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the reorganization of the standard
Chinese language, Xu Bing experienced the constant reformation of words. This constant linguistic change influenced his art: Xu Bing emphasizes the immortality of the essence of language while vividly illustrating the impermanence and capriciousness of words themselves. In this way language becomes malleable and it can be fashioned to either liberate or control. Just as it is nigh impossible to detangle life from politics during the
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646:(Landscape) scroll painting, with images of mountains, trees, and rivers. However, when seen from behind, the viewer is surprised to find that the beautiful "painting" is in fact created by using the shapes and shadows of random natural plant debris. Once again, Xu Bing challenges his audience's basic assumptions and shows them that everything is not always as it first seems. In 2022, Xu Bing created a version of
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561:. Leaving China in 1991 for the political and artistic freedom of the United States, Xu Bing continued to explore and express his thoughts on deconstructing language to challenge our most "natural" cultural assumptions. His thought-provoking work enticed Western audiences, and he soon became one of the leading artists in the modern Chinese art scene.
402:, his recent work came under scrutiny from the government and received harsh criticism for what was perceived as a critique of the Chinese government. Due to the political pressure and artistic restrictions of the post-Tiananmen period in China, Xu Bing, like many of his contemporaries, moved to the United States in 1990 where he was invited by the
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later saying that they "made my skin quiver." He was inspired to construct two large sculptures in the form of birds that are made largely out of construction debris and tools that he salvaged from the site. The larger sculpture, 100 feet (30 meters) long, is identified as a male and named Feng in accordance with the
Chinese
760:(1966–1976) also rankles the modern Chinese artistic consciousness even though different artists have focused on different angles. Xu Bing in particular plays with the notion of the paradox between the power and fickleness of language, of what it means to be human, and of how our perceptions color our worldview.
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In 2008, after returning to China to take the position at the
Central Academy of Fine Arts, Xu Bing was asked to create a sculpture for the atrium of the World Financial Center, which was then being developed in Beijing. He was shocked by primitive working conditions he saw at the construction site,
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with written "Chinese" texts. Even so, this work challenges our very approach to language because of the unique nature of the text written on the paper. First presented in
Beijing in 1988, the learned élite felt slighted by the artists' bold move to design and print over 4,000 characters that looked
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Xu Bing plays incessantly with the role, purpose, and reality of language. Early in his life his father would make him write a page of characters a day, encouraging him to not only copy their form to perfection, but also to capture their spirit, their essence. During Mao's cultural reformations and
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poem reads, "As there is nothing from the first, where does the dust itself collect?" Using this tragedy as an expression of the human narrative, Xu Bing contemplates the relationship between the material and the spiritual, and he explores "the complicated circumstances created by different world
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tradition. The smaller one is 90 feet (27 meters) long and is a female named Huang. Originally planned to take four months, the sculptures ultimately took two years to build; by that time the developers of the complex had decided the sculptures did not meet their needs. They were displayed at the
794:(2004, 2011). For this piece, the artist gathered dust from the aftermath of the collapse of the Twin Towers in New York after September 11, 2001, and uses it to recreate the gray film that covered Manhattan in the weeks following the attacks. Stenciled in the dust, a
732:(2004–present) where his work imitates a traditional Chinese brush and ink scroll from the front, but is in fact designed by means of the projected shadows of plants and sticks. Even more recently, Xu Bing has delved into sculpture and metalworking, as seen in
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Xu Bing's art medium has evolved over the years, morphing from one style to the next: print-making and wood-block carving, installation art, live installation art, metalwork and sculpture, landscaping, and even virtual and digital mediums.
775:, which encouraged the "uninterrupted flow of funds from developed countries to Kenya, earmarked for the planting of new trees." Even so, his focus is always on the effect that environmental issues have on people, such as the villages in
362:. He is known for his printmaking skills and installation art, as well as his creative artistic use of language, words, and text and how they have affected our understanding of the world. He is an A.D. White Professor-at-Large at
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Working in a wide range of media, Xu creates installations that question the idea of communicating meaning through language, demonstrating how both meanings and written words can be easily manipulated. He received a
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Chinese but were completely meaningless according to standard
Mandarin. Xu Bing infuses his work with meaning by stirring confusion and discomfort in his audience, mostly due to the fact that the
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Using his background in print-making, in May and June 1990 Xu Bing and a team of art students and help from local residents began a monumental project: creating a rubbing from a section of the
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to print volumes and scrolls, which are displayed laid out on the floor and hung from the ceiling. The vast planes of text seem to convey ancient wisdom, but are in fact unintelligible.
