Hoard, Christian
3993:Brackett, Nathan
3987:
3985:
3983:
3943:
3913:
3890:
3858:
3857:
3855:
3853:
3839:
3833:
3832:
3830:
3828:
3803:
3797:
3787:
3781:
3780:
3774:
3766:
3755:
3749:
3743:
3737:
3736:
3734:
3732:
3710:
3704:
3703:
3681:
3675:
3674:
3672:
3670:
3661:. Archived from
3648:
3642:
3641:
3639:
3637:
3617:
3611:
3610:
3608:
3606:
3585:
3579:
3578:
3576:
3574:
3555:
3549:
3543:
3537:
3531:
3525:
3524:
3512:
3506:
3505:
3492:
3486:
3480:
3474:
3468:
3462:
3456:
3450:
3449:
3441:
3435:
3429:
3423:
3417:
3411:
3405:
3399:
3398:
3396:
3394:
3385:. Archived from
3373:Petridis, Alexis
3369:Hodgkinson, Will
3365:
3359:
3353:
3347:
3341:
3335:
3329:
3323:
3317:
3311:
3310:
3308:
3304:
3302:
3278:
3272:
3271:
3269:
3265:
3263:
3234:
3228:
3227:
3225:
3223:
3198:
3192:
3186:
3180:
3179:
3177:
3173:Rock's Backpages
3170:
3168:
3151:(RCA AFLI 2488)"
3142:
3133:
3123:
3117:
3116:
3103:
3097:
3096:
3094:
3092:
3066:
3057:
3051:
3045:
3039:
3030:
3029:
3027:
3025:
3000:
2994:
2993:
2991:
2989:
2984:on June 30, 2006
2963:
2957:
2951:
2945:
2944:
2942:
2938:
2936:
2913:
2907:
2901:
2895:
2889:
2883:
2877:
2868:
2862:
2856:
2850:
2841:
2835:
2824:
2818:
2805:
2799:
2793:
2787:
2781:
2775:
2769:
2768:
2766:
2764:
2745:
2739:
2733:
2727:
2726:
2724:
2722:
2709:Thompson, Dave.
2706:
2700:
2699:
2697:
2695:
2679:
2673:
2672:
2670:
2668:
2647:
2641:
2635:
2629:
2628:
2626:
2624:
2608:
2602:
2596:
2587:
2581:
2575:
2574:
2572:
2570:
2561:. Archived from
2544:
2533:
2532:
2530:
2528:
2509:
2500:
2499:
2485:
2479:
2478:
2476:
2474:
2459:
2453:
2452:
2446:
2444:
2418:
2412:
2411:
2409:
2407:
2385:
2379:
2378:
2376:
2374:
2354:
2337:
2331:
2320:
2314:
2308:
2302:
2291:
2285:
2279:
2273:
2262:
2256:
2250:
2244:
2233:
2227:
2216:
2210:
2201:
2195:
2189:
2183:
2174:
2168:
2159:
2153:
2147:
2141:
2135:
2129:
2123:
2117:
2104:
2103:
2101:
2099:
2075:
2069:
2068:
2066:
2064:
2040:
2034:
2028:
2022:
2016:
2007:
2001:
1995:
1989:
1973:
1966:
1938:
1922:United Kingdom (
1905:
1842:
1832:
1779:
1770:
1761:
1752:
1743:
1736:, backing vocals
1704:
1622:
1617:
1562:"Some Weird Sin"
1511:
1506:
1370:soundtrack album
1280:James Williamson
1173:Robert Christgau
1141:
1140:
1139:
1135:
1134:
1130:
1129:
1125:
1124:
1120:
1119:
1103:
1102:
1101:
1097:
1096:
1092:
1091:
1087:
1086:
1082:
1081:
1065:
1064:
1063:
1059:
1058:
1054:
1053:
1049:
1048:
1044:
1043:
1015:
1014:
1013:
1009:
1008:
1004:
1003:
999:
998:
994:
993:
965:
964:
963:
959:
958:
954:
953:
949:
948:
932:
931:
930:
926:
925:
921:
920:
916:
915:
911:
910:
894:
893:
892:
888:
887:
883:
882:
878:
877:
873:
872:
847:
751:
601:Music and themes
541:
469:. Bowie's label
427:1976 Isolar Tour
329:was recorded at
269:
266:
256:
253:
192:
191:
142:
141:
137:
72:
70:
44:
32:
21:
4715:
4714:
4710:
4709:
4708:
4706:
4705:
4704:
4670:Iggy Pop albums
4660:
4659:
4658:
4653:
4595:
4563:
4482:
4457:
4428:
4407:
4339:American Caesar
4256:
4251:
4207:
4202:
4196:
4172:
4166:
4146:
4140:
4117:
4111:
4098:
4092:
4070:
4064:
4051:
4045:
4023:
4017:
3990:
3981:
3979:
3972:
3946:
3940:
3916:
3910:
3893:
3887:
3870:
3866:
3861:
3851:
3849:
3841:
3840:
3836:
3826:
3824:
3805:
3804:
3800:
3794:UK Albums Chart
3788:
3784:
3767:
3761:(liner notes).
