241:
355:
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203:. From April through July, he spent much of his time fishing, assisting groups on several different lakes. He spent much of his summer travelling across the province, hunting and sketching. From the end of September to mid-October, Thomson spent his time at Mowat, a village on the north end of Canoe Lake. By November he was at Round Lake with Tom Wattie and Dr. Robert McComb. In late November Thomson returned to Toronto and moved into a shack behind the Studio Building that Harris and MacCallum fixed up for him, renting it for $ 1 a month (equivalent to CAD$ 26 in 2023).
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was displaying an increasing interest in the motifs of both ice breaking up on a river as well as rock in the lower foreground. In these earlier examples, the foreground tends to cut a diagonal across the painting while the trees subtly obscure the far shore. A. Y. Jackson experimented with this idea in his own 1914 painting,
187:, he reported that he had already painted twenty-eight sketches by 22 April. He became fascinated with the "opening of the waters" as the ice on the lakes began to melt, reporting in his letter to MacCallum that the ice would "break up the first good wind, so I will soon be camping again." This ice is apparent in the sketch
267:
in mind. Thomson likely saw the painting in
November 1914 before Jackson took it away in December to be exhibited. The composition recalls Thomson's earlier work from his design career, using a group of trees in the foreground to establish a lake and low-lying hills in the background. By 1914 Thomson
306:
While the sketch utilizes "muddy, warm tones," the canvas instead uses brighter, more highly keyed colours. The brighter greens, pinks, yellows, blues and whites are not too striking, with a pale blue lightly put on top of the final work to lower the overall contrast. The different regions of colour
440:
wrote, "Mr. Tom
Thomson's 'The Birches' and 'The Hardwoods' show a fondness for intense yellows and orange and strong blue, altogether a fearless use of violent colour which can scarcely be called pleasing, and yet which seems an exaggeration of a truthful feeling that time will temper." A more
455:
Tom
Thomson again reveals his capacity to be modern and remain individual. His early pictures—in which the quality of naivete had all the genuineness of the effort of the tyro and was not the counterfeit of it which is so much in evidence in the intensely rejuvenated works of the highly
480:
similarly spoke positively, describing
Thomson as "one of the most promising of Canadian painters who follows the impressionist movement and his work reveals himself to be a fine colourist, a clever technician, and a truthful interpreter of the north land in its various aspects.
276:, a gentler rise to the left instead establishes the foreground with only a few brushstrokes used to paint the brown ground. Charles Hill has further written that, "the relationship of foreground, middle and distance is more fluid than in
302:
emphasizes the horizontal, seen with both the foreground, lake and hills existing in bands stacked on top of one another, and further emphasized by the open space and the trees being placed on the far left and right of the foreground.
228:—through the spring, summer and fall. The larger canvases were instead completed over the winter in Thomson's studio—an old utility shack with a wood-burning stove on the grounds of the Studio Building, an artist's enclave in
198:
The year overall was particularly productive for
Thomson, himself reporting that he had painted 128 sketches by September. He began to more consistently use hard wood-pulp board for sketching, something he picked up from
354:
125:. The completed canvas is large, measuring 72.0 cm × 102.3 cm (28.3 in × 40.3 in). Painted over the winter of 1915–16, it was completed in Thomson's shack behind the
317:
456:
sophisticated—showed the faculty for affectionate and truthful record by a receptive eye and faithful hand; but his work today has reached higher levels of technical accomplishment. His
570:. Most sources agree with this, including Charles Hill, William Little and Addison & Harwood. David Silcox has written that the move happened in either late 1914 or early 1915.
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133:. The painting was produced as he was in the peak of his short art career and is considered one of his most notable works. While exhibited in a show put on by the
332:
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2021:
1135:
Grier, Wyly. "Pictures at the
Ontario Society of Artists, Toronto, Canada" (1916) . Wyly Grier Papers, ID: F1108. North York: Archives of Ontario.
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is among the dozen or so paintings expanded from a small sketch into a larger canvas work. The smaller sketches were done
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Brown, W. Douglas (1998). "The Arts and Crafts
Architecture of Eden Smith". In Latham, David (ed.).
