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with the alliteration 'doom and date' which is the stock in the trade of astrologers. This is
Shakespeare's prognostication, and it is delivered with a smile. West believed this due to the emphasis against the metre on 'this'. Line 14 is saying that when one is dead, their truths and beauties come
673:
Supplement to the edition of
Shakspeare's plays published in 1778 by Samuel Johnson and George Steevens. In two volumes. Containing additional observations ... to which are subjoined the genuine poems of the same author, and seven plays that have been ascribed to him; with notes by the editor
320:
According to
Frederick Fleays, lines 3-4 are possible references to plagues that occurred in 1592–1593, and the dearths that followed in 1594–1596. Alfread Rollins also states there was an irregularity in the seasons in 1595–1596, which all could have influenced these lines from Shakespeare.
337:
own "Love Labor's Lost". George
Steevens points out that Shakespeare's early comedy included a line stating "From women's eyes this doctrine I derive." In the context of Sonnet 14 it is explaining the importance of procreation, and that it is necessary. Ovid's
342:
has a similar line "at mihe te comitem auroras usque futuram- per me perque oculos, siders rostra, tuos." Both Samuel
Johnson and George Steevens noted the similar meaning and that it indicates Roman influence on Shakespeare's poetry.
259:
Evidence that corroborates this is that the sonnets show a constant change of attitude that would seem to follow a day-by-day private journal entry. Furthermore, there is an argument that the Fair Youth sequence was written to
219:
Typically
English sonnets present a problem or argument in the quatrains, and a resolution in the final couplet. This sonnet suggests this pattern, but its rhetorical structure is more closely modeled upon the older
288:
Sonnet 14 contains a speaker that may not know how to predict the future or what will happen, but they do know the value of procreating to retain one's beauty throughout the ages.
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points out in both of these poems the speaker is unable to predict the future by using astrology, and can only predict the future through the object of their poem's eyes.
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Lines 10-11 are saying that one can see that truth and beauty would thrive together; if only you would focus on the business of making provisions for yourself.
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261:
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The sonnets of
William Shakespeare & Henry Wriothesley, third earl of Southampton, together with a lover's complaint and the phoenix and turtle
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has a line "though duskie wits doe scorne
Astrology.. who oft bewares my after following case, by only those two starres in Stella's face."
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is debated due to the fact that some believe it was romantic in nature, and not platonic. Regardless most critics agree that
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477:
Crosman, Robert (1990). "Making Love out of
Nothing at All: The Issue of Story in Shakespeare's Procreation Sonnets".
268:
would like him to marry and have an heir so that his beauty would live forever. To this day the relationship between
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563:. England: Oxford : Printed and sold for the editor by B. Blackwell, and H. Young & sons, ltd., Liverpool.
544:
Boyle, W (1999). "Shakespeare, Southampton and the
Sonnets: conference presentations explore competing theories".
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is an influence in this sonnet due to the nature of both of the sonnets. For example, Sonnet 26 of Sidney's
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Shakespeare's sonnets- the problems solved: a modern edition with prose versions, introduction and notes
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of the form: ABAB CDCD EFEF GG. Like many of the others in the sequence, it is written in a type of
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which arranges the octave (the first eight lines) in contrast to the sestet (the final six lines).
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230:Ă— / Ă— / Ă— / Ă— / Ă— / But not to tell of good, or evil luck, (14.3)
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Shakespeares Sonnets: Being a reproduction in facsimile of the first edition
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Quatrain 1 has multiple references to astronomy, and other literature.
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490:
591:
Marquis, T (1 January 1896). "Sidney's 'Astrophel and Stella'".
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wrote this sonnet in order to convince him to produce an heir.
938:
Shakespeare's Sonnets: With Three Hundred Years of Commentary
797:
The Sonnets: The Cambridge Companion to Shakespeare's Poetry
729:. Essex, United Kingdom: Faber & Faber. pp. 45–46.
687:
Turpin, William (May 2014). "Ovid's new muse: Amores 1.1".
755:
Shakespeare's Sonnets: With a New Commentary by David West
430:. The Arden Shakespeare . London: Methuen & Company.
799:. Patrick Cheney, Cambridge University Press, Cambridge.
757:. London, England: Duckworth Overlook. pp. 53–54.
48:
The first twelve lines of Sonnet 14 in the 1609 Quarto
1224:. The Pelican Shakespeare (Rev. ed.). New York:
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895:A New Variorum Edition of Shakespeare: The Sonnets
26:
1255:
1217:
1138:
1096:
1008:
973:
935:
607:
513:
359:Shakespeare uses the portentous polysyllabic verb
577:Shakespeare: A Critical Study of his Mind and Art
1176:Mowat, Barbara A.; Werstine, Paul, eds. (2006).