398:(CAFA) in Beijing, where he joined the printmaking department and also worked during a short period of time as a teacher, receiving his master's degree in Fine Art in 1987. After the
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style of art so predominant during the Maoist era. After graduating with his degree in printmaking, the artist veered away and created simple but dramatic woodcuts, such as
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It was not until 2008 that Xu Bing set aside his post-Maoist reactionary art and invested in other topics. For example, he took on environmental projects such as
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Xu Bing's art mostly reflects cultural issues which raged during his early life in China. Most notably, the cultural and linguistic reforms enacted by the
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grant in July 1999, presented to him for "originality, creativity, self-direction, and capacity to contribute importantly to society, particularly in
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394:, he was relocated to the countryside for two years as part of Mao Zedong's "re-education" policy. Returning to Beijing in 1977, he enrolled at the
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Taking installation art a step further, Xu Bing focused on live installation art by using animals in his exhibits, such as in the case of the
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In 2003 he exhibited at the then new
Chinese Arts centre in Manchester, and in 2004 he won the inaugural "Artes Mundi" prize in Wales for
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An example of Xu Bing's 'Square Word' calligraphy, combining Latin characters into forms that resemble
Chinese characters. The word is '
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512:(1980–81, 繁忙的水乡). In 1987, Xu Bing returned to his training in printmaking to create large and elaborate installation pieces like
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International
Association of Art Critics Award for "Best Installation or Single Work of Art in a Museum, New England" (2006)
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At the turn of the millennium, a new defining social pattern emerged after the terrorist attacks in the United States on
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era (and its ramifications in decades to follow), Xu Bing also intertwines political messages into his art.
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406:. He then resided to the United States until his appointment as vice-president of the Beijing CAFA in 2008.
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stretches across the museum's atrium and pours down into an illegible pile of letters on the floor below.
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This piece was well received in China until 1989, whereupon the social and political drama of the
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728:(1997). Later he explored the combination of modern and traditional mediums, as in the case of
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Xu Bing was appointed the new vice president of the
Central Academy of Fine Arts, March 2008.
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541:("Book From the Sky") is a large installation featuring precisely laid out rows of books and
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As in the case of many of his works, Xu Bing directly related his colossal piece,
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724:(using silkworms and pigs, respectively) in 1994, or by showcasing sheep in
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Pseudo-Languages: A Conversation with Wenda Gu, Xu Bing, and
Jonathan Hay.
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Cornell University Andrew Dickson White Professors-at-Large Biography
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358:; born 1955) is a Chinese artist who served as vice-president of the
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In 1990–91, Xu had his first exhibition in the United States at the
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The Art of Xu Bing: words without meaning and meaning without words
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Interviewed by Alan Macfarlane and Li Shuo 28 April 2015 (video)
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before coming to the United States in 2012. After a year at the
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While at the Central Academy of Fine Arts Xu Bing mastered the
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Tomji, Reiko; David Elliott; Robert Harriet; Xu Bing (2012).
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Cosmopatriots: On Distant Belongings and Close Encounters
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From 1994 he started a new project, in which he adapted
480:. He won also a half year of free work and study at the
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American Academy in Berlin Coca-Cola Fellowship (2004)
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The Character of Characters: An Animation By Xu Bing
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Lanman Shanhua (Brilliant Mountain Flowers) Magazine
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1730:Academic staff of the Central Academy of Fine Arts
557:led the government to look askance at Xu Bing's
1329:"Phoenixes Rise in China and Float in New York"
1227:De Kloet, Jeroen (2007). Edwin Jurriëns (ed.).
550:used in these texts are not "real" characters.
1577:The New England Journal of Aesthetic Research
472:, an installation using dust he collected in
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1627:Columbia University in the City of New York
1130:Wang, Yanjuan; Chen, Wen (9 January 2008).
994:(2012). Asian Art Museum of San Francisco.
75:Learn how and when to remove these messages
1160:"Schooling the Artists' Republic of China"
666:a traditional form of artistic imitation.
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1020:Book from the Sky to Book from the Ground
964:Book from the Ground: from point to point
382:Born in Chongqing in 1955, Xu grew up in
200:Learn how and when to remove this message
182:Learn how and when to remove this message
120:Learn how and when to remove this message
1725:Chinese expatriates in the United States
1623:"HONORS AND PRIZES (Honorees 1945-2019)"
1109:"Coca-Cola Fellow, Class of Spring 2004"
690:Massachusetts Museum of Contemporary Art
476:on the day after the destruction of the
145:This article includes a list of general
1132:"Playing With the Artistry of Language"
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910:Introduction to Square-Word Calligraphy
808:Pollock Krasner Foundation Prize (1998)
1476:"Where Does the Dust Itself Collect?"
1231:. Amsterdam: Rodopi B.V. p. 141.
7:
1210:Book from the Sky: A work by Xu Bing
104:Please help consolidate the article.
1720:Central Academy of Fine Arts alumni
1084:"Artist finds peace in Ground Zero"
792:Where does the Dust Itself Collect?