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1934:
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419:), all of which were painted over the winter of 1915–16. Sir Edmund Walker and Eric Brown of the
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1754:
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A Study of Tom
Thomson: The Story of a Man Who Looked for Beauty and for Truth in the Wilderness
1328:
583:. Curator Charles Hill has noted that this is a common mistake arising due to the two paintings
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1929:
1331:, Series: Tom Thomson correspondence, Box: 5. Ottawa: National Gallery of Canada Archives.
1126:
Ghent, Percy (8 November 1949). "Tom
Thomson at Island Camp, Round Lake, November, 1915".
184:
1614:(Revised, Expanded ed.). Toronto: McClelland and Stewart. pp. 47, 181, 206–07.
1214:—————— (2002b). "Chronology". In Reid, Dennis (ed.).
37:
2131:
1960:
1658:
1547:
1413:
1199:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 297–306.
1218:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 307–17.
1144:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 111–43.
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Reception to
Thomson's paintings at this time were mixed. Margaret Fairbairn of the
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on composite wood-pulp board, 21.6 Ă— 26.7 cm. National Gallery of Canada, Ottawa
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153:
114:
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72.0 cm Ă— 102.3 cm (28.3 in Ă— 40.3 in)
48:
1590:
1281:
427:, but Montreal trustee Dr. Francis Shepherd convinced them to instead purchase
195:. The close of the day is indicated by the turquoise, yellow and lavender sky.
175:
Artistic development of Tom Thomson § Colour and experimentation (1914–15)
137:, the work received mixed to positive reviews. In 1916 it was purchased by the
2116:
519:
579:
Under the National Gallery of Canada, Jackson's painting is instead known as
2278:
1840:
346:
1168:
Little, R. P. (1955). "Some Recollections of Tom Thomson and Canoe Lake".
1117:
Fairbairn, Margaret (11 March 1916). "Some Pictures at the Art Gallery".
501:
2348:
1610:———————; Town, Harold (2017).
298:, another work produced over the same winter. A key difference is that
130:
566:) cited November 1915 as when Thomson moved into the shack behind the
1336:
Wadland, John (2002). "Tom Thomson's Places". In Reid, Dennis (ed.).
1140:
Hill, Charles (2002). "Tom Thomson, Painter". In Reid, Dennis (ed.).
142:
88:
1482:
Northern Lights: Masterpieces of Tom Thomson and the Group of Seven
224:—in this case likely painted a little north of Hayhurst's Point on
1386:. Vol. 14. Toronto: University of Toronto Press. p. 998.
239:
152:
1999:
1561:———————— (1937).
1256:(1963 reprint ed.). Toronto: Department of Lands and Forest.
431:
They bought it for $ 300 (equivalent to CAD$ 7,000 in 2023).
2003:
1693:
1531:. Toronto: Douglas & McIntyre. pp. 135–137, 235, 316.
1432:
Defiant Spirits: The Modernist Revolution of the Group of Seven
1309:(Revised, Expanded ed.). Toronto: McClelland and Stewart.
740:
738:
307:
are readily apparent within the foreground. In the background,
1689:
1159:
Kerr, Estelle M. (25 March 1916). "At the Sign of the Maple".
928:
926:
191:, which was likely painted early in the season and preceding
1595:. Toronto: Art Canada Institute. pp. 13, 26, 71, 108.
213:
Artistic development of Tom Thomson § Sketch to canvas
1574:. Toronto: McClelland and Stewart. pp. 28–29, 70–71.
1280:——————— (2015).
901:"A. Y. Jackson: Frozen Lake, Early Spring, Algonquin Park"
1195:(2002a). "Tom Thomson's Letters". In Reid, Dennis (ed.).
183:
earlier than he had in any previous year. In a letter to
1527:——————, ed. (2002).
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1398:. London: Dulwich Picture Gallery. pp. 14–15, 71.
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160:, March–April 1915. National Gallery of Canada, Ottawa
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1522:. Ottawa: The National Gallery of Canada. p. 99.