783:On the Literary Genetics of Shakspeare's Sonnets
227:Line 3 exemplifies a regular iambic pentameter:
120:“Thy end is truth’s and beauty’s doom and date.”
113:If from thyself to store thou wouldst convert”;
2474:
1324:
1264:The Belknap Press of Harvard University Press
817:Shake-speares Sonnets: Never Before Imprinted
637:A biographical chronicle of the English drama
238:, a metrically strong syllabic position. Ă— =
8:
109:And, constant stars, in them I read such art
101:Pointing to each his thunder, rain and wind,
97:Of plagues, of dearths, or seasons’ quality;
1141:The Sonnets ; and, A Lover's Complaint
172:written by the English playwright and poet
111:As “truth and beauty shall together thrive,
91:Not from the stars do I my judgement pluck;
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262:Henry Wriothesley, 3rd Earl of Southampton
107:But from thine eyes my knowledge I derive,
42:
192:Sonnet 14 is an English or Shakespearean
1057:, third series (Rev. ed.). London:
792:. Princeton University Press, Princeton.
103:Or say with princes if it shall go well,
99:Nor can I fortune to brief minutes tell,
785:. University of Illinois Press, Urbana.
516:Shakespeare and the Earl of Southampton
416:
329:Lines 8–9 have influences from Ovid's
255:sequence follows a story-line told by
23:
2083:Complete Works of William Shakespeare
748:
746:
720:
718:
666:
664:
648:
646:
116:Or else of thee this I prognosticate:
105:By oft predict that I in heaven find:
95:But not to tell of good or evil luck,
7:
944:Fairleigh Dickinson University Press
657:. New York: Appleton Century Crofts.
539:
537:
472:
470:
2443:
2258:Shakespeare's influence on Tolkien
790:The Sense of Shakespeare's Sonnets
396:, for the 2002 compilation album,
93:And yet methinks I have astronomy,
14:
1179:Shakespeare's Sonnets & Poems
427:The Works of Shakespeare: Sonnets
3191:
2442:
2433:
2432:
1786:
1296:
1258:The Art of Shakespeare's Sonnets
580:. New York: Harper and Brothers.
520:. England: London: H. Hamilton.
54:
3383:Sonnets by William Shakespeare
2263:Works titled after Shakespeare
1011:The Complete Sonnets and Poems
653:Rollins, Hyder Edward (1951).
1:
2423:Shakespeare and other authors
1105:The New Cambridge Shakespeare
934:Atkins, Carl D., ed. (2007).
795:Schoenfeldt, Michael (2007).
727:Reading Shakespeare's Sonnets
671:Shakespeare, William (1780).
546:Shakespeare Oxford Newsletter
204:. It follows the traditional
2305:Shakespeare Birthplace Trust
1262:. Cambridge, Massachusetts:
980:(Rev. ed.). New Haven:
614:. New York: Harper and Row.
424:Pooler, C Knox, ed. (1918).
251:Some critics argue that the
2111:English Renaissance theatre
1954:The Second Maiden's Tragedy
1933:The Merry Devil of Edmonton
1465:The Two Gentlemen of Verona
1007:Burrow, Colin, ed. (2002).
804:First edition and facsimile
21:Poem by William Shakespeare
16:Poem by William Shakespeare
3399:
2279:Folger Shakespeare Library
1825:The Phoenix and the Turtle
1415:The Merry Wives of Windsor
1184:Folger Shakespeare Library
1109:Cambridge University Press
899:J. B. Lippincott & Co.
870:The Sonnets of Shakespeare
196:, which consists of three
3189:
2417:
2298:Royal Shakespeare Theatre
2293:Royal Shakespeare Company
1784:
1422:A Midsummer Night's Dream
1366:All's Well That Ends Well
875:Houghton Mifflin Harcourt
701:10.1017/S0009838813000876
635:Fleay, Frederick (1892).
512:Akrigg, G. P. V. (1968).
62:
53:
41:
1436:Pericles, Prince of Tyre
927:Modern critical editions
865:Alden, Raymond Macdonald
559:Thomson, Walter (1938).
264:. Critics believe that
1444:The Taming of the Shrew
1303:Sonnet 14 (Shakespeare)
1188:Washington Square Press
1147:New Penguin Shakespeare
1047:Duncan-Jones, Katherine
1021:Oxford University Press
781:Baldwin, T. W. (1950).
639:. England: B. Franklin.
574:Dowden, Edward (1881).
2126:Lord Chamberlain's Men
2037:The Passionate Pilgrim
1810:comparison to Petrarch
1429:Much Ado About Nothing
1408:The Merchant of Venice
1017:The Oxford Shakespeare
788:Hubler, Edwin (1952).