3757:
3756:
3752:
3744:
3740:
3730:
3728:
3712:
3711:
3707:
3700:
3692:. p. 392.
3683:
3682:
3678:
3668:
3666:
3650:
3649:
3645:
3635:
3633:
3619:
3618:
3614:
3604:
3602:
3597:. August 1995.
3587:
3586:
3582:
3572:
3570:
3557:
3556:
3552:
3544:
3540:
3532:
3528:
3517:The Music Paper
3514:
3513:
3509:
3494:
3493:
3489:
3481:
3477:
3469:
3465:
3457:
3453:
3443:
3442:
3438:
3430:
3426:
3418:
3414:
3406:
3402:
3392:
3390:
3367:
3366:
3362:
3354:
3350:
3342:
3338:
3330:
3326:
3318:
3314:
3306:
3300:
3298:
3280:
3279:
3275:
3267:
3261:
3259:
3236:
3235:
3231:
3221:
3219:
3200:
3199:
3195:
3187:
3183:
3175:
3166:
3164:
3144:
3143:
3136:
3124:
3120:
3105:
3104:
3100:
3090:
3088:
3073:The Bowie Years
3068:
3067:
3060:
3052:
3048:
3040:
3033:
3023:
3021:
3013:Chicago Tribune
3002:
3001:
2997:
2987:
2985:
2965:
2964:
2960:
2952:
2948:
2940:
2934:
2932:
2915:
2914:
2910:
2902:
2898:
2890:
2886:
2878:
2871:
2863:
2859:
2851:
2844:
2836:
2827:
2819:
2808:
2800:
2796:
2788:
2784:
2776:
2772:
2762:
2760:
2747:
2746:
2742:
2734:
2730:
2720:
2718:
2708:
2707:
2703:
2693:
2691:
2682:Maginnis, Tom.
2681:
2680:
2676:
2666:
2664:
2649:
2648:
2644:
2636:
2632:
2622:
2620:
2610:
2609:
2605:
2597:
2590:
2582:
2578:
2568:
2566:
2546:
2545:
2536:
2526:
2524:
2511:
2510:
2503:
2487:
2486:
2482:
2472:
2470:
2461:
2460:
2456:
2442:
2440:
2420:
2419:
2415:
2405:
2403:
2387:
2386:
2382:
2372:
2370:
2356:
2355:
2340:
2332:
2323:
2315:
2311:
2303:
2294:
2286:
2282:
2274:
2265:
2257:
2253:
2245:
2236:
2228:
2219:
2211:
2204:
2196:
2192:
2184:
2177:
2169:
2162:
2154:
2150:
2142:
2138:
2130:
2126:
2118:
2107:
2097:
2095:
2077:
2076:
2072:
2062:
2060:
2042:
2041:
2037:
2029:
2025:
2017:
2010:
2002:
1998:
1990:
1986:
1982:
1977:
1976:
1967:
1963:
1958:
1953:
1915:Certified units
1849:
1829:
1717:
1712:
1702:
1673:Bowie, Gardiner
1642:Bowie, Gardiner
1611:
1493:
1477:The Bowie Years
1465:
1383:Nude & Rude
1261:
1243:The Bowie Years
1137:
1132:
1127:
1122:
1099:
1094:
1089:
1084:
1061:
1056:
1051:
1046:
1011:
1006:
1001:
996:
961:
956:
951:
939:Chicago Tribune
928:
923:
918:
913:
890:
885:
880:
875:
842:
809:
788:UK Albums Chart
749:
731:
667:opening to the
603:
543:
536:
527:
415:
386:UK Albums Chart
345:, and brothers
272:
267:
260:
259:
254:
247:
246:
218:
209:
200:
139:
135:
134:
68:
66:
57:
28:
23:
22:
15:
12:
11:
5:
4713:
4711:
4703:
4702:
4697:
4692:
4687:
4682:
4677:
4672:
4662:
4661:
4655:
4654:
4652:
4651:
4644:
4639:
4634:
4629:
4624:
4619:
4614:
4609:
4603:
4601:
4597:
4596:
4594:
4593:
4586:
4579:
4571:
4569:
4565:
4564:
4562:
4561:
4554:
4547:
4540:
4533:
4526:
4519:
4512:
4505:
4498:
4490:
4488:
4484:
4483:
4481:
4480:
4473:
4465:
4463:
4459:
4458:
4456:
4455:
4448:
4440:
4438:
4434:
4433:
4430:
4429:
4422:
4420:
4409:
4408:
4406:
4405:
4398:
4391:
4384:
4377:
4370:
4363:
4356:
4349:
4342:
4335:
4332:Brick by Brick
4328:
4321:
4318:Blah-Blah-Blah
4314:
4307:
4300:
4293:
4286:
4279:
4271:
4269:
4262:
4258:
4257:
4252:
4250:
4249:
4242:
4235:
4227:
4221:
4220:
4206:
4205:External links
4203:
4201:
4200:
4194:
4186:Broadway Books
4170:
4164:
4144:
4138:
4120:Weisbard, Eric
4115:
4109:
4096:
4090:
4072:Pegg, Nicholas
4068:
4062:
4049:
4043:
4021:
4015:
3988:
3970:
3944:
3938:
3914:
3908:
3891:
3885:
3867:
3865:
3862:
3860:
3859:
3834:
3811:Chart History"
3798:
3782:
3750:
3738:
3705:
3698:
3676:
3643:
3612:
3580:
3550:
3548:, p. 256.
