889:, although Cann writes that this phrase was added to the cover to describe the artist and was not intended to replace the title. Mercury also changed Vasarely's artwork in favour of a different, but similar photograph by Dewhurst, placed against a plain blue background. Cann criticises this artwork, stating that it "suffered from sloppy technical application and the image appeared washed out as a result of poor duplication of the transparency". The musicians were credited on this release, while song lyrics still appeared on the inner gatefold. Cambridge later said that he "was really pleased to see I was credited inside" in 1991.
511:
758:-influenced "Wild Eyed Boy from Freecloud" is presented in a heavily expanded form compared to the original guitar-and-cello version on the B-side of the "Space Oddity" single; the album cut features a 50-piece orchestra. "Memory of a Free Festival" is Bowie's reminiscence of an arts festival he had organised in August 1969. Its drawn-out fade/chorus ("The Sun Machine is coming down / And we're gonna have a party") was compared to the Beatles' "
848:
809:(1968). According to Underwood, the sketches included "a fish in water, two astronauts holding a rose rats in bowler hats representing the Beckenham Arts Lab committee types was so pissed off with". Pegg says these items appear in the final picture, along with a Buddha, a lit joint, an "unmistakable" portrait of Farthingale and "a weeping woman (presumably the shoplifter in 'God Knows I'm Good') being comforted by a
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remarkable step forward from anything Bowie had recorded before". He highlights "Unwashed and
Somewhat Slightly Dazed", "Wild Eyed Boy from Freecloud" and "Cygnet Committee" as showcasing Bowie's evolution as a lyricist, but ultimately believes the "monolithic reputation" of "Space Oddity" does the album more harm than good. Spitz opines that while it is not as iconic as his 1970s works.
857:
49:
1548:"is first-rate as trippy rock records go". Sandford writes that "Space Oddity" aside, the record lacks a "voice", "punch" and "clarity", finding the songs vary from "mundane" (the two tributes to Farthingale) and "mawkish" ("God Knows I'm Good"), but ultimately finds moments of brilliance like his 1967 debut, naming "Unwashed and Somewhat Slightly Dazed" and "Janine".
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Gus is the technician, the arch 'mixer'. He listens to music and says, 'Yes, I like it – it's a groove.' His attitudes to music are very different from a lot of people in the business. With Tony
Visconti, who's producing my LP, it's part of his life. He lives with music all day long, it's going on in
798:
with blue and violet spots on a green background. The artwork, titled CTA 25 Neg, was designed by Bowie and
Mercury executive Calvin Mark Lee, who enthusiastically collected Vasarely's works; Lee is credited as CML33. The back cover was an illustration by Underwood and depicted lyrical aspects from
746:
most indicative of the composer's future direction, its lead character is a messianic figure "who breaks down barriers for his younger followers, but finds that he has only provided them with the means to reject and destroy him". Bowie himself described the song at the time as a put down of hippies
1559:
was first released on CD by RCA in 1984. In keeping with the 1970 Mercury release and the 1972 RCA reissue, "Don't Sit Down" remained missing. The German (for the
European market) and Japanese (for the US market) masters were sourced from different tapes and not identical for each region. In 1990,
959:
7912. Cann states that
Mercury considered releasing "Janine" as a follow-up single to "Space Oddity", but were uncertain about the song's commercial appeal and scrapped it. With little promotion from the label, the album was a commercial failure, barely selling over 5,000 copies by March 1970. The
1505:
wrote that the "rush-recorded" album, "centred around Bowie's twelve-string guitar", is arguably his worst album until the mid-1980s, adding: "The debut, charming and tuneful, conveys that Bowie's heart is in it, his delight in the jokes and play-acting palpable. None of that comes through in the
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offered similar praise, calling it "eep, thoughtful, probing, exposing, gouging at your innards" and concluded: "This is more than a record. It is an experience. An expression of life as others see it. The lyrics are full of the grandeur of yesterday, the immediacy of today and the futility of
665:. According to the biographer David Buckley, Bowie based the music on the dominant styles of the times "rather than developing a distinct music of his own". Kevin Cann finds the music encompasses "a fusion of acoustic folk leanings with a growing interest in electric rock". Cann continues that
1543:
can be viewed in retrospect as all that Bowie had been and a little of what he would become, all jumbled up and fighting for control..." Trynka similarly states that the record has an "endearing lack of artifice", making it a "unique" entry in the artist's catalogue. Pegg calls the album "a
1066:, it failed to chart. At the label's request, Bowie remade "Memory of a Free Festival" for release as the next single, which was split across and A- and B-sides. The two-part single was released on 26 June and again, failed to chart. By this time, Bowie had completed recording
710:
for heroin use, citing the opening countdown as analogous to the drug's passage down the needle prior to the euphoric "hit", while noting Bowie's admission of a "silly flirtation with smack" in 1968. "Unwashed and
Somewhat Slightly Dazed" reflects a strong
1023:
praised "Space Oddity" and "Memory of a Free
Festival", but felt the album as a whole lacks cohesiveness and is "very awkward to the ear". The reviewer concluded that "Bowie is erratic. When he succeeds, he's excellent; when fails, he's laborious."
999:
was positive, describing the album as "rather doomy and un-nerving, but Bowie's point comes across like a latter-day Dylan. It is an album a lot of people are going to expect a lot from. I don't think they'll be disappointed." A reviewer for
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considers the album one of Bowie's darkest, due to the death of his father. He writes that it reflects the artist's "darkening vision" and depicts "a man coming of age in a world that is increasingly depraved and barren". Susie
Goldring of
751:. It has been cited as another track that foreshadowed themes to which Bowie would return in the 1970s, in this case the fracturing of personality, featuring the words "But if you took an axe to me, you'd kill another man not me at all".
1491:, John Tatlock felt the album does not stand as Bowie's first proper album, nor does it stand out on its own merit. He concludes that "it captures its creator at a fascinating crossroads, and is much more than a fans-only curio".
1441:'Space Oddity' aside, Bowie possessed very little in the way of commercial songs, and the ensuing album emerged as a dense, even rambling, excursion through the folky strains that were the last glimmering of British psychedelia."
386:
has received mixed reviews in later decades, with many finding a lack of cohesiveness. Bowie himself later stated that it lacked musical direction. Debate continues as to whether it should stand as Bowie's first "proper" album.
48:
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stated that although it's far from Bowie's best, the record as a whole is "not half bad", standing as a "landmark" in Bowie's catalogue, and offering a glimpse at a man transitioning into the artist we've come to know".
348:
songs, with lyrical themes influenced by events happening in Bowie's life at the time, including former relationships and festivals he attended. "Space Oddity", a tale about a fictional astronaut, was released as a
1629:, and separately in CD, vinyl and digital formats. The new version of the album added the outtake "Conversation Piece" to the regular sequencing of the album for the first time, while omitting "Don't Sit Down".
1018:
found that "Bowie seems to be a little unsure of the direction he is going in", criticising the various musical styles found throughout, ultimately describing the record as "over-ambitious". A reviewer for
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found that Bowie presents numerous ideas throughout the record, but does not know what to do with them, writing, "he wears his influences on his sleeve and constantly overreaches for dramatic effect".
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July, recording for the rest of the album continued five days later, with work commencing on "Janine", "An
Occasional Dream" and "Letter to Hermione". Visconti recruited the Junior's Eyes band
3655:
501:. Dudgeon recalled: "I listened to the demo and thought it was incredible. I couldn't believe that Tony didn't want to do it". Comparing the two producers in a 1969 interview, Bowie stated:
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by early
November, becoming Bowie's first hit. The single's success in the UK earned Bowie a number of television appearances throughout the rest of 1969, including his first appearance on
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February. In April, Bowie recorded demos of tracks with guitarist John Hutchinson, including "Janine", "An Occasional Dream", "I'm Not Quite" ("Letter to Hermione"), "Lover to the Dawn" ("
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on the strength of "Space Oddity". The contract granted him enough finances to make a new studio album, to be distributed through Mercury in the United States and its affiliate
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attributed to numerous events in Bowie's personal life at the time. Despite having little production experience at the time, Visconti remained enthusiastic during recording.
1974:
727:, subsequently titled "Don't Sit Down", featured at the end of the song on the original UK LP, but was excluded from the US Mercury release and RCA reissue of the album.
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were credited on the original pressings, due to the majority being under contract with other labels in the UK; song lyrics were presented on the inner gatefold sleeve.
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may be regarded as the singer's first 'proper' album, though its mish-mash of styles and strummy experiments suggest he was still trying to settle on an identity."
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also joined the sessions. According to Renwick, Bowie was "kind of nervous and unsure of himself", and gave little direction during the sessions, which the author
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for the first time in June 2020, in a picture disc release (with artwork based on the 1972 RCA reissue). Other reissues that have followed used the original
918:. The sleeve notes proclaimed that the album "was NOW then, and it is still now NOW: personal and universal, perhaps galactic, microcosmic and macrocosmic".
5942:
5937:
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742:'s plight, also recalls his earlier style. "Cygnet Committee" has been called Bowie's "first true masterpiece" by Pegg. Commonly regarded as the track on
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title, as a remastered 2-CD special edition, with a second bonus disc compilation of unreleased demos, stereo versions, previously released B-sides, and
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1070:, which featured a shift in musical style towards hard rock. Around the same time, Bowie fired Pitt due to continuing managerial disputes and hired
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his room, he writes it, arranges it, produces it, plays it, thinks it, and believes very much in its spiritual source – his whole life is like this.
430:
in 1967. It was a commercial failure and did little to gain him notice, becoming his last release for two years. After its failure, Bowie's manager
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September, but scrapped due to problems with the recording equipment. The song was re-recorded at Trident five days later. Recording completed on 6
5927:
1986:
1572:, used the 1972 cover photograph as its cover, while also incorporating a reproduction of the 1970 US front cover. It was issued again in 1999 by
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July 1969, with "Wild Eyed Boy from Freecloud" as the B-side. The single initially favoured poorly on the charts but reached number five on the
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kind of iffy, in that musically it never really had a direction...I don't think that I, as the artist, had a focus about where it should go.
