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rejected as the "stretched metre of an antique song"; "stretched" firstly intends 'exaggerated,' but was used technically of earlier poetic styles. "Antique song" is both ancient and distorted ('antic') song. The sonnet ends with a typical notion that should the young man have a child, he shall live both in the child and in the poet's rhyme.
276:
Shakespeare argues that his descriptions are not strong enough, and do not do justice to the man's beauty ("If I could write the beauty of your eyes"). Again, if the poet could number all the youth's graces in "fresh numbers," then future times would accuse him of falsehood. Future ages would say,
272:
The poet asks who would believe his verse in the future ("in time to come"), if the youth's true excellence ("most high deserts") were to "fill" his verse. The poet's verse is inadequate; "heaven knows" is either an exclamation or part of the sentence: 'heaven knows that his verse is but a tomb'
307:
The poet's manuscripts ("my papers"), once they are discolored ("yellowed") with age, will be the subject of ridicule ("scorn'd"), just as "old men of less truth then tongue" are derided. What the youth is truly owed ("your true rights") could be dismissed in the future as "a poet's rage," or
304:"). A future age, believing that such divine perfection could never ("ne'er") happen, would think the poet's efforts exaggeration. Shakespeare insists that his comparisons, even though they are limited in strength, are not exaggerations.
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2172:
1883:
1936:
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1.5.32) 'it is the touch that perfects the man,' which was an expression from carvers who in modelling gave the finishing touch to their work with the nail ("
188:, believing that future generations will see these descriptions as exaggerations, if the youth does not make a copy of himself by fathering a child. As in
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277:"this poet lies; / Such heavenly touches ne'er touch'd earthly faces." "Such heavenly touches" were the divine touches traditionally bestowed by the
281:
on the poet, or they are the strokes of the brush or chisel of a divinely inspired hand, which, having 'touched' an earthly face, makes it perfect.
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based on five pairs of metrically weak/strong syllabic positions. The sonnet's fourth line exemplifies a regular iambic pentameter:
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192:, Shakespeare shows himself to be hesitant about self-assured, flamboyant, and flowery proclamations of beauty.
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273:(with a hint of 'tome'). Shakespeare even goes as far as to say that the "tomb" hides half the youth's beauty.
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227:× / × / × / × / × / Which hides your life, and shows not half your parts. (17.4)
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The twelfth line features a mimetic stretching into two syllables of the word "stretched" to fit the metre:
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The sixth line exhibits two fairly common variations, a final extrametrical syllable or
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264:× / × / × / × / × / And stretchèd metre of an antique song: (17.12)
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Shakespeares
Sonnets: Being a reproduction in facsimile of the first edition
285:
40:
30:
25:
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577:
363:
554:
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289:
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173:. It is the final poem of what are referred to by scholars as the
278:
2154:
1004:
184:
Sonnet 17 questions the poet's descriptions of the sequence's
610:
Shakespeare's
Sonnets: With Three Hundred Years of Commentary
469:
The
Sonnets: The Cambridge Companion to Shakespeare's Poetry
358:. The Arden Shakespeare . London: Methuen & Company.
471:. Patrick Cheney, Cambridge University Press, Cambridge.
896:. The Pelican Shakespeare (Rev. ed.). New York:
94:
Which hides your life and shows not half your parts.
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567:A New Variorum Edition of Shakespeare: The Sonnets
102:
Such heavenly touches ne’er touch’d earthly faces.”
45:
The first two lines of Sonnet 17 in the 1609 Quarto
23:
927:
889:
810:
768:
680:
645:
607:
106:Be scorn’d like old men of less truth than tongue,
848:Mowat, Barbara A.; Werstine, Paul, eds. (2006).
455:On the Literary Genetics of Shakspeare's Sonnets
212:. It follows the form's typical rhyme scheme:
90:If it were fill’d with your most high deserts?
2166:
1016:
991:Facsimile of 1609 edition of sonnet 17 part 2
986:Facsimile of 1609 edition of sonnet 17 part 1
936:The Belknap Press of Harvard University Press
489:Shake-speares Sonnets: Never Before Imprinted
235:, a metrically strong syllabic position. × =
117:You should live twice, in it and in my rhyme.
113:But were some child of yours alive that time,
104:So should my papers, yellowed with their age,
92:Though yet, heaven knows, it is but as a tomb
8:
981:Paraphrase and analysis (Shakespeare-online)
108:And your true rights be term’d a poet’s rage
98:And in fresh numbers number all your graces,
813:The Sonnets ; and, A Lover's Complaint
169:written by the English playwright and poet
3034:
2860:
2598:
2192:
2173:
2159:
2151:
1960:
1546:
1044:
1023:
1009:
1001:
100:The age to come would say “This poet lies;
88:Who will believe my verse in time to come,
39:
417:
415:
413:
411:
288:Shakespeare's precedent is a phrase from
200:Sonnet 17 is an English or Shakespearean
729:, third series (Rev. ed.). London:
464:. Princeton University Press, Princeton.