1457:. 1. Vol. 3. Ottawa: National Gallery of Canada.
1327:. "Tom Thomson to James MacCallum" (22 April 1915) .
618:
616:
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612:
610:
1563:
Tom Thomson: Painter of Our North Country, 1877-1917
1340:. Toronto: Douglas & McIntyre. pp. 85–109.
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1499:—————— (2011).
1480:—————— (1994).
1475:. Toronto: Art Gallery of Ontario. pp. 41, 80.
1396:
Painting Canada: Tom Thomson and the Group of Seven
1301:———————;
1233:—————— (2004).
363:, Winter 1914–15 National Gallery of Canada, Ottawa
94:
80:
72:
62:
54:
44:
30:
1683:The Opening of the Rivers: Sketch for "Spring Ice"
1667:The Opening of the Rivers: Sketch for "Spring Ice"
1368:. Toronto: Ryerson Press. pp. 40, 43, 50, 79.
245:The Opening of the Rivers: Sketch for "Spring Ice"
1484:. Toronto: Key Porter Books Limited. p. 59.
1382:Davis, Ann (1998). "Thomson, Thomas John (Tom)".
558:In his 1959 piece, "My Memories of Tom Thomson,"
117:. The work was inspired by a sketch completed on
282:, opening the view of the water and far shore."
1466:. Toronto: McGraw-Hill Ryerson Ltd. p. 34.
1237:. Toronto: McArthur & Co. pp. 108–15.
453:
145:and has remained in the collection ever since.
21:For the 1951 Austrian musical comedy film, see
744:
729:
171:Tom Thomson § Early recognition (1914–15)
2015:
1705:
1435:. Douglas & McIntyre. pp. 190, 201.
1364:Addison, Ottelyn; Harwood, Elizabeth (1969).
1089:Addison, Ottelyn; Harwood, Elizabeth (1969).
591:being exhibited next to one another in 1914.
8:
2385:Collection of the National Gallery of Canada
907:. National Gallery of Canada. Archived from
1235:Water: Lawren Harris and the Group of Seven
1100:Scarlet Hunters: Pre-Raphaelitism in Canada
179:In the spring of 1915, Thomson returned to
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2008:
2000:
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1698:
1690:
1503:. Douglas & McIntyre. pp. 90–91.
1036:
875:
827:
391:In March and April 1916 Thomson exhibited
255:Curator Charles Hill has written that the
27:
1639:Frozen Lake, Early Spring, Algonquin Park
1565:. Toronto: Ryerson Press. pp. 28–29.
1048:
593:Frozen Lake, Early Spring, Algonquin Park
581:Frozen Lake, Early Spring, Algonquin Park
1416:(March 1920). "Tom Thomson and Others".
839:
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1570:Silcox, David P.; Town, Harold (1977).
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669:
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634:
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551:
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313:
1612:Tom Thomson: The Silence and the Storm
1572:Tom Thomson: The Silence and the Storm
1307:Tom Thomson: The Silence and the Storm
944:
863:
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518:, Winter 1915–16. Private collection,
1686:on the Tom Thomson Catalogue Raisonné
1678:on the Tom Thomson Catalogue Raisonné
1455:Outline for Picture Study: Spring Ice
1377:. Toronto: Discuss Press. p. 37.
1102:. Toronto: Archives of Canadian Art.
1060:
887:
717:
7:
2305:Frederick Horsman Varley Art Gallery
2259:The Arts and Letters Club of Toronto
1836:The Arts and Letters Club of Toronto
1072:
1012:
971:
956:
932:
786:
681:
638:
622:
536:, Winter 1915–16. Private collection
326:, Fall–winter 1912. Location unknown
2254:Artistic development of Tom Thomson
1187:. Toronto: McGraw-Hill Ryerson Ltd.
595:is a combination of the two titles.
1552:. Toronto: Ryerson Press. p.
1263:The Group of Seven and Tom Thomson
14:
2310:McMichael Canadian Art Collection
1867:McMichael Canadian Art Collection
1670:at the National Gallery of Canada
1662:at the National Gallery of Canada
1654:at the National Gallery of Canada
1286:. Toronto: Art Canada Institute.