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2013:
1945:
1501:(1995), considered the album to contain "overripe hippie ballads", with only "Space Oddity" as "a sign of things to come." The music writer
910:, after the opening track. For this release, the front cover was updated with a new photograph of Bowie taken the same year by photographer
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The album was released in the UK under the same eponymous title as Bowie's 1967 debut, a move Trynka calls "bizarre". The original UK
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culture caused him to reshape the lyrics of "Cygnet Committee". "God Knows I'm Good" was attempted at Pye Studios in Marble Arch on 11
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1580:, without bonus tracks but with 24-bit digitally remastered sound and again including a separately listed "Don't Sit Down". The
1011:, in a review published over a year after its release, offered praise, calling it, "a complete, coherent and brilliant vision".
794:
featured a facial portrait of Bowie taken by British photographer Vernon Dewhurst, exposed on top of a work by Hungarian artist
5967:
5957:
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778:"Conversation Piece" has been described as featuring "a lovely melody and an emotive lyric addressing familiar Bowie topics of
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5187:
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marked a turning point for the artist, in that lyrically he began "drawing on life" rather than writing "winsome stories".
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have said, "Some of it belonged in '67 and some of it in '72, but in 1969 it all seemed vastly incongruous. Basically,
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who seemed ready to follow any charismatic leader. "Janine" was written about a girlfriend of Bowie's childhood friend
686:
album is an amalgamation of obsessions – directors, musicians, poets and spirituality of a distinctly late-60s hue".
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chart in April 1973, remaining on the chart for 36 weeks. The album's 1990 reissue charted at number 64 in the UK.
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to Bowie's former girlfriend Hermione Farthingale, who is also the subject of "An Occasional Dream", a gentle
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was its official title for almost forty years. Pegg further states that this differentiates it from Bowie's
1933:
1904:
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944:" (meaning "Lonely Boy, Lonely Girl"), which was released as a single in Italy in 1970 and failed to chart.
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in 1972, using a contemporary photo of Bowie as the artwork. The reissue charted in both the UK and the US.
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The album was a commercial failure due to a lack of promotion, despite receiving some positive reviews from
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tune reminiscent of the singer's 1967 debut album. "God Knows I'm Good", Bowie's observational tale of a
497:, as a "novelty record" and passed the production responsibility for the song to Bowie's former engineer
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5689:
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613:" to express grief. Eleven days later, he participated in the Beckenham Free Festival, commemorating "
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1612:. It was released in CD, vinyl and digital formats, both as part of this compilation and separately.
1536:
1429:
has continued to attract mixed reviews from critics, with many criticising its lack of cohesiveness.
806:
My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows
391:
has been reissued numerous times, with bonus tracks and variance on the inclusion and listing of the
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with "Don't Sit Down" included as an independent song and three bonus tracks. This release, titled
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attributed its failure to the majority of the album bearing little resemblance to "Space Oddity".
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session tracks. "Don't Sit Down" was again a hidden track. The 2009 remaster became available on
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authorised a promotional film in an attempt to introduce Bowie to a larger audience. The film,
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throughout. He states that following its 1972 reissue, the album was not referred to again as
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in early October. In mid-December, Bowie recorded a new version with Italian lyrics, titled "
605:
Recording continued on and off for the next few months. Bowie's father, John Jones, died on 5
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gives the US release date as January 1970, while Pegg gives a release date of February 1970.
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Stuart Berman found that the record's "prog-folk hymnals" were a precursor to the "artful
995:
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817:" character Bowie later adopted. Underwood's illustration is referred to on the sleeve as
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Sisältää hitin - 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021
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493:, the producer of Bowie's later Deram sessions. Visconti saw "Space Oddity", the chosen
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447:", a tale about a fictional astronaut. Its title and subject matter were influenced by
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3527:(CD liner notes). David Bowie. UK & Europe/US: EMI/Virgin. 2009. 50999-307522-2-1.
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873:(right). The latter shot used a new photograph to capitalise on the breakthrough of
473:") and another demo of "Space Oddity". In May, Bowie secured a record contract with
17:
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5605:
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683:
547:
458:
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431:
392:
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821:, which according to Bowie was a typo by the record label; he intended it to read
719:, edgy guitar sound and snarling vocal. Spitz describes the song as an "extensive
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in July 1969 and became Bowie's first commercial hit, reaching the UK top five.
309:
produced the rest of the album. It featured an array of collaborators, including
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440:, went unreleased until 1984, and marked the end of Pitt's mentorship to Bowie.
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outtake "Conversation Piece" as the B-side. A love song to his soon-to-be-wife
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jam", while Buckley calls it a "country-meets-prog-rock collision of ideas". A
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it ostensibly celebrates. The background vocals for the crowd finale features
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975:, remaining on the chart for 42 weeks. It also peaked at number 16 on the US
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3760:(CD liner notes). David Bowie. US & Europe: Parlophone. 2019. DBSOCD50.
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title and kept the UK artwork. In 2015, the album was remastered for the
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received mixed reviews from music critics on release. Penny Valentine of
896:
in the wake of the commercial breakthrough of Bowie's fifth studio album
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3800:(CD booklet). David Bowie. UK & Europe: EMI. 2009. 50999-307522-2-1.
3687:"David Bowie Box Set Collects Early Home Demos, 'Space Oddity' 2019 Mix"
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810:
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626:
762:"; the song has also been interpreted as a derisive comment on the
360:. For its release in the United States, Mercury retitled the album
3912:(in Finnish). Helsinki: Kustannusosakeyhtiö Otava. pp. 36–37.
1821:
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1713:
Album credits per the 2009 reissue liner notes and the biographer
1587:
In 2009, the album was released by EMI/Virgin, under its original
799:
the album, stylistically similar to that of the Visconti-produced
509:
59:
1584:
name was retained, while the original UK portrait was restored.
813:", which he notes is "remarkably similar in appearance" to the "
4441:
3656:"David Bowie to Release Massive Box Set 'Five Years 1969–1973'"
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was remixed and remastered by Visconti, and released, with the
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tomorrow. This is well worth your attention." Nancy Erlich of
835:(1970). Apart from Bowie, none of the musicians who played on
443:
At the request of Pitt, Bowie wrote a new song for the film, "
4562:
The Rise and Fall of Ziggy Stardust and the Spiders from Mars
4062:"British album certifications – David Bowie – Space Oddity"
1050:", was recorded in January 1970 and released as a single on 6
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The album's US release through Mercury Records is disputed.
1014:
Other reviewers offered more mixed sentiments. A writer for
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Reviewing its 40th anniversary remaster, Mike Schiller of
4228:
Rebel Rebel: All the Songs of David Bowie from '64 to '76
3588:(Box set liner notes). David Bowie. UK, Europe & US:
2624:
2622:
2620:
2337:
2335:
2333:
2331:
2329:
2327:
2274:
2272:
2270:
2268:
2266:
2264:
2262:
2260:
2258:
2256:
1525:. While Buckley calls it "the first Bowie album proper",
586:– as the main backing band for the sessions; Bowie hired
2728:
2726:
2607:
2605:
582:
and drummer John Cambridge (minus vocalist Graham Kelly)
522:
Recording for the new version of "Space Oddity" and its
4176:
David Bowie All the Songs: The Story Behind Every Track
4108:
Strange Fascination – David Bowie: The Definitive Story
4085:
Strange Fascination – David Bowie: The Definitive Story
3495:(CD liner notes). David Bowie. UK & Europe/US: EMI/
2533:
2531:
297:", the album was recorded from June to October 1969 at
4127:
Any Day Now – David Bowie: The London Years: 1947–1974
3226:
3224:
2701:
2699:
2697:
698:
number augmented by the eerie tones of the composer's
4203:
The Man Who Sold the World: David Bowie and the 1970s
3580:
3578:
2121:
Sales+streaming figures based on certification alone.
892:
In 1972, as part of a reissue campaign undertaken by
625:, Bowie's "disillusion" with the "slack attitude" of
542:
moon landing. The lineup consisted of Bowie, bassist
277:) is the second studio album by the English musician
3030:
3028:
617:" after the event; recording for the song began on 8
5854:
David Bowie Narrates Prokofiev's Peter and the Wolf
5793:
5700:
5667:
5639:
5563:
5517:
5422:
5348:
5246:
5067:
5000:
4954:
4922:
4757:
4725:
4523:
3872:"Top Albums/CDs – Volume 19, No. 11, April 28 1973"
3266:
3264:
228:
179:
156:
144:
128:
105:
94:
86:
71:
58:
41:
4913:David Bowie at the Kit Kat Klub (Live New York 99)
4029:"Offiziellecharts.de – David Bowie – Space Oddity"
4019:(in French). Hung Medien. Retrieved 24 July 2020.
2865:
885:For the US release in 1970, the album was renamed
562:guitarist Mick Wayne and an orchestra arranged by
538:; Mercury wanted the single released ahead of the
4007:(in Dutch). Hung Medien. Retrieved 24 July 2020.
3183:
3181:
2867:"TimesMachine: Bowie, Bolan, Heron – Superstars?"
706:. Some commentators have also seen the song as a
281:, originally released in the United Kingdom on 14
3993:"Spanishcharts.com – David Bowie – Space Oddity"
3969:"Italiancharts.com – David Bowie – Space Oddity"
3463:(CD liner notes). David Bowie. UK & Europe:
4397:David Bowie – Starman: The Definitive Biography
3810:: CS1 maint: others in cite AV media (notes) (
3770:: CS1 maint: others in cite AV media (notes) (
3602:: CS1 maint: others in cite AV media (notes) (
3537:: CS1 maint: others in cite AV media (notes) (
3509:: CS1 maint: others in cite AV media (notes) (
3477:: CS1 maint: others in cite AV media (notes) (
3361:Space Oddity [40th Anniversary Edition]
1509:
503:
374:following Bowie's commercial breakthrough with
5784:We Were So Turned On: A Tribute to David Bowie
3981:"Swisscharts.com – David Bowie – Space Oddity"
1485:" sound that made Bowie a star. Reviewing for
461:the song in January 1969, recording the final
4453:
3880:. Library and Archives Canada. Archived from
3156:Morton, Roger (14 April 1990). "David Bowie:
1281:
1144:
926:"Space Oddity" was released as a single on 11
8:
4906:Look at the Moon! (Live Phoenix Festival 97)
3957:"Lescharts.com – David Bowie – Space Oddity"
3326:; Marks, Craig, eds. (1995). "David Bowie".