96:If I could write the beauty of your eyes
457:. University of Illinois Press, Urbana.
344:
110:And stretched metre of an antique song:
397:
387:
20:
1775:Complete Works of William Shakespeare
7:
616:Fairleigh Dickinson University Press
2135:
384:. New Haven: Yale University Press.
1950:Shakespeare's influence on Tolkien
462:The Sense of Shakespeare's Sonnets
14:
851:Shakespeare's Sonnets & Poems
355:The Works of Shakespeare: Sonnets
2883:
2134:
2125:
2124:
1478:
968:
930:The Art of Shakespeare's Sonnets
251:, is sometimes referred to as a
51:
430:Essays on Shakespeare's Sonnets
239:. (×) = extrametrical syllable.
3075:Sonnets by William Shakespeare
1955:Works titled after Shakespeare
683:The Complete Sonnets and Poems
177:(Sonnets 1-17) with which the
1:
2115:Shakespeare and other authors
777:The New Cambridge Shakespeare
606:Atkins, Carl D., ed. (2007).
467:Schoenfeldt, Michael (2007).
296:, "ad unguem / factus homo" (
1997:Shakespeare Birthplace Trust
934:. Cambridge, Massachusetts:
652:(Rev. ed.). New Haven:
352:Pooler, C Knox, ed. (1918).
1803:English Renaissance theatre
1646:The Second Maiden's Tragedy
1625:The Merry Devil of Edmonton
1157:The Two Gentlemen of Verona
679:Burrow, Colin, ed. (2002).
476:First edition and facsimile
18:Poem by William Shakespeare
3091:
1971:Folger Shakespeare Library
1517:The Phoenix and the Turtle
1107:The Merry Wives of Windsor
856:Folger Shakespeare Library
781:Cambridge University Press
571:J. B. Lippincott & Co.
542:The Sonnets of Shakespeare
216:. Sonnet 17 is written in
2881:
2109:
1990:Royal Shakespeare Theatre
1985:Royal Shakespeare Company
1476:
1114:A Midsummer Night's Dream
1058:All's Well That Ends Well
547:Houghton Mifflin Harcourt
59:
50:
38:
1128:Pericles, Prince of Tyre
599:Modern critical editions
537:Alden, Raymond Macdonald
1136:The Taming of the Shrew
975:Sonnet 17 (Shakespeare)
860:Washington Square Press
819:New Penguin Shakespeare
719:Duncan-Jones, Katherine
693:Oxford University Press
453:Baldwin, T. W. (1950).
1818:Lord Chamberlain's Men
1729:The Passionate Pilgrim
1502:comparison to Petrarch
1121:Much Ado About Nothing
1100:The Merchant of Venice
689:The Oxford Shakespeare
460:Hubler, Edwin (1952).
249:× × / /
204:, consisting of three
2182:Shakespeare's sonnets
2008:Shakespeare Institute
1977:Shakespeare Quarterly
1496:Shakespeare's sonnets
1164:The Two Noble Kinsmen
723:Shakespeare's Sonnets
648:Shakespeare's Sonnets
563:Rollins, Hyder Edward
268:Synopsis and analysis
150:—William Shakespeare
2189:"Fair Youth" sonnets
1864:Spelling of his name
1704:Vortigern and Rowena
1682:Thomas Lord Cromwell
1262:Troilus and Cressida
1192:Antony and Cleopatra
1086:Love's Labour's Lost
1072:The Comedy of Errors
484:Shakespeare, William
318:Richard Attenborough
2197:Procreation sonnets
2088:Richard Shakespeare
2070:Gilbert Shakespeare
2002:Shakespeare's Globe
1907:Authorship question
1902:Attribution studies
1869:Stratford-upon-Avon
1711:A Yorkshire Tragedy
1689:Thomas of Woodstock
1675:The Spanish Tragedy
1616:Love's Labour's Won
1608:The London Prodigal
1565:The Birth of Merlin
1524:The Rape of Lucrece
1510:A Lover's Complaint
1390:Quarto publications
1093:Measure for Measure
1032:William Shakespeare
765:Evans, G. Blakemore
175:procreation sonnets
171:William Shakespeare
2082:Edmund Shakespeare
2040:Hamnet Shakespeare
1937:Screen adaptations
1660:Sir John Oldcastle
1558:Arden of Faversham
423:Larsen, Kenneth J.
3062:
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3057:
2879:
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2659:
2293:
2292:
2148:
2147:
2052:Elizabeth Barnard
2016:
2015:
1745:
1744:
1474:
1473:
1172:The Winter's Tale
973:Works related to
821:(Rev. ed.).