470:Where does the dust collect itself?
1710:20th-century Chinese calligraphers
1497:"COCA-COLA - CLASS OF SPRING 2004"
916:Oxford Dictionary: Bird Definition
151:it lacks sufficient corresponding
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1327:Vogel, Carol (14 February 2014).
1082:Kennedy, Maev (5 February 2004).
849:Honorary Doctor of Humane Letters
249:Asian Art Museum of San Francisco
56:This article has multiple issues.
1573:"New England art critics awards"
1158:Barboza, David (30 March 2008).
694:Cathedral of St. John the Divine
652:Herbert F. Johnson Museum of Art
136:
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30:For the Chinese politician, see
1214:Princeton University Art Museum
1188:"Bustling Village on the Water"
413:'s Elvehjem Museum of Art (now
411:University of Wisconsin–Madison
404:University of Wisconsin–Madison
390:. In 1975, near the end of the
64:or discuss these issues on the
1259:"Square Calligraphy Classroom"
692:, they were then moved to the
660:Woodcutter in Winter Mountains
417:) including his installations
400:1989 Tiananmen Square protests
354:
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979:Art Journal 58, no. 3 (1999):
958:Monkeys Grasping for the Moon
510:Bustling Village on the Water
34:. For the Chinese actor, see
1700:Chinese contemporary artists
1111:. American Academy in Berlin
1042:The Enduring Passion for Ink
904:A Case Study in Transference
437:The Glassy Surface of a Lake
396:Central Academy of Fine Arts
360:Central Academy of Fine Arts
1571:COOK, GREG (2 March 2007).
1302:"Xu Bing: Background Story"
1208:Silbergeld, Jerome (2003).
818:Fukuoka Asian Culture Prize
264:1955 (age 68–69)
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1735:Cornell University faculty
1598:"SGC International Awards"
1501:American Academy in Berlin
1246:. Smithsonian Institution.
1063:Tianyi, Wen (April 2016).
940:Red Book (Tobacco Project)
841:Southern Graphics Council
722:Case Study of Transference
482:American Academy in Berlin
211:
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27:Chinese artist (born 1955)
1547:"The Youth Friends Award"
1242:Erickson, Britta (2001).
1045:(2013) by Britta Erickson
734:Monkeys Grasping the Moon
650:for Cornell University's
555:Tiananmen Square protests
368:MacArthur Fellows Program
345:
330:MacArthur Fellows Program
240:
1452:America's Best History.
922:American Silkworm Series
880:Ghosts Pounding the Wall
750:Communist Party in China
658:work in its collection,
588:Ghosts Pounding the Wall
566:Ghosts Pounding the Wall
520:Ghosts Pounding the Wall
425:Ghosts Pounding the Wall
99:too many section headers
1662:with Ellen Pearlman in
1022:(2020). Acc Art Books.
833:The Youth Friends Award
640:Chinese Scroll Painting
622:New English Calligraphy
595:Square Word Calligraphy
166:more precise citations.
18:Square Word Calligraphy
1715:Artists from Chongqing
684:in Beijing and at the
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1551:The School Art League
1522:"Artes Mundi Prize 1"
1454:"U.S. Timeline—2000s"
1306:Johnson Museum of Art
860:Partial list of works
744:Influences and themes
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366:. He was awarded the
1406:on 29 September 2011
1281:"Background Story 6"
946:Book from the Ground
934:Landscript Postcards
843:Lifetime Achievement
455:MacArthur Foundation
415:Chazen Museum of Art
32:Xu Bing (politician)
1666:from September 2007
1379:. Albion Editions.
873:A Book from the Sky
853:Columbia University
766:Cultural Revolution
758:Cultural Revolution
686:Shanghai World Expo
532:A Book from the Sky
526:Installation pieces
441:Henry David Thoreau
420:A Book from the Sky
392:Cultural Revolution
319:A Book from the Sky
1333:The New York Times
1165:The New York Times
1008:(2016). Thircuir.
985:doi:10.2307/777863
952:Ten Thousand Trees
616:into the shape of
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548:Chinese characters
478:World Trade Center
364:Cornell University
1705:MacArthur Fellows
855:, New York (2010)
835:, New York (2005)
827:Artes Mundi Prize
704:by Daniel Traub.
620:. He called this
515:Book from the Sky
502:Socialist Realism
429:Book from the Sky
388:Peking University
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1385:0956867006
1355:"Projects"
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1279:Xu, Bing.
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1257:Xu, Bing.
1186:Xu, Bing.
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1050:References
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573:Great Wall
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147:references
61:improve it
1660:Interview
1481:4 October
1069:NewsChina
886:A.B.C....
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378:Biography
374:in 2003.
284:Education
268:Chongqing
97:may have
67:talk page
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1195:2010
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1024:ISBN
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