1382:
1344:
1207:
1106:
955:November 1969, with the catalogue number SBL
3135:. Edinburgh: Canongate Books. p. 123.
2828:
2826:
2796:
2794:
2717:
2318:
5993:Psychedelic rock albums by English artists
5636:
4919:
4722:
4460:
4446:
4438:
4045:"Album Top 40 slágerlista – 2016. 26. hét"
4017:"Ultratop.be – David Bowie – Space Oddity"
4005:"Ultratop.be – David Bowie – Space Oddity"
2441:
2080:
1862:
1081:
293:. Financed by Mercury on the strength of "
47:
38:
4941:Live at La Cigale, Paris, 25th June, 1989
4850:Welcome to the Blackout (Live London '78)
3307:
3131:Strong, Martin C. (2006). "David Bowie".
407:being used for a 2019 remix by Visconti.
32:For the 1967 album of the same name, see
5364:Ziggy Stardust and the Spiders from Mars
4899:No Trendy Réchauffé (Live Birmingham 95)
4259:(Revised and Updated ed.). London:
3855:"David Bowie | Artist | Official Charts"
3423:
2664:
2628:
2235:
395:"Don't Sit Down". Labels have used both
4283:Shock and Awe: Glam Rock and Its Legacy
3995:. Hung Medien. Retrieved 24 July 2020.
3983:. Hung Medien. Retrieved 24 July 2020.
3971:. Hung Medien. Retrieved 24 July 2020.
3959:. Hung Medien. Retrieved 24 July 2020.
3834:. St Ives, NSW: Australian Chart Book.
3019:
2761:
2732:
2493:
2380:
2353:
2204:
2135:
2117:
621:September. According to the biographer
5290:A New Career in a New Town (1977–1982)
3903:Pennanen, Timo (2021). "David Bowie".
3803:
3763:
3595:
3530:
3502:
3470:
3435:
2676:
2407:
1046:Bowie's follow-up to "Space Oddity", "
370:reissued the album under the title of
3938:from the original on 12 December 2020
3447:
3396:Space Oddity 40th Anniversary Edition
2966:
2785:
2537:
1087:
489:To produce the new album, Pitt hired
7:
4885:Something in the Air (Live Paris 99)
4843:Cracked Actor (Live Los Angeles '74)
3784:
3209:from the original on 6 February 2016
3054:from the original on 6 December 2019
3007:
2995:
2983:
2954:
2942:
2924:from the original on 13 January 2016
2898:
2773:
2749:
2705:
2688:
2652:
2640:
2611:
2596:
2584:
2522:
2468:from the original on 8 November 2020
2422:
2395:
2365:
2341:
2306:
2247:
2223:
2211:
1795:John "Honk" Lodge – bass guitar
1786: – bass guitar, flute, recorder
1659:Unwashed and Somewhat Slightly Dazed
1521:Biographers have differing views on
730:"Letter to Hermione" was a farewell
611:Unwashed and Somewhat Slightly Dazed
5988:Folk rock albums by English artists
4892:I'm Only Dancing (The Soul Tour 74)
3561:album issued as vinyl picture disc"
3357:Berman, Stuart (17 November 2009).
3231:Schiller, Mike (16 December 2009).
2912:"Robert Christgau: CG: David Bowie"
971:November, reached number 17 on the
770:, his wife Sue, Tony Woollcott and
5943:Albums with cover art by Mick Rock
5938:Albums recorded at Trident Studios
4780:Ziggy Stardust: The Motion Picture
3685:Kreps, Daniel (5 September 2019).
1807:Benny Marshall and friends –
1283:
1146:
967:RCA's 1972 reissue, released on 10
25:
5501:The Best of David Bowie 1980/1987
5216:The Best of David Bowie 1980/1987
5174:The Best of David Bowie 1974/1979
5167:The Best of David Bowie 1969/1974
4625:Scary Monsters (and Super Creeps)
4342:The New Rolling Stone Album Guide
3392:Tatlock, John (16 October 2009).
3289:from the original on 3 March 2019
3249:from the original on 14 July 2017
3103:The Encyclopedia of Popular Music
2880:from the original on 18 June 2019
2454:Carlick, Stephen (9 March 2016).
2175:In Spain, the album was retitled
1687:"An Occasional Dream" – 2:56
1384:
1346:
1209:
1108:
90:20 June, 16 July – 6 October 1969
5933:Albums produced by Tony Visconti
5897:
5896:
5777:The Life Aquatic Studio Sessions
4878:Ouvrez le Chien (Live Dallas 95)
3716:Young, Alex (5 September 2019).
3106:(5th concise ed.). London:
3076:(November 2009). "David Bowie –
2158:until its 2009 reissue, meaning
1697:"God Knows I'm Good" – 3:16
1667:"Letter to Hermione" – 2:30
1460:Terry Staunton agreed, saying: "
1403:
1398:
1393:
1388:
1383:
1365:
1360:
1355:
1350:
1345:
1327:
1322:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1228:
1223:
1218:
1213:
1208:
1190:
1185:
1180:
1175:
1170:
1165:
1160:
1155:
1150:
1145:
1127:
1122:
1117:
1112:
1107:
1038:to be "overwrought excursions".
855:
846:
566:. After the single release on 11
27:1969 studio album by David Bowie
5339:Brilliant Adventure (1992–2001)
5030:Live EP (Live at Fashion Rocks)
4345:(4th ed.). New York City:
3831:Australian Chart Book 1970–1992
3567:. 13 March 2020. Archived from
1854:Barry Sheffield – engineer
305:produced "Space Oddity", while
5928:Albums produced by Gus Dudgeon
5385:Tin Machine Live: Oy Vey, Baby
4934:Tin Machine Live: Oy Vey, Baby
4051:. Retrieved 30 November 2021.
3861:. Retrieved 12 December 2020.
2864:Erlich, Nancy (11 July 1971).
2806:– Full Official Chart History"
2456:"David Bowie Fantastic Voyage"
2179:(Spanish for "Space Odyssey").
906:was repackaged with the title
424:self-titled debut studio album
1:
5283:Who Can I Be Now? (1974–1976)
5160:The Deram Anthology 1966–1968
4285:. London: Faber & Faber.
4066:British Phonographic Industry
3329:Spin Alternative Record Guide
1833:Tony Visconti – producer
1813:("Memory of a Free Festival")
1740:("Memory of a Free Festival")
1498:Spin Alternative Record Guide
1415:Spin Alternative Record Guide
1377:The Rolling Stone Album Guide
1202:Encyclopedia of Popular Music
5466:Bowie – The Video Collection
5297:Loving the Alien (1983–1988)
4857:Serious Moonlight (Live '83)
4153:Bowie: An Illustrated Record
4129:. Croydon, Surrey: Adelita.
3932:Nielsen Business Media, Inc.
3626:David Bowie Official Website
2164:1967 self-titled debut album
2069:
2057:
2045:
2033:
2018:
2003:
1991:
1979:
1964:
1950:
1938:
1926:
1909:
1894:
1851:Malcolm Toft – engineer
1692:Wild Eyed Boy from Freecloud
1664:"Don't Sit Down" – 0:39
694:"Space Oddity" is a largely
590:as an additional guitarist.
528:Wild Eyed Boy from Freecloud
366:and used different artwork.
3924:"Hits of the World – Spain"
3277:: 40th anniversary edition"
3237:(40th anniversary edition)"
3086:. No. 138. p. 98.
3080:40th Anniversary Edition".
1798:John Cambridge – drums
1623:title, in the CD boxed set
869:(left) and 1972 release by
6009:
4548:The Man Who Sold the World
4427:David Bowie (Space Oddity)
4331:(2004). "David Bowie". In
4035:. Retrieved 24 July 2020.
3934:14 July 1973. p. 60.
3718:"New mix of David Bowie's
3162:The Man Who Sold The World
3133:The Great Rock Discography
1637:All tracks are written by
1560:the album was reissued by
1240:The Great Rock Discography
1068:The Man Who Sold the World
1062:and featuring guitar from
1036:The Man Who Sold the World
1034:considered this album and
942:Ragazzo solo, ragazza sola
832:The Man Who Sold the World
609:August 1969; Bowie wrote "
75:14 November 1969
31:
5892:
5332:Brilliant Live Adventures
4475:
4401:Little, Brown and Company
4180:Black Dog & Leventhal
2552:"Review of David Bowie –
2118:
2103:
2095:
2092:
2089:
2023:
1969:
1914:
1884:
1877:
1874:
1871:
1751: – electric guitar,
1702:Memory of a Free Festival
1095:
1092:
887:Man of Words/Man of Music
615:Memory of a Free Festival
363:Man of Words/Man of Music
260:
239:
224:
187:
46:
5806:Angie Bowie (first wife)
5770:Symphony No. 12 "Lodger"
5480:Jump: Interactive CD-ROM
5304:Spying Through a Keyhole
5076:The World of David Bowie
4836:Live Nassau Coliseum '76
4256:The Complete David Bowie
4208:HarperCollins Publishers
4110:. London: Virgin Books.
4106:Buckley, David (2005) .
4033:GfK Entertainment Charts
3499:. 1999. 7243 521898 0 9.
3100:(2011). "Bowie, David".
2550:Goldring, Susie (2007).
2144:The Complete David Bowie
212:The World of David Bowie
34:David Bowie (1967 album)
5763:Symphony No. 4 "Heroes"
5262:The Platinum Collection
4306:Bowie: Loving the Alien
4225:O'Leary, Chris (2015).
4083:Buckley, David (1999).
3758:Space Oddity (2019 Mix)
2810:Official Charts Company
2150:refers to the album as
1934:Suomen virallinen lista
1764: – acoustic guitar
782:and social exclusion".
574:– guitarists Wayne and
5968:Philips Records albums
5958:Mercury Records albums
5591:Serious Moonlight Tour
5311:Clareville Grove Demos
5276:Five Years (1969–1973)
5146:The Singles Collection
5016:BBC Sessions 1969–1972
4660:The Buddha of Suburbia
4490:Awards and nominations
4375:Crown Publishing Group
4174:Clerc, Benoît (2021).
3622:box set due September"
3620:Five Years 1969 – 1973
3586:Five Years (1969–1973)
3467:. 1990. CDP 79 1835 2.