3538:
3536:, p. 304.
3526:
3507:
3487:
3485:, p. 186.
3475:
3473:, p. 363.
3463:
3461:, p. 406.
3451:
3436:
3424:
3422:, p. 148.
3412:
3400:
3360:
3348:
3336:
3324:
3312:
3273:
3229:
3193:
3191:, p. 378.
3181:
3134:
3118:
3107:Goddard, Simon
3098:
3058:
3046:
3042:Christgau 1981
3031:
2995:
2958:
2946:
2908:
2906:, p. 232.
2896:
2894:, p. 269.
2884:
2869:
2857:
2855:, p. 149.
2842:
2840:, p. 187.
2825:
2823:, p. 231.
2806:
2794:
2782:
2770:
2749:Thompson, Dave
2740:
2738:, p. 290.
2728:
2701:
2674:
2642:
2640:, p. 208.
2630:
2603:
2588:
2576:
2534:
2513:Thompson, Dave
2501:
2480:
2454:
2413:
2380:
2357:Deming, Mark.
2338:
2321:
2319:, p. 152.
2309:
2292:
2280:
2278:, p. 489.
2263:
2261:, p. 228.
2251:
2234:
2217:
2215:, p. 173.
2202:
2190:
2175:
2160:
2148:
2146:, p. 324.
2136:
2134:, p. 272.
2124:
2122:, p. 118.
2105:
2070:
2043:Deming, Mark.
2035:
2023:
2008:
1996:
1983:
1981:
1978:
1975:
1974:
1960:
1959:
1957:
1954:
1950:
1949:
1943:
1942:
1934:
1933:
1930:
1927:
1919:
1918:
1912:
1909:
1896:
1893:
1892:
1889:
1879:
1878:
1875:
1864:
1863:
1860:
1855:Dutch Albums (
1852:
1851:
1846:
1830:
1828:
1825:
1824:
1823:
1820:
1817:
1811:
1808:
1805:
1798:Colin Thurston
1795:
1792:
1783:
1782:
1773:
1767:Tony Fox Sales
1764:
1755:
1749:Ricky Gardiner
1746:
1737:
1727:
1726: – vocals
1716:
1713:
1709:
1708:
1705:
1699:
1698:
1695:
1685:
1682:
1678:
1677:
1674:
1671:
1668:
1664:
1663:
1660:
1654:
1651:
1647:
1646:
1643:
1640:
1637:
1633:
1632:
1629:
1626:
1623:
1612:
1608:
1607:
1604:
1601:
1594:
1590:
1589:
1586:
1584:Ricky Gardiner
1581:
1574:
1570:
1569:
1566:
1563:
1560:
1556:
1555:
1552:
1549:
1546:
1542:
1541:
1538:
1533:
1526:
1522:
1521:
1518:
1515:
1512:
1494:
1492:
1489:
1464:
1461:
1401:Apocalypse Now
1374:Virgin Records
1318:Blah-Blah-Blah
1294:Arista Records
1260:
1257:
1155:
1154:
1151:
1143:
1142:
1113:
1105:
1104:
1075:
1067:
1066:
1037:
1029:
1028:
1025:
1017:
1016:
987:
979:
978:
975:
967:
966:
942:
934:
933:
904:
896:
895:
866:
860:
859:
856:
852:
851:
841:
838:
818:Scott Thurston
808:
805:
730:
727:
679:declared, "On
677:Stephen Morris
602:
599:
575:Colin Thurston
528:
526:
523:
494:Ricky Gardiner
414:
411:
380:Upon release,
343:Ricky Gardiner
339:Colin Thurston
278:
277:
274:
273:
271:
270:
257:
243:
240:
239:
237:Lust for Life
229:
228:
225:
224:
221:
220:
211:
202:
188:
187:
180:
179:
178:
177:
175:Colin Thurston
172:
169:
162:
156:
155:
150:
144:
143:
132:
128:
127:
126:
125:
120:
115:
110:
103:
97:
96:
86:
82:
81:
78:
74:
73:
63:
59:
58:
53:
46:
45:
37:
36:
26:
24:
18:Some Weird Sin
14:
13:
10:
9:
6:
4:
3:
2:
4712:
4701:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4668:
4667:
4665:
4650:
4649:
4645:
4643:
4640:
4638:
4635:
4633:
4630:
4628:
4625:
4623:
4620:
4618:
4615:
4613:
4610:
4608:
4605:
4604:
4602:
4598:
4591:
4587:
4584:
4583:Nightclubbing
4580:
4577:
4573:
4572:
4570:
4566:
4559:
4555:
4552:
4548:
4545:
4541:
4538:
4534:
4531:
4527:
4524:
4520:
4517:
4513:
4510:
4509:The Passenger
4506:
4503:
4502:Lust for Life
4499:
4496:
4492:
4491:
4489:
4485:
4479:
4478:
4474:
4472:
4471:
4467:
4466:
4464:
4460:
4454:
4453:
4449:
4447:
4446:
4442:
4441:
4439:
4435:
4427:
4426:
4421:
4419:
4414:
4404:
4403:
4399:
4397:
4396:
4392:
4390:
4389:
4385:
4383:
4382:
4378:
4376:
4375:
4374:Préliminaires
4371:
4369:
4368:
4364:
4362:
4361:
4357:
4355:
4354:
4350:
4348:
4347:
4343:
4341:
4340:
4336:
4334:
4333:
4329:
4327:
4326:
4322:
4320:
4319:
4315:
4313:
4312:
4308:
4306:
4305:
4301:
4299:
4298:
4294:
4292:
4291:
4287:
4285:
4284:
4283:Lust for Life
4280:
4278:
4277:
4273:
4272:
4270:
4266:
4263:
4261:Studio albums
4259:
4255:
4248:
4243:
4241:
4236:
4234:
4229:
4228:
4225:
4218:
4214:
4213:
4212:Lust for Life
4209:
4208:
4204:
4197:
4191:
4187:
4182:
4181:
4175:
4171:
4167:
4161:
4157:
4153:
4149:
4145:
4141:
4139:0-679-75574-8
4135:
4131:
4130:Vintage Books
4127:
4126:
4121:
4116:
4112:
4106:
4102:
4097:
4093:
4087:
4083:
4079:
4078:
4073:
4069:
4065:
4059:
4055:
4050:
4046:
4040:
4036:
4035:Omnibus Press
4032:
4031:
4026:
4025:Larkin, Colin
4022:
4018:
4016:0-7432-0169-8
4012:
4008:
4004:
4003:
3998:
3994:
3989:
3977:
3973:
3971:0-89919-026-X
3967:
3963:
3959:
3958:
3953:
3949:
3945:
3941:
3935:
3931:
3927:
3923:
3919:
3915:
3911:
3905:
3901:
3897:
3892:
3888:
3882:
3878:
3877:Omnibus Press
3874:
3869:
3868:
3863:
3848:
3844:
3838:
3835:
3822:
3818:
3817:
3812:
3810:
3809:Lust for Life
3802:
3799:
3795:
3791:
3786:
3783:
3778:
3772:
3764:
3760:
3759:Lust for Life
3754:
3751:
3747:
3746:Seabrook 2008
3742:
3739:
3726:
3722:
3721:
3716:
3709:
3706:
3701:
3695:
3691:
3687:
3680:
3677:
3664:
3660:
3659:
3654:
3647:
3644:
3631:
3627:
3623:
3616:
3613:
3600:
3596:
3595:
3590:
3584:
3581:
3568:
3564:
3560:
3554:
3551:
3547:
3542:
3539:
3535:
3530:
3527:
3522:
3518:
3511:
3508:
3503:
3499:
3498:
3491:
3488:
3484:
3479:
3476:
3472:
3467:
3464:
3460:
3455:
3452:
3447:
3446:Rolling Stone
3440:
3437:
3433:
3428:
3425:
3421:
3420:Seabrook 2008
3416:
3413:
3409:
3404:
3401:
3388:
3384:
3383:
3378:
3374:
3370:
3364:
3361:
3357:
3352:
3349:
3345:
3340:
3337:
3333:
3328:
3325:
3321:
3316:
3313:
3296:
3292:
3288:
3286:
3285:Lust for Life
3277:
3274:
3257:
3253:
3252:
3247:
3245:
3244:Lust for Life
3239:
3233:
3230:
3217:
3213:
3212:
3207:
3203:
3197:
3194:
3190:
3185:
3182:
3174:
3162:
3158:
3157:
3152:
3150:
3149:Lust For Life
3141:
3139:
3135:
3131:
3127:
3122:
3119:
3114:
3113:
3108:
3102:
3099:
3086:
3082:
3081:
3076:
3074:
3065:
3063:
3059:
3055:
3050:
3047:
3043:
3038:
3036:
3032:
3019:
3015:
3014:
3009:
3005:
2999:
2996:
2983:
2979:
2978:
2973:
2971:
2970:Lust for Life
2962:
2959:
2955:
2950:
2947:
2930:
2926:
2922:
2918:
2917:Bangs, Lester
2912:
2909:
2905:
2900:
2897:
2893:
2888:
2885:
2881:
2876:
2874:
2870:
2866:
2861:
2858:
2854:
2853:Seabrook 2008
2849:
2847:
2843:
2839:
2834:
2832:
2830:
2826:
2822:
2817:
2815:
2813:
2811:
2807:
2803:
2798:
2795:
2791:
2786:
2783:
2779:
2774:
2771:
2758:
2754:
2750:
2744:
2741:
2737:
2732:
2729:
2716:
2712:
2705:
2702:
2689:
2685:
2678:
2675:
2662:
2658:
2657:
2652:
2646:
2643:
2639:
2634:
2631:
2618:
2614:
2611:Huey, Steve.