740:978-1-4080-1797-5
727:Arden Shakespeare
625:978-0-8386-4163-7
529:Variorum editions
322:compilation album
218:iambic pentameter
214:abab cdcd efef gg
160:
159:
156:
155:
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2599:
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2137:
2128:
2127:
2076:Joan Shakespeare
2058:John Shakespeare
1961:
1942:Shakespeare and
1653:Sejanus His Fall
1620:
1580:Double Falsehood
1547:
1531:Venus and Adonis
1482:
1255:Titus Andronicus
1241:Romeo and Juliet
1045:
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1018:
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1002:
972:
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759:Internet Archive
752:
714:
686:
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651:
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613:
592:Internet Archive
581:
569:. Philadelphia:
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441:
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419:
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327:When Love Speaks
250:
181:sequence opens.
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2054:(granddaughter)
2012:
1959:
1888:
1854:Religious views
1832:Curtain Theatre
1753:
1741:
1716:
1667:Sir Thomas More
1613:
1587:Edmund Ironside
1536:
1483:
1470:
1444:Ghost character
1404:
1376:
1267:
1248:Timon of Athens
1177:
1034:
1029:
965:
960:
946:
922:
908:
884:
870:
847:
833:
809:, ed. (1995) .
805:
791:
763:
741:
721:, ed. (2010) .
717:
703:
678:
664:
644:, ed. (2000) .
640:
626:
605:
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561:
535:
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512:Clarendon Press
500:
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448:Further reading
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351:
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320:, for the 2002
314:
312:Interpretations
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245:feminine ending
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3038:"Anacreontics"
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1793:Collaborations
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1471:
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1397:
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888:, ed. (2001).
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779:. Cambridge:
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2102:(son-in-law)
2096:(son-in-law)
2034:Susanna Hall
1975:
1964:Institutions
1943:
1788:Coat of arms
1781:Translations
1773:
1769:Bibliography
1736:To the Queen
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1400:Second Folio
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433:. Retrieved
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332:EMI Classics
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220:, a form of
213:
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124:
87:
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15:
2140:WikiProject
1827:The Theatre
1813:Handwriting
1639:The Puritan
1430:Characters
1395:First Folio
1363:Richard III
1143:The Tempest
892:The Sonnets
771:The Sonnets
755:1st edition
614:. Madison:
502:Lee, Sidney
435:28 November
426:"Sonnet 17"
398:|work=
253:minor ionic
167:154 sonnets
2603:Rival Poet
2064:Mary Arden
2048:(daughter)
2036:(daughter)
1912:Bardolatry
1822:King's Men
1764:Birthplace
1451:Chronology
1370:Henry VIII
1297:Richard II
1289:Edward III
1199:Coriolanus
731:Bloomsbury
691:. Oxford:
545:. Boston:
510:. Oxford:
492:. London:
339:References
190:Sonnet 130
179:Fair Youth
165:is one of
2897:" sonnets
2895:Dark Lady
2094:John Hall
2084:(brother)
2072:(brother)
2004:(replica)
1944:Star Trek
1932:Memorials
1927:Influence
1917:Festivals
1859:Sexuality
1849:Portraits
1844:New Place
1696:Ur-Hamlet
1632:Mucedorus
1542:Apocrypha
1282:King John
1273:Histories
1220:King Lear
1183:Tragedies
1079:Cymbeline
749:755065951
588:Volume II
520:458829162
400:ignored (
390:cite book
382:Sonnet 83
286:Sonnet 85
206:quatrains
196:Structure
186:young man
163:Sonnet 17
34:Sonnet 17
3069:Category
2130:Category
2078:(sister)
2066:(mother)
2060:(father)
1572:Cardenio
1461:Settings
1409:See also
1332:Henry VI
1303:Henry IV
1049:Comedies
996:Analysis
954:36806589
916:46683809
878:64594469
841:15018446
799:32272082
711:48532938
634:86090499
584:Volume I
486:(1609).
380:(1977).
298:Sermones
237:nonictus
2864:"Envoy"
2605:sonnets
1922:Gardens
1798:Editors
1601:Locrine
1594:Fair Em
1426:Henriad
1325:Henry V
1234:Othello
1227:Macbeth
672:2968040
578:6028485
364:4770201
294:Satires
210:couplet
2119:† Lost
2030:(wife)
2021:Family
1894:Legacy
1466:Scenes
1206:Hamlet
952:
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302:unguem
290:Horace
284:As in
202:sonnet
2042:(son)
1884:Grave
1874:Style
1839:Music
1756:works
1721:Poems
1550:Plays
1488:Poems
1040:Plays
279:Muses
233:ictus
222:meter
1879:Will
1754:and
1751:Life
950:OCLC
940:ISBN
912:OCLC
902:ISBN
874:OCLC
864:ISBN
837:OCLC
827:ISBN
795:OCLC
785:ISBN
745:OCLC
735:ISBN
707:OCLC
697:ISBN
668:OCLC
658:ISBN
630:OCLC
620:ISBN
586:and
574:OCLC
551:OCLC
516:OCLC
437:2014
402:help
360:OCLC
231:/ =
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1439:L–Z
1434:A–K
292:'s
255:):
141:14
3071::
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