441:favourable take came from artist
343:McMichael Canadian Art Collection
2347:
2335:
1753:
1384:Dictionary of Canadian Biography
1366:Tom Thomson: The Algonquin Years
1265:. Richmond Hill: Firefly Books.
1091:Tom Thomson: The Algonquin Years
526:
508:
486:
399:(OSA). The other paintings were
368:
353:
331:
316:
36:
2269:Death and legacy of Tom Thomson
324:Advertising or calendar drawing
259:was almost certainly done with
361:Petawawa Gorges (Early Spring)
1:
1329:Dr. James M. MacCallum Papers
448:The Christian Science Monitor
1163:. Vol. 19, no. 17.
745:Addison & Harwood (1969)
730:Addison & Harwood (1969)
589:Early Spring, Algonquin Park
498:Montreal Museum of Fine Arts
395:and three canvases with the
1549:Canadian Landscape Painters
1462:Little, William T. (1970).
1181:Little, William T. (1970).
311:is painted over with blue.
2411:
2315:National Gallery of Canada
2264:Canadian Group of Painters
2184:Fine Weather, Georgian Bay
1968:Fine Weather, Georgian Bay
1872:National Gallery of Canada
1644:National Gallery of Canada
1592:Tom Thomson: Life and Work
1546:Robson, Albert H. (1932).
1283:Tom Thomson: Life and Work
421:National Gallery of Canada
397:Ontario Society of Artists
210:
168:
139:National Gallery of Canada
135:Ontario Society of Artists
85:National Gallery of Canada
20:
2167:Peter and Catharine Whyte
1751:
1589:Silcox, David P. (2015).
1501:A Treasury of Tom Thomson
1261:Silcox, David P. (2006).
1252:Saunders, Audrey (1947).
1093:. Toronto: Ryerson Press.
387:Provenance and exhibition
35:
2370:Paintings by Tom Thomson
1373:Davies, Blodwen (1935).
1037:Silcox & Town (2017)
876:Silcox & Town (2017)
828:Silcox & Town (2017)
1987:The Tom Thomson Mystery
1464:The Tom Thomson Mystery
1184:The Tom Thomson Mystery
990:tomthomsoncatalogue.org
294:shares similarities to
286:Canvas (winter 1915–16)
16:Painting by Tom Thomson
2300:Art Gallery of Ontario
1862:Art Gallery of Ontario
1651:Lake Shore, Canoe Lake
1473:The Art of Tom Thomson
986:"Exhibition: 1916 OSA"
470:
403:(at that time, titled
270:Lake Shore, Canoe Lake
252:
161:
1518:Reid, Dennis (1970).
1471:Murray, Joan (1971).
290:The final canvas for
274:Sketch for Spring Ice
257:Sketch for Spring Ice
243:
169:Further information:
165:1915 sketching season
156:
2152:Harold Mortimer-Lamb
1920:Alice Elinor Lambert
1740:Artistic development
911:on 11 September 2018
890:, pp. 151, 158.
474:The Canadian Courier
236:Sketch (spring 1915)
113:by Canadian painter
2284:The Studio Building
2045:Franklin Carmichael
1895:Franklin Carmichael
1890:John William Beatty
1846:The Studio Building
1429:King, Ross (2010).
1392:Dejardin, Ian A. C.
468:are among his best.
423:wanted to purchase
2293:Public collections
2127:William Cruikshank
2122:Albert Chiarandini
2096:LeMoine FitzGerald
2070:J. E. H. MacDonald
1935:J. E. H. MacDonald
1900:William Cruikshank
1855:Public collections
1520:The Group of Seven
1119:Toronto Daily Star
878:, pp. 181–85.
789:, p. 132n119.
564:J. E. H. MacDonald
496:, Winter 1915–16.
