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Sparrows (1926 film)

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416: 448: 473:, January 1927: "The choice of 'Sparrows' was a singular one for Mary Pickford to make, but no one can deny that she has done the picture surpassingly well. The subject is gloomy, and some of the horrors recall Dickens, yet the darkness is shot through with many laughs. Indeed, so heavily does the hand of melodrama smite 'Sparrows' that the picture passes beyond the bounds of credibility. Thus the spectator relaxes, content to give way to his amazement at Mary's skill. ... 'Sparrows' is well worth seeing." 31: 461:: "Although Miss Pickford's performance is as flawless as ever, it is doubtful whether she served herself well in selecting this special screen story, in which there is an abundance of exaggerated suspense and a number of puerile ideas. It is an obvious heartstring tugger during most of its length, and it frequently dallies with the thrills of old fashioned melodramas." 286:
carry out the plan, Molly gets her back. After she fights off Grimes with a pitchfork, he strands her in the hayloft and decides he must get rid of her, too. That night, Molly flees with the children. Grimes figures either the mud or the alligators will take care of the runaways. However, when the kidnappers come back for the baby, he leads them on a search.
271:" near an alligator-infested swamp. Molly, an adolescent inmate and the oldest of their charges, attempts to provide the other poorly clothed, starving kids with loving maternal care. Most of the children are orphans. One mother sends her child a doll, but Grimes crushes its head and tosses it into the swamp. 467:, December 1925: "Melodrama is interwoven in the story and there is nothing new or startling about the plot. But you won't realize this until the last lovely close-up of Mary has faded from the screen. Which means, of course, that the story interests you so much that your critical faculty is dulled." 438:
went to great lengths to transform 4 acres (16,000 m) of the back lot between Willoughby Avenue and Alta Vista Street into a stylized Gothic swamp. The ground was scraped bare in places, 600 trees were transplanted, and pits dug and filled with a mixture of burned cork, sawdust and muddy water.
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Molly and the kids emerge unscathed from the swamp and hide aboard a boat, unaware it belongs to the kidnappers. Pursued by the police, Grimes runs into the swamp, but falls into deep mud and perishes, while the two criminals flee in the boat. Unable to shake the harbor patrol, they try to slip away
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Joe Bailey and his associate bring a kidnapped baby girl to the farm for concealment until they receive a ransom from the rich father, Dennis Wayne. When Grimes reads about the kidnapping in the newspaper, he decides it is safer to chuck the baby into the swamp. When Ambrose grabs the little girl to
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considers Sparrows to be Pickford's masterpiece. In his program notes for the Giorante del Cinema Muto (also knows as the Pordenone Silent Film Festival,) Vance writes in 2008: "Sparrows is her most fully realized and timeless work of art. The film’s superb performances, gothic production design,
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In later years, Pickford repeatedly recounted the story that she was concerned that director William Beaudine was jeopardizing the actors, particularly when he insisted she carry a real baby, rather than a doll as she wanted, across some water teeming with alligators (albeit with their jaws bound
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Ambrose catches Molly with stolen potatoes, so she and the others are given no supper. She pleads for the children, especially the sick, youngest baby, to no avail. Late that night, in a vision, Christ enters the barn where they sleep and takes the baby. When Molly wakes up, the child is dead.
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As one of Mary's most unexpected films and her only Gothic melodrama. Sparrows might have proved too strong for audiences; although it did well, it did somewhat less so than Little Annie Booneij. Produced at a cost of $ 463,455, its domestic gross was $ 966,878. Factoring in distribution and
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The children are ordered to hide anytime someone comes to the farm. When a hog buyer shows up, Ambrose, the Grimes' son, maliciously prevents Splutters, one of the children, from hiding. The buyer then purchases the boy from Grimes.
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The baby is reunited with her wealthy father, but when she refuses to drink her milk without Molly, Mr. Wayne offers Molly a comfortable home. She accepts only on condition that he take in the other children as well.
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Molly has promised the others that God will rescue them. When a boy asks why nothing has happened after a month, she tells him that He is busy attending to sparrows (a biblical reference).