2607:
2604:
2600:
2595:
2593:
2589:
2585:
2584:Seabrook 2008
2580:
2577:
2564:
2560:
2559:
2558:Rolling Stone
2554:
2552:
2551:Lust for Life
2543:
2541:
2539:
2535:
2522:
2518:
2514:
2508:
2506:
2502:
2498:
2497:
2496:Lust for Life
2491:
2484:
2481:
2468:
2464:
2458:
2455:
2450:
2438:
2434:
2433:
2428:
2424:
2417:
2414:
2401:
2397:
2396:
2391:
2384:
2381:
2368:
2364:
2362:
2361:Lust for Life
2353:
2351:
2349:
2347:
2345:
2343:
2339:
2335:
2330:
2328:
2326:
2322:
2318:
2317:Seabrook 2008
2313:
2310:
2306:
2301:
2299:
2297:
2293:
2290:, p. 76.
2289:
2284:
2281:
2277:
2272:
2270:
2268:
2264:
2260:
2255:
2252:
2248:
2247:Seabrook 2008
2243:
2241:
2239:
2235:
2231:
2226:
2224:
2222:
2218:
2214:
2209:
2207:
2203:
2199:
2198:Seabrook 2008
2194:
2191:
2187:
2186:Seabrook 2008
2182:
2180:
2176:
2172:
2167:
2165:
2161:
2157:
2156:Seabrook 2008
2152:
2149:
2145:
2140:
2137:
2133:
2128:
2125:
2121:
2116:
2114:
2112:
2110:
2106:
2093:
2089:
2085:
2083:
2074:
2071:
2058:
2054:
2050:
2048:
2039:
2036:
2032:
2031:Seabrook 2008
2027:
2024:
2020:
2015:
2013:
2009:
2005:
2000:
1997:
1993:
1992:Seabrook 2008
1988:
1985:
1979:
1971:
1965:
1962:
1955:
1948:
1941:
1931:
1928:
1925:
1920:
1916:
1911:Certification
1906:
1903:
1902:Lust for Life
1897:
1890:
1888:
1886:
1880:
1873:
1869:
1865:
1858:
1857:Album Top 100
1853:
1847:
1845:Chart (1977)
1844:
1843:
1840:
1839:Lust for Life
1834:
1833:
1826:
1821:
1818:
1815:
1812:
1809:
1806:
1803:
1799:
1796:
1793:
1790:
1789:
1788:
1787:
1777:
1774:
1768:
1765:
1762:("Turn Blue")
1759:
1756:
1750:
1747:
1741:
1740:Carlos Alomar
1738:
1735:
1731:
1728:
1725:
1722:
1721:
1720:
1714:
1706:
1703:Total length:
1696:
1694:
1690:
1686:
1683:
1679:
1675:
1672:
1669:
1665:
1661:
1659:
1655:
1652:
1648:
1644:
1641:
1638:
1634:
1618:
1605:
1602:
1599:
1595:
1591:
1587:
1585:
1582:
1579:
1578:The Passenger
1575:
1571:
1567:
1564:
1561:
1557:
1553:
1550:
1547:
1543:
1539:
1537:
1534:
1531:
1530:Lust for Life
1527:
1523:
1507:
1501:
1499:
1491:Track listing
1490:
1488:
1486:
1485:Lust for Life
1482:
1478:
1474:
1470:
1462:
1460:
1458:
1457:
1452:
1448:
1444:
1443:Lust for Life
1440:
1436:
1432:
1428:
1427:Lust for Life
1423:
1421:
1420:
1415:
1414:Trainspotting
1411:
1410:Lust for Life
1405:
1403:
1402:
1398:'s 1979 film
1397:
1393:
1389:
1385:
1384:
1379:
1375:
1371:
1367:
1366:
1365:Trainspotting
1360:
1358:
1354:
1350:
1349:
1344:
1340:
1336:
1332:
1328:
1327:Lust for Life
1324:
1320:
1319:
1314:
1313:
1308:
1307:Lust for Life
1303:
1301:
1300:
1295:
1291:
1290:
1285:
1284:Bomp! Records
1281:
1277:
1276:
1265:
1258:
1256:
1254:
1250:
1249:
1244:
1240:
1239:Lust for Life
1236:
1232:
1231:Lust for Life
1228:
1227:Lust for Life
1223:
1221:
1217:
1213:
1212:
1206:
1205:Lust for Life
1202:
1201:
1196:
1192:
1191:Lust for Life
1188:
1187:Lust for Life
1184:
1180:
1179:
1174:
1170:
1169:Lust for Life
1166:
1165:Rolling Stone
1162:
1161:Lust for Life
1152:
1150:
1149:
1145:
1144:
1114:
1112:
1111:
1107:
1106:
1076:
1074:
1073:
1069:
1068:
1038:
1036:
1035:
1031:
1030:
1026:
1024:
1023:
1019:
1018:
988:
986:
985:
981:
980:
976:
974:
973:
969:
968:
943:
941:
940:
936:
935:
905:
903:
902:
898:
897:
867:
865:
862:
861:
853:
850:Review scores
848:
839:
837:
835:
834:Lust for Life
831:
827:
823:
819:
815:
806:
804:
802:
800:
795:
794:
789:
785:
784:Lust for Life
780:
778:
777:Lust for Life
774:
770:
766:
765:Lust for Life
