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The third movement is a rondo-like dance, starting and finishing in C major. The pianos introduce the movement, followed by the xylophone. At the end of the work the last notes of the pianos die away, there is a concluding duet for snare drum and cymbal, and the sonata ends extremely quietly.
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253:. There are clearly delineated sections – introduction, exposition, development, recapitulation and coda – but Bartók eschews the customary relationships between keys, beginning the movement in F
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relationship is not unusual for Bartók; it may be found in many of his other compositions, including the first movement of his well-known work,
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concert on 14 November 1942, with percussionists Ernest
Gillegin and Frederick Bradshaw, the then husband and wife piano team of
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time. The movement is also untypical of classical sonata form in that it constitutes half the playing time of the whole work.
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in 1940, with the percussionists Saul
Goodman and Henry Deneke. It has since become one of Bartók's most performed works.
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The score requires four performers: two pianists and two percussionists, who play seven instruments between them:
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This movement displays the classical "middle movement" ternary A–B–A form. It is an example of Bartók's
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In 1940, at the suggestion of his publisher and agent, Heinsheimer, Bartók orchestrated the sonata as
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323:. The parts for the four soloists were essentially unchanged. The world premiere was given at the
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and ending in C major, with excursions into several unexpected keys in between. This structural
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359:. This was Bartók's final public appearance as a performer. He died of leukemia in 1945.
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Peters, Rainer. Notes to Neos CD 20901, "Concerti I: Mozart – Liszt – Bartók" (2010)
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347:. The composer and Ditta Pásztory-Bartók were piano soloists in a performance at
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110, BB 115, is a musical piece written by
Hungarian composer
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The first movement is in a modified version of traditional
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Kárpáti, János; MacNicol, Fred; Steiner, Maria (1994).
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Cross, Lowell. Notes to Music and Arts CD 648 (1990)
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454:, Percussive Arts Society, accessed 23 April 2013
321:Concerto for Two Pianos, Percussion and Orchestra
138:(ISCM) anniversary concert of 16 January 1938 in
832:Eight Improvisations on Hungarian Peasant Songs
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442:) contains material relevant to this article.
130:was premiered by Bartók and his second wife,
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136:International Society for Contemporary Music
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351:in New York on January 21, 1943, with the
228:This segment of the sonata features pedal
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719:Music for Strings, Percussion and Celesta
266:Music for Strings, Percussion and Celesta
16:1937 musical piece written by Béla Bartók
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370:used this sonata for his 1975 ballet
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750:Sonata for Two Pianos and Percussion
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116:Sonata for Two Pianos and Percussion
22:Sonata for Two Pianos and Percussion
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1206:Piano compositions by Béla Bartók
1196:Music commissioned by Paul Sacher
957:Three Rondos on Slovak Folk Tunes
699:Divertimento for String Orchestra
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240:Problems playing this file? See
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839:Fifteen Hungarian Peasant Songs
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1050:Béla Bartók Music High School
341:London Philharmonic Orchestra
1176:Chamber music by Béla Bartók
169:(both on- and off- snares),
195:Assai lento – Allegro molto
185:The work consists of three
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996:Twenty Hungarian Folksongs
329:Royal Philharmonic Society
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982:Eight Hungarian Folksongs
950:Three Hungarian Folktunes
905:Romanian Christmas Carols
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86:16 January 1938
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1097:Suite paysanne hongroise
989:Five Hungarian Folksongs
874:Nine Little Piano Pieces
495:, 14 November 1942, p. 8
214:First movement (excerpt)
737:44 Duos for Two Violins
614:The Miraculous Mandarin
515:(subscription required)
1186:Sonatas for two pianos
1091:Polymodal chromaticism
755:Sonata for Solo Violin
689:Concerto for Orchestra
663:Violin Concerto No. 2
658:Violin Concerto No. 1
530:, kennethmacmillan.com
427:Bartók's Chamber Music
232:during a timpani roll.
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353:New York Philharmonic
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132:Ditta Pásztory-Bartók
1066:Hungarian folk music
1028:Homage to Paderewski
912:Romanian Folk Dances
648:Piano Concerto No. 3
643:Piano Concerto No. 2
638:Piano Concerto No. 1
579:List of compositions
397:Bartók and his world
394:Laki, Peter (1995).
290:Lento, ma non troppo
964:Two Romanian Dances
860:Fourteen Bagatelles
297:"night music" idiom
1076:Musical cryptogram
1003:Five Songs, Op. 15
705:Hungarian Pictures
596:Bluebeard's Castle
513:, 21 January 1943
510:The New York Times
305:Allegro non troppo
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1191:1937 compositions
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621:The Wooden Prince
368:Kenneth MacMillan
325:Royal Albert Hall
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1201:Percussion music
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345:Sir Adrian Boult
315:Concerto version
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936:Ten Easy Pieces
919:Slovakian Dance
899:Rhapsody, Op. 1
825:Allegro barbaro
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807:Cantata Profana
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41:Bartók in 1927
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1081:Neoclassicism
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505:"Music Notes"
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355:conducted by
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126:in 1937. The
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894:Piano Sonata
888:Petite Suite
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881:Out of Doors
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846:For Children
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489:"Concerts",
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432:Google Books
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402:Google Books
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357:Fritz Reiner
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1086:Night music
867:Mikrokosmos
853:Four Dirges
694:Dance Suite
631:Concertante
568:Béla Bartók
404:, page 11.
337:Ilona Kabos
251:sonata form
173:(gong) and
124:Béla Bartók
29:Béla Bartók
1170:Categories
682:Orchestral
440:094519319X
382:References
378:, London.
339:, and the
242:media help
230:glissandos
167:snare drum
90:1938-01-16
1038:Namesakes
744:Contrasts
492:The Times
187:movements
181:Movements
175:xylophone
155:bass drum
144:Town Hall
105:Movements
82:Performed
47:Catalogue
1123:Category
1104:Triptych
925:Sonatina
256:♯
163:triangle
67:Composed
1181:Sonatas
1059:Related
729:Chamber
712:Kossuth
606:Ballets
527:Rituals
372:Rituals
261:tritone
171:tam-tam
159:cymbals
151:timpani
88: (
72: (
1146:Portal
799:Choral
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408:
363:Ballet
128:sonata
59:BB 115
1133:Audio
974:Songs
817:Piano
789:No. 6
784:No. 5
779:No. 4
774:No. 3
769:No. 2
764:No. 1
588:Opera
303:III.
140:Basel
108:three
97:Basel
436:ISBN
406:ISBN
374:for
335:and
288:II.
114:The
74:1937
70:1937
430:at
400:at
193:I.
120:Sz.
56:110
54:Sz.
27:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
