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New York
Philharmonic Editions: Jennifer Vyvyan, Regina Sarfaty, Richard Lewis; New York Philharmonic Orchestra, Boys' Choir from The Little Church Around the Corner, Boys' Choir from St. Paul's Church (Westfield, New Jersey, USA); Leonard Bernstein, conductor (live recording from May
342:. The second part has several solos and quiet choruses and references to the month of May. The third part looks forward to May and then to summer. The Finale, "London, to thee I do present", comes to a climax when the entire chorus joins in a wordless, full-throated
1946:
612:
LSO Live: Elizabeth Watts, Alice Coote, Allan
Clayton (vocal soloists); London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir; Sir Simon Rattle
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Deutsche
Grammophon: Alison Hagley, Catherine Robbin, John Mark Ainsley (vocal soloists), Philharmonia Orchestra, Salisbury Cathedral Choristers, Monteverdi Choir; Sir John Eliot Gardiner (conductor)
814:
592:
Decca: Jennifer Vyvyan, Norma
Procter, Peter Pears (vocal soloists); Orchestra and Chorus of the Royal Opera House, Chorus of Boys from Emanuel School, Wandsworth; Benjamin Britten (conductor)
338:. Part I begins with the dark and mysterious "Shine Out", a poem to the sun. Several more songs follow, including "The Driving Boy", sung by the boys' choir, at times whistling, with
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1971:
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Chandos: Elizabeth Gale, Alfreda
Hodgson, Martyn Hill (vocal soloists); London Symphony Orchestra, London Symphony Chorus, Southend Boys' Choir; Richard Hickox (conductor)
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EMI Classics: Sheila
Armstrong, Janet Baker, Robert Tear (vocal soloists); London Symphony Orchestra, London Symphony Chorus; St Clement Danes School Boys' Choir;
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soloists, mixed choir, boys' choir and orchestra. Britten used texts of several poems related to spring, mostly from the 16th and 17th centuries and also one by
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430:) to full orchestra in the first and last songs. The last movement adds the call of a cow-horn, specifying a G, C, and F. The duration is given as 45 minutes.
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289:. A recording of the performance survives and was issued by Decca in 1960. On 9 March 1950, van Beinum conducted the work at the Royal Albert Hall with the
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Decca: Jo
Vincent, Kathleen Ferrier, Peter Pears (vocal soloists); Concertgebouw Orchestra of Amsterdam, Netherlands Radio Choir, Boys' Chorus of
254:. In the composer's own words, the work represents "the progress of Winter to Spring and the reawakening of the earth and life which that means".
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Spring
Symphony. Op. 44. For soprano, alto and tenor soli, mixed chorus, boys' choir and orchestra. Full score
1951:
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waltz of the rest of the ensemble, finally achieves dominance. Eventually the celebrations subside, and the
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This article is about the composition by
Benjamin Britten. For Schumann's symphomy nicknamed "Spring", see
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358:). The climax of the movement is the moment when the children's voices, accompanied by
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soloists, mixed choir, boys' choir (often performed by children's choir instead) and
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section. Each song has its distinctive scoring, ranging from just first and second
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then offers a final blessing with the proclamation: "And so, my friends, I cease."
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6 October 1950 - to be conducted by the composer (B. Britten) Halle
Orchestra
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Music commissioned by Serge Koussevitzky or the Koussevitzky Music Foundation
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815:"Official Souvenir Programme: 1950 - Leeds Triennial Musical Festival"
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Finale: "London, to thee I do present" (Anon, closing words from
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568:) (soprano, alto and tenor soli, mixed chorus and boys' choir)
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853:...Spring Symphony performed October 6, 1950 (at the LTMF)...
841:"Discovering Leeds - (The Leeds) Triennial Music Festivals"
238:. He used poetry chiefly from the 16th and 17th century, by
285:, the Netherlands Radio Choir, and the Boys' Chorus of
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Introduction: "Shine out" (Anonymous) (mixed chorus)
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320:is made up of four parts, which correspond to the
1858:Benjamin Britten: A Life in the Twentieth Century
365:, re-enter the scene and sing the 13th century
301:at Tanglewood in August 1950. In October 1950,
546:) (male chorus, female chorus and boys' choir)
468:) (soprano, alto and tenor soli, mixed chorus)
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8:
1244:Diversions for Piano Left Hand and Orchestra
346:representing the May revellers fortified by
1412:Canticle I: My beloved is mine and I am his
817:. (LTMF Committee) - City of Leeds UK 1950
1972:Musical settings of poems by William Blake
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1205:The Young Person's Guide to the Orchestra
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783:Berkeley, Lennox (July 1950). "Britten's
257:The choral symphony was premiered in the
199:. The work received its premiere in the
1674:Prelude and Fugue on a Theme of Vittoria
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1932:Choral compositions by Benjamin Britten
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631:Stein, Erwin (Spring 1950). "Britten's
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328:with slow introduction, slow movement,
1623:Sacred and Profane (8 medieval lyrics)
898:"Work of the Week 12. Spring Symphony"
1173:Variations on a Theme of Frank Bridge
354:(borne out by some rather unexpected
7:
1790:Britten Pears Young Artist Programme
1430:Canticle IV: The Journey of the Magi
1293:Serenade for Tenor, Horn and Strings
410:The large orchestra includes triple
297:. The American premiere was by the
283:Concertgebouw Orchestra of Amsterdam
1872:Cantus in Memoriam Benjamin Britten
1470:Songs and Proverbs of William Blake
1743:Variations on an Elizabethan Theme
1424:Canticle III: Still falls the rain
14:
191:. Britten dedicated the work to
1901:
1900:
670:Bayan Northcott (5 March 1999).
