431:, in which certain groups of authors collectively attempted to move beyond tired old stories of haunted castles, graveyard ghosts, and suave vampires. It tends to be concerned with the subtly uncanny, and is expressed in macabre and serious tones. The atmospheres of a certain place may be evoked, and the narrator may discover certain weird details of that place which arouse a sense of unexplainable dread. Some weird poetry will describe timeless geological forces or the night sky, trying to harness the feeling of dread to a wider and sublime 'cosmic awe' about mankind's insignificance in the universe. Yet the narrators of such poetry tend to be unreliable, and may perhaps be on the edge of madness. They may describe or hint at unreal nature-defying events which occur in otherwise normal places - although without the overt technical explanation found in science fiction, and without the violence and sadism common to modern post-1970 horror.
25:
404:
Mythic poetry deals with myth and folklore, with a particular focus on reinterpreting and retelling traditional stories. Some of the content in this genre sparks a lot of conversation and thinking. They rose to popularity for their styles revolving around folktales and storytelling aspects.
381:
Scientifically-informed verse, sometimes termed poetry of science, is a branch that has either scientists and their work or scientific phenomena as its primary focus; it may also use scientific jargon as metaphor. Important collections in this area include the 1985 anthology of predominantly
413:
Horror poetry is a subset which, in the same way as horror fiction, concentrates on ghostly, macabre, spectral, supernatural themes. Modern horror poetry may also introduce themes of sadism, violence, gore, and the like. One of the most memorable poets that specializes in this genre is
55:
218:, both to show alternative angles in the stories and to explore social issues. Many distinguished poets were women and many of them used folktales as an acceptable social camouflage with which to explore feminist concerns. One of the most celebrated of these poems,
439:(2008) examines a number of key weird poets and highlights them while doing so. While weird poetry has appeared in a vast array of anthologies and journals (both professional and small-press), perhaps the first journal devoted exclusively to this form is
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
340:
for short- and long-form SF and fantasy poetry awards annually; most winners have been either science fiction or science-themed rather than fantasy or horror. Most
Rhysling nominees have been from the small-press poetry journals
426:
Weird poetry is a subset. It differs in several important ways from straightforward modern horror poetry. It originally arises from the early 20th century literary tradition of 'the weird' also known as
79:
37:
329:
markets had developed, many lasting several decades, and many choosing purely electronic publication post-2000. This is in common with mainstream written poetry in the US over this time.
235:
In common with the gradual recognition of science fiction and fantasy as distinct literary genres in the 1930s, science-fictional poetry began publication as a distinct genre in the
232:
wrote in 1981 that over the past decade in the United States, "it was possible to create a tradition, that established and defined the genre" of science fiction poetry.
199:
195:
333:
253:
302:
89:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
97:
876:
692:
670:
651:
632:
613:
594:
575:
932:
307:
285:
834:
827:
794:
478:
210:
Much of the
Romantic poetry of the 19th century used techniques that are seen in modern fantasy literature such as retellings of
1080:
167:. It is distinguished from other poetic genres by being categorized by its subject matter, rather than by the poetry's form.
110:
Content in this edit is translated from the existing
Russian Knowledge (XXG) article at ]; see its history for attribution.
418:, with works focusing heavily on the macabre and death aspects. His works have made their mark on the future of horror.
812:
No 1 (new series) (April 2010), pp. 15–16. Pioneering checklist of weird and fantastic poems by
Australian writers.
556:
712:"A new discipline of vision": The synthesis of poetic and scientific epistemologies in contemporary speculative verse
358:
1075:
452:
262:
105:
126:
769:. Sauk City, WI: Arkham House, 1947. Crucial anthology of 65 poets ranging from border balladeers to moderns.
1085:
752:
392:. This area often sees work by mainstream poets, and works on these themes dominated the early years of the
251:(1939–43) were the only major publishers. They were succeeded by more serious venues including the US-based
119:
74:
378:
Science fiction poetry's main sources are the sciences and the literary movement of science fiction prose.
898:
888:
719:
Johnston, Nancy (2003), "'I would have swallowed the kiss'; Reflections on
Feminist Speculative Poetry",
995:
365:, though there is no facility in the Bram Stoker Award to honor anthologies of horror and weird poetry.
267:
846:. Comprehensive anthology of weird poetry from Homer through to moderns such as Gary William Crawford,
314:
the following year. In the 1970s, Elgin's colleague
Frederick J. Mayer for some time awarded an annual
194:, given annually each to a poem of more than fifty lines and to a sub-fifty line poem by the US-based
820:
Contemporary
Science Fiction, Fantasy and Horror Poetry: A Resource Guide and Biographical Directory
805:. Philadelphia: Owlswick press, 1984. Fantastic poetry by moderns from Diane Ackerman to Al Zolynas.
