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granted ("presume") that his own heart, dressed as it is in the poet's, will be restored: "Thou gav'st me thine not to give back again." Here is the poem: My glass shall not persuade me I am old So long as youth and thou are of one date, But when in thee Time’s furrows I behold, Then look I death my days should expiate. For all that beauty that doth cover thee Is but the seemly raiment of my heart, Which in thy breast doth live, as thine in me; How can I then be elder than thou art? O, therefore, love, be of thyself so wary As I not for myself but for thee will, Bearing thy heart, which I will keep so chary As tender nurse her babe from faring ill.
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345:) and others, but the idea is also proverbial. The conceit of love as an escape for an aged speaker is no less conventional and is more narrowly attributable to Petrarch's Sonnet 143. The image cannot be used to date the sonnet, if you agree with most critics, that it was written by a poet in his mid-30s.
257:
retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate"). The youth's outer beauty, that which 'covers' him, is but a proper garment
261:
The poet admonishes the youth to be cautious. He will carry about the youth's heart ("Bearing thy heart") and protect ("keep") it; "chary" is an adverbial usage and means 'carefully'. The couplet is cautionary and conventional: when the poet's heart is slain, then the youth should not take for
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258:("seemly raiment") dressing the poet's heart. His heart thus lives in the youth's breast as the youth's heart lives in his: the hearts being one, no difference of age is possible ("How can I then be elder than thou art?").
376:
and others have established that expiate here means "fill up the measure of my days" or simply "use up." Certain critics, among them Booth and
William Kerrigan, still perceive an echo of the dominant meaning.
245:, the speaker of the poem and a young man are represented as enjoying a healthy and positive relationship. The last line, however, hints at the speaker's doubts, which becomes prominent later in the sequence.
380:
The conventional nature of the poem, what Evelyn
Simpson called its "frigid conceit," is perhaps a large part of the reason that this poem is not among the most famous of the sonnets today.
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Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the
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The poem is built on two conventional subjects for
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based on five pairs of metrically weak/strong syllabic positions per line. The first line exemplifies a regular iambic pentameter:
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The eleventh line exhibits two common metrical variations: an initial reversal, and a final extrametrical syllable or
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Presume not on thy heart when mine is slain. Thou gav’st me thine not to give back again.
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300:× / × / × / × / × / My glass shall not persuade me I am old, (22.1)
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Shakespeares
Sonnets: Being a reproduction in facsimile of the first edition
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employs the same concept in a poem written when
Shakespeare was 29, and
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Shakespeare's
Sonnets: With Three Hundred Years of Commentary
472:
The
Sonnets: The Cambridge Companion to Shakespeare's Poetry
403:. The Arden Shakespeare . London: Methuen & Company.
474:. Patrick Cheney, Cambridge University Press, Cambridge.
899:. The Pelican Shakespeare (Rev. ed.). New York:
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570:A New Variorum Edition of Shakespeare: The Sonnets
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683:
648:
610:
361:marriage service in the phrasing of the couplet.
851:Mowat, Barbara A.; Werstine, Paul, eds. (2006).
458:On the Literary Genetics of Shakspeare's Sonnets
273:Sonnet 22 is a typical English or Shakespeare
165:Which in thy breast doth live, as thine in me:
2159:
1009:
939:The Belknap Press of Harvard University Press
492:Shake-speares Sonnets: Never Before Imprinted
308:, a metrically strong syllabic position. × =
182:Thou gav’st me thine, not to give back again.
173:Bearing thy heart, which I will keep so chary
8:
984:Paraphrase and analysis (Shakespeare-online)
238:, and is a part of the Fair Youth sequence.
178:Presume not on thy heart when mine is slain;
816:The Sonnets ; and, A Lover's Complaint
234:written by the English playwright and poet
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277:. Shakespearean sonnets consists of three
155:So long as youth and thou are of one date;
104:
420:
418:
289:: ABAB CDCD EFEF GG. They are written in
175:As tender nurse her babe from faring ill.
169:O, therefore, love, be of thyself so wary
159:Then look I death my days should expiate.
157:But when in thee time’s furrows I behold,
71:Learn how and when to remove this message
732:, third series (Rev. ed.). London:
467:. Princeton University Press, Princeton.