2720:, Partial Discography.
2442:Carr & Murray 1981
1864:Chart performance for
1780:, electric harpsichord
1606:Five Years (1969–1973)
1513:
825:, a title he used for
649:has been described as
534:June 1969 at London's
519:
508:
334:1967 self-titled debut
285:November 1969 through
252:Released: 11 July 1969
5983:Virgin Records albums
5861:Heteropoda davidbowie
5735:Statue of David Bowie
5690:The Spiders from Mars
5540:Black Tie White Noise
5473:Black Tie White Noise
5445:Jazzin' for Blue Jean
5431:Love You till Tuesday
5023:Earthling in the City
4970:Love You till Tuesday
4808:Live Santa Monica '72
4653:Black Tie White Noise
4301:Sandford, Christopher
4149:Murray, Charles Shaar
3722:included on upcoming
1016:Music Business Weekly
996:Disc & Music Echo
922:Release and promotion
513:
463:Love You till Tuesday
454:2001: A Space Odyssey
437:Love You till Tuesday
5756:Symphony No. 1 "Low"
5139:Early On (1964–1966)
4347:Simon & Schuster
4125:Cann, Kevin (2010).
3731:Consequence of Sound
3565:Super Deluxe Edition
3195:Five Years 1969–1973
2599:, pp. 170, 275.
1684:"Janine" – 3:19
1537:Charles Shaar Murray
1083:Professional ratings
1074:as his new manager.
962:Christopher Sandford
715:influence, with its
18:Space Oddity (album)
5680:The Thin White Duke
5571:Ziggy Stardust Tour
5357:The 1980 Floor Show
5318:The 'Mercury' Demos
5230:Nothing Has Changed
3884:on 11 November 2012
3806:cite AV media notes
3766:cite AV media notes
3738:on 20 November 2020
3697:on 24 November 2020
3632:on 18 February 2016
3598:cite AV media notes
3533:cite AV media notes
3505:cite AV media notes
3473:cite AV media notes
3171:New Musical Express
2986:, pp. 188–193.
2969:, pp. 131–132.
2901:, pp. 337–338.
2776:, pp. 167–168.
2752:, pp. 172–174.
2643:, pp. 182–184.
2525:, pp. 169–171.
2425:, pp. 156–163.
2410:, pp. 115–116.
2398:, pp. 153–155.
2344:, pp. 255–260.
2309:, pp. 333–337.
2250:, pp. 636–638.
2226:, pp. 106–107.
2086:
2082:Certifications for
1999:Schweizer Hitparade
1888:Australian Albums (
1868:
1792: – bass guitar
1252:New Musical Express
1084:
865:1970 US release by
829:on his next album,
786:Title and packaging
657:, with elements of
403:as the title, with
328:Departing from the
271:(commonly known as
5973:RCA Records albums
5953:EMI Records albums
5948:David Bowie albums
5811:Duncan Jones (son)
5508:The Next Day Extra
5325:Conversation Piece
5044:The Next Day Extra
4597:Station to Station
4434:(list of releases)
4370:Bowie: A Biography
4157:Eel Pie Publishing
3724:Conversation Piece
3336:. pp. 55–57.
3191:(1 October 2015).
2873:The New York Times
2566:on 29 October 2018
2081:
2063:Hungarian Albums (
2053:Offizielle Top 100
1961:Top LPs & Tape
1863:
1626:Conversation Piece
1516:—David Bowie, 2000
1082:
1048:The Prettiest Star
1008:The New York Times
986:Critical reception
980:Top LPs & Tape
530:" took place on 20
520:
5963:Parlophone albums
5910:
5909:
5868:342843 Davidbowie
5663:
5662:
5655:It's My Life Tour
5601:Sound+Vision Tour
5596:Glass Spider Tour
5576:Diamond Dogs Tour
5399:Reality: Tour Ed.
5371:Serious Moonlight
5181:Bowie at the Beeb
5097:The Best of Bowie
5058:Is It Any Wonder?
4950:
4949:
4822:Bowie at the Beeb
4753:
4752:
4646:Never Let Me Down
4410:978-0-31603-225-4
4399:. New York City:
4384:978-0-307-71699-6
4356:978-0-7432-0169-8
4320:978-0-306-80854-8
4292:978-0-571-30171-3
4270:978-1-78565-365-0
4242:978-1-78099-244-0
4217:978-0-06-202466-4
4189:978-0-7624-7471-4
4178:. New York City:
4166:978-0-38077-966-6
4136:978-0-95520-177-6
4117:978-0-75351-002-5
4098:978-1-85227-784-0
3841:978-0-646-11917-5
3666:on 16 August 2020
3571:on 12 April 2020.
3310:, pp. 97–98.
3271:Staunton, Terry.
3117:978-0-85712-595-8
2917:The Village Voice
2614:, pp. 67–68.
2496:, pp. 64–65.
2444:, pp. 28–29.
2383:, pp. 36–79.
2238:, pp. 41–42.
2146:, the biographer
2127:
2126:
2122:
2074:
2073:
1918:Canadian Albums (
1890:Kent Music Report
1842:
1839: – producer
1814:
1811:, backing vocals
1741:
1734:
1424:
1423:
1042:Subsequent events
1027:The Village Voice
823:Width of a Circle
819:Depth of a Circle
801:Tyrannosaurus Rex
332:style of Bowie's
264:
263:
220:
219:
16:(Redirected from
6000:
5900:
5899:
5729:Phillip Jeffries
5650:Tin Machine Tour
5637:
5554:Moonage Daydream
5547:Sound and Vision
5413:Glastonbury 2000
5392:VH1 Storytellers
5125:Fame and Fashion
5083:Images 1966–1967
4991:Moonage Daydream
4920:
4864:Glastonbury 2000
4815:VH1 Storytellers
4787:Santa Monica '72
4723:
4462:
4455:
4448:
4439:
4414:
4388:
4360:
4337:Hoard, Christian
4333:Brackett, Nathan
4324:
4296:
4274:
4246:
4221:
4193:
4170:
4140:
4121:
4102:
4070:
4069:
4058:
4052:
4047:(in Hungarian).
4042:
4036:
4026:
4020:
4014:
4008:
4002:
3996:
3990:
3984:
3978:
3972:
3966:
3960:
3954:
3948:
3947:
3945:
3943:
3920:
3914:
3913:
3911:
3900:
3894:
3893:
3891:
3889:
3868:
3862:
3852:
3846:
3845:
3822:
3816:
3815:
3809:
3801:
3794:
3788:
3782:
3776:
3775:
3769:
3761:
3754:
3748:
3747:
3745:
3743:
3734:. Archived from
3713:
3707:
3706:
3704:
3702:
3693:. Archived from
3682:
3676:
3675:
3673:
3671:
3662:. Archived from
3654:(23 June 2015).
3652:Spanos, Brittany
3648:
3642:
3641:
3639:
3637:
3628:. Archived from
3614:
3608:
3607:
3601:
3593:
3582:
3573:
3572:
3549:
3543:
3542:
3536:
3528:
3521:
3515:
3514:
3508:
3500:
3489:
3483:
3482:
3476:
3468:
3457:
3451:
3445:
3439:
3433:
3427:
3421:
3415:
3414:
3412:
3410:
3389:
3383:
3382:
3380:
3378:
3369:. Archived from
3354:
3348:
3347:
3320:
3311:
3305:
3299:
3298:
3296:
3294:
3282:Record Collector
3268:
3259:
3258:
3256:
3254:
3228:
3219:
3218:
3216:
3214:
3185:
3176:
3175:
3153:
3147:
3146:
3128:
3122:
3121:
3094:
3088:
3087:
3070:
3064:
3063:
3061:
3059:
3032:
3023:
3017:
3011:
3005:
2999:
2993:
2987:
2981:
2970:
2964:
2958:
2952:
2946:
2940:
2934:
2933:
2931:
2929:
2908:
2902:
2896:
2890:
2889:
2887:
2885:
2869:
2861:
2855:
2854:
2852:
2850:
2830:
2821:
2820:
2818:
2816:
2798:
2789:
2783:
2777:
2771:
2765:
2759:
2753:
2747:
2736:
2730:
2721:
2715:
2709:
2703:
2692:
2686:
2680:
2674:
2668:
2662:
2656:
2650:
2644:
2638:
2632:
2626:
2615:
2609:
2600:
2594:
2588:
2582:
2576:
2575:
2573:
2571:
2562:. Archived from
2547:
2541:
2535:
2526:
2520:
2497:
2491:
2478:
2477:
2475:
2473:
2451:
2445:
2439:
2426:
2420:
2411:
2405:
2399:
2393:
2384:
2378:
2369:
2363:
2357:
2351:
2345:
2339:
2322:
2316:
2310:
2304:
2251:
2245:
2239:
2233:
2227:
2221:
2215:
2209:
2193:
2186:
2180:
2173:
2167:
2140:
2120:
2104:United Kingdom (
2087:
2039:Belgian Albums (
2027:Belgian Albums (
2012:Spanish Albums (
1985:Italian Albums (
1944:Spanish Albums (
1932:Finnish Albums (
1869:
1848: – engineer
1841:("Space Oddity")
1840:
1812:
1739:
1733:("Space Oddity")
1732:
1724: – vocals,
1672:Cygnet Committee
1517:
1480:
1459:
1454:Record Collector
1440:
1408:
1407:
1406:
1402:
1401:
1397:
1396:
1392:
1391:
1387:
1386:
1370:
1369:
1368:
1364:
1363:
1359:
1358:
1354:
1353:
1349:
1348:
1339:Record Collector
1332:
1331:
1330:
1326:
1325:
1321:
1320:
1316:
1315:
1311:
1310:
1306:
1305:
1301:
1300:
1296:
1295:
1291:
1290:
1286:
1285:
1233:
1232:
1231:
1227:
1226:
1222:
1221:
1217:
1216:
1212:
1211:
1195:
1194:
1193:
1189:
1188:
1184:
1183:
1179:
1178:
1174:
1173:
1169:
1168:
1164:
1163:
1159:
1158:
1154:
1153:
1149:
1148:
1132:
1131:
1130:
1126:
1125:
1121:
1120:
1116:
1115:
1111:
1110:
1085:
1054:March, with the
1053:
1032:Robert Christgau
970:
958:
954:
932:UK Singles Chart
929:
914:at Haddon Hall,
859:
850:
749:George Underwood
704:electronic organ
663:progressive rock
655:psychedelic rock
641:Music and lyrics
636:
632:
620:
608:
585:
573:
569:
533:
471:Cygnet Committee
468:
346:psychedelic rock
284:
253:
250:
189:
188:
140:
139:
135:
120:psychedelic rock
82:
80:
51:
39:
21:
6008:
6007:
6003:
6002:
6001:
5999:
5998:
5997:
5978:Rykodisc albums
5913:
5912:
5911:
5906:
5888:
5874:Tao Jones Index
5789:
5702:
5696:
5659:
5635:
5559:
5513:
5418:
5344:
5242:
5104:Changestwobowie
5090:Changesonebowie
5063:
4996:
4946:
4918:
4871:ChangesNowBowie
4794:LiveAndWell.com
4749:
4721:
4590:Young Americans
4519:
4471:
4466:
4422:
4417:
4411:
4391:
4385:
4363:
4357:
4327:
4321:
4299:
4293:
4279:Reynolds, Simon
4277:
4271:
4249:
4243:
4224:
4218:
4196:
4190:
4173:
4167:
4143:
4137:
4124:
4118:
4105:
4099:
4082:
4078:
4073:
4060:
4059:
4055:
4043:
4039:
4027:
4023:
4015:
4011:
4003:
3999:
3991:
3987:
3979:
3975:
3967:
3963:
3955:
3951:
3941:
3939:
3922:
3921:
3917:
3909:
3902:
3901:
3897:
3887:
3885:
3870:
3869:
3865:
3859:UK Albums Chart
3853:
3849:
3842:
3824:
3823:
3819:
3802:
3796:
3795:
3791:
3783:
3779:
3762:
3756:
3755:
3751:
3741:
3739:
3715:
3714:
3710:
3700:
3698:
3684:
3683:
3679:
3669:
3667:
3650:
3649:
3645:
3635:
3633:
3616:
3615:
3611:
3594:
3592:. 2015. DBXL 1.