761:
760:Elvis Presley
757:
756:Lust for Life
753:
748:
747:Lust for Life
744:
740:
739:Nicholas Pegg
736:
728:
726:
724:
720:
716:
712:
711:Lust for Life
707:
705:
701:
700:Rolling Stone
697:
693:
692:Berlin S-Bahn
689:
684:
682:
681:Lust for Life
678:
674:
670:
666:
661:
659:
658:
657:Rolling Stone
653:
649:
645:
641:
640:
635:
631:
627:
623:
619:
618:Lust for Life
615:
614:rock and roll
611:
607:
606:Lust for Life
600:
598:
596:
595:
590:
589:
584:
580:
579:Lust for Life
576:
571:
569:
565:
561:
560:Carlos Alomar
557:
553:
552:Lust for Life
549:
548:The Passenger
542:
540:
539:Lust for Life
533:
524:
522:
519:
515:
512:, including "
511:
510:Lust for Life
507:
503:
499:
495:
491:
487:
482:
480:
476:
472:
468:
464:
463:
458:
454:
450:
446:
442:
441:
436:
432:
428:
424:
420:
412:
410:
408:
404:
403:Lust for Life
400:
398:
393:
392:
387:
383:
382:Lust for Life
378:
376:
372:
368:
364:
360:
359:Lust for Life
356:
352:
348:
344:
340:
336:
332:
328:
327:Lust for Life
324:
322:
318:
314:
313:
308:
307:
302:
298:
294:
290:
286:
285:
284:Lust for Life
275:
265:" / "Success"
264:
263:Lust for Life
258:
251:
250:The Passenger
248:"Success" / "
245:
244:
241:
238:
234:
230:
226:
217:
216:
212:
208:
207:
206:Lust for Life
203:
199:
198:
194:
193:
189:
185:
181:
176:
173:
170:
168:
165:
164:
163:
161:
157:
154:
151:
149:
145:
133:
129:
124:
121:
119:
116:
114:
111:
109:
106:
105:
104:
102:
98:
94:
90:
87:
83:
80:May–June 1977
79:
75:
64:
60:
56:
51:
47:
43:
38:
35:Lust for Life
33:
30:
19:
4646:
4475:
4468:
4450:
4443:
4423:
4400:
4393:
4386:
4379:
4372:
4365:
4358:
4351:
4344:
4337:
4330:
4323:
4316:
4309:
4302:
4295:
4288:
4282:
4281:
4274:
4210:
4179:
4174:Trynka, Paul
4151:
4148:Trynka, Paul
4124:
4100:
4076:
4053:
4029:
4001:
3980:. Retrieved
3956:
3925:
3900:Virgin Books
3895:
3872:
3852:September 3,
3850:. Retrieved
3837:
3825:. Retrieved
3814:
3808:
3801:
3785:
3758:
3753:
3741:
3729:. Retrieved
3718:
3708:
3685:
3679:
3669:November 21,
3667:. Retrieved
3663:the original
3656:
3646:
3636:September 9,
3634:. Retrieved
3630:the original
3625:
3615:
3605:September 9,
3603:. Retrieved
3592:
3583:
3573:September 9,
3571:. Retrieved
3562:
3553:
3546:Ambrose 2004
3541:
3529:
3520:
3516:
3510:
3496:
3490:
3483:Ambrose 2004
3478:
3471:Buckley 2005
3466:
3454:
3445:
3439:
3427:
3415:
3403:
3393:February 16,
3391:. Retrieved
3387:the original
3382:The Guardian
3380:
3363:
3356:Ambrose 2004
3351:
3339:
3327:
3315:
3299:. Retrieved
3290:
3284:
3276:
3260:. Retrieved
3249:
3243:
3232:
3220:. Retrieved
3209:
3196:
3184:
3171:– via
3165:. Retrieved
3154:
3148:
3121:
3110:
3101:
3089:. Retrieved
3078:
3072:
3049:
3022:. Retrieved
3011:
2998:
2986:. Retrieved
2982:the original
2975:
2969:
2961:
2949:
2935:September 9,
2933:. Retrieved
2924:
2911:
2899:
2887:
2860:
2838:Ambrose 2004
2802:O'Leary 2019
2797:
2785:
2778:O'Leary 2019
2773:
2761:. Retrieved
2755:. AllMusic.
2743:
2731:
2719:. Retrieved
2713:. AllMusic.
2704:
2692:. Retrieved
2686:. AllMusic.
2677:
2665:. Retrieved
2654:
2645:
2633:
2621:. Retrieved
2615:. AllMusic.
2606:
2579:
2567:. Retrieved
2563:the original
2556:
2550:
2525:. Retrieved
2519:. AllMusic.
2495:
2493:
2489:
2483:
2471:. Retrieved
2466:
2457:
2449:Google Books
2447:– via
2441:. Retrieved
2430:
2423:Kenny, Glenn
2421:Brod, Doug;
2416:
2404:. Retrieved
2393:
2383:
2371:. Retrieved
2365:. AllMusic.