335:'s Sonnet 48; instances may be found in
171:As I, not for myself, but for thee will,
161:For all that beauty that doth cover thee
153:My glass shall not persuade me I am old,
34:This article includes a list of general
460:. University of Illinois Press, Urbana.
389:
167:How can I then be elder than thou art?
163:Is but the seemly raiment of my heart,
85:
1768:Complete Works of William Shakespeare
7:
619:Fairleigh Dickinson University Press
2128:
1943:Shakespeare's influence on Tolkien
465:The Sense of Shakespeare's Sonnets
40:it lacks sufficient corresponding
14:
854:Shakespeare's Sonnets & Poems
400:The Works of Shakespeare: Sonnets
2876:
2127:
2118:
2117:
1471:
971:
933:The Art of Shakespeare's Sonnets
116:
25:
433:Essays on Shakespeare's Sonnets
372:suggested "expirate"; however,
312:. (×) = extrametrical syllable.
3068:Sonnets by William Shakespeare
1948:Works titled after Shakespeare
686:The Complete Sonnets and Poems
342:Countess of Pembroke's Arcadia
1:
2108:Shakespeare and other authors
780:The New Cambridge Shakespeare
609:Atkins, Carl D., ed. (2007).
470:Schoenfeldt, Michael (2007).
353:used it when he was only 31.
1990:Shakespeare Birthplace Trust
937:. Cambridge, Massachusetts:
655:(Rev. ed.). New Haven:
397:Pooler, C Knox, ed. (1918).
110:Sonnet 22 in the 1609 Quarto
1796:English Renaissance theatre
1639:The Second Maiden's Tragedy
1618:The Merry Devil of Edmonton
1150:The Two Gentlemen of Verona
682:Burrow, Colin, ed. (2002).
479:First edition and facsimile
83:Poem by William Shakespeare
16:Poem by William Shakespeare
3084:
1964:Folger Shakespeare Library
1510:The Phoenix and the Turtle
1100:The Merry Wives of Windsor
859:Folger Shakespeare Library
784:Cambridge University Press
574:J. B. Lippincott & Co.
545:The Sonnets of Shakespeare
2874:
2102:
1983:Royal Shakespeare Theatre
1978:Royal Shakespeare Company
1469:
1107:A Midsummer Night's Dream
1051:All's Well That Ends Well
550:Houghton Mifflin Harcourt
357:perceives an echo of the
124:
115:
103:
1121:Pericles, Prince of Tyre
602:Modern critical editions
540:Alden, Raymond Macdonald
285:, and follow the form's
1129:The Taming of the Shrew
978:Sonnet 22 (Shakespeare)
863:Washington Square Press
822:New Penguin Shakespeare
722:Duncan-Jones, Katherine
696:Oxford University Press
456:Baldwin, T. W. (1950).
55:more precise citations.
1811:Lord Chamberlain's Men
1722:The Passionate Pilgrim
1495:comparison to Petrarch
1114:Much Ado About Nothing
1093:The Merchant of Venice
692:The Oxford Shakespeare
463:Hubler, Edwin (1952).
2175:Shakespeare's sonnets
2001:Shakespeare Institute
1970:Shakespeare Quarterly
1489:Shakespeare's sonnets
1157:The Two Noble Kinsmen
726:Shakespeare's Sonnets
651:Shakespeare's Sonnets
566:Rollins, Hyder Edward
215:—William Shakespeare
2182:"Fair Youth" sonnets
1857:Spelling of his name
1697:Vortigern and Rowena
1675:Thomas Lord Cromwell
1255:Troilus and Cressida
1185:Antony and Cleopatra
1079:Love's Labour's Lost
1065:The Comedy of Errors
487:Shakespeare, William
2190:Procreation sonnets
2081:Richard Shakespeare
2063:Gilbert Shakespeare
1995:Shakespeare's Globe
1900:Authorship question
1895:Attribution studies
1862:Stratford-upon-Avon
1704:A Yorkshire Tragedy
1682:Thomas of Woodstock
1668:The Spanish Tragedy
1609:Love's Labour's Won
1601:The London Prodigal
1558:The Birth of Merlin
1517:The Rape of Lucrece
1503:A Lover's Complaint
1383:Quarto publications
1086:Measure for Measure
1025:William Shakespeare
768:Evans, G. Blakemore
327:Source and analysis
293:, a type of poetic
236:William Shakespeare
2075:Edmund Shakespeare
2033:Hamnet Shakespeare
1930:Screen adaptations
1653:Sir John Oldcastle
1551:Arden of Faversham
426:Larsen, Kenneth J.