437:Toronto Daily Star
380:Private collection
253:
201:J. E. H. MacDonald
162:
2390:Art Nouveau works
2323:
2322:
2237:The Indian Church
2194:Related paintings
2157:George Agnew Reid
2147:Thoreau MacDonald
1997:
1996:
1940:Thoreau MacDonald
1621:978-1-44344-234-3
1602:978-1-4871-0075-9
1581:978-0-77108-482-9
1538:978-1-55365-493-3
1510:978-1-55365-886-3
1491:978-0-88665-347-7
1442:978-1-55365-807-8
1405:978-0-85667-686-4
1347:978-1-55365-493-3
1316:978-1-44344-234-3
1293:978-1-4871-0075-9
1272:978-1-55407-154-8
1244:978-1-55278-457-0
1225:978-1-55365-493-3
1206:978-1-55365-493-3
1151:978-1-55365-493-3
1109:978-1-89423-400-9
866:, pp. 59–60.
818:, pp. 12–13.
560:Thoreau MacDonald
230:Rosedale, Toronto
102:
101:
2402:
2352:
2351:
2340:
2339:
2338:
2331:
2274:Emily Carr House
2137:Lawren P. Harris
2075:Frederick Varley
2038:Original members
2024:
2017:
2010:
2001:
1945:Frederick Varley
1757:
1745:Death and legacy
1714:
1707:
1700:
1691:
1649:A. Y. Jackson's
1637:A. Y. Jackson's
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1161:Canadian Courier
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1128:Toronto Telegram
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1049:Fairbairn (1916)
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494:In the Northland
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425:In the Northland
401:In the Northland
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296:In the Northland
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2189:
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2142:James MacCallum
2110:Related persons
2105:
2079:
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2028:
1998:
1993:
1971:(1913 painting)
1949:
1930:James MacCallum
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1414:Fairley, Barker
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1359:
1357:Further reading
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1300:
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1279:
1273:
1260:
1254:Algonquin Story
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840:Saunders (1947)
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568:Studio Building
557:
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389:
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378:, Spring 1915.
373:
364:
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349:
341:, Spring 1914.
336:
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321:
288:
263:'s 1914 canvas
247:, Spring 1915.
238:
215:
209:
185:James MacCallum
177:
167:
151:
127:Studio Building
26:
17:
12:
11:
5:
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2380:1916 paintings
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2375:1915 paintings
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2212:
2209:Northern River
2205:
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2177:
2173:
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2170:
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2159:
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2144:
2139:
2134:
2132:Barker Fairley
2129:
2124:
2119:
2113:
2111:
2107:
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2103:
2098:
2093:
2087:
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2078:
2077:
2072:
2067:
2062:
2060:Frank Johnston
2057:
2052:
2047:
2041:
2039:
2035:
2034:
2031:Group of Seven
2029:
2027:
2026:
2019:
2012:
2004:
1995:
1994:
1992:
1991:
1983:
1977:
1975:Group of Seven
1972:
1964:
1961:Blodwen Davies
1957:
1955:
1951:
1950:
1948:
1947:
1942:
1937:
1932:
1927:
1922:
1917:
1915:Frank Johnston
1912:
1907:
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1886:
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1869:
1864:
1858:
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1852:
1851:
1849:
1848:
1843:
1838:
1833:
1831:Algonquin Park
1827:
1825:
1821:
1820:
1818:
1817:
1809:
1801:
1793:
1785:
1781:Northern River
1777:
1768:
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1631:External links
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1451:Lismer, Arthur
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1027:, p. 316.
1025:Murray (2002b)
1017:
1015:, p. 136.
1002:
984:Murray, Joan.
976:
974:, p. 135.
961:
959:, p. 125.
949:
937:
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905:www.gallery.ca
892:
880:
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856:
844:
842:, p. 170.
832:
830:, p. 181.
820:
808:
806:, p. 127.
791:
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762:, p. 179.
749:
734:
722:
710:
708:, p. 102.
706:Wadland (2002)
698:
696:, p. 205.
686:
684:, p. 131.
674:
670:Murray (2002a)
666:Thomson (1915)
658:
656:, p. 112.
643:
635:Thomson (1915)
627:
625:, p. 132.
