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390:. According to E. Power Biggs, Reubke inverts the second half of the original theme, thereby imparting a new drive, energy, and excitement to the music. The exposition and counter-exposition are regular, the subject appearing only on the
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of the piece provides the basis of all the rest of the thematic material. This music is an interpretation of the text 'Herr, Gott, des die Rache ist, erscheine'; a head-motif is followed by a descending
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and movements, which allows the avoidance of regular structures. All thematic phrases are also shaped irregularly, producing such great diversity that no musical idea is repeated exactly.
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sonata is in the repertoire of most concert organists, and has been recorded by many well-known players such as
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118:, and living at the Altenburg house. He composed it at the same time as his other large work, the
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of the third group of verses, and closes with a reappearance of the opening theme of the sonata.
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19 In the multitude of sorrows that I had in my heart: thy comforts have refreshed my soul.
160:. It is nonetheless a very individual work composed well for the organ, requiring advanced
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is used to inspire the mood of the piece. These verses accompanied the first performance:
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Ich hatte viel Bekümmernis in meinem Herzen, aber deine Tröstungen ergötzen meine Seele.
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17 If the Lord had not helped me: it had not failed but my soul had been put to silence.
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7 And yet they say the Lord shall not see: neither shall the God of Jacob regard it.
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23 He shall recompense them their wickedness, and destroy them in their own malice.
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and with full organ. Unlike similar dramatic compositions in which a contrasting
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Erhebe Dich, Du
Richter der Welt: vergilt den Hoffärtigen, was sie verdienen.
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2 Arise, thou Judge of the world: and reward the proud after their deserving.
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6 They murder the widow, and the stranger: and put the fatherless to death.
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Reubke composed the sonata while he was studying piano and composition in
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331:, depicts the second group of verses, leading into a recapitulation in
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22 But the Lord is my refuge: and my God is the strength of confidence.
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Wo der Herr mir nicht hülfe, so läge meine Seele schier in der Stille.
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und sagen: der Herr sieht es nicht an der Gott Jacobs achtet es nicht.
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which also has elements of sonata form. An impression of spontaneous
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492:. There is also a variation of the piece compiled and performed by
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Er wird ihnen
Unrecht vergelten und sie um ihre Bosheit vertilgen.
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401:. The opening chords of the sonata appear once more in a linking
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technique and a resourceful use of all the organ's departments.
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122:, and finished it in April 1857. He dedicated it to Professor
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theme is usually introduced, leading to a final victorious
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closes the work, depicting God's judgment and victory over
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as part of his organ soundtrack score for the 1922 film, "
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1 O Lord God, to whom vengeance belongeth, shew thyself.
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Witwen und
Fremdlinge erwürgen sie und töten die Weisen
260:Aber der Herr ist mein Hort und meine Zuversicht.
295:is achieved by the overlapping and enmeshing of
48:. It is considered one of the pinnacles of the
95:An average performance lasts 23 – 28 minutes.
220:Herr, wie lange sollen die Gottlosen prahlen?
8:
217:3 Lord, how long shall the ungodly triumph?
20:The opening of the Sonata on the 94th Psalm
752:International Music Score Library Project
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327:section of the first movement, from the
203:Herr Gott, des die Rache ist, erscheine.