3584:
3583:
3576:
3551:
3550:
3546:
3529:
3523:
3522:
3518:
3501:
3491:
3490:
3486:
3469:
3459:
3458:
3454:
3446:
3442:
3434:
3430:
3422:
3418:
3408:
3406:
3391:
3390:
3386:
3376:
3374:
3373:on 27 July 2019
3356:
3355:
3351:
3344:
3322:
3321:
3314:
3306:
3302:
3292:
3290:
3273:"David Bowie –
3270:
3269:
3262:
3252:
3250:
3230:
3229:
3222:
3212:
3210:
3187:
3186:
3179:
3155:
3154:
3150:
3143:
3130:
3129:
3125:
3118:
3096:
3095:
3091:
3072:
3071:
3067:
3057:
3055:
3034:
3033:
3026:
3018:
3014:
3006:
3002:
2994:
2990:
2982:
2973:
2965:
2961:
2953:
2949:
2941:
2937:
2927:
2925:
2910:
2909:
2905:
2897:
2893:
2883:
2881:
2863:
2862:
2858:
2848:
2846:
2832:
2831:
2824:
2814:
2812:
2800:
2799:
2792:
2784:
2780:
2772:
2768:
2760:
2756:
2748:
2739:
2731:
2724:
2716:
2712:
2704:
2695:
2687:
2683:
2675:
2671:
2663:
2659:
2651:
2647:
2639:
2635:
2627:
2618:
2610:
2603:
2595:
2591:
2583:
2579:
2569:
2567:
2549:
2548:
2544:
2536:
2529:
2521:
2500:
2492:
2481:
2471:
2469:
2453:
2452:
2448:
2440:
2429:
2421:
2414:
2406:
2402:
2394:
2387:
2379:
2372:
2364:
2360:
2352:
2348:
2340:
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2317:
2313:
2305:
2254:
2246:
2242:
2234:
2230:
2222:
2218:
2210:
2206:
2202:
2197:
2196:
2187:
2183:
2177:Odisea Espacial
2174:
2170:
2141:
2137:
2132:
2097:Certified units
2079:
2051:German Albums (
1973:French Albums (
1879:
1861:
1818:Paul Buckmaster
1762:Keith Christmas
1726:acoustic guitar
1711:
1635:
1554:
1519:
1515:
1506:second album."
1478:
1457:
1438:
1404:
1399:
1394:
1389:
1366:
1361:
1356:
1351:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1229:
1224:
1219:
1214:
1191:
1186:
1181:
1176:
1171:
1166:
1161:
1156:
1151:
1128:
1123:
1118:
1113:
1080:
1051:
1044:
988:
973:UK Albums Chart
968:
956:
952:
951:in the UK on 14
947:Philips issued
937:Top of the Pops
927:
924:
883:
882:
881:
880:
862:
861:
860:
852:
851:
796:Victor Vasarely
788:
692:
643:
634:
630:
618:
606:
588:Keith Christmas
583:
571:
567:
564:Paul Buckmaster
536:Trident Studios
531:
487:
479:Philips Records
475:Mercury Records
466:
449:Stanley Kubrick
413:
299:Trident Studios
291:Philips Records
282:
256:
251:
244:
243:
215:
206:
197:
175:
137:
133:
132:
124:
78:
76:
67:
54:
53:1969 UK release
37:
28:
23:
22:
15:
12:
11:
5:
6006:
6004:
5996:
5995:
5990:
5985:
5980:
5975:
5970:
5965:
5960:
5955:
5950:
5945:
5940:
5935:
5930:
5925:
5915:
5914:
5908:
5907:
5905:
5904:
5893:
5890:
5889:
5887:
5886:
5881:
5876:
5871:
5864:
5857:
5850:
5847:The Nomad Soul
5843:
5838:
5833:
5831:Berlin Trilogy
5828:
5823:
5818:
5813:
5808:
5803:
5797:
5795:
5791:
5790:
5788:
5787:
5780:
5773:
5766:
5759:
5752:
5745:
5738:
5731:
5726:
5721:
5718:David Bowie Is
5714:
5706:
5704:
5698:
5697:
5695:
5694:
5693:
5692:
5685:Ziggy Stardust
5682:
5677:
5671:
5669:
5665:
5664:
5661:
5660:
5658:
5657:
5652:
5646:
5644:
5634:
5633:
5631:A Reality Tour
5628:
5623:
5618:
5613:
5611:Earthling Tour
5608:
5603:
5598:
5593:
5588:
5583:
5578:
5573:
5567:
5565:
5561:
5560:
5558:
5557:
5550:
5543:
5536:
5529:
5521:
5519:
5515:
5514:
5512:
5511:
5504:
5497:
5490:
5483:
5476:
5469:
5462:
5455:
5452:Day-In Day-Out
5448:
5441:
5434:
5426:
5424:
5420:
5419:
5417:
5416:
5409:
5406:A Reality Tour
5402:
5395:
5388:
5381:
5374:
5367:
5360:
5352:
5350:
5349:Concert videos
5346:
5345:
5343:
5342:
5335:
5328:
5321:
5314:
5307:
5300:
5293:
5286:
5279:
5272:
5265:
5258:
5255:Sound + Vision
5250:
5248:
5244:
5243:
5241:
5240:
5233:
5226:
5219:
5212:
5209:The Collection
5205:
5198:
5191:
5184:
5177:
5170:
5163:
5156:
5153:Rarestonebowie
5149:
5142:
5135:
5128:
5121:
5114:
5107:
5100:
5093:
5086:
5079:
5071:
5069:
5065:
5064:
5062:
5061:
5054:
5047:
5040:
5033:
5026:
5019:
5012:
5004:
5002:
4998:
4997:
4995:
4994:
4987:
4980:
4973:
4966:
4958:
4956:
4952:
4951:
4948:
4947:
4945:
4944:
4937:
4929:
4927:
4917:
4916:
4909:
4902:
4895:
4888:
4881:
4874:
4867:
4860:
4853:
4846:
4839:
4832:
4829:A Reality Tour
4825:
4818:
4811:
4804:
4797:
4790:
4783:
4776:
4769:
4761:
4759:
4755:
4754:
4751:
4750:
4748:
4747:
4744:Tin Machine II
4740:
4732:
4730:
4720:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4656:
4649:
4642:
4635:
4628:
4621:
4614:
4607:
4600:
4593:
4586:
4579:
4572:
4565:
4558:
4551:
4544:
4536:
4527:
4525:
4521:
4520:
4518:
4517:
4515:Art collection
4512:
4507:
4502:
4497:
4492:
4487:
4482:
4476:
4473:
4472:
4467:
4465:
4464:
4457:
4450:
4442:
4436:
4435:
4421:
4420:External links
4418:
4416:
4415:
4409:
4389:
4383:
4361:
4355:
4329:Sheffield, Rob
4325:
4319:
4297:
4291:
4275:
4269:
4251:Pegg, Nicholas
4247:
4241:
4231:. Winchester:
4222:
4216:
4198:Doggett, Peter
4194:
4188:
4171:
4165:
4141:
4135:
4122:
4116:
4103:
4097:
4079:
4077:
4074:
4072:
4071:
4053:
4037:
4021:
4009:
3997:
3985:
3973:
3961:
3949:
3915:
3895:
3863:
3847:
3840:
3817:
3789:
3787:, p. 168.
3777:
3749:
3708:
3677:
3643:
3609:
3574:
3544:
3516:
3497:Virgin Records
3484:
3452:
3450:, p. 126.
3440:
3438:, p. 123.
3428:
3416:
3394:"David Bowie:
3384:
3359:"David Bowie:
3349:
3342:
3324:Weisbard, Eric
3312:
3308:Sheffield 2004
3300:
3260:
3233:"David Bowie:
3220:
3193:"David Bowie:
3177:
3148:
3141:
3123:
3116:
3089:
3065:
3044:– David Bowie"
3036:Thompson, Dave
3024:
3022:, p. 106.
3012:
3010:, p. 183.
3000:
2998:, p. 196.
2988:
2971:
2959:
2957:, p. 185.
2947:
2945:, p. 212.
2935:
2903:
2891:
2856:
2838:Chart History"
2822:
2790:
2778:
2766:
2754:
2737:
2722:
2710:
2708:, p. 338.
