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Song of the hoe

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1242:). This activity has also been associated with creating clay figurines. The second Sumerian tradition which compares men to plants, made to "break through the ground", an allusion to imagery of the fertility or mother goddess and giving an image of man being "planted" in the ground. Wayne Horowitz notes that five Sumerian myths recount a creation scene with the separation of heaven and earth. He further notes the figurative imagery relaying the relationship between the creation of agricultural implements making a function for mankind and thereby its creation from the "seed of the land". The myth was called the "Creation of the Pickax" by Samuel Noah Kramer, a name by which it is referred in older sources. In Sumerian literature, the hoe or pickaxe is used not only in creation of the Ekur but also described as the tool of its destruction in 17: 50: 1020:"Not only did the lord make the world appear in its correct form, the lord who never changes the destinies which he determines – Enlil – who will make the human seed of the Land come forth from the earth – and not only did he hasten to separate heaven from earth, and hasten to separate earth from heaven, but, in order to make it possible for humans to grow in "where flesh came forth" , he first raised the axis of the world at 1257:'s categorization of cosmogenic myths. Creation has been suggested to have been the responsibility of different gods via different processes. Creation via a cosmological agricultural implement seems to occupy a unique place in the creation myth genre. The song was meant to be sung aloud with the repetition of the word hoe or "al" a total of forty five times in the text with common use of the two 1940:
Farber, Gertrud., ""Das Lied von der Hacke", ein literarischer Spass?", in Klengel, Horst and, Renger, Johannes (eds.), Landwirtschaft im Alten Orient: ausgewählte Vorträge der XLI. Rencontre Assyriologique Internationale Berlin., 4.-8.7.1994 (Berliner Beiträge zum Vorderen Orient, 18), Dietrich
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did not function. Two of the major traditions of the Sumerian concept of the creation of man are discussed in the myth. The first is the creation of mankind from brick moulds or clay. This has notable similarities to the creation of man from the dust of the earth in the
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Farber, Gertrud., "Sumerian Canonical Compositions. A. Divine Focus. 1. Myths: The Song of the Hoe (1.157)", in Hallo, William W. (ed.), The Context of Scripture, I: Canonical Compositions from the Biblical World. Brill: Leiden/New York/Köln, 511-513,
1277:. He suggests that "perhaps by praising the simple tool of an extremely important group of laborers, and imbuing it with cosmological significance, those wielders of the hoe are themselves brought into a grand cosmological drama." 1936:
Edzard, Dietz Otto., "U 7804 // UET VI/1 26: "Gedicht von der Hacke"", in George, A. R. (ed.), and Finkel, I. L., Wisdom, Gods and Literature: Studies in Assyriology in Honour of W. G. Lambert, Eisenbrauns: Winona Lake, 131-135,
1273:. Gary Martin discusses the sociological benefits of singing songs to a hoe, to remind people that they wield the implement of Enlil and of creation. That they can participate in creativity and work well to preserve and improve 1220:
and the ability to build roads, canals and eventually the first proto-cities. One of the tablets from the Yale Babylonian Collection was published by J.J. Van Dijk which spoke of three cosmic realms; heaven, earth and
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in 1928 along with several others to bring it to its present form, which is virtually complete. The latest composite text and translation was produced in 1996 by H. Behrens, B. Jagersma and Joachim Krecher.
940: 995:. The verb-forms and nouns also frequently start with, or contain the syllable "al" (or "ar"), suggesting the writer intended it for humour as a satirical school text or as a 1030:
The myth continues with a description of Enlil creating daylight with his hoe; he goes on to praise its construction and creation. Enlil's mighty hoe is said to be made of
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and address humanity's place in the world. Some of the debates may be from 2100 BC. The song of the hoe stands alone in its own sub-category as a one-sided debate poem.
835: 1189:; the hoe is an overseer. The hoe is brick moulds; the hoe has made people exist. It is the hoe that is the strength of young manhood. The hoe and the 1669:
British museum and Pennsylvania University. University museum. Joint expedition to Mesopotamia; Pennsylvania University. University museum (1928).
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Modern society may have trouble comprehending the virtue of extolling a tool such as the lowly hoe, for the Sumerians the implement had brought
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Pettinato, Giovanni., Das altorientalische Menschenbild und die sumerischen und akkadischen Schöpfungsmythen. Winter: Heidelberg, 82-85, 1971.
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Song of the hoe., Black, J.A., Cunningham, G., Robson, E., and ZĂłlyomi, G., The Electronic Text Corpus of Sumerian Literature, Oxford 1998-.
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Civil, Miguel., The Farmer's Instructions. A Sumerian Agricultural Manual. (Aula Orientalis Supplementa, 5) Editorial Ausa: Sabadell, 1994.
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Musée du Louvre. Département des antiquités orientales et de la céramique antique; Musée du Louvre. Département des antiquités orientales.