782:
483:
311:
211:
187:
168:
921:
473:
315:
247:
219:
174:
Due to the similarity of subject matter, it is often published by the same markets that publish
171:
defined the genre as "about a reality that is in some way different from the existing reality."
936:
202:
voted to allow poets entry into its organization, for the first time since its 1965 inception.
872:
830:
823:
790:
384:
362:
215:
101:
908:
902:
892:
272:
859:
847:
415:
152:
916:
815:
772:
762:
393:
337:
300:
ceased accepting poetry in 1977, a gap in the market taken up by the newly established
191:
183:
1069:
443:
It was founded in 2013 by the editor S.T. Joshi and published by
Hippocampus Press.
428:
290:
236:
223:
175:
325:
remained the major news-stand market, but a diverse array of predominantly US-based
293:. These anthologies drew much of their content from mainstream or literary sources.
912:
855:
851:
756:
354:
229:
156:
513:
296:
In the 1960s, anthologies of original speculative material began to be published.
759:, a nine volume anthology series which included a poetry section in every volume.
16:
Genre of poetry focussing on fantastic, science fictional and mythological themes
797:
432:
326:
241:
361:
has a separate recognition for single-author collections of horror poetry, the
1009:
952:
865:
839:
463:
808:
Lovecraft, Charles. "Echoes in the
Wilderness: Weird Poetry in Australia".
779:. Sauk City, WI: Arkham House, 1961. Anthology of 93 poets, mainly moderns.
468:
1037:
276:
179:
148:
108:
to the source of your translation. A model attribution edit summary is
925:
557:"SFWA Adds Poetry and Translation As Qualifying Works for Membership"
144:
534:
1051:
1030:
226:", still remains a relatively popular source of critical debate.
1058:
974:
66:
981:
1044:
18:
988:
1023:
1016:
1002:
190:
and speculative poetry. The field has one major award, the
803:
Burning with a Vision: Poetry of
Science and the Fantastic
777:
Fire and Sleet and Candlelight: New Poems of the Macabre
78:
to this template: there are already 926 articles in the
844:
Dreams of fear: Poetry of Terror and the Supernatural
714:(PhD dissertation), University of Oregon, p. 241
62:
58:
a machine-translated version of the Russian article.
933:"Alchemical Post-Its A Primer on Fantastic Poetry"
767:Dark of the Moon: Poems of Fantasy and the Macabre
196:Science Fiction & Fantasy Poetry Association
200:Science Fiction and Fantasy Writers Association
922:Three Approaches to Writing Speculative Poetry
869:Emperors of Dreams: Some Notes on Weird Poetry
437:Emperors of Dreams: Some Notes on Weird Poetry
334:Science Fiction and Fantasy Poetry Association
104:accompanying your translation by providing an
49:Click for important translation instructions.
36:expand this article with text translated from
682:
680:
254:The Magazine of Fantasy & Science Fiction
8:
899:Speculative Poetry: A Symposium, Part 2 of 2
889:Speculative Poetry: A Symposium, Part 1 of 2
734:Women in science fiction and fantasy, vol. 1
669:harvnb error: no target: CITEREFMoore2003 (
691:harvnb error: no target: CITEREFReid2009 (
650:harvnb error: no target: CITEREFReid2009 (
631:harvnb error: no target: CITEREFReid2009 (
612:harvnb error: no target: CITEREFReid2009 (
593:harvnb error: no target: CITEREFReid2009 (
574:harvnb error: no target: CITEREFReid2009 (
535:"The SFPA Rhysling Awards and Anthology"
261:) (1949–), the UK-based flagship of the
504:
239:of the United States. Fantasy-specific
116:{{Translated|ru|Фантастическая поэзия}}
275:between 1964 and 1970, and the annual
83:
664:
271:while it was under the editorship of
245:(1923–1954) and its brief compatriot
7:
935:. Yesterday's Island. Archived from
686:
645:
626:
607:
588:
569:
537:. Science Fiction Poetry Association
787:The Science Fiction Poetry Handbook
347:The Magazine of Speculative Poetry
308:Science Fiction Poetry Association
14:
318:Award for best fantastic poetry.
186:, and many authors write both in
182:of science fiction, fantasy and
23:
749:The Year's Best Science Fiction
353:. Winners are reprinted in the
286:The Year's Best Science Fiction
842:and Steven J. Mariconda, eds.
732:Reid, Robin Anne, ed. (2009),
514:"About Science Fiction Poetry"
349:, and the SFPA's own journal,
114:You may also add the template
1:
953:"SFPA Rhysling Award Archive"
789:, 2005. Sam's Dot Publishing
710:Morse, Andrew David (2003),
159:themes. It is also known as
909:The Failure of Genre Poetry
127:Knowledge (XXG):Translation
86:will aid in categorization.