2693:
2691:, p. 336.
2681:
2679:, p. 121.
2669:
2657:
2645:
2633:
2616:
2601:
2589:
2587:, p. 295.
2577:
2542:
2540:, p. 124.
2527:
2498:
2479:
2446:
2427:
2412:
2400:
2385:
2370:
2368:, p. 150.
2358:
2346:
2323:
2311:
2252:
2240:
2228:
2216:
2203:
2201:
2198:
2195:
2194:
2181:
2168:
2134:
2133:
2131:
2128:
2125:
2124:
2116:
2115:
2112:
2109:
2101:
2100:
2094:
2091:
2078:
2077:Certifications
2075:
2072:
2071:
2068:
2060:
2059:
2056:
2048:
2047:
2044:
2036:
2035:
2032:
2025:
2021:
2020:
2017:
2010:
2006:
2005:
2002:
1997:Swiss Albums (
1994:
1993:
1990:
1982:
1981:
1978:
1971:
1967:
1966:
1963:
1953:
1952:
1949:
1941:
1940:
1937:
1929:
1928:
1925:
1916:
1912:
1911:
1908:
1897:
1896:
1893:
1886:
1882:
1881:
1876:
1873:
1860:
1857:
1856:
1855:
1852:
1849:
1843:
1834:
1825:
1824:
1815:
1805:
1799:
1796:
1793:
1790:Herbie Flowers
1787:
1781:
1771:
1770: – guitar
1765:
1759:
1746:
1710:
1707:
1706:
1705:
1698:
1695:
1688:
1685:
1676:
1675:
1668:
1665:
1662:
1655:
1634:
1631:
1553:
1550:
1508:
1503:Simon Reynolds
1422:
1421:
1418:
1410:
1409:
1380:
1372:
1371:
1342:
1334:
1333:
1279:
1271:
1270:
1267:
1259:
1258:
1255:
1247:
1246:
1243:
1235:
1234:
1205:
1197:
1196:
1142:
1134:
1133:
1104:
1098:
1097:
1094:
1090:
1089:
1079:
1076:
1043:
1040:
987:
984:
923:
920:
899:Ziggy Stardust
876:Ziggy Stardust
864:
863:
854:
853:
845:
844:
843:
842:
841:
815:Ashes to Ashes
787:
784:
764:counterculture
691:
688:
642:
639:
546:, keyboardist
544:Herbie Flowers
486:
483:
457:(1968). Bowie
412:
409:
377:Ziggy Stardust
311:Herbie Flowers
262:
261:
258:
257:
255:
254:
240:
237:
236:
226:
225:
222:
221:
218:
217:
208:
199:
185:
184:
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168:
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141:
130:
126:
125:
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117:
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102:
96:
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91:
88:
84:
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73:
69:
68:
63:
56:
55:
52:
44:
43:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6005:
5994:
5991:
5989:
5986:
5984:
5981:
5979:
5976:
5974:
5971:
5969:
5966:
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5961:
5959:
5956:
5954:
5951:
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5946:
5944:
5941:
5939:
5936:
5934:
5931:
5929:
5926:
5924:
5921:
5920:
5918:
5903:
5895:
5894:
5891:
5885:
5882:
5880:
5877:
5875:
5872:
5870:
5869:
5865:
5863:
5862:
5858:
5856:
5855:
5851:
5849:
5848:
5844:
5842:
5839:
5837:
5834:
5832:
5829:
5827:
5824:
5822:
5821:Junior's Eyes
5819:
5817:
5814:
5812:
5809:
5807:
5804:
5802:
5799:
5798:
5796:
5792:
5786:
5785:
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5612:
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5602:
5599:
5597:
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5587:
5584:
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5577:
5574:
5572:
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5568:
5566:
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5556:
5555:
5551:
5549:
5548:
5544:
5542:
5541:
5537:
5535:
5534:
5530:
5528:
5527:
5526:Cracked Actor
5523:
5522:
5520:
5518:Documentaries
5516:
5510:
5509:
5505:
5503:
5502:
5498:
5496:
5495:
5491:
5489:
5488:
5487:Best of Bowie
5484:
5482:
5481:
5477:
5475:
5474:
5470:
5468:
5467:
5463:
5461:
5460:
5456:
5454:
5453:
5449:
5447:
5446:
5442:
5440:
5439:
5435:
5433:
5432:
5428:
5427:
5425:
5421:
5415:
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5410:
5408:
5407:
5403:
5401:
5400:
5396:
5394:
5393:
5389:
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5382:
5380:
5379:
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5299:
5298:
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5285:
5284:
5280:
5278:
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5264:
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5259:
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5220:
5218:
5217:
5213:
5211:
5210:
5206:
5204:
5203:
5199:
5197:
5196:
5195:Best of Bowie
5192:
5190:
5189:
5185:
5183:
5182:
5178:
5176:
5175:
5171:
5169:
5168:
5164:
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5112:
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5027:
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5018:
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5013:
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5010:
5006:
5005:
5003:
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4992:
4988:
4986:
4985:
4981:
4979:
4978:
4974:
4972:
4971:
4967:
4965:
4964:
4963:Christiane F.
4960:
4959:
4957:
4953:
4943:
4942:
4938:
4936:
4935:
4931:
4930:
4928:
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4908:
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4903:
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4706:
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4552:
4550:
4549:
4545:
4543:
4541:
4537:
4535:
4533:
4529:
4528:
4526:
4524:Studio albums
4522:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
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4390:
4386:
4380:
4376:
4372:
4371:
4366:
4362:
4358:
4352:
4348:
4344:
4343:
4338:
4334:
4330:
4326:
4322:
4316:
4312:
4311:Da Capo Press
4308:
4307:
4302:
4298:
4294:
4288:
4284:
4280:
4276:
4272:
4266:
4262:
4258:
4257:
4252:
4248:
4244:
4238:
4234:
4230:
4229:
4223:
4219:
4213:
4209:
4205:
4204:
4199:
4195:
4191:
4185:
4181:
4177:
4172:
4168:
4162:
4158:
4154:
4150:
4146:
4142:
4138:
4132:
4128:
4123:
4119:
4113:
4109:
4104:
4100:
4094:
4090:
4086:
4081:
4080:
4075:
4067:
4063:
4057:
4054:
4050:
4046:
4041:
4038:
4034:
4031:(in German).
4030:
4025:
4022:
4018:
4013:
4010:
4006:
4001:
3998:
3994:
3989:
3986:
3982:
3977:
3974:
3970:
3965:
3962:
3958:
3953:
3950:
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3933:
3929:
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3908:
3907:
3899:
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3883:
3879:
3878:
3873:
3867:
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3837:
3833:
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3827:
3821:
3818:
3813:
3807:
3799:
3793:
3790:
3786:
3781:
3778:
3773:
3767:
3759:
3753:
3750:
3737:
3733:
3732:
3727:
3725:
3721:
3712:
3709:
3696:
3692:
3691:Rolling Stone
3688:
3681:
3678:
3665:
3661:
3660:Rolling Stone
3657:
3653:
3647:
3644:
3631:
3627:
3623:
3621:
3613:
3610:
3605:
3599:
3591:
3587:
3581:
3579:
3575:
3570:
3566:
3562:
3560:
3556:
3548:
3545:
3540:
3534:
3526:
3520:
3517:
3512:
3506:
3498:
3494:
3488:
3485:
3480:
3474:
3466:
3462:
3456:
3453:
3449:
3444:
3441:
3437:
3432:
3429:
3426:, p. 99.
3425:
3424:Reynolds 2016
3420:
3417:
3405:
3404:
3399:
3397:
3388:
3385:
3372:
3368:
3364:
3362:
3353:
3350:
3345:
3343:0-679-75574-8
3339:
3335:
3334:Vintage Books
3331:
3330:
3325:
3319:
3317:
3313:
3309:
3304:
3301:
3288:
3284:
3283:
3278:
3276:
3267:
3265:
3261:
3248:
3244:
3243:
3238:
3236:
3227:
3225:
3221:
3208:
3204:
3203:
3198:
3197:Album Review"
3196:
3190:
3189:Wolk, Douglas
3184:
3182:
3178:
3174:. p. 34.
3173:
3172:
3167:
3163:
3159:
3152:
3149:
3144:
3142:1-84195-827-1
3138:
3134:
3127:
3124:
3119:
3113:
3109:
3108:Omnibus Press
3105:
3104:
3099:
3098:Larkin, Colin
3093:
3090:
3085:
3084:
3079:
3075:
3069:
3066:
3053:
3049:
3045:
3043:
3037:
3031:
3029:
3025:
3021:
3016:
3013:
3009:
3004:
3001:
2997:
2992:
2989:
2985:
2980:
2978:
2976:
2972:
2968:
2963:
2960:
2956:
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2948:
2944:
2939:
2936:
2923:
2919:
2918:
2913:
2907:
2904:
2900:
2895:
2892:
2879:
2875:
2874:
2868:
2860:
2857:
2845:
2844:
2839:
2837:
2829:
2827:
2823:
2811:
2807:
2805:
2797:
2795:
2791:
2788:, p. 69.
2787:
2782:
2779:
2775:
2770:
2767:
2764:, p. 80.
2763:
2758:
2755:
2751:
2746:
2744:
2742:
2738:
2735:, p. 62.
2734:
2729:
2727:
2723:
2719:
2714:
2711:
2707:
2702:
2700:
2698:
2694:
2690:
2685:
2682:
2678:
2673:
2670:
2667:, p. 57.
2666:
2665:Sandford 1997
2661:
2658:
2655:, p. 64.
2654:
2649:
2646:
2642:
2637:
2634:
2631:, p. 60.
2630:
2629:Sandford 1997
2625:
2623:
2621:
2617:
2613:
2608:
2606:
2602:
2598:
2593:
2590:
2586:
2581:
2578:
2565:
2561:
2557:
2555:
2546:
2543:
2539:
2534:
2532:
2528:
2524:
2519:
2517:
2515:
2513:
2511:
2509:
2507:
2505:
2503:
2499:
2495:
2490:
2488:
2486:
2484:
2480:
2467:
2463:
2462:
2457:
2450:
2447:
2443:
2438:
2436:
2434:
2432:
2428:
2424:
2419:
2417:
2413:
2409:
2404:
2401:
2397:
2392:
2390:
2386:
2382:
2377:
2375:
2371:
2367:
2362:
2359:
2356:, p. 59.