141:is considered to be inspired by Liszt's
729:Reubke's Organ Sonata on the 94th Psalm
369:The subject of the final-movement fugue
417:, the sonata ends with an accelerated
283:The first and second movements are in
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279:A pedal passage in the 1st movement
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737:Vol. 73, No. 1074, August 1, 1932
425:chords, depicting the gravity of
143:Fantasy and Fugue on the chorale
319:follow, a musical invocation of
126:and played the premiere on the
1:
772:Compositions by Julius Reubke
342:second movement depicts the
120:Piano Sonata in B-flat minor
673:First Congregational Church
535:Methuen Memorial Music Hall
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433:Performance and recordings
287:; the third movement is a
145:Ad nos, ad salutarem undam
55:It is in three movements:
711:Julius Reubke (1834-1858)
574:Gloucester, Massachusetts
748:Sonata on the 94th Psalm
570:John Hays Hammond Museum
184:in that the text of the
26:Sonata on the 94th Psalm
44:, based on the text of
767:Compositions for organ
539:Methuen, Massachusetts
378:
370:
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152:, symphonic poems and
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130:organ (1853-1855) of
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19:
547:Columbia Masterworks
399:degrees of the scale
635:Christopher Herrick
617:Deutsche Grammophon
466:Christopher Herrick
214:(Allegro con fuoco)
197:(Grave - Larghetto)
132:Merseburg Cathedral
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134:on June 17, 1857.
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22:
734:The Musical Times
701:
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605:Westminster Abbey
518:Catalogue Number
450:Michael Schönheit
446:Catherine Crozier
329:allegro con fuoco
139:94th Psalm Sonata
71:con fuoco - Grave
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750:: Scores at the
725:, NI 5361 (1993)
717:'s recording of
709:Michael Gailit:
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640:Hallgrímskirkja
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427:divine judgment
421:and huge final
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309:chromatic scale
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182:programme music
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84:III. Allegro -
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742:External links
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723:Nimbus Records
719:The 94th Psalm
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530:E. Power Biggs
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494:Timothy Howard
474:Jeremy Filsell
442:E. Power Biggs
438:The 94th Psalm
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405:episode, in a
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192:The 94th Psalm
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178:symphonic poem
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669:David Briggs
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600:Simon Preston
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458:Alan Morrison
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407:dotted rhythm
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403:developmental
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344:Bekümmernisse
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293:improvisation
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90:Allegro assai
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42:Julius Reubke
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715:Kevin Bowyer
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524:Mono/Stereo
490:Jean Guillou
486:David Briggs
482:Kevin Bowyer
470:Gillian Weir
437:
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356:consolations
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333:organo pleno
328:
311:. Ascending
302:The opening
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176:sonata is a
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150:Piano Sonata
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52:repertoire.
25:
23:
713:, notes to
677:Los Angeles
478:Daniel Roth
325:development
285:sonata form
124:Carl Riedel
116:Franz Liszt
99:Composition
761:Categories
621:415 139-2
582:RCA Victor
565:Virgil Fox
462:Virgil Fox
415:apotheosis
382:A furious
377:The ending
352:Tröstungen
174:94th Psalm
656:CDA66917
644:Reykjavík
506:Organist
498:Nosferatu
254:(Allegro)
168:Programme
86:Più mosso
65:Larghetto
36:for solo
652:Hyperion
586:LM-1917
551:ML 4870
396:dominant
237:(Adagio)
128:Ladegast
50:Romantic
46:Psalm 94
704:Sources
697:Stereo
689:DE3241
664:Stereo
629:Stereo
521:Medium
423:C minor
411:lyrical
348:sorrows
315:on the
297:phrases
69:Allegro
30:C minor
609:London
515:Label
509:Organ
350:) and
340:adagio
323:. The
317:manual
313:chords
158:operas
154:Wagner
112:Weimar
76:Adagio
34:sonata
731:, in
685:Delos
681:1999
648:1996
613:1985
594:Mono
578:1955
559:Mono
543:1953
512:Year
419:tempo
392:tonic
384:fugue
360:moods
304:theme
289:fugue
186:psalm
162:pedal
114:with
80:Lento
61:Grave
38:organ
32:is a
488:and
394:and
388:evil
338:The
271:Form
172:The
137:The
74:II.
24:The
500:."
321:God
156:'s
59:I.
40:by
28:in
763::
721:,
693:CD
675:,
660:CD
642:,
625:CD
607:,
590:LP
572:,
555:LP
537:,
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429:.
358:)
335:.
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354:(
346:(
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