184:, Buechner writes that he has 'undertaken to say something first about the sad times for each of them' — accepting that little is known about Shakespeare's biography — and 'then to consider how those sad times and the way each came eventually to terms with them are reflected in the masterpieces they seem to me to have engendered'. The author also states that the essays are written with the presupposition that 'all of our stories are at their deepest level the same story', and that by 'listening to these four say so powerfully not what they ought to say, but what they truly felt, we may possibly learn something about how to bear the weight of our own sadness.'
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demonstrates
Buechner's consistent 'affirmation of joy and laughter as in balance with the catharsis of suffering'. The critic agrees with Munroe's suggestion that the work is autobiographical in nature, writing that it is 'a consideration of the weight of own sad times, through an encounter with
195:, commenting that many of the author's 'greatest works' were 'formed from the crucible of his pain'. For Munroe, this affinity is made explicit by the author in his 'Afterword', which, the critic writes, is characterised by a 'pathos' that is thematic throughout Buechner's work.
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140:. Within each chapter, Buechner re-narrates the life of the writer, before discussing in detail one or more of their works. The essays include Buechner's reflections on
207:'reveals a good bit about four literary greats, it reveals even more about Buechner himself', and that the 'small volume is a litany in praise of kindred spirits'.
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is a collection of essays on the topic of literature and theology. The author devotes each of the individual four chapters to an author, poet, or playwright:
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Reading
Buechner: exploring the work of a master memoirist, novelist, theologian, and preacher
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Reading
Buechner: exploring the work of a master memoirist, novelist, theologian, and preacher
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Reading
Buechner: exploring the work of a master memoirist, novelist, theologian, and preacher
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Speak What We Feel (Not What We Ought To Say): reflections on faith and literature
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those of Twain, Hopkins, Chesterton, and
Shakespeare'. Brown concludes that while
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is a collection of literary critical and theological essays authored by
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is dedicated to the author's grandson, and to his 'old friend',
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Wood, Bruce
Calhoun (March 11, 2002). "Healing Voices'".
313:. Downers Grove, Illinois: InterVarsity Press. p. 199.
300:. Downers Grove, Illinois: InterVarsity Press. p. 200.
242:. Downers Grove, Illinois: InterVarsity Press. p. 200.
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The Book of
Buechner: a journey through his writings
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The Book of
Buechner: a journey through his writings
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The Book of
Buechner: a journey through his writings
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The
Longing for Home: recollections and reflections
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198:Buechner scholar, Dale Brown, writes that
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271:. New York: Harper Collins. pp. xi.
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339:. Westminster John Knox Press. p. 341.
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256:. New York: HarperCollins. pp. x.
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267:Buechner, Frederick (2001).
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155:Adventures Huckleberry Finn
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389:American essay collections
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369:Books about Christianity
309:Munroe, Jeffrey (2019).
296:Munroe, Jeffrey (2019).
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149:The Man Who Was Thursday
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180:In his introduction to
101:. Published in 2001 by
399:Books about literature
384:2001 non-fiction books
379:Books about the Bible
126:Gerard Manley Hopkins
284:Presbyterian Outlook
138:William Shakespeare
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404:Books about poetry
269:Speak What We Feel
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111:thirteenth
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143:King Lear
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158:(1884).
146:(1608),
44:Language
117:Content
48:English
176:Themes
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