725:Paterson, Don (2012).
2490:Shakespeare's sonnets
2316:Shakespeare Institute
2285:Shakespeare Quarterly
1804:Shakespeare's sonnets
1472:The Two Noble Kinsmen
1051:Shakespeare's Sonnets
976:Shakespeare's Sonnets
891:Rollins, Hyder Edward
606:Rowse, A. L. (1973).
479:Shakespeare Quarterly
153:—William Shakespeare
2497:"Fair Youth" sonnets
2172:Spelling of his name
2012:Vortigern and Rowena
1990:Thomas Lord Cromwell
1570:Troilus and Cressida
1500:Antony and Cleopatra
1394:Love's Labour's Lost
1380:The Comedy of Errors
812:Shakespeare, William
753:West, David (2007).
450:"Basic Sonnet Forms"
311:Astrophel and Stella
306:Astrophel and Stella
2505:Procreation sonnets
2396:Richard Shakespeare
2378:Gilbert Shakespeare
2310:Shakespeare's Globe
2215:Authorship question
2210:Attribution studies
2177:Stratford-upon-Avon
2019:A Yorkshire Tragedy
1997:Thomas of Woodstock
1983:The Spanish Tragedy
1924:Love's Labour's Won
1916:The London Prodigal
1873:The Birth of Merlin
1832:The Rape of Lucrece
1818:A Lover's Complaint
1698:Quarto publications
1401:Measure for Measure
1340:William Shakespeare
1093:Evans, G. Blakemore
689:Classical Quarterly
364:to an end as well.
174:William Shakespeare
2390:Edmund Shakespeare
2348:Hamnet Shakespeare
2245:Screen adaptations
1968:Sir John Oldcastle
1866:Arden of Faversham
676:. England: London.
374:Marianne Faithfull
247:Historical Context
178:procreation sonnet
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2360:Elizabeth Barnard
2324:
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2052:
1782:
1781:
1480:The Winter's Tale
1301:Works related to
1149:(Rev. ed.).
1068:978-1-4080-1797-5
1055:Arden Shakespeare
953:978-0-8386-4163-7
857:Variorum editions
764:978-1-58567-921-8
736:978-0-571-26399-8
378:compilation album
222:Petrarchan sonnet
214:iambic pentameter
163:
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2384:Joan Shakespeare
2366:John Shakespeare
2269:
2250:Shakespeare and
1961:Sejanus His Fall
1928:
1888:Double Falsehood
1855:
1839:Venus and Adonis
1790:
1563:Titus Andronicus
1549:Romeo and Juliet
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897:. Philadelphia:
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383:EmmaĂĽs Mouvement
270:Henry Wriothesly
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2362:(granddaughter)
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2162:Religious views
2140:Curtain Theatre
2061:
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1975:Sir Thomas More
1921:
1895:Edmund Ironside
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1752:Ghost character
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1556:Timon of Athens
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1137:, ed. (1995) .
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1049:, ed. (2010) .
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972:, ed. (2000) .
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840:Clarendon Press
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376:, for the 1999
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368:Interpretations
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2101:Collaborations
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1690:Early editions
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1373:As You Like It
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1292:
1291:External links
1289:
1287:
1286:
1272:
1254:, ed. (1997).
1252:Vendler, Helen
1248:
1235:978-0140714531
1234:
1216:, ed. (2001).
1214:Orgel, Stephen
1210:
1197:978-0743273282
1196:
1173:
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1135:Kerrigan, John
1131:
1118:978-0521294034
1117:
1095:, ed. (1996).
1089:
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982:Yale Nota Bene
970:Booth, Stephen
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1458:Twelfth Night
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1305:at Wikisource
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1273:0-674-63712-7
1269:
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1226:Penguin Books
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1160:0-14-070732-8
1156:
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1151:Penguin Books
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1107:. Cambridge:
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361:prognosticate
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2410:(son-in-law)
2404:(son-in-law)
2342:Susanna Hall
2283:
2272:Institutions
2251:
2096:Coat of arms
2089:Translations
2081:
2077:Bibliography
2044:To the Queen
2042:
2035:
2017:
2010:
2002:
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1764:Performances
1708:Second Folio
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1703:First Folio
1671:Richard III
1451:The Tempest
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1099:The Sonnets
1083:1st edition
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830:Lee, Sidney
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315:A. L. Rowse
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2344:(daughter)
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2072:Birthplace
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1678:Henry VIII
1605:Richard II
1597:Edward III
1507:Coriolanus
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1850:Apocrypha
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459:7 October
198:quatrains
188:Structure
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