587:St. Willibrord's Church, Utrecht
561:The Knight of the Burning Pestle
512:"Out on the lawn I lie in bed" (
479:) (soprano solo and boys' choir)
307:Leeds Triennial Musical Festival
287:St. Willibrord's Church, Utrecht
843:. Leeds City Council UK - 2003
757:Achenbach, Andrew (June 1997).
711:"Spring Symphony op. 44 (1949)"
441:The poems (and authors) in the
203:on 14 July 1949 as part of the
1927:Symphonies by Benjamin Britten
1418:Canticle II: Abraham and Isaac
1399:Britten's Purcell realizations
1392:The Holy Sonnets of John Donne
516:) (alto solo and mixed chorus)
1:
1384:Seven Sonnets of Michelangelo
759:"Britten Spring Symphony etc"
291:London Philharmonic Orchestra
220:Koussevitzky Music Foundation
1704:Nocturnal after John Dowland
1682:Six Metamorphoses after Ovid
874:. London: Hawkes & Son.
672:"Britten's spring awakening"
498:"Welcome, Maids of Honour" (
464:"Spring, the Sweet Spring" (
373:". The simple tune, sung in
324:of a conventional symphony:
1800:Snape Maltings Concert Hall
175:44. The work is scored for
1988:
1690:Fanfare for St Edmundsbury
868:Britten, Benjamin (1949).
539:) (soprano and tenor soli)
528:"When will my May come?" (
309:with a choir of 100 boys.
18:
1898:
1649:String Quartet in D major
1462:Sechs Hölderlin-Fragmente
1376:Beware! Three Early Songs
1132:The Prince of the Pagodas
1089:The Burning Fiery Furnace
1046:A Midsummer Night's Dream
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649:10.1017/S0040298200043230
388:time over the unyielding
299:Boston Symphony Orchestra
295:London Philharmonic Choir
197:Boston Symphony Orchestra
99:Boston Symphony Orchestra
52:
44:
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21:Symphony No. 1 (Schumann)
1826:Benjamin Britten Academy
1821:Benjamin Britten (train)
1805:The Red House, Aldeburgh
557:
426:accompanying the tenor (
259:Concertgebouw, Amsterdam
201:Concertgebouw, Amsterdam
1795:Britten-Pears Orchestra
1486:Who Are These Children?
1261:Vocal/Choral Orchestral
839:Leeds Classical Music.
527:
497:
218:on a commission by the
1693:(three trumpets, 1959)
1454:Songs from the Chinese
108:14 July 1949
78:songs by various poets
1341:Cantata misericordium
1277:The Company of Heaven
1030:The Turn of the Screw
305:was performed at the
1735:Homage to Paderewski
1717:String Quartet No. 3
1667:String Quartet No. 2
1661:String Quartet No. 1
1657:(oboe quartet, 1932)
1642:Chamber/Instrumental
1599:A Hymn of St Columba
1545:A Ceremony of Carols
1438:A Charm of Lullabies
1409:(1947–75, including
990:The Rape of Lucretia
959:List of compositions
542:"Sound the flute!" (
482:"The Morning Star" (
457:"The Merry Cuckoo" (
1878:English Opera Group
1814:Named after Britten
1569:Rejoice in the Lamb
1269:Our Hunting Fathers
1189:Sinfonia da Requiem
789:Music & Letters
715:Boosey & Hawkes
471:"The Driving Boy" (
313:Structure and music
1865:Britten's Children
1785:Britten Pears Arts
1780:Aldeburgh Festival
1713:(1964, 1967, 1972)
1615:Children's Crusade
1553:Hymn to St Cecilia
1349:Children's Crusade
1197:Matinées musicales
966:Opera and operetta
902:Britten Pears Arts
738:. brittenpears.org
736:"Britten timeline"
573:Sumer is icumen in
371:Sumer is icumen in
222:. He wrote it for
193:Serge Koussevitzky
95:Serge Koussevitzky
1942:1949 compositions
1937:Choral symphonies
1912:
1911:
1607:The Golden Vanity
1577:Five Flower Songs
1537:Advance Democracy
1513:Friday Afternoons
1494:A Birthday Hansel
1325:Cantata academica
1285:Les Illuminations
1231:(1939, rev. 1958)
1225:(1938, rev. 1945)
1165:Soirées musicales
575:", simultaneously
535:"Fair and fair" (
530:Richard Barnfield
505:"Waters Above!" (
279:Eduard van Beinum
214:Britten composed
156:
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1850:Related articles
1841:Britten Sinfonia
1754:Film adaptations
1655:Phantasy Quartet
1585:Hymn to St Peter
1561:Festival Te Deum
1247:(1940 rev. 1954)
1097:The Prodigal Son
1006:The Little Sweep
950:Benjamin Britten
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486:) (mixed chorus)
