206:
31:
65:
it produces. The air inside the chamber has its own resonances, and these interact with the resonances of the body, altering the resonances of the instrument as a whole. The sound box typically adds
132:
enclosure. However, in these cases the box resonance is carefully tuned so as to make the sound more equal across frequencies, rather than to impart a particular character to the reinforced sound.
180:
Springer
Publications, 2007, p. 582 "The use of a resonant air cavity to boost the low-frequency response has been a common feature of almost every stringed instrument from ancient times."
57:
which modifies the sound of the instrument, and helps transfer that sound to the surrounding air. Objects respond more strongly to vibrations at certain frequencies, known as
247:
266:
113:
have at least one open end of the sound box covered with animal skin (or a skin-like acrylic material). Open back banjos are normally used for
240:
128:
are also mounted on a sound box to enhance their output, particularly bass speakers. One notable example of this arrangement is called the
271:
233:
141:
61:. The frequency and strength of the resonances of the body of a musical instrument have a significant impact on the
146:
100:
151:
76:
The distinctive sound of an instrument with a sound box owes a lot to the alteration made to the
70:
54:
213:
156:
81:
217:
35:
136:
118:
92:
88:
260:
189:
205:
84:. The most notable exceptions are some electrically amplified instruments like the
62:
175:
129:
125:
114:
85:
66:
58:
30:
17:
77:
104:
96:
29:
109:
221:
27:Open chamber in the body of a musical instrument
241:
8:
248:
234:
69:at lower frequencies, enhancing the lower-
121:have the back covered with a resonator.
167:
53:) is an open chamber in the body of a
190:Medieval and Tudor string instruments
7:
202:
200:
103:instead. Drumhead lutes such as the
117:and frailing, while those used for
220:. You can help Knowledge (XXG) by
25:
204:
177:Springer Handbook of Acoustics.
80:. A sound box is found in most
267:String instrument construction
1:
142:Basic physics of the violin
288:
199:
147:Filter (signal processing)
212:This article relating to
272:String instrument stubs
124:In some arrangements,
38:
33:
174:Rossing, Thomas D.
73:of the instrument.
49:(sometimes written
214:string instruments
152:Frequency response
99:which uses only a
82:string instruments
71:frequency response
55:musical instrument
39:
229:
228:
157:Resonance chamber
16:(Redirected from
279:
250:
243:
236:
208:
201:
192:
187:
181:
172:
36:classical guitar
21:
287:
286:
282:
281:
280:
278:
277:
276:
257:
256:
255:
254:
197:
195:
188:
184:
173:
169:
165:
137:Acoustic guitar
93:electric violin
89:electric guitar
28:
23:
22:
15:
12:
11:
5:
285:
283:
275:
274:
269:
259:
258:
253:
252:
245:
238:
230:
227:
226:
209:
194:
193:
182:
166:
164:
161:
160:
159:
154:
149:
144:
139:
34:Soundbox of a
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
284:
273:
270:
268:
265:
264:
262:
251:
246:
244:
239:
237:
232:
231:
225:
223:
219:
215:
210:
207:
203:
198:
191:
186:
183:
179:
178:
171:
168:
162:
158:
155:
153:
150:
148:
145:
143:
140:
138:
135:
134:
133:
131:
127:
122:
120:
116:
112:
111:
106:
102:
98:
94:
90:
87:
83:
79:
74:
72:
68:
64:
60:
56:
52:
48:
44:
37:
32:
19:
222:expanding it
211:
196:
185:
176:
170:
126:loudspeakers
123:
108:
75:
63:tone quality
50:
47:sounding box
46:
42:
40:
18:Sounding box
130:bass reflex
101:sound board
261:Categories
163:References
115:clawhammer
95:, and the
86:solid body
67:resonances
59:resonances
119:bluegrass
43:sound box
51:soundbox
91:or the
216:is a
105:banjo
97:piano
218:stub
110:erhu
78:tone
107:or
45:or
263::
41:A
249:e
242:t
235:v
224:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