431:, the film's director of photography, debunked this tale, saying "There wasn't an alligator within ten miles of Miss Pickford," and revealing in precise detail how the effect was done. 415: 225: 289:
Meanwhile, Splutters is brought to the police station, having been discovered by one of the search parties. He tells the policemen and Mr. Wayne about the baby farm.
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and cinematography all serve a suspenseful, emotionally compelling story anchored by a central performance by Pickford herself imbued with pathos, humor, and charm."
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advertising costs, Mary realized a clear profit of nearly $ 200,000 without even considering the money derived from the film's foreign release.
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about a young woman who rescues a baby from kidnappers. The film, which was originally titled
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to DVD and Blu-ray on November 6, 2012, as part of a box set called
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was Pickford's next-to-last silent role, followed by 1927's
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1459:Lucky Ghost 1411:Flying Wild 1069:Hard to Get 1029:Home, James 869:Boy of Mine 384:Cast notes: 370:Mary McLain 358:Jack Lavine 355:Billy Butts 313:Roy Stewart 195:intertitles 117:Karl Struss 83:Produced by 41:Directed by 2285:1926 films 2279:Categories 1851:Jinx Money 1603:Hot Rhythm 1595:Voodoo Man 1224:Dandy Dick 621:"Sparrows" 603:. TCM.com. 510:References 486:Home media 411:Production 249:drama film 210:Box office 174:84 minutes 153:1926-05-14 58:Written by 1966:1950s-60s 1891:Kidnapped 1315:1930s-40s 1053:Fugitives 805:1920s-30s 350:Children: 269:baby farm 205:$ 463,000 193:(English 123:Edited by 16:1926 film 1883:Incident 965:Sparrows 909:Cornered 751:Sparrows 743:Sparrows 732:Sparrows 721:Sparrows 710:Sparrows 699:Sparrows 584:Sparrows 496:Sparrows 429:Hal Mohr 420:Sparrows 400:Pickfair 390:Sparrows 309:as Molly 241:Sparrows 233:Sparrows 187:Language 109:Hal Mohr 93:Starring 77:(titles) 24:Sparrows 2102:Jet Job 1771:Mr. Hex 754:at the 724:at the 627:(2006). 566:TCM.com 179:Country 151: ( 64:(story) 2265:(1966) 2257:(1966) 2249:(1960) 2241:(1958) 2233:(1957) 2225:(1956) 2217:(1955) 2209:(1955) 2201:(1954) 2193:(1954) 2185:(1954) 2177:(1953) 2169:(1953) 2161:(1953) 2153:(1953) 2150:Jalopy 2145:(1952) 2137:(1952) 2129:(1952) 2121:(1952) 2113:(1952) 2105:(1952) 2097:(1952) 2089:(1952) 2081:(1951) 2073:(1951) 2065:(1951) 2057:(1951) 2049:(1951) 2041:(1951) 2033:(1951) 2025:(1950) 2017:(1950) 2009:(1950) 2001:(1950) 1993:(1950) 1985:(1950) 1977:(1950) 1958:(1949) 1950:(1949) 1942:(1949) 1934:(1949) 1926:(1949) 1918:(1949) 1910:(1948) 1902:(1948) 1894:(1948) 1886:(1948) 1878:(1948) 1870:(1948) 1862:(1948) 1854:(1948) 1846:(1947) 1838:(1947) 1830:(1947) 1822:(1947) 1814:(1947) 1806:(1947) 1798:(1947) 1790:(1947) 1782:(1947) 1774:(1946) 1766:(1946) 1758:(1946) 1750:(1946) 1742:(1946) 1734:(1946) 1726:(1946) 1718:(1945) 1710:(1945) 1702:(1945) 1694:(1945) 1686:(1945) 1678:(1945) 1670:(1945) 1662:(1944) 1654:(1944) 1646:(1944) 1638:(1944) 1630:(1944) 1622:(1944) 1614:(1944) 1606:(1944) 1598:(1944) 1590:(1944) 1582:(1943) 1574:(1943) 1566:(1943) 1558:(1943) 1550:(1943) 1542:(1943) 1534:(1943) 1526:(1942) 1518:(1942) 1510:(1942) 1502:(1942) 1494:(1942) 1486:(1942) 1478:(1942) 1470:(1942) 1462:(1942) 1454:(1942) 1446:(1942) 1438:(1941) 1430:(1941) 1422:(1941) 1414:(1941) 1406:(1941) 1398:(1941) 1390:(1941) 1382:(1941) 1374:(1941) 1366:(1940) 1358:(1940) 1350:(1940) 1342:(1940) 1334:(1939) 1326:(1938) 1307:(1937) 1299:(1937) 1291:(1937) 1283:(1936) 1275:(1936) 1267:(1936) 1259:(1936) 1251:(1935) 1243:(1935) 1235:(1935) 1227:(1935) 1219:(1935) 1211:(1935) 1192:(1934) 1184:(1933) 1176:(1933) 1168:(1932) 1160:(1932) 1152:(1931) 1144:(1931) 1136:(1931) 1128:(1931) 1120:(1931) 1112:(1931) 1104:(1930) 1096:(1930) 1088:(1929) 1080:(1929) 1072:(1929) 1064:(1929) 1056:(1929) 1048:(1928) 1040:(1928) 1032:(1928) 1024:(1928) 1016:(1928) 1008:(1927) 1000:(1927) 992:(1927) 984:(1926) 976:(1926) 968:(1926) 960:(1926) 952:(1925) 944:(1925) 936:(1925) 928:(1925) 912:(1924) 904:(1924) 896:(1924) 888:(1924) 880:(1924) 872:(1923) 864:(1923) 856:(1923) 848:(1923) 840:(1923) 832:(1922) 824:(1922) 816:(1922) 539:  253:Scraps 246:silent 202:Budget 191:Silent 157: ( 2086:Rodeo 659:(PDF) 642:(PDF) 515:Notes 704:IMDb 537:ISBN 301:Cast 263:Plot 735:at 702:at 2281:: 675:. 623:. 609:^ 591:^ 564:. 545:. 535:. 523:^ 159:US 789:e 782:t 775:v 661:. 568:. 406:. 197:) 161:) 155:)

Index


William Beaudine
Tom McNamara
Winifred Dunn
C. Gardner Sullivan
George Marion Jr.
Mary Pickford
Gustav von Seyffertitz
Hal Mohr
Charles Rosher
Karl Struss
United Artists
Silent
intertitles
silent
drama film
Mary Pickford
baby farm
Mary Pickford
Roy Stewart
Gustav von Seyffertitz
Charlotte Mineau
Spec O'Donnell
Lloyd Whitlock
My Best Girl
Pickfair
Douglas Fairbanks

Hal Mohr
Harry Oliver

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