2360:
2334:Ambrose 2004
2312:
2288:O'Leary 2019
2283:
2254:
2230:O'Leary 2019
2213:Ambrose 2004
2193:
2151:
2139:
2132:Buckley 2005
2127:
2096:. Retrieved
2087:
2081:
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2061:. Retrieved
2046:
2038:
2026:
2004:O'Leary 2019
1999:
1987:
1964:
1946:
1937:
1901:
1884:
1838:
1785:
1784:
1758:Warren Peace
1718:
1658:Warren Peace
1495:
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1466:
1454:
1446:
1442:
1438:
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1409:
1408:When I made
1407:
1399:
1381:
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1346:
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1316:
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1160:
1159:On release,
1158:
1146:
1108:
1070:
1032:
1020:
982:
970:
937:
899:
833:
829:
825:
822:Lester Bangs
813:
810:
798:
791:
783:
781:
776:
772:
764:
755:
754:
746:
742:
734:
732:
715:Warren Peace
710:
708:
699:
688:Jim Morrison
685:
680:
673:Joy Division
662:
655:
637:
617:
609:
605:
604:
592:
586:
578:
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567:
563:
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396:
389:
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354:
326:
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316:
310:
304:
289:studio album
283:
282:
281:
236:
213:
205:
204:
195:
50:Studio album
29:
4675:1977 albums
4632:Sable Starr
4627:David Bowie
4622:The Stooges
4612:The Iguanas
4607:Discography
4568:Other songs
4437:Live albums
4402:Every Loser
4360:Beat 'Em Up
4082:Titan Books
3731:October 15,
3534:Trynka 2007
3523:(1): 16–17.
3497:120 Minutes
3408:Trynka 2007
3344:Trynka 2007
3332:Trynka 2007
3320:Trynka 2007
3283:"Iggy Pop:
3242:"Iggy Pop:
3238:Needs, Kris
3167:October 15,
3147:"Iggy Pop:
3071:"Iggy Pop:
3054:Larkin 2011
3024:November 4,
2968:"Iggy Pop:
2954:Trynka 2007
2904:Trynka 2007
2865:Trynka 2007
2821:Trynka 2007
2790:Trynka 2007
2763:October 15,
2721:October 15,
2694:October 15,
2667:October 15,
2623:October 15,
2569:October 15,
2549:"Iggy Pop:
2527:October 15,
2443:October 15,
2373:October 15,
2363:– Iggy Pop"
2305:Trynka 2007
2259:Trynka 2007
2144:Trynka 2011
2080:"Iggy Pop,
2063:December 8,
2049:– Iggy Pop"
1970:Paul Trynka
1730:David Bowie
1653:"Turn Blue"
1536:David Bowie
1378:compilation
1357:Tin Machine
1331:Tina Turner
1275:TV Eye Live
769:Paul Trynka
622:garage rock
583:final track
471:RCA Records
445:the Stooges
423:David Bowie
375:title track
371:the Stooges
335:West Berlin
321:keyboardist
301:David Bowie
297:RCA Records
167:David Bowie
108:Garage rock
93:West Berlin
4664:Categories
4637:The Trolls
4495:China Girl
4367:Skull Ring
4290:New Values
3960:. Boston:
3928:. London:
3898:. London:
3875:. London:
3827:August 24,
3222:August 11,
3189:Rubin 1995
3128:, p.
2988:August 11,
2804:, chap. 2.
1980:References
1814:Greg Calbi
1776:Hunt Sales
1693:Tony Sales
1689:Hunt Sales
1469:China Girl
1335:New Values
1299:New Values
1195:Kris Needs
665:Morse code
630:proto-punk
588:Hunky Dory
502:Hunt Sales
453:proto-punk
435:Hérouville
413:Background
367:proto-punk
351:Hunt Sales
186:chronology
118:proto-punk
69:1977-09-09
4516:Bang Bang
4425:Kill City
4276:The Idiot
3982:March 10,
3918:Carr, Roy
3816:Billboard
3626:Pitchfork
3459:Pegg 2016
3432:Pegg 2016
3301:March 12,
3262:March 12,
3080:Pitchfork
3004:Kot, Greg
2892:Pegg 2016
2736:Pegg 2016
2638:Pegg 2016
2599:Pegg 2016
2473:March 17,
2406:August 1,
2276:Pegg 2016
2171:Pegg 2016
2082:The Idiot
2047:The Idiot
2019:Pegg 2016
1885:Billboard
1868:UK Albums
1850:position
1786:Technical
1715:Personnel
1639:"Success"
1548:"Sixteen"
1481:The Idiot
1473:The Idiot
1439:Pitchfork
1419:Raw Power
1388:the Doors
1289:Kill City
1253:The Idiot
1248:Pitchfork
1235:The Idiot
1220:The Idiot
1183:The Idiot
1022:Pitchfork
830:The Idiot
799:Billboard
773:The Idiot
743:The Idiot
735:The Idiot
719:hard rock
706:variety.
626:hard rock
610:The Idiot
577:produced
568:The Idiot
564:The Idiot
525:Recording
518:The Idiot
506:The Idiot
490:keyboards
479:The Idiot
473:released
467:The Idiot
449:The Idiot
440:The Idiot
407:The Idiot
397:Billboard
363:hard rock
355:The Idiot
317:The Idiot
306:The Idiot
215:Kill City
197:The Idiot
113:hard rock
4551:Gardenia
4353:Avenue B
4325:Instinct
4254:Iggy Pop
4176:(2007).
4150:(2011).
4074:(2016).
3999:(eds.).
3976:Archived
3950:(1981).
3924:(1981).