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also set about building. The useful construction and agricultural uses of the hoe are summarized, along with its capabilities for use as a
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included CBS tablets 8531, 10310, 10335, 29.16.23, 29.16.436. He also included translations from tablets in the Nippur collection of the
63: 1197:. It builds the right kind of house; it cultivates the right kind of fields. It is you, hoe, that extend the good agricultural land! 1972: 1755: 1317: 1302: 1066:
praises the hoe; they start reproducing and Enlil makes numerous shining hoes, for everyone to begin work. Enlil then founds the
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Königliche Museen zu Berlin. Vorderasiatische Abteilung; Heinrich Zimmern; Otto Schroeder; H. H. Figulla; et al. (1966).
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Cheira, Edward., Sumerian Epics and Myths, University of Chicago, Oriental Institute Publications, 1934. Online Version
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in a time when darkness covered an arid land, when heaven and earth were joined and the Enlil's universal laws, the
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Jacobsen, Thorkild., "Sumerian Mythology, a Review Article", Journal of Near Eastern Studies 5, 128-152: 134, 1946.
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Kramer, Samuel Noah., Sumerian Mythology. The American Philosophical Society: Philadelphia, 51-53, 1944.
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The song of the hoe - Bibliography - The Electronic Text Corpus of Sumerian Literature, Oxford 1998-.
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Wilcke, Claus., "Hacke - B. Philologisch", in Reallexikon der Assyriologie 4, 33-38: 36-38, 1972.
967: 115: 1911: 1139:"dead people are also brought up from the ground by the hoe. With the hoe, the hero honoured by 1876: 1842: 1836: 1808: 1771: 1719: 1592: 1588:
Sumerian mythology: a study of spiritual and literary achievement in the third millennium B.C.
1463: 1457: 1418: 1412: 1384: 1347: 1131: 1082:. Various gods are then described establishing construction projects in other cities, such as 1059: 861: 783: 676: 93: 1870: 1802: 1378: 1332: 1307: 721: 671: 776: 1759: 1700: 1287: 1254: 1231: 919:, numbers 80170, 132243 (unpublished) and 139993. Two tablets of the myth are held by the 661: 344: 216: 1444: 958:. Tablets from this collection, numbers 8111, 13122, 13382 and 13864 were documented by 1930:
Civil, Miguel., "Review of CT 44", Journal of Near Eastern Studies 28, 70-72: 70, 1969.
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Seven debate topics are known from the Sumerian literature, falling in the category of
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Sumerian literary texts from Nippur: in the Museum of the Ancient Orient at Istanbul
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Jeremy A. Black; Jeremy Black; Graham Cunningham; Eleanor Robson (13 April 2006).
899:, etc. These topics came some centuries after writing was established in Sumerian 691: 1978:
Composite text - The Electronic Text Corpus of Sumerian Literature, Oxford 1998-.
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Sumerian literary tablets and fragments in the archeological museum of Istanbul-I
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Bibliography - The Electronic Text Corpus of Sumerian Literature, Oxford 1998-.
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Weep, O daughter of Zion: a study of the city-lament genre in the Hebrew Bible
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The Context of Scripture: Canonical compositions from the biblical world
1180:. The hymn ends with extensive praisings of the hoe, Enlil, and Nisaba: 404: 1274: 1261:
together "al"/"ar". A cosmological link is suggested between the hoe's
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The poem is composed of the frequent use of the word "al", which means
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and fastened by cord. It is inlaid with lapis lazuli and adorned with
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Cuneiform texts from Babylonian tablets in the British museum, 58, 52
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Cuneiform texts from Babylonian tablets in the British museum, 44, 10
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Babylonian collection, numbers 5487, 7070 and 11941. Lines of the
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University of Pennsylvania Museum of Archaeology and Anthropology
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and for burying the dead. Allusions are made to the scenes of
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British Museum. Dept. of Egyptian and Assyrian Antiquities.
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British Museum. Dept. of Egyptian and Assyrian Antiquities.
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From the poetry of Sumer: creation, glorification, adoration
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hoes, similar in appearance to the first Near Eastern hoes.
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The cosmological position of the hoe does not fit into
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William W. Hallo; K. Lawson Younger (January 1997).