1102:
450:
359:Horror Writers Association
61:Machine translation, like
453:List of speculative poets
390:Songs from Distant Worlds
38:the corresponding article
931:Frazier, Robert (2005).
822:(Greenwood Press, 1989)
435:'s short book of essays
343:Dreams & Nightmares
125:For more guidance, see
1081:Science fiction genres
1011:Journal of Mythic Arts
854:, G. Sutton Brieding,
727:(1), San Francisco: 38
512:Elgin, Suzette Haden.
310:(SFPA) was founded by
161:science fiction poetry
871:. P'rea Press, 2008.
801:Frazier, Robert, ed.
332:SFPA (now called the
98:copyright attribution
983:Eye To The Telescope
783:Elgin, Suzette Haden
369:Subgenres and themes
939:on 15 November 2006
484:Speculative fiction
312:Suzette Haden Elgin
212:classical mythology
188:speculative fiction
169:Suzette Haden Elgin
474:Slipstream (genre)
316:Clark Ashton Smith
220:Christina Rossetti
141:Speculative poetry
106:interlanguage link
877:978-0-9804625-3-1
810:Futurian Observer
736:, Greenwood Press
388:-published poems
363:Bram Stoker Award
216:European folklore
153:science fictional
147:that focusses on
138:
137:
50:
46:
1093:
1076:Genres of poetry
1060:Through the Gate
1053:Strange Horizons
976:Abyss & Apex
964:
962:
960:
948:
946:
944:
903:Strange Horizons
893:Strange Horizons
737:
728:
715:
697:
696:
684:
675:
674:
662:
656:
655:
643:
637:
636:
624:
618:
617:
605:
599:
598:
586:
580:
579:
572:, pp. 23–33
567:
561:
560:
553:
547:
546:
544:
542:
531:
525:
524:
522:
520:
509:
441:Spectral Realms.
273:Michael Moorcock
165:fantastic poetry
117:
111:
85:
84:|topic=
82:, and specifying
67:Google Translate
48:
44:
27:
26:
19:
1101:
1100:
1096:
1095:
1094:
1092:
1091:
1090:
1066:
1065:
1032:Mythic Delirium
971:
958:
956:
951:
942:
940:
930:
885:
860:Leigh Blackmore
848:Ann K. Schwader
745:
743:Further reading
740:
731:
718:
709:
700:
690:
685:
678:
668:
663:
659:
649:
648:, pp. 98–9
644:
640:
630:
625:
621:
611:
610:, pp. 95–6
606:
602:
592:
591:, pp. 94–5
587:
583:
573:
568:
564:
555:
554:
550:
540:
538:
533:
532:
528:
518:
516:
511:
510:
506:
492:
479:Speculative art
460:
455:
449:
424:
416:Edgar Allan Poe
411:
402:
394:Rhysling awards
376:
374:Science fiction
371:
357:anthology. The
279:anthologies of
208:
198:. In 2023, the
134:
133:
132:
115:
109:
51:
45:(February 2013)
28:
24:
17:
12:
11:
5:
1099:
1097:
1089:
1088:
1086:Fantasy genres
1083:
1078:
1068:
1067:
1064:
1063:
1056:
1049:
1042:
1035:
1028:
1025:Mithila Review
1021:
1014:
1007:
1000:
993:
986:
979:
970:
967:
966:
965:
949:
928:
926:Imagine Forest
919:
917:Fortean Bureau
906:
896:
884:
883:External links
881:
880:
879:
863:
837:
816:Scott E. Green
813:
806:
799:
780:
773:August Derleth
770:
763:August Derleth
760:
753:Harry Harrison
744:
741:
739:
738:
729:
716:
706:
705:
704:
699:
698:
676:
657:
638:
619:
600:
581:
562:
548:
526:
503:
502:
501:
497:
496:
491:
488:
487:
486:
481:
476:
471:
466:
459:
456:
451:Main article:
448:
445:
423:
420:
410:
407:
401:
398:
375:
372:
370:
367:
237:pulp magazines
207:
204:
192:Rhysling Award
143:is a genre of
136:
135:
131:
130:
123:
112:
90:
87:
75:adding a topic
70:
59:
52:
33:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1098:
1087:
1084:
1082:
1079:
1077:
1074:
1073:
1071:
1062:
1061:
1057:
1055:
1054:
1050:
1048:
1047:
1046:Stone Telling
1043:
1041:
1040:
1036:
1034:
1033:
1029:
1027:
1026:
1022:
1020:
1019:
1015:
1013:
1012:
1008:
1006:
1005:
1001:
999:
998:
994:
992:
991:
987:
985:
984:
980:
978:
977:
973:
972:
969:Online venues
968:
954:
950:
938:
934:
929:
927:
923:
920:
918:
914:
910:
907:
904:
900:
897:
894:
890:
887:
886:
882:
878:
874:
870:
867:
864:
861:
857:
853:
849:
845:
841:
838:
836:
835:9780313263248
832:
829:
828:0-313-26324-8
825:
821:
817:
814:
811:
807:
804:
800:
798:
796:
795:1-930847-81-5
792:
788:
784:
781:
778:
774:
771:
768:
764:
761:
758:
754:
750:
747:
746:
742:
735:
730:
726:
722:
717:
713:
708:
707:
702:
701:
694:
688:
683:
681:
677:
672:
666:
661:
658:
653:
647:
642:
639:
634:
628:
623:
620:
615:
609:
604:
601:
596:
590:
585:
582:
577:
571:
566:
563:
558:
552:
549:
536:
530:
527:
515:
508:
505:
499:
498:
494:
493:
489:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
461:
457:
454:
446:
444:
442:
438:
434:
430:
429:weird fiction
421:
419:
417:
408:
406:
399:
397:
395:
391:
387:
386:
379:
373:
368:
366:
364:
360:
356:
355:Nebula Awards
352:
348:
344:
339:
336:) awards the
335:
330:
328:
324:
319:
317:
313:
309:
305:
304:
299:
294:
292:
291:Judith Merril
288:
287:
282:
278:
274:
270:
269:
264:
260:
256:
255:
250:
249:
244:
243:
238:
233:
231:
227:
225:
224:Goblin Market
221:
217:
213:
205:
203:
201:
197:
193:
189:
185:
181:
177:
176:short stories
172:
170:
166:
162:
158:
154:
150:
146:
142:
128:
124:
121:
113:
107:
103:
99:
95:
91:
88:
81:
80:main category
77:
76:
71:
68:
64:
60:
57:
54:
53:
47:
41:
39:
34:You can help
30:
21:
20:
1059:
1052:
1045:
1038:
1031:
1024:
1017:
1010:
1003:
996:
990:Goblin Fruit
989:
982:
975:
957:. Retrieved
941:. Retrieved
937:the original
913:Bruce Boston
868:
856:W.H. Pugmire
852:Bruce Boston
843:
819:
809:
802:
786:
776:
766:
757:Brian Aldiss
751:, edited by
748:
733:
724:
720:
711:
703:Bibliography
689:, p. 95
667:, p. 10
660:
641:
622:
603:
584:
565:
551:
539:. Retrieved
529:
517:. Retrieved
507:
440:
436:
425:
412:
403:
389:
383:
380:
377:
350:
346:
342:
331:
322:
320:
301:
297:
295:
284:
280:
266:
258:
252:
246:
240:
234:
230:Andrew Joron
228:
209:
173:
164:
160:
157:mythological
140:
139:
102:edit summary
93:
73:
43:
35:
629:, p. x
447:Noted poets
433:S. T. Joshi
327:small press
242:Weird Tales
1070:Categories
997:Ideomancer
943:12 January
866:S.T. Joshi
840:S.T. Joshi
665:Moore 2003
490:References
289:edited by
268:New Worlds
40:in Russian
1039:Star*Line
1018:Niteblade
1004:inkscrawl
959:April 10,
687:Reid 2009
646:Reid 2009
627:Reid 2009
608:Reid 2009
589:Reid 2009
570:Reid 2009
541:March 19,
519:March 19,
500:Citations
464:New Weird
351:Star*Line
321:By 1990,
265:movement
222:'s 1862 "
149:fantastic
120:talk page
72:Consider
469:Scifaiku
458:See also
338:Rhysling
323:Asimov's
303:Asimov's
298:F&SF
281:F&SF
263:New Wave
259:F&SF
180:novellas
96:provide
915:at the
721:Femspec
385:Science
277:reprint
248:Unknown
206:History
118:to the
100:in the
42:.
955:. SFPA
875:
833:
826:
793:
409:Horror
400:Mythic
306:. The
184:horror
145:poetry
495:Notes
422:Weird
63:DeepL
961:2012
945:2012
873:ISBN
858:and
831:ISBN
824:ISBN
791:ISBN
775:ed.
765:ed.
755:and
693:help
671:help
652:help
633:help
614:help
595:help
576:help
543:2012
521:2012
283:and
214:and
178:and
155:and
94:must
92:You
56:View
924:by
911:by
163:or
65:or
1072::
850:,
818:.
785:,
723:,
679:^
396:.
345:,
151:,
963:.
947:.
905:)
901:(
895:)
891:(
862:.
725:2
695:)
673:)
654:)
635:)
616:)
597:)
578:)
559:.
545:.
523:.
257:(
129:.
122:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.