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2009:
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1467:
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1165:The Winter's Tale
976:Works related to
824:(Rev. ed.).
743:978-1-4080-1797-5
730:Arden Shakespeare
628:978-0-8386-4163-7
532:Variorum editions
291:iambic pentameter
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2051:John Shakespeare
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1646:Sejanus His Fall
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61:December 2014
54:
50:
44:
43:
37:
32:
23:
22:
19:
2310:
2095:(son-in-law)
2089:(son-in-law)
2027:Susanna Hall
1968:
1957:Institutions
1936:
1781:Coat of arms
1774:Translations
1766:
1762:Bibliography
1729:To the Queen
1727:
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1393:Second Folio
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861:. New York:
853:
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436:. Retrieved
432:
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363:
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317:
315:
309:
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287:rhyme scheme
272:
260:
252:
240:
227:
226:
189:
152:
130:
67:
58:
39:
18:
2133:WikiProject
1820:The Theatre
1806:Handwriting
1632:The Puritan
1423:Characters
1388:First Folio
1356:Richard III
1136:The Tempest
895:The Sonnets
774:The Sonnets
758:1st edition
617:. Madison:
505:Lee, Sidney
438:14 December
429:"Sonnet 22"
232:154 sonnets
53:introducing
2596:Rival Poet
2057:Mary Arden
2041:(daughter)
2029:(daughter)
1905:Bardolatry
1815:King's Men
1757:Birthplace
1444:Chronology
1363:Henry VIII
1290:Richard II
1282:Edward III
1192:Coriolanus
734:Bloomsbury
694:. Oxford:
548:. Boston:
513:. Oxford:
495:. London:
384:References
230:is one of
36:references
2890:" sonnets
2888:Dark Lady
2087:John Hall
2077:(brother)
2065:(brother)
1997:(replica)
1937:Star Trek
1925:Memorials
1920:Influence
1910:Festivals
1852:Sexuality
1842:Portraits
1837:New Place
1689:Ur-Hamlet
1625:Mucedorus
1535:Apocrypha
1275:King John
1266:Histories
1213:King Lear
1176:Tragedies
1072:Cymbeline
752:755065951
591:Volume II
523:458829162
366:atonement
279:quatrains
269:Structure
255:young man
228:Sonnet 22
99:Sonnet 22
3062:Category
2123:Category
2071:(sister)
2059:(mother)
2053:(father)
1565:Cardenio
1454:Settings
1402:See also
1325:Henry VI
1296:Henry IV
1042:Comedies
989:Analysis
957:36806589
919:46683809
881:64594469
844:15018446
802:32272082
714:48532938
637:86090499
587:Volume I
489:(1609).
359:Anglican
333:Petrarch
310:nonictus
249:Synopsis
2857:"Envoy"
2598:sonnets
1915:Gardens
1791:Editors
1594:Locrine
1587:Fair Em
1419:Henriad
1318:Henry V
1227:Othello
1220:Macbeth
675:2968040
581:6028485
451:Sources
409:4770201
283:couplet
241:In the
49:improve
2112:† Lost
2023:(wife)
2014:Family
1887:Legacy
1459:Scenes
1199:Hamlet
955:
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558:234756
556:
521:
407:
275:sonnet
243:sonnet
38:, but
2035:(son)
1877:Grave
1867:Style
1832:Music
1749:works
1714:Poems
1543:Plays
1481:Poems
1033:Plays
306:ictus
295:metre
1872:Will
1747:and
1744:Life
953:OCLC
943:ISBN
915:OCLC
905:ISBN
877:OCLC
867:ISBN
840:OCLC
830:ISBN
798:OCLC
788:ISBN
748:OCLC
738:ISBN
710:OCLC
700:ISBN
671:OCLC
661:ISBN
633:OCLC
623:ISBN
589:and
577:OCLC
554:OCLC
519:OCLC
440:2014
405:OCLC
304:/ =
3043:154
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2763:108
2758:107
2753:106
2748:105
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2733:102
2728:101
2723:100
1432:L–Z
1427:A–K
206:14
3064::
2718:99
2713:98
2708:97
2703:96
2698:95
2693:94
2688:93
2683:92
2678:91
2673:90
2668:89
2663:88
2658:87
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