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The Sumerians: their history, culture and character
1151:– is as powerful as a hunting net. The sage son of 927:, number AO 7087 & AO 8898. One is held in the 1269:; making everything prosper and flourish within a 1159:. With the hoe, he is the great "kindajal" of the 1776:. Brill Archive. pp. 140–. GGKEY:SDQ069KTBZ0 1672:Ur excavations texts... 6/3 152, 6/3 168, 6/3 206 871:from the last century of the 3rd millennium BCE. 1383:. University of California Press. pp. 25–. 1182: 1136: 1017: 1417:. University of Chicago Press. pp. 218–. 999:. The song starts with a creation myth where 947:section (CBS), from their excavations at the 829: 8: 1875:. GBPress Pont. Ist.Biblicum. pp. 57–. 1807:. Jewish Publication Society. pp. 21–. 1372: 1370: 1368: 1070:with his hoe whilst a "god-man" called Lord 1042:and gold. Enlil makes civilized man, from a 1563:Sumerian epics and myths, 33, 34, 37 and 39 1910:. University of Washington. Archived from 1462:. Oxford University Press. pp. 311–. 915:Three tablets of the myth are held by the 836: 822: 26: 1748: 1746: 1744: 1742: 1591:Forgotten Books. pp. 75 & 165. 1538:Vorderasiatische Schriftdenkmäler 24, 68 1524:. Librairie orientaliste, Paul Geuthner. 1804:Studies in Bible and feminist criticism 1625:. American Schools of Oriental Research 1364: 38: 1941:Reimer Verlag: Berlin, 369-373, 1999. 1644:Muazzez Cig; Hatice Kizilyay (1969). 897:The Dispute between Silver and Copper 7: 1522:Textes cunĂ©iformes, 16, 72 & 92 64:Religions of the ancient Near East 14: 1566:. The University of Chicago Press 1377:Samuel Noah Kramer (April 1979). 1318:Self-praise of Shulgi (Shulgi D) 1303:Debate between Winter and Summer 1172:is suggested to create both the 931:, number 17378 and three at the 893:Debate between Winter and Summer 1459:The Literature of Ancient Sumer 929:Vorderasiatisches Museum Berlin 770:Enmerkar and the Lord of Aratta 1841:. Eisenbrauns. pp. 134–. 1293:Debate between sheep and grain 1003:separates heaven and earth in 885:Debate between sheep and grain 852:, sometimes also known as the 1: 1838:Mesopotamian cosmic geography 1046:mould with his hoe – and the 1998:3rd-millennium BC literature 1869:F. W. Dobbs-Allsopp (1993). 1298:Debate between bird and fish 972:Museum of the Ancient Orient 889:Debate between bird and fish 1619:Samuel Noah Kramer (1944). 1585:Samuel Noah Kramer (1961). 1411:Samuel Noah Kramer (1964). 1193:are the tools for building 2044: 1799:Tikva Simone Frymer-Kensky 964:"Sumerian Epics and Myths" 1143:, the younger brother of 1062:start organizing things. 1034:, with the blade made of 883:; some examples are: The 53:Chaos Monster and Sun God 1835:Wayne Horowitz (1998). 1650:. Tarih Kurumu Basimevi 939:were discovered on the 854:Creation of the pickaxe 1905:"The Cosmological Hoe" 1560:Edward Chiera (1964). 1201: 1167: 1028: 980:"Ur excavations texts" 54: 24: 2028:Comparative mythology 2023:Religious cosmologies 2003:Sumerian disputations 1903:Martin, Gary (2005). 1773:religious of the past 1343:Sumerian disputations 1323:Old Babylonian oracle 1050:start to praise him. 858:Praise of the pickaxe 174:Seven gods who decree 52: 42:Mesopotamian religion 19: 1155:is pre-eminent with 697:Seven-headed serpent 636:Spirits and monsters 1445:Sumerian literature 1353:Sumerian literature 943:, catalogue of the 572:Demigods and heroes 236:Other major deities 2013:Mesopotamian myths 1758:2009-04-02 at the 1699:2009-04-03 at the 1246:hymns such as the 1126:'s ferry over the 1013:Garden of the Gods 968:Samuel Noah Kramer 903:. The debates are 55: 25: 21:Late Mississippian 1882:978-88-7653-346-4 1848:978-0-931464-99-7 1814:978-0-8276-0798-9 1753:ETCSL Translation 1725:978-90-04-10618-5 1598:978-1-60506-049-1 1541:. Louis D. Levine 1469:978-0-19-929633-0 1424:978-0-226-45238-8 1390:978-0-520-03703-8 1348:Sumerian religion 1132:Epic of Gilgamesh 846: 845: 784:Epic of Gilgamesh 129:Primordial beings 2035: 1919: 1918: 1916: 1909: 1900: 1894: 1893: 1891: 1889: 1866: 1860: 1859: 1857: 1855: 1832: 1826: 1825: 1823: 1821: 1795: 1786: 1785: 1783: 1781: 1768: 1762: 1750: 1737: 1736: 1734: 1732: 1709: 1703: 1691: 1685: 1684: 1682: 1680: 1675:. 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Index


Late Mississippian
a series
Ancient
Mesopotamian religion

Chaos Monster and Sun God
Religions of the ancient Near East
Anatolia
Ancient Egypt
Mesopotamia
Babylonia
Sumer
Iranian
Semitic
Arabia
Canaan
Tiamat
Abzu
Lahamu
Lahmu
Kishar
Anshar
Mummu
Anu
Enlil
Enki
Ninhursag
Inanna/Ishtar
Nanna/Sin
Utu/Shamash
Adad

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