3821:Archived
3763:Iggy Pop
3725:Archived
3599:Archived
3567:Archived
3565:. 1986.
3295:Archived
3256:Archived
3216:Archived
3161:Archived
3085:Archived
3018:Archived
2929:Archived
2757:Archived
2715:Archived
2688:Archived
2661:Archived
2656:Die Welt
2617:Archived
2521:Archived
2437:Archived
2400:Archived
2367:Archived
2092:Archived
2057:Archived
2053:AllMusic
1932:100,000
1724:Iggy Pop
1615:Side two
1504:Side one
1498:Iggy Pop
864:AllMusic
814:"Heroes"
696:AllMusic
675:drummer
644:Roy Carr
642:editors
634:new wave
594:"Heroes"
498:Tony Fox
457:art rock
419:Iggy Pop
347:Tony Fox
293:Iggy Pop
184:Iggy Pop
171:Iggy Pop
160:Producer
123:new wave
77:Recorded
62:Released
55:Iggy Pop
52: by
4590:Tonight
4576:Funtime
4544:Kick It
4487:Singles
4297:Soldier
4217:Discogs
3864:Sources
3690:Cassell
3091:June 6,
2977:Blender
2467:Far Out
2098:June 4,
1917:/sales
1908:Region
1687:Bowie,
1656:Bowie,
1598:Tonight
1471:" from
1441:ranked
1392:The End
1380:titled
1323:Tonight
1312:Tonight
901:Blender
550:" and "
514:Tonight
425:on his
233:Singles
219:(1977)
210:(1977)
201:(1977)
67: (
4192:
4162:
4136:
4107:
4088:
4060:
4041:
4013:
3968:
3936:
3906:
3883:
3696:
3563:Sounds
3287:(RCA)"
3251:ZigZag
3156:Sounds
1947:
1631:Length
1520:Length
1431:Sounds
1321:. For
1211:Sounds
1200:ZigZag
1110:Sounds
1027:9.0/10
858:Rating
855:Source
652:heroin
303:after
131:Length
85:Studio
4530:Candy
4416:with
4381:Après
4304:Party
1956:Notes
1929:Gold
1734:organ
1707:41:53
1625:Title
1603:Bowie
1565:Bowie
1514:Title
1203:felt
750:'
235:from
148:Label
101:Genre
89:Hansa
4395:Free
4268:Solo
4190:ISBN
4160:ISBN
4134:ISBN
4105:ISBN
4086:ISBN
4058:ISBN
4039:ISBN
4011:ISBN
3984:2019
3966:ISBN
3934:ISBN
3904:ISBN
3881:ISBN
3854:2021
3829:2021
3777:link
3733:2020
3694:ISBN
3671:2020
3638:2021
3607:2021
3594:Mojo
3575:2021
3395:2018
3303:2021
3264:2021
3224:2016
3169:2020
3093:2020
3026:2020
2990:2016
2937:2021
2765:2020
2723:2020
2696:2020
2669:2020
2625:2020
2571:2020
2529:2020
2475:2023
2445:2020
2432:Spin
2408:2016
2375:2020
2100:2016
2065:2014
1891:120
1848:Peak
1804:(UK)
1697:6:30
1676:3:25
1662:6:56
1645:4:25
1606:3:39
1588:4:44
1568:3:42
1554:2:26
1540:5:13
1483:and
1435:Mojo
1433:and
1353:horn
1185:and
1153:6/10
832:and
807:Tour
723:punk
646:and
632:and
500:and
365:and
349:and
4215:at
3952:"P"
3658:NME
3502:MTV
3291:NME
3130:645
2925:NME
2395:NME
1924:BPI
1882:US
1877:28
1872:OCC
1621:No.
1551:Pop
1510:No.
1447:NME
1390:' "
1286:as
1216:NME
1197:of
1175:of
826:NME
824:of
639:NME
620:as
486:Low
475:Low
462:Low
433:in
333:in
312:Low
153:RCA
4666::
4188:.
4158:.
4132:.
4084:.
4037:.
4009:.
3995:;
3974:.
3964:.
3954:.
3932:.
3920:;
3902:.
3879:.
3845:.
3819:.
3813:.
3792:.
3773:}}
3769:{{
3723:.
3717:.
3655:.
3624:.
3591:.
3561:.
3521:22
3519:.
3379:.
3371:;
3293:.
3289:.
3254:.
3248:.
3214:.
3208:.
3159:.
3153:.
3137:^
3083:.
3077:.
3061:^
3034:^
3016:.
3010:.
2974:.
2927:.
2923:.
2872:^
2845:^
2828:^
2809:^
2751:.
2653:.
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2555:.
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2515:.
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2492:.
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2429:.
2398:.
2392:.
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2324:^
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2220:^
2205:^
2178:^
2163:^
2108:^
2090:.
2086:.
2055:.
2051:.
2011:^
1926:)
1874:)
1862:8
1859:)
1691:,
1681:4.
1667:3.
1650:2.
1636:1.
1593:5.
1573:4.
1559:3.
1545:2.
1525:1.
1459:.
1359:.
1337:.
1255:.
977:A−
628:,
624:,
377:.
140:53
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1870:(
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1528:"
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138::
95:)
91:(
71:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