445:are as follows:
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271:Kathleen Ferrier
263:Holland Festival
205:Holland Festival
169:Benjamin Britten
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281:conducting the
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59:Britten in 1968
39:Choral symphony
32:Spring Symphony
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1836:Britten Hall
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1711:Cello suites
1702:
1697:Cello sonata
1688:
1685:(oboe, 1951)
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1631:Jubilate Deo
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819:. Retrieved
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601:André Previn
559:
537:George Peele
473:George Peele
466:Thomas Nashe
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363:French horns
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273:, and tenor
269:, contralto
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248:George Peele
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158:
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31:
25:
1967:W. H. Auden
1962:John Milton
1764:(1989 film)
1762:War Requiem
1516:(1932–1935)
1427:(1954) and
1406:5 Canticles
1333:War Requiem
1216:Concertante
1150:Sinfonietta
1108:Film/Ballet
974:Paul Bunyan
613:(conductor)
603:(conductor)
580:Discography
514:W. H. Auden
484:John Milton
356:modulations
275:Peter Pears
252:W. H. Auden
189:W. H. Auden
146:mixed choir
143:boys' choir
1921:Categories
1143:Orchestral
1124:Night Mail
1014:Billy Budd
880:B0000CTOU1
763:Gramophone
618:References
477:John Clare
420:percussion
340:tambourine
267:Jo Vincent
244:John Clare
112:1949-07-14
91:Dedication
1379:(1922–26)
1181:Mont Juic
742:20 August
643:: 19–24.
412:woodwinds
322:movements
236:orchestra
149:orchestra
105:Performed
1906:Category
1421:(1952),
1317:Nocturne
1022:Gloriana
677:12 April
293:and the
195:and the
120:Duration
97:and the
83:Language
1401:(1945)+
1357:Phaedra
907:6 March
768:6 March
720:6 March
424:violins
405:Maylord
331:scherzo
326:Allegro
277:, with
224:soprano
210:History
177:soprano
134:soprano
128:Scoring
123:45 min.
110: (
86:English
1773:Legacy
1746:(1953)
1738:(1941)
1719:(1975)
1699:(1961)
1669:(1945)
1663:(1941)
1651:(1931)
1634:(1961)
1626:(1974)
1618:(1968)
1610:(1966)
1602:(1962)
1594:(1959)
1588:(1955)
1580:(1950)
1572:(1943)
1564:(1944)
1556:(1942)
1548:(1942)
1540:(1938)
1532:(1934)
1524:(1933)
1505:Choral
1497:(1975)
1489:(1969)
1481:(1965)
1473:(1965)
1465:(1958)
1457:(1957)
1449:(1954)
1441:(1947)
1433:(1971)
1395:(1945)
1387:(1940)
1360:(1975)
1352:(1969)
1344:(1963)
1336:(1961)
1328:(1959)
1320:(1958)
1312:(1949)
1304:(1948)
1296:(1943)
1288:(1939)
1280:(1937)
1272:(1936)
1253:(1963)
1239:(1939)
1208:(1946)
1200:(1941)
1192:(1940)
1184:(1937)
1176:(1937)
1168:(1937)
1160:(1934)
1152:(1932)
1135:(1956)
1127:(1936)
1119:(1931)
1100:(1968)
1092:(1966)
1084:(1964)
1065:(1973)
1057:(1971)
1049:(1960)
1041:(1958)
1033:(1954)
1025:(1953)
1017:(1951)
1009:(1949)
1001:(1947)
993:(1946)
985:(1945)
977:(1941)
878:
801:942357
799:
657:942357
655:
551:Part 4
521:Part 3
491:Part 2
449:Part 1
414:, two
360:unison
336:finale
334:, and
171:, his
1368:Vocal
797:JSTOR
653:JSTOR
637:Tempo
596:1963)
416:harps
367:round
344:waltz
232:tenor
185:tenor
163:is a
140:tenor
909:2024
876:ASIN
849:2013
823:2015
770:2024
744:2012
722:2024
679:2024
350:and
348:wine
246:and
230:and
228:alto
183:and
181:alto
173:Opus
137:alto
75:Text
66:Opus
787:".
645:doi
635:".
564:by
352:ale
167:by
45:by
1923::
1415:,
900:.
888:^
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793:31
791:.
761:.
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687:^
651:.
641:15
639:.
475:,
242:,
226:,
179:,
70:44
942:e
935:t
928:v
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724:.
681:.
659:.
647::
571:"
396:4
381:4
369:"
114:)
23:.
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