2355:
2350:
2347:
2343:
2338:
2336:
2334:
2332:
2330:
2328:
2324:
2320:
2315:
2312:
2308:
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2301:
2299:
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2267:
2265:
2263:
2261:
2259:
2257:
2253:
2249:
2244:
2241:
2237:
2236:Sandford 1997
2232:
2229:
2225:
2220:
2217:
2214:, p. 12.
2213:
2208:
2205:
2199:
2191:
2190:Peter Doggett
2185:
2182:
2178:
2172:
2169:
2165:
2161:
2157:
2153:
2149:
2148:Nicholas Pegg
2145:
2139:
2136:
2129:
2123:
2113:
2110:
2107:
2102:
2098:
2093:Certification
2088:
2085:
2076:
2066:
2062:
2061:
2054:
2050:
2049:
2042:
2038:
2037:
2030:
2026:
2022:
2015:
2011:
2008:
2007:
2000:
1996:
1995:
1988:
1984:
1983:
1976:
1972:
1968:
1962:
1960:
1955:
1954:
1947:
1943:
1942:
1935:
1931:
1930:
1923:
1922:
1917:
1913:
1906:
1902:
1899:
1898:
1891:
1887:
1883:
1870:
1867:
1858:
1853:
1850:
1847:
1844:
1838:
1835:
1832:
1831:
1830:
1829:
1823:
1819:
1816:
1810:
1806:
1804: – drums
1803:
1800:
1797:
1794:
1791:
1788:
1785:
1784:Tony Visconti
1782:
1779:
1775:
1772:
1769:
1766:
1763:
1760:
1758:
1754:
1750:
1747:
1745:
1738:
1731:
1727:
1723:
1720:
1719:
1718:
1716:
1715:Nicholas Pegg
1708:
1704:" – 7:07
1703:
1699:
1696:
1694:" – 4:47
1693:
1689:
1686:
1683:
1682:
1681:
1680:
1674:" – 9:30
1673:
1669:
1666:
1663:
1661:" – 6:10
1660:
1656:
1654:" – 5:14
1653:
1649:
1648:
1647:
1646:
1642:
1640:
1633:Track listing
1632:
1630:
1628:
1627:
1622:
1618:
1613:
1611:
1608:
1607:
1602:
1598:
1594:
1590:
1585:
1583:
1579:
1575:
1571:
1567:
1563:
1558:
1551:
1549:
1547:
1542:
1538:
1534:
1530:
1529:
1524:
1518:
1512:
1507:
1504:
1500:
1499:
1494:
1493:Rob Sheffield
1490:
1489:
1484:
1477:
1472:
1471:
1465:
1463:
1456:
1455:
1450:
1449:
1444:
1436:
1432:
1431:Dave Thompson
1428:
1419:
1417:
1416:
1412:
1411:
1381:
1379:
1378:
1374:
1373:
1343:
1341:
1340:
1336:
1335:
1280:
1278:
1277:
1273:
1272:
1268:
1266:
1265:
1261:
1260:
1256:
1254:
1253:
1249:
1248:
1244:
1242:
1241:
1237:
1236:
1206:
1204:
1203:
1199:
1198:
1143:
1141:
1140:
1136:
1135:
1105:
1103:
1100:
1099:
1091:
1088:Review scores
1086:
1077:
1075:
1073:
1069:
1065:
1061:
1057:
1049:
1041:
1039:
1037:
1033:
1029:
1028:
1022:
1017:
1012:
1010:
1009:
1003:
998:
997:
992:
985:
983:
981:
979:
974:
965:
963:
950:
945:
943:
939:
938:
933:
921:
919:
917:
913:
909:
905:
901:
900:
895:
890:
888:
878:
877:
872:
868:
858:
849:
840:
838:
834:
833:
828:
824:
820:
816:
812:
808:
807:
802:
797:
793:
792:cover artwork
785:
783:
781:
777:
773:
769:
765:
761:
757:
752:
750:
745:
741:
737:
733:
728:
726:
722:
718:
714:
709:
705:
701:
697:
689:
687:
685:
684:kaleidoscopic
681:
677:
672:
668:
664:
660:
656:
652:
648:
645:The music on
640:
638:
628:
624:
623:Nicholas Pegg
616:
612:
603:
601:
597:
593:
589:
581:
577:
565:
561:
560:Junior's Eyes
557:
553:
550:, who played
549:
545:
541:
537:
529:
525:
517:
516:Tony Visconti
512:
507:
502:
500:
496:
492:
491:Tony Visconti
484:
482:
480:
476:
472:
464:
460:
456:
455:
450:
446:
441:
439:
438:
433:
429:
428:Deram Records
425:
421:
418:released his
417:
410:
408:
406:
402:
398:
394:
390:
385:
381:
379:
378:
373:
369:
365:
364:
359:
358:music critics
354:
352:
347:
343:
339:
335:
331:
326:
324:
323:Junior's Eyes
321:and the band
320:
316:
312:
308:
307:Tony Visconti
304:
300:
296:
292:
288:
280:
276:
275:
270:
269:
259:
248:
242:
241:
238:
235:
231:
227:
223:
214:
213:
209:
205:
204:
200:
196:
195:
191:
190:
186:
182:
178:
172:
171:Tony Visconti
169:
167:
164:
163:
161:
159:
155:
152:
149:
147:
143:
131:
127:
121:
118:
116:
113:
112:
110:
108:
104:
100:
97:
93:
89:
85:
74:
70:
66:
61:
57:
50:
45:
40:
35:
30:
19:
5866:
5859:
5852:
5845:
5836:Arnold Corns
5826:BBC Sessions
5782:
5775:
5768:
5761:
5754:
5747:
5740:
5733:
5716:
5626:Heathen Tour
5606:Outside Tour
5552:
5545:
5538:
5531:
5524:
5506:
5499:
5492:
5485:
5478:
5471:
5464:
5457:
5450:
5443:
5436:
5429:
5423:Video albums
5411:
5404:
5397:
5390:
5383:
5378:Glass Spider
5376:
5369:
5362:
5355:
5337:
5330:
5323:
5316:
5309:
5302:
5295:
5288:
5281:
5274:
5267:
5260:
5253:
5235:
5228:
5221:
5214:
5207:
5200:
5193:
5186:
5179:
5172:
5165:
5158:
5151:
5144:
5137:
5132:Changesbowie
5130:
5123:
5118:Golden Years
5116:
5109:
5102:
5095:
5088:
5081:
5074:
5068:Compilations
5056:
5049:
5042:
5037:Space Oddity
5035:
5028:
5021:
5014:
5007:
4989:
4982:
4975:
4968:
4961:
4939:
4932:
4911:
4904:
4897:
4890:
4883:
4876:
4869:
4862:
4855:
4848:
4841:
4834:
4827:
4820:
4813:
4806:
4801:Glass Spider
4799:
4792:
4785:
4778:
4771:
4764:
4742:
4735:
4714:
4707:
4702:The Next Day
4700:
4693:
4686:
4679:
4672:
4665:
4658:
4651:
4644:
4637:
4630:
4623:
4616:
4609:
4602:
4595:
4588:
4583:Diamond Dogs
4581:
4574:
4569:Aladdin Sane
4567:
4560:
4553:
4546:
4539:
4538:
4531:
4505:Band members
4425:
4396:
4393:Trynka, Paul
4373:. New York:
4368:
4341:
4305:
4282:
4255:
4227:
4206:. New York:
4202:
4175:
4152:
4126:
4107:
4089:Virgin Books
4084:
4056:
4040:
4024:
4012:
4000:
3988:
3976:
3964:
3952:
3940:. Retrieved
3927:
3918:
3905:
3898:
3886:. Retrieved
3882:the original
3875:
3866:
3850:
3830:
3820:
3798:David Bowie
3797:
3792:
3780:
3757:
3752:
3740:. Retrieved
3736:the original
3729:
3723:
3720:Space Oddity
3719:
3711:
3699:. Retrieved
3695:the original
3690:
3680:
3668:. Retrieved
3664:the original
3659:
3646:
3634:. Retrieved
3630:the original
3625:
3619:
3612:
3585:
3569:the original
3564:
3559:Space Oddity
3558:
3554:
3547:
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3492:
3487:
3460:
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3407:. Retrieved
3401:
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3375:. Retrieved
3371:the original
3366:
3360:
3352:
3332:. New York:
3327:
3303:
3291:. Retrieved
3280:
3275:Space Oddity
3274:
3251:. Retrieved
3240:
3235:Space Oddity
3234:
3211:. Retrieved
3200:
3194:
3169:
3165:
3161:
3158:Space Oddity
3157:
3151:
3132:
3126:
3102:
3092:
3083:Classic Rock
3081:
3078:Space Oddity
3077:
3068:
3056:. Retrieved
3042:Space Oddity
3041:
3020:Doggett 2012
3015:
3003:
2991:
2962:
2950:
2938:
2926:. Retrieved
2915:
2906:
2894:
2882:. Retrieved
2871:
2859:
2847:. Retrieved
2841:
2836:Space Oddity
2835:
2813:. Retrieved
2804:Space Oddity
2803:
2781:
2769:
2762:Doggett 2012
2757:
2733:Buckley 2005
2718:O'Leary 2015
2713:
2684:
2672:
2660:
2648:
2636:
2592:
2580:
2568:. Retrieved
2564:the original
2554:Space Oddity
2553:
2545:
2494:Buckley 2005
2470:. Retrieved
2459:
2449:
2403:
2381:Buckley 1999
2361:
2354:Doggett 2012
2349:
2319:O'Leary 2015
2314:
2243:
2231:
2219:
2207:
2184:
2176:
2171:
2160:Space Oddity
2159:
2155:
2152:Space Oddity
2151:
2143:
2142:In his book
2138:
2119:
2084:Space Oddity
2083:
1958:
1919:
1865:
1827:
1826:
1774:Rick Wakeman
1712:
1678:
1677:
1652:Space Oddity
1644:
1643:
1636:
1624:
1621:Space Oddity
1620:
1616:
1614:
1604:
1600:
1588:
1586:
1582:Space Oddity
1581:
1570:Space Oddity
1569:
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1546:Space Oddity
1545:
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1522:
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1496:
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1475:
1468:
1466:
1462:Space Oddity
1461:
1452:
1446:
1443:Douglas Wolk
1426:
1425:
1413:
1375:
1337:
1274:
1262:
1250:
1238:
1200:
1139:Classic Rock
1137:
1072:Tony Defries
1067:
1055:
1045:
1035:
1025:
1020:
1015:
1013:
1006:
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935:
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908:Space Oddity
907:
903:
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891:
886:
884:
874:
836:
830:
822:
818:
804:
789:
753:
743:
729:
725:hidden track
693:
679:
666:
646:
644:
604:
548:Rick Wakeman
521:
504:
488:
465:version on 2
462:
452:
445:Space Oddity
442:
435:
432:Kenneth Pitt
422:-influenced
414:
405:Space Oddity
404:
401:Space Oddity
400:
396:
393:hidden track
388:
383:
382:
375:
372:Space Oddity
371:
362:
361:
355:
337:
327:
315:Rick Wakeman
295:Space Oddity
274:Space Oddity
273:
272:
267:
266:
265:
247:Space Oddity
234:David Bowie
233:
210:
202:
201:
192:
60:Studio album
29:
5923:1969 albums
5884:Bowie Bonds
5801:Iman (wife)
5701:In popular
5642:Tin Machine
5459:Tin Machine
5269:David Bowie
4955:Soundtracks
4925:Tin Machine
4758:Live albums
4737:Tin Machine
4728:Tin Machine
4632:Let's Dance
4540:David Bowie
4532:David Bowie
4500:Videography
4495:Filmography
4480:Discography
4469:David Bowie
4365:Spitz, Marc
4261:Titan Books
3826:Kent, David
3636:16 February
3555:David Bowie
3525:David Bowie
3493:David Bowie
3461:David Bowie
3436:Trynka 2011
3403:The Quietus
3293:12 December
3213:12 December
3058:12 December
2677:Trynka 2011
2472:30 November
2408:Trynka 2011
2156:David Bowie
1866:David Bowie
1837:Gus Dudgeon
1749:Tim Renwick
1737:chord organ
1722:David Bowie
1639:David Bowie
1617:David Bowie
1601:David Bowie
1589:David Bowie
1557:David Bowie
1541:David Bowie
1523:David Bowie
1488:The Quietus
1427:David Bowie
1056:David Bowie
991:David Bowie
949:David Bowie
904:David Bowie
894:RCA Records
837:David Bowie
744:David Bowie
702:, a pocket
680:David Bowie
667:David Bowie
647:David Bowie
600:Paul Trynka
576:Tim Renwick
499:Gus Dudgeon
495:lead single
481:in the UK.