605:
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237:
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181:Algonquin Park
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100:
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58:Winter 1915–16
56:
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33:
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3:
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2230:The Jack Pine
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2223:The West Wind
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2112:
2108:
2102:
2101:Edwin Holgate
2099:
2097:
2094:
2092:
2089:
2088:
2086:
2084:Other members
2082:
2076:
2073:
2071:
2068:
2066:
2065:Arthur Lismer
2063:
2061:
2058:
2056:
2055:A. Y. Jackson
2053:
2051:
2050:Lawren Harris
2048:
2046:
2043:
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2036:
2032:
2025:
2020:
2018:
2013:
2011:
2006:
2005:
2002:
1989:
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1984:
1981:
1978:
1976:
1973:
1970:
1969:
1965:
1962:
1959:
1958:
1956:
1952:
1946:
1943:
1941:
1938:
1936:
1933:
1931:
1928:
1926:
1925:Arthur Lismer
1923:
1921:
1918:
1916:
1913:
1911:
1910:A. Y. Jackson
1908:
1906:
1905:Lawren Harris
1903:
1901:
1898:
1896:
1893:
1891:
1888:
1887:
1885:
1883:acquaintances
1879:
1873:
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1813:The Jack Pine
1810:
1807:
1806:
1805:The West Wind
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1120:
1115:
1111:
1105:
1101:
1096:
1092:
1087:
1086:
1081:
1075:, p. 13.
1074:
1069:
1066:
1062:
1057:
1054:
1050:
1045:
1042:
1039:, p. 47.
1038:
1033:
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1021:
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1007:
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991:
987:
980:
977:
973:
968:
966:
962:
958:
953:
950:
947:, p. 71.
946:
945:Silcox (2015)
941:
938:
935:, p. 130n107.
934:
929:
927:
923:
910:
906:
902:
896:
893:
889:
884:
881:
877:
872:
869:
865:
864:Silcox (2015)
860:
857:
854:, p. 34.
853:
852:Little (1970)
848:
845:
841:
836:
833:
829:
824:
821:
817:
816:Silcox (2015)
812:
809:
805:
804:Silcox (2006)
800:
798:
796:
792:
788:
783:
780:
777:, p. 13.
776:
775:Silcox (2015)
771:
769:
765:
761:
760:Little (1970)
756:
754:
750:
747:, p. 84.
746:
741:
739:
735:
732:, p. 46.
731:
726:
723:
719:
714:
711:
707:
702:
699:
695:
694:Little (1955)
690:
687:
683:
678:
675:
672:, p. 300
671:
667:
662:
659:
655:
654:Murray (2004)
650:
648:
644:
641:, p. 132
640:
636:
631:
628:
624:
619:
617:
615:
613:
611:
607:
601:
594:
590:
586:
585:A Frozen Lake
582:
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418:
417:The Hardwoods
415:(then titled
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265:A Frozen Lake
262:
261:A. Y. Jackson
258:
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132:
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120:
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112:
109:is a 1915–16
108:
107:
97:
93:
90:
86:
83:
79:
75:
71:
68:
67:Oil on canvas
65:
61:
57:
53:
50:
47:
43:
39:
34:
29:
24:
23:Spring on Ice
19:
2395:Water in art
2235:
2228:
2221:
2215:
2214:
2207:
2202:Drowned Land
2200:
2182:
2091:A. J. Casson
1985:
1982:(cataloguer)
1966:
1963:(biographer)
1811:
1803:
1795:
1788:
1787:
1779:
1773:Drowned Land
1771:
1681:
1673:
1665:
1657:
1650:
1638:
1611:
1591:
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1562:
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1528:
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1472:
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1454:
1431:
1421:
1417:
1395:
1383:
1374:
1365:
1337:
1325:Thomson, Tom
1306:
1303:Town, Harold
1282:
1262:
1253:
1234:
1215:
1196:
1193:Murray, Joan
1182:
1173:
1169:
1160:
1141:
1127:
1118:
1099:
1090:
1068:
1061:Grier (1916)
1056:
1044:
1032:
1020:
993:. Retrieved
989:
979:
952:
940:
915:11 September
913:. Retrieved
909:the original
904:
895:
888:Brown (1998)
883:
871:
859:
847:
835:
823:
811:
782:
725:
718:Ghent (1949)
713:
701:
689:
677:
668:, quoted in
661:
637:, quoted in
630:
592:
588:
584:
580:
575:
554:
533:
515:
493:
478:Estelle Kerr
473:
471:
465:
461:
457:
454:
446:
435:
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428:
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412:
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404:
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338:
323:
305:
299:
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289:
277:
273:
269:
264:
256:
254:
244:
222:en plein air
217:
216:
197:
192:
188:
178:
157:
111:oil painting
105:
104:
103:
18:
2354:Visual arts
2162:Tom Thomson
1990:(1970 book)
1980:Joan Murray
1881:Friends and
1800:(1916–1917)
1792:(1915–1916)
1784:(1914–1915)
1721:Tom Thomson
1529:Tom Thomson
1338:Tom Thomson
1216:Tom Thomson
1197:Tom Thomson
1142:Tom Thomson
1073:Kerr (1916)
1013:Hill (2002)
972:Hill (2002)
957:Hill (2002)
933:Hill (2002)
787:Hill (2002)
682:Hill (2002)
639:Hill (2002)
623:Hill (2002)
466:The Birches
429:Spring Ice.
405:The Birches
309:terra cotta
207:Description
115:Tom Thomson
49:Tom Thomson
2364:Categories
2216:Spring Ice
2117:Emily Carr
1789:Spring Ice
1675:Spring Ice
1659:Spring Ice
1176:: 200–208.
995:14 October
542:References
520:Stellarton
476:, painter
462:Spring Ice
443:Wyly Grier
393:Spring Ice
376:Spring Ice
300:Spring Ice
292:Spring Ice
226:Canoe Lake
218:Spring Ice
211:See also:
193:Spring Ice
149:Background
119:Canoe Lake
106:Spring Ice
73:Dimensions
31:Spring Ice
2279:Grip Ltd.
2176:Paintings
1841:Grip Ltd.
1824:Locations
1816:(1916–17)
1808:(1916–17)
1797:The Drive
1764:Paintings
1735:Biography
1424:(6): 246.
1418:The Rebel
602:Citations
547:Footnotes
516:Moonlight
458:Moonlight
409:Moonlight
347:Kleinburg
272:. In the
95:Accession
1453:(1932).
1394:(2011).
1305:(2017).
562:(son of
502:Montreal
81:Location
2328:Portals
2247:Related
1954:Related
1728:General
1642:at the
1170:Culture
1082:Sources
534:October
413:October
131:Toronto
2342:Canada
1776:(1912)
1618:
1599:
1578:
1535:
1507:
1488:
1439:
1402:
1344:
1313:
1290:
1269:
1241:
1222:
1203:
1148:
1106:
339:Spring
173:, and
143:Ottawa
89:Ottawa
63:Medium
45:Artist
189:River
158:River
1616:ISBN
1597:ISBN
1576:ISBN
1533:ISBN
1505:ISBN
1486:ISBN
1437:ISBN
1400:ISBN
1342:ISBN
1311:ISBN
1288:ISBN
1267:ISBN
1239:ISBN
1220:ISBN
1201:ISBN
1146:ISBN
1104:ISBN
997:2018
917:2018
587:and
464:and
411:and
98:1195
55:Year
1554:149
472:In
445:in
407:),
249:Oil
141:in
129:in
121:in
2366::
1420:.
1174:16
1172:.
1005:^
988:.
964:^
925:^
903:.
794:^
767:^
752:^
737:^
646:^
609:^
500:,
460:,
451::
345:,
232:.
87:,
2330::
2023:e
2016:t
2009:v
1713:e
1706:t
1699:v
1624:.
1605:.
1584:.
1556:.
1541:.
1513:.
1494:.
1445:.
1422:3
1408:.
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1319:.
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1247:.
1228:.
1209:.
1154:.
1130:.
1121:.
1112:.
1063:.
1051:.
999:.
919:.
720:.
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