416:David Bowie
397:David Bowie
389:David Bowie
384:David Bowie
368:RCA Records
338:David Bowie
303:Gus Dudgeon
301:in London.
279:David Bowie
268:David Bowie
203:David Bowie
194:David Bowie
181:David Bowie
166:Gus Dudgeon
65:David Bowie
42:David Bowie
5917:Categories
5841:Ava Cherry
5668:Characters
5616:Hours Tour
5202:Club Bowie
5188:All Saints
4766:David Live
4555:Hunky Dory
4309:. London:
4233:Zero Books
4155:. London:
4087:. London:
3942:22 October
3742:13 January
3701:13 January
3590:Parlophone
3448:Spitz 2009
3409:13 January
3377:13 January
3242:PopMatters
3166:Hunky Dory
3074:Wall, Mick
2967:Spitz 2009
2928:12 January
2884:12 January
2849:13 January
2815:13 January
2786:Clerc 2021
2570:13 January
2538:Spitz 2009
2321:, chap. 3.
2200:References
2043:Wallonia)
2031:Flanders)
2014:PROMUSICAE
1946:Promusicae
1828:Production
1768:Mick Wayne
1730:stylophone
1470:PopMatters
1276:PopMatters
1064:Marc Bolan
1002:Music Now!
780:alienation
772:Marc Bolan
768:Bob Harris
740:shoplifter
700:stylophone
671:Marc Spitz
580:John Lodge
578:, bassist
554:, drummer
420:music hall
411:Background
330:music hall
289:affiliate
183:chronology
79:1969-11-14
5675:Major Tom
5621:Mini Tour
5586:Isolar II
4977:Labyrinth
4709:Blackstar
4674:Earthling
4303:(1997) .
4145:Carr, Roy
3928:Billboard
3785:Cann 2010
3670:16 August
3367:Pitchfork
3253:10 August
3202:Pitchfork
3008:Pegg 2016
2996:Cann 2010
2984:Cann 2010
2955:Cann 2010
2943:Pegg 2016
2899:Pegg 2016
2843:Billboard
2774:Cann 2010
2750:Cann 2010
2706:Pegg 2016
2689:Pegg 2016
2653:Pegg 2016
2641:Pegg 2016
2612:Pegg 2016
2597:Cann 2010
2585:Pegg 2016
2560:BBC Music
2523:Cann 2010
2423:Cann 2010
2396:Cann 2010
2366:Cann 2010
2342:Pegg 2016
2307:Pegg 2016
2248:Pegg 2016
2224:Cann 2010
2212:Pegg 2016
1959:Billboard
1901:UK Albums
1880:Position
1846:Ken Scott
1809:harmonica
1802:Terry Cox
1778:Mellotron
1709:Personnel
1615:In 2019,
1593:BBC Radio
1495:, in the
1483:glam-rock
1476:Pitchfork
1448:Pitchfork
1264:Pitchfork
978:Billboard
916:Beckenham
912:Mick Rock
721:hard rock
717:harmonica
713:Bob Dylan
676:BBC Music
651:folk rock
637:October.
596:Ken Scott
594:engineer
556:Terry Cox
552:Mellotron
540:Apollo 11
514:Producer
485:Recording
342:folk rock
340:contains
319:Terry Cox
115:Folk rock
5902:Category
5879:BowieNet
5816:The Hype
5749:Stardust
5533:Ricochet
5438:Video EP
5247:Box sets
4611:"Heroes"
4395:(2011).
4367:(2009).
4339:(eds.).
4281:(2016).
4253:(2016).
4200:(2012).
4151:(1981).
3936:Archived
3828:(1993).
3726:box set"
3287:Archived
3247:Archived
3207:Archived
3052:Archived
3048:AllMusic
2922:Archived
2878:Archived
2466:Archived
2461:Exclaim!
2114:100,000
2041:Ultratop
2029:Ultratop
1820: –
1776: –
1757:recorder
1679:Side two
1645:Side one
1562:Rykodisc
1552:Reissues
1533:Roy Carr
1531:editors
1435:AllMusic
1102:AllMusic
760:Hey Jude
756:Buddhism
708:metaphor
696:acoustic
426:through
158:Producer
101:(London)
87:Recorded
72:Released
62: by
5794:Related
5742:Lazarus
5703:culture
5494:Reality
5223:iSelect
5051:No Plan
4984:Lazarus
4695:Reality
4688:Heathen
4667:Outside
4639:Tonight
4576:Pin Ups
4432:Discogs
4076:Sources
3888:10 July
2099:/sales
2090:Region
1744:kalimba
1610:box set
1437:wrote:
1030:critic
960:author
867:Mercury
811:Pierrot
776:outtake
659:country
592:Beatles
518:in 2007
287:Mercury
230:Singles
216:(1970)
207:(1969)
198:(1967)
151:Philips
99:Trident
77: (
5724:Jareth
5581:Isolar
5237:Legacy
4618:Lodger
4542:(1969)
4534:(1967)
4407:
4381:
4353:
4317:
4289:
4267:
4239:
4214:
4186:
4163:
4133:
4114:
4095:
4049:MAHASZ
3838:
3340:
3139:
3114:
2065:MAHASZ
1875:Chart
1859:Charts
1578:Virgin
1479:'s
1458:'s
1269:6.7/10
1096:Rating
1093:Source
1078:Legacy
1052:
1021:Zygote
969:
957:
953:
928:
827:a song
803:album
774:. The
732:ballad
678:calls
635:
631:
627:hippie
619:
607:
584:
572:
568:
532:
524:B-side
467:
459:demoed
351:single
283:
129:Length
95:Studio
5711:Bowie
5640:With
5564:Tours
4923:With
4773:Stage
4726:With
4681:Hours
4510:Death
4485:Songs
3910:(PDF)
2130:Notes
2111:Gold
2024:2020
2009:2019
1970:2016
1915:1973
1885:1972
1872:Year
1822:cello
1753:flute
1597:vinyl
1060:Angie
690:Songs
232:from
146:Label
107:Genre
5111:Rare
5009:Baal
4405:ISBN
4379:ISBN
4351:ISBN
4315:ISBN
4287:ISBN
4265:ISBN
4237:ISBN
4212:ISBN
4184:ISBN
4161:ISBN
4131:ISBN
4112:ISBN
4093:ISBN
3944:2020
3890:2022
3836:ISBN
3812:link
3772:link
3744:2021
3703:2021
3672:2020
3638:2016
3604:link
3539:link
3511:link
3479:link
3411:2021
3379:2021
3338:ISBN
3295:2020
3255:2017
3215:2020
3137:ISBN
3112:ISBN
3060:2020
2930:2016
2886:2016
2851:2021
2817:2021
2572:2021
2474:2020
2046:132
1987:FIMI
1980:105
1975:SNEP
1878:Peak
1535:and
1420:2/10
1257:6/10
1245:6/10
754:The
736:folk
661:and
653:and
399:and
344:and
5001:EPs
4716:Toy
4604:Low
4430:at
3877:RPM
3465:EMI
3168:".
2106:BPI
2070:11
2058:63
2034:60
2019:68
2004:66
1992:60
1965:16
1956:US
1939:27
1927:13
1921:RPM
1910:17
1905:OCC
1895:21
1574:EMI
1566:EMI
1528:NME
1445:of
1433:of
871:RCA
682:a "
451:'s
325:.
5919::
4403:.
4377:.
4349:.
4335:;
4313:.
4263:.
4235:.
4210:.
4182:.
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4091:.
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2055:)
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1977:)
1951:8
1948